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AI art "島田愛里寿" featuring #Girls und Panzer and #Alice Shimada
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島田愛里寿

#Girls und Panzer#Alice Shimada
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W PixAI prompty są domyślnie publiczne, ale twórcy mogą je ukryć w każdej opublikowanej pracy. Autor tej pracy zdecydował się to zrobić, więc słowa użyte do wygenerowania obrazu pozostają prywatne — widzi je wyłącznie autor. Ukrycie promptu nie zmienia niczego więcej: praca nadal jest publiczna, a Ty możesz ją polubić, skomentować i udostępnić jak zwykle.
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character: kuwayama_chiyuki, kuwayama_chiyuki(idol_master) overhead shot, top-down, from above, looking directly down, bird's-eye view, 1girl, solo, lying on back, on bed, hotel bed, full body visible, arms splayed out, arms limp, hands palms-up, resting on sheets, exhausted, total exhaustion, flushed face, blushing, embarrassed expression, purple eyes, sweat on skin, moist skin, brown hair, long hair, ahoge, braid, wearing bra, underwear only, bare shoulders, bare arms, bare midriff, navel, bare legs, messy bedding, rumpled sheets, disheveled pillows, dimly lit bedroom, warm humid atmosphere, soft ambient lighting, intimate fatigue, warm color palette, cinematic lighting, high detail The camera hangs from the ceiling directly above the bed, looking straight down, so the mattress fills the frame edge to edge and the girl is seen in full length from above, her whole body laid out across the sheets. She lies on her back, spine along the bed's long axis but tilted a little off-center toward the lower right, head heavy on a crumpled pillow at the upper left of the frame, one hip lifted slightly off the mattress so her body reads as a slack, uncoiled line rather than a posed one. Her arms lie limp and splayed out to both sides, flung clear of her torso, elbows slightly bent and turned outward, and both hands rest palms-up on the sheets, fingers loosely curled and open to the ceiling. Her legs trail down-frame, one knee fallen outward, the other leg straight, heels sunk into the rumpled duvet. Her face is turned a few degrees toward her shoulder, chin tucked, cheeks and the bridge of her nose deeply flushed with a hot pink blush that spreads to her ears, brows drawn up in the middle, eyes wide and glassy with a wet shine, lips parted on a small breath — a thoroughly embarrassed expression held under the camera's impartial stare. Purple irises catch a thin ring of light; her long brown hair fans out across the pillow and sheets around her head in loose tangles, the small braid trailing off to one side, the ahoge sprung up and bent. She wears only a plain bra, the straps slipping a little off her bare shoulders, her collarbones, midriff and navel exposed to the air; no jewelry, both ears bare and unobstructed, nothing at her throat. A fine sheen of sweat covers her skin — forehead, collarbones, sternum, the hollow of her throat — beading into small droplets that catch the light and darkening the fabric of the bra where it touches; a few strands of hair stick damply to her cheek and neck. The bedding is a wreck: sheets pulled loose and twisted into long diagonal creases, the duvet half-kicked off the mattress edge, pillows crushed and one flung near the corner, the fabric folds casting soft micro-shadows under the raking overhead light. The room is a dim hotel bedroom seen only in what the ceiling light permits: a warm, low ambient glow from a shaded lamp off-frame, falling across her body from above and slightly to one side, so the highlights sit on her flushed cheeks, her shoulders and the sweat on her chest while the deep shadow pools in the creases of the sheets and in the hollows beside her neck and under her arms. Beyond the lit mattress the floor and far walls sink into brown darkness; the only other brightness is the faint warm sheen of the headboard edge. The palette is held to warm amber lamplight, the pale cream of the sheets, the deep brown of her hair and the pink heat of her blush, with the humid air reading as a slight softness in the light. The atmosphere is a single held breath of intimate fatigue.
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