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AI artwork featuring #Kurumi Tokisaki and #Date A Live
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Kurumi Tokisaki, Date A Live

#Kurumi Tokisaki#Date A Live
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character: tokisaki_kurumi, copyright: date_a_live 1girl, solo, tokisaki kurumi, long black hair, twintails, red eyes, heterochromia, yellow clock-patterned pupil in one eye, clock face in left eye, large breasts, black frilled gothic lolita dress, red and black corset bodice, detached sleeves, frilled cuffs, one arm raised up, arm lifted high, hand reaching upward, fingers spread, sly smile, suspicious smirk, half-closed eyes, looking at viewer, red aura, glowing red energy, faint red wisps, magic circle, giant clock face behind her, roman numerals, clock hands, dark background, from below, cowboy shot, dutch angle, Shot from a low angle tilted a few degrees off level, so the small figure of a lone girl dominates the frame from the waist up against a black void: she stands turned a quarter off the lens, right hip carrying her weight and her left shoulder dropped back, one red-sleeved arm thrust straight upward with the cuff falling open and her gloved fingers spread wide and bent slightly at the top joint as if she has just loosed something into the air. Her other arm hangs loose at her side, wrist slack, knuckles grazing the frill at her skirt. Long black twintails, bound high and falling in two heavy tails past her hips, are lifted and splayed outward by the updraught of her own power, stray strands crossing her cheek and the black lace at her collar. Her face is tilted down at the viewer from under half-lowered lids, one brow arched, the corners of her mouth drawn up into a thin sly smile with one canine just showing -- the look of someone who has already won. Her left eye burns yellow, its iris ringed with fine clock markings and a pointed hand crossing the pupil; the right eye is deep red and narrow. A vast clock face hangs in the air behind her shoulder, half of it cropped by the frame, its numerals and hands rendered in dull red-black ink and turning slowly, its lower half dissolving into drifting red motes; a faint red aura spills from its rim and clings to her silhouette, glowing on the edges of her hair, the frills at her shoulder and the underside of her raised sleeve while the front of her bodice stays in shadowed black. The clock is the only light source besides its own faint bleed, so her face is lit from behind and below, her eye sockets and throat falling dark, a thin red rim tracing her jaw and twintails. Palette is restricted to black, crimson, and the sickly yellow of the clock eye, with the aura washing the whole background in a low red haze; nothing outside that scheme is admitted. Deep blacks swallow the corners, the floating dust of the aura catches the light only where the clock's glow strikes it, and the entire frame is held in a flat cel-shaded anime finish with crisp hard-edged linework. Ominous, magnetic.
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Character: tokisaki_kurumi_(DATE・A・LIVE)、デート・ア・ライブのアニメ作画に忠実、大きなおっぱい、特殊な黄色い片目、自身の能力を行使している(背後に時計が現れる)、赤いオーラをうっすら漂わせる、怪しい笑顔、片腕を上にあげる
Tryb
ultra
Tag jakości
﹝Podpowiedzi﹞
Rozmiar
1104 x 1824
Metoda próbkowania
Euler
Niepożądane
lowres, worst quality, low quality, bad anatomy, explicit
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AI artwork
あ
character: tokisaki_kurumi, copyright: date_a_live 1girl, solo, tokisaki kurumi, long black hair, twintails, asymmetrical hair, red eye, yellow left eye, heterochromia, clock face in iris, clock hands in pupil, very large breasts, prominent bust, black and red gothic lolita dress, frilled bodice, one arm raised upward, arm up, outstretched arm to the sky, head tilted down, smug, suspicious smile, lopsided smile, one eyebrow raised, half-closed eyes, looking at viewer, casting ability, clock behind her, giant floating clock, roman numerals, exposed gearwork, translucent clock, red aura, glowing red outline, drifting red particles, from below, dynamic angle, low angle, depth of field, dark background, dramatic lighting, dutch angle, dutch angle, high contrast, cel shading, thick lineart, crisp anime linework Seen from a low angle looking up, the girl fills the frame from mid-thigh to the crown of her head, her body turned three-quarters toward the viewer with her weight settled on her right leg while her left hip juts out. Her right arm is thrust straight up above her head, fingers loosely spread, elbow locked, so that the raised arm cuts a diagonal across the sky-blue void of the upper third; her left hand rests flat against her own hip, gripping the ruffled edge of her dress. Her glossy black twintails are gathered at each side of her head and stream outward to the left, their red-tinted tips lifted by the same updraft that stirs the loose ribbons of her bodice. Her chin is dropped slightly, and her right eye — deep crimson — is narrowed while her left eye, a vivid yellow one, holds an iridescent clock face in its iris with two slender black hands fixed near ten past ten; that mismatched gaze is aimed directly at the viewer. Her lips are parted in a thin, crooked smile that bares one canine, one corner tugged higher than the other. Behind her, filling the upper-right of the composition, a colossal translucent clock hangs in mid-air: a pale bone-white ring of roman numerals with a dark inner face, its perimeter ringed by exposed brass gears that turn and interlock, the whole disc tilted and half-obscured where her shoulder and raised arm cross in front of it. A fine red aura outlines her entire silhouette, a soft luminous rim that haloes her shoulders and the edges of her hair, and sparse red motes drift upward around her, each glowing faintly before fading. The light comes from the clock itself and from the aura: a cold red-white key from behind and slightly above, rimming the top of her raised arm and the upper curve of her bust while leaving the underside of her chin and the front of her bodice in shadow, and her body throws a long distorted shadow down across the empty dark ground. The palette is restricted to black, crimson, and the sickly yellow of her left eye, with the clock in bone white and tarnished brass against a deep near-black backdrop; the only warmth is the aura and the red tips of her hair. Fine red motes drift upward past her waist, and the air around the clock seems to shimmer where the gears turn. The anime rendering is faithful to the original series' art style: crisp cel-shaded planes, glossy specular highlights on her hair and her eye, thick clean linework, saturated red-violet shadows. Menacing, bewitching.
あやはまたわたはあ
AI artwork
Avatar image of luis barrera ake
character: tokisaki_kurumi, copyright: date_a_live masterpiece, best quality, highly detailed, 1girl, solo, tokisaki kurumi, date a live, black hair, uneven twintails, heterochromia, red eye, yellow clock eye, clock pupil, symbol-shaped pupils, hair over one eye, gothic lolita dress, black and red frilled dress, lolita hairband, black thighhighs, smile, smirk, looking down at viewer, low angle, dynamic pose, one arm raised, holding a pole, golden background, ornate background, clock motif, cinematic lighting, detailed eyes, anime style
luis barrera ake
AI artwork
Avatar image of luis barrera ake
character: tokisaki_kurumi, copyright: date_a_live solo, 1girl, long black twin tails, red and black gothic lolita dress, red ribbons, heterochromia, clock-shaped golden eye, mysterious smile, looking at viewer, elegant pose, floating antique clocks, glowing red particles, dramatic lighting, dark fantasy background, from below, low angle, cowboy shot, head tilt, hand on own chest, outstretched arm, detailed face, detailed eyes, sharp focus, cinematic composition, dutch angle A low-angle cowboy shot looks up at the single figure as she stands in a dark fantasy void: long black twin tails fall in two heavy tails past her waist, each gathered at its base with a red ribbon whose loops catch the glow, the tails swinging slightly outward as though the air around her were moving. Her red and black gothic lolita dress is cut close at the bodice with black lace trim and a red-ribboned waist, its full bell skirt weighted so the hem hangs in deep folds, the fabric's black panels shading into crimson where light strikes. She tilts her head a fraction and looks straight down into the lens with a mysterious closed-lip smile, one corner drawn up, lashes lowered a little over a mismatched pair of eyes: her right eye a clock-faced golden dial whose Roman numerals and thin hands read clearly in gold, her left eye deep red and faintly luminous. One hand rests flat against her own chest, fingers spread over the lace at her collarbone; the other arm is swept out to the side, wrist relaxed, fingertips just brushing the air, her weight on one hip so the skirt sways. Floating antique clocks hang around her at different depths -- brass-cased and ornate, some edge-on, some face-on, hands frozen at different hours -- and glowing red particles drift between them, each a small ember of light. Behind her the dark fantasy background is an abyss of near-black violet and blood red, the light on her face, her golden dial eye and the nearest clock cases coming from a hard low source beneath her jaw so the shadows climb the wrong way and the far clocks dissolve into haze. Red and black dominate, gold admitted only on the clock-shaped eye and the brass clock rims. Her hair and skirt edges glow faintly along their outer contours, and the clock nearest her shoulder ticks forward one minute. Elegant, ominous.
luis barrera ake
AI artwork
ち
character: tokisaki_kurumi, copyright: date_a_live 1girl, solo, tokisaki kurumi, long black hair, twintails, asymmetrical bangs, red eye, yellow left eye, heterochromia, pale skin, gothic lolita dress, black and crimson frilled dress, red ribbon at the collar, close-up, face focus, slightly close viewpoint, from below, dutch angle, three-quarter view, head tilted, activating ability, casting, one hand raised, fingers curled mid-gesture, glowing golden clock face behind her, roman numerals, clock hands spinning, floating clock, dark red aura, looking down at viewer, half-closed eyes, small parted lips, calm predatory smile, dark background, dramatic rim light, Shot from slightly below and close in on her face, the camera tilted a few degrees off level so her silhouette cuts diagonally across the frame; she fills most of the image, shoulders and the top of her frilled collar at the bottom edge, the back of her head and her twintails passing out of frame at the left and right. Her head is turned three-quarters toward the lens and tilted, chin low, so she looks down along the line of her nose; her right eye, crimson, is narrowed and half-lidded, and her left eye, a luminous gold clock-face iris with its hands faintly turning inside the pupil, is held wide and fixed on the viewer. A faint closed-lip smile pulls one corner of her mouth higher than the other. Her right arm is raised beside her cheek, elbow bent, hand at shoulder height with the fingers curled and half-extended as if she has just released something; her left arm hangs at her side, unseen below the crop, its weight settling on her right hip. The air around her raised hand is disturbed: her bangs and the loose strands at her cheek lift away from her face and her collar ribbons stream sideways. Behind her right shoulder, deeper in the dark, a huge translucent clock face hangs in the air, its rim and thin golden roman numerals glowing, both hands sweeping round; the clock is larger than her head and softened by distance, and its light spills onto the back of her neck, her right shoulder and the edge of her cheek, a warm gold rim against the cold shadowed side of her face. Beyond that golden light the background is near-black, empty, unreadable in depth. The only other light is a low, cool red glow from in front, catching her chin, the bridge of her nose and the ribbons of her dress. Palette held to black, deep crimson and luminous gold, with her pale face as the one bright mass; the gold lives in the clock, the left eye and the rim light, the crimson in the right eye, the dress and the front glow. Her hair is drawn in crisp cel-shaded locks with hard-edged highlights, the dress frills layered in clean flat tones, and the clock's glow blooms softly against the flat dark. Her breath is just visible fogging the air in front of her parted lips. Ominous, quietly delighted.
ちちち

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