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Pokaż parametry
- Oryginalny prompt
- jiro kyoka, dabi (boku no hero academia), in the rain shirtless, posing like a guy in a cologne commercial
- Tryb
- pro
- Rozmiar
- 768 x 1280
- Metoda próbkowania
- Euler
- Niepożądane
- lowres, worst quality, low quality, bad anatomy, explicit
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Kohei Horikoshi, My Hero Academia, 1Ostyle, (masterpiece:1.2), (best quality:1.2), newest, anime coloring, (anime screencap:1.0), detailed clothes, detailed body, detailed eyes, smooth skin, sharp focus, shiny skin, shiny clothes, INKxXmo Dark Theme, Shaded Face, 1girl, purple hair, pink eyes, hero white, long hair, cabello hair, blue sky, power ⚡🩷, purple jacket, white haori, sky water, yellow gemstone, 2boys, bakugou katsuki, red eyes, blonde hair, black and bright Orange, rain, dark sky,
Genesis Velez
t
character: zuko, dabi_(boku_no_hero_academia), copyright: boku_no_hero_academia
1boy, solo, fusion of two characters, muscular, muscular male, wet skin, wet body, water droplets, sweat, topless male, bare chest, bare shoulders, short hair, black hair, spiked hair, messy hair, hair between eyes, hair over one eye, heterochromia, one blue eye, one golden eye, facial scar, burn scar over left eye, purple burn scars across lower face and neck, stapled skin seams, blue flame wisps, ember particles, from below, close-up, dutch angle, looking at viewer, head tilt, water dripping from chin, water running down chest, clenched fist, arm at side, steam rising off shoulders, dark background, single hard light source, high contrast, glowing blue rim light, wet specular highlights, tense, smoldering
A low-angle close-up shot from below, tilted slightly on a dutch angle, compresses the lone fused figure into the frame from mid-chest to just above the crown of the head, so the viewer looks up into a face that is turned a few degrees to one side but whose mismatched eyes drop straight down to the lens. The figure is one man carrying both bloodlines at once: short, violently spiked black hair that falls in messy strands between and across the eyes, one lock hanging over the right eye while sharp black spikes stand up at the crown, the whole mass soaked and flattened at the tips where water clings and catches the light. The two eyes are a split decision that reads as one person — the left eye pale ice blue, wide and unblinking; the right eye a hard gold, narrowed beneath a brow that carries deep brow furrow. A smooth-edged burn scar spreads across the left cheek and brow, while the right side of the jaw and the underside of the chin are crossed by tight purple scar tissue stitched with small metal staples that pull the skin taut; the scarred half of the mouth is set in a flat, clamped line while the unscarred corner lifts in a faint lopsided smirk. Steam curls off the scarred shoulder and there is a thin fringe of blue fire licking low along the seam of the jaw staples, hot enough that the vapor rises and bends away from the face.
The body is bare, no garment anywhere on the torso, and it is heavy, cut muscle — thick trapezius rising from the neck, broad deltoids, chest and abdominal blocks sharply defined and loaded with tension, veins standing along the forearms. Every inch of the skin is soaking wet: water sheets down the planes of the chest and stomach and hangs in fat droplets from the jaw and chin, a steady drip falling from the chin into the dark below; a single detail fixes the physics — the droplets bead and stand proud on the scarred, staple-pierced tissue along the jaw while on the smooth unscarred half of the face and neck the water flattens into a thin sheen and slides, so the two textures read differently in the same light.
The right fist is clenched hard at his side, knuckles pale, tendons raised, and the arm is pulled back out of frame at the bottom edge; the left shoulder rolls forward with the weight shifted onto that leg so the torso is not square to the camera, a slight twist through the waist. His gaze is locked straight down the lens, chin dipped, eyes half-lidded on the gold side as if daring the viewer to look away; the head tilt throws a hard shadow under the scarred jaw.
The background is a deep, near-black emptiness with no horizon and no second figure — only dark air and faint drifting embers. The single hard light source comes from below and slightly to the left, an igniting blue-white source that throws raking specular highlights up the underside of the chin, the chest and the inner arms, leaves the top of the head and shoulders in shadow, and casts a faint blue rim on the wet spikes of hair; the darkness beyond the light is absolute. The palette is held to black, wet skin tones, the cold blue-white of the flame light and specular sheen, the purple of the scarred tissue, and the small warm gold of the one eye.
Detail sits in the face, the eyes, the wet skin and the staple seams; the water, the steam and the fire are the revealers that make heat and tension visible. Tense, smoldering.
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