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AI art "Natsu al servicio de Dragonuf" featuring #Fairy Tail, #Erza Scarlet, #Natsu Dragneel and #Irene Belserion
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Natsu al servicio de Dragonuf

Natsu creció como hijo de dos ex caballeros al servicio de la realeza del reino

#Fairy Tail#Erza Scarlet#Natsu Dragneel#Irene Belserion
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Ramses Muñiz

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character: erza_scarlet, natsu_dragneel, irene_belserion 3 people, walking, walking side by side, noble knight costume, full body, from side, profile, wide shot, outdoors, cobblestone road, daytime, temperate sunlight, tall hedges, stone wall, pink hair, short spiked hair, yellow eyes, white scarf, armor, plate armor, pauldrons, gauntlets, cape, red hair, long hair, braid, twin braids, ponytail, red eyes, hat, witch hat, black gloves, earrings, red hair, long hair, young girl, small stature, looking ahead, mid-stride. A wide side-on shot at hip height frames three figures mid-stride on a cobblestone road, walking in a loose line from left to right, seen in clean profile so the whole width of the road stays open behind them. Nearest the camera on the left walks a short young man in a noble knight’s suit: polished steel plate over a dark padded gambeson, fluted breastplate, layered pauldrons, articulated gauntlets and greaves, a deep blue surcoat crossing his chest, a long white scarf wound at his throat and trailing down his back, and a full cape pinned at the shoulders that bellies out behind him with his stride. His hair is spiky and pink, short and standing up at the crown, and his yellow eyes are fixed on the road ahead, chin lifted, one brow arched in a cocky half-grin, his right foot forward and planted, left heel just lifting, right arm swinging free with the gauntleted fist loosely curled and left hand resting on the pommel-less belt at his hip. A half pace behind and to his right, taller and centred in the frame, walks a mature woman of twenty-five with a long braid of dark red hair falling over one shoulder, a second braid swung behind, a wide-brimmed pointed hat tipped low over her brow, long black gloves reaching past her wrists, and small earrings catching the light; she wears a deep burgundy travelling coat and boots, one hand at her collar adjusting it, her red eyes sliding sideways and down toward the young man, her mouth set in a cool, appraising line, weight carried on her back leg with the front foot landing softly. On her far right, smallest of the three, walks a young girl with the same red hair pulled back into a high ponytail that swings with each step, red eyes looking up toward the tall woman, her expression open and intent, small hands clasped in front of her chest around the strap of a plain satchel, her stride shorter and quicker to keep pace. The three bodies overlap in clear order from the camera: knight nearest, tall woman centred, girl farthest, each breaking the silhouette of the one ahead at shoulder or hip. Sunlight comes from the upper left, low and warm, raking across the knight’s plate so its flutes throw thin hard highlights and the rivets cast tiny shadows on the metal, lighting the left side of each face and leaving the right in soft shade; long shadows stretch forward and to the right across the stones, and the shadow of the cape’s hem ripples over the cobbles. Behind them a clipped hedge line and a pale stone wall run into soft green distance. Palette rests on polished steel grey, deep blue surcoat, burgundy coat, the reds of two heads of hair, and warm grey stone, with green only in the background hedge. The polished breastplate carries a slightly blurred reflection of the cobbles underfoot. Bright, companionable.
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Natsu Dragneel dressed as a noble knight walking beside a 25 year Irene Belserion alongside a young Erza Scarlet
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Avatar image of Ramses Muñiz
character: erza_scarlet, natsu_dragneel, irene_belserion 3 people, walking, walking side by side, noble knight costume, full body, from side, profile, wide shot, outdoors, cobblestone road, daytime, temperate sunlight, tall hedges, stone wall, pink hair, short spiked hair, yellow eyes, white scarf, armor, plate armor, pauldrons, gauntlets, cape, red hair, long hair, braid, twin braids, ponytail, red eyes, hat, witch hat, black gloves, earrings, red hair, long hair, young girl, small stature, looking ahead, mid-stride. A wide side-on shot at hip height frames three figures mid-stride on a cobblestone road, walking in a loose line from left to right, seen in clean profile so the whole width of the road stays open behind them. Nearest the camera on the left walks a short young man in a noble knight’s suit: polished steel plate over a dark padded gambeson, fluted breastplate, layered pauldrons, articulated gauntlets and greaves, a deep blue surcoat crossing his chest, a long white scarf wound at his throat and trailing down his back, and a full cape pinned at the shoulders that bellies out behind him with his stride. His hair is spiky and pink, short and standing up at the crown, and his yellow eyes are fixed on the road ahead, chin lifted, one brow arched in a cocky half-grin, his right foot forward and planted, left heel just lifting, right arm swinging free with the gauntleted fist loosely curled and left hand resting on the pommel-less belt at his hip. A half pace behind and to his right, taller and centred in the frame, walks a mature woman of twenty-five with a long braid of dark red hair falling over one shoulder, a second braid swung behind, a wide-brimmed pointed hat tipped low over her brow, long black gloves reaching past her wrists, and small earrings catching the light; she wears a deep burgundy travelling coat and boots, one hand at her collar adjusting it, her red eyes sliding sideways and down toward the young man, her mouth set in a cool, appraising line, weight carried on her back leg with the front foot landing softly. On her far right, smallest of the three, walks a young girl with the same red hair pulled back into a high ponytail that swings with each step, red eyes looking up toward the tall woman, her expression open and intent, small hands clasped in front of her chest around the strap of a plain satchel, her stride shorter and quicker to keep pace. The three bodies overlap in clear order from the camera: knight nearest, tall woman centred, girl farthest, each breaking the silhouette of the one ahead at shoulder or hip. Sunlight comes from the upper left, low and warm, raking across the knight’s plate so its flutes throw thin hard highlights and the rivets cast tiny shadows on the metal, lighting the left side of each face and leaving the right in soft shade; long shadows stretch forward and to the right across the stones, and the shadow of the cape’s hem ripples over the cobbles. Behind them a clipped hedge line and a pale stone wall run into soft green distance. Palette rests on polished steel grey, deep blue surcoat, burgundy coat, the reds of two heads of hair, and warm grey stone, with green only in the background hedge. The polished breastplate carries a slightly blurred reflection of the cobbles underfoot. Bright, companionable.
Ramses Muñiz
AI artwork
Avatar image of Ramses Muñiz
character: erza_scarlet, natsu_dragneel, irene_belserion 3 people, walking, walking side by side, noble knight costume, full body, from side, profile, wide shot, outdoors, cobblestone road, daytime, temperate sunlight, tall hedges, stone wall, pink hair, short spiked hair, yellow eyes, white scarf, armor, plate armor, pauldrons, gauntlets, cape, red hair, long hair, braid, twin braids, ponytail, red eyes, hat, witch hat, black gloves, earrings, red hair, long hair, young girl, small stature, looking ahead, mid-stride. A wide side-on shot at hip height frames three figures mid-stride on a cobblestone road, walking in a loose line from left to right, seen in clean profile so the whole width of the road stays open behind them. Nearest the camera on the left walks a short young man in a noble knight’s suit: polished steel plate over a dark padded gambeson, fluted breastplate, layered pauldrons, articulated gauntlets and greaves, a deep blue surcoat crossing his chest, a long white scarf wound at his throat and trailing down his back, and a full cape pinned at the shoulders that bellies out behind him with his stride. His hair is spiky and pink, short and standing up at the crown, and his yellow eyes are fixed on the road ahead, chin lifted, one brow arched in a cocky half-grin, his right foot forward and planted, left heel just lifting, right arm swinging free with the gauntleted fist loosely curled and left hand resting on the pommel-less belt at his hip. A half pace behind and to his right, taller and centred in the frame, walks a mature woman of twenty-five with a long braid of dark red hair falling over one shoulder, a second braid swung behind, a wide-brimmed pointed hat tipped low over her brow, long black gloves reaching past her wrists, and small earrings catching the light; she wears a deep burgundy travelling coat and boots, one hand at her collar adjusting it, her red eyes sliding sideways and down toward the young man, her mouth set in a cool, appraising line, weight carried on her back leg with the front foot landing softly. On her far right, smallest of the three, walks a young girl with the same red hair pulled back into a high ponytail that swings with each step, red eyes looking up toward the tall woman, her expression open and intent, small hands clasped in front of her chest around the strap of a plain satchel, her stride shorter and quicker to keep pace. The three bodies overlap in clear order from the camera: knight nearest, tall woman centred, girl farthest, each breaking the silhouette of the one ahead at shoulder or hip. Sunlight comes from the upper left, low and warm, raking across the knight’s plate so its flutes throw thin hard highlights and the rivets cast tiny shadows on the metal, lighting the left side of each face and leaving the right in soft shade; long shadows stretch forward and to the right across the stones, and the shadow of the cape’s hem ripples over the cobbles. Behind them a clipped hedge line and a pale stone wall run into soft green distance. Palette rests on polished steel grey, deep blue surcoat, burgundy coat, the reds of two heads of hair, and warm grey stone, with green only in the background hedge. The polished breastplate carries a slightly blurred reflection of the cobbles underfoot. Bright, companionable.
Ramses Muñiz
AI artwork
Avatar image of Ramses Muñiz
character: erza_scarlet, natsu_dragneel, irene_belserion 3 people, walking, walking side by side, noble knight costume, full body, from side, profile, wide shot, outdoors, cobblestone road, daytime, temperate sunlight, tall hedges, stone wall, pink hair, short spiked hair, yellow eyes, white scarf, armor, plate armor, pauldrons, gauntlets, cape, red hair, long hair, braid, twin braids, ponytail, red eyes, hat, witch hat, black gloves, earrings, red hair, long hair, young girl, small stature, looking ahead, mid-stride. A wide side-on shot at hip height frames three figures mid-stride on a cobblestone road, walking in a loose line from left to right, seen in clean profile so the whole width of the road stays open behind them. Nearest the camera on the left walks a short young man in a noble knight’s suit: polished steel plate over a dark padded gambeson, fluted breastplate, layered pauldrons, articulated gauntlets and greaves, a deep blue surcoat crossing his chest, a long white scarf wound at his throat and trailing down his back, and a full cape pinned at the shoulders that bellies out behind him with his stride. His hair is spiky and pink, short and standing up at the crown, and his yellow eyes are fixed on the road ahead, chin lifted, one brow arched in a cocky half-grin, his right foot forward and planted, left heel just lifting, right arm swinging free with the gauntleted fist loosely curled and left hand resting on the pommel-less belt at his hip. A half pace behind and to his right, taller and centred in the frame, walks a mature woman of twenty-five with a long braid of dark red hair falling over one shoulder, a second braid swung behind, a wide-brimmed pointed hat tipped low over her brow, long black gloves reaching past her wrists, and small earrings catching the light; she wears a deep burgundy travelling coat and boots, one hand at her collar adjusting it, her red eyes sliding sideways and down toward the young man, her mouth set in a cool, appraising line, weight carried on her back leg with the front foot landing softly. On her far right, smallest of the three, walks a young girl with the same red hair pulled back into a high ponytail that swings with each step, red eyes looking up toward the tall woman, her expression open and intent, small hands clasped in front of her chest around the strap of a plain satchel, her stride shorter and quicker to keep pace. The three bodies overlap in clear order from the camera: knight nearest, tall woman centred, girl farthest, each breaking the silhouette of the one ahead at shoulder or hip. Sunlight comes from the upper left, low and warm, raking across the knight’s plate so its flutes throw thin hard highlights and the rivets cast tiny shadows on the metal, lighting the left side of each face and leaving the right in soft shade; long shadows stretch forward and to the right across the stones, and the shadow of the cape’s hem ripples over the cobbles. Behind them a clipped hedge line and a pale stone wall run into soft green distance. Palette rests on polished steel grey, deep blue surcoat, burgundy coat, the reds of two heads of hair, and warm grey stone, with green only in the background hedge. The polished breastplate carries a slightly blurred reflection of the cobbles underfoot. Bright, companionable.
Ramses Muñiz
AI artwork
Avatar image of Ramses Muñiz
character: natsu_dragneel, irene_belserion 2 people, natsu_dragneel, irene_belserion, short hair, spiked hair, pink-red hair, yellow eyes, scarf, scaly scarf, sleeveless, noble knight outfit, full plate armour, polished steel cuirass, pauldrons, gauntlets, faulds, greaves, sword at hip, embroidered surcoat, red hair, long hair, braid, red eyes, hat, witch hat, gloves, black gloves, earrings, jewelry, walking, walking side by side, side-by-side, looking at another, from side, profile, full body, cowboy shot, outdoors, castle courtyard, cobblestone path, overcast afternoon, no text A full-body side-view composition at eye level, the two of them caught mid-stride on a wide cobblestone path across a stone castle courtyard, both facing the same direction, walking left to right. The man leads slightly, a half-step ahead on the near side of the frame, so the camera sees his profile and the front-left plane of his armour in full; behind and slightly beyond him the woman keeps pace, her profile and one shoulder visible past his back, their two sets of footsteps falling in step. He is compact and broad-shouldered with a shock of spiked pink-red hair swept back by his own motion, small scarves of it bouncing at each step, sharp yellow eyes fixed ahead and slightly up at the woman beside him, mouth open mid-laugh, one corner up; over a sleeveless underlayer he wears a complete noble knight's panoply — a polished steel cuirass with a raised central ridge, rounded pauldrons, articulated gauntlets with the near fist loose at his side and the far hand resting flat on the pommel of a sword sheathed at his left hip, faulds and greaves over dark boots, and a deep-crimson surcoat worked with pale gold scroll embroidery at hem and chest. Beside him she is tall and composed, her long red hair gathered into a thick braid that swings forward over her shoulder at each stride, a wide-brimmed dark witch's hat seated level on her head, black gloves closed at her sides, long earrings of red stone catching the grey light, her red eyes turned down toward him in a faint, indulgent curl of the lips, chin dipped a fraction. The head of her braid and his scarf-tatter both trail behind them, blown the same way, and between them the cobblestones are streaked at the center and dry toward the edges, worn smooth and darkened by old foot traffic. A soft overcast afternoon: flat, cool grey-white light with no visible sun, no hard cast shadows, only a soft darkening under the armour's lower hems and beneath the brim of her hat; the stone walls behind them fade to a paler grey, and the palette is held to steel grey, crimson and gold, the warm shock of two red heads, and cool damp cobble blue-grey, nothing else admitted. Quietly companionable.
Ramses Muñiz

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