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- completely limp, eyes without highlights, lying face down exhausted, eyes closed, torn clothes, living room background, Yukino Mifuyu, white hair in a bun with the front loose, cyan eyes, white turtle neck, a tight dark blue short skirt, dark brown leggings and black heels, lying on belly, a small puddle, anime illustration, great quality, best quality.
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character: yukino_mifuyu_(puuzaki_puuna)
1girl, solo, yukino_mifuyu_(puuzaki_puuna), lying on stomach, facedown, prone, completely limp, exhausted, eyes closed, no highlights in eyes, matte eyes, white hair, hair bun, loose front strands, sidelocks, hair between eyes, long hair, cyan eyes, white turtleneck, tight dark blue short skirt, dark brown leggings, black heels, torn clothes, ripped fabric, small puddle, living room, indoors, on floor, from above, dutch angle, foreshortening, high angle, best quality, great quality, anime illustration
The camera looks down from above at a steep, slightly tilted angle, so the single figure lies across the floor in foreshortening, her head at the near-bottom of the frame and her hips and legs receding up and away. She is flat on her belly, face down on the wooden living-room floor, one cheek pressed into the boards, and every limb is surrendered to gravity: her arms are splayed loosely forward and out, palms half-curled and upturned, fingers slack and touching nothing; her hips lie heavy and twisted a fraction to one side so one black heel has slipped half off its foot and hangs at an angle from the toe, the other heel still on. Her back has no arch and no tension in it, and her legs trail loose behind her. Her eyes are shut, the lids smooth and motionless, and where they meet, the closed lids carry flat-matte cyan with no glint, no catchlight, no sheen anywhere -- dull, drained, unlit. Her white hair is gathered into a bun at the back of her head, but the front has come loose: long white strands and sidelocks spill free across her brow and cheek and fan out over the floorboards beside her face, fine tips lifting slightly where the air stirs them.
Her white turtleneck is still on her, pulled askew and rucked up around the shoulders, and it is torn -- a long rip opening across one shoulder seam and a jagged hole at the ribs exposing a scrap of pale skin, the fibres frayed and the knit stretched out of shape. The tight dark blue short skirt sits low on her hips, hiked and creased from the fall, its hem twisted. Dark brown leggings sheath her legs all the way down to the black high heels, matte and close-fitting, a run starting faintly at one knee. Beside her cheek and one outflung hand, a small puddle of water sits in a low hollow of the floorboards; the boards' seams break its edge into notches, it reflects the white of her hair and the pale blue of the room in a soft, darker, dimmer mirror than the hair itself, and the wetness creeps into the grain of the wood well past the standing water. Her outflung fingertips rest just short of the wet edge.
The living room around her holds itself still: a low sofa against the far wall, a coffee table with a toppled cushion beneath it, a rug rucked at one corner, curtained windows at the left. The only light comes in through those curtains as a lowered, cool late-afternoon wash that lands across the floor and over her back and hair, catching the dust and the damp sheen of the puddle; under the sofa, beneath the table, and in the whole room beyond the curtain light, the shadow is deep and brown. Palette of pale wood, drowsy ochre, cool window light and the muted white-blue of her hair and skirt. Quiet, drained collapse.
らり
character: yukino_mifuyu_(puuzaki_puuna)
1girl, solo, yukino_mifuyu_(puuzaki_puuna), lying on stomach, facedown, prone, completely limp, exhausted, eyes closed, no highlights in eyes, matte eyes, white hair, hair bun, loose front strands, sidelocks, hair between eyes, long hair, cyan eyes, white turtleneck, tight dark blue short skirt, dark brown leggings, black heels, torn clothes, ripped fabric, small puddle, living room, indoors, on floor, from above, dutch angle, foreshortening, high angle, best quality, great quality, anime illustration
The camera looks down from above at a steep, slightly tilted angle, so the single figure lies across the floor in foreshortening, her head at the near-bottom of the frame and her hips and legs receding up and away. She is flat on her belly, face down on the wooden living-room floor, one cheek pressed into the boards, and every limb is surrendered to gravity: her arms are splayed loosely forward and out, palms half-curled and upturned, fingers slack and touching nothing; her hips lie heavy and twisted a fraction to one side so one black heel has slipped half off its foot and hangs at an angle from the toe, the other heel still on. Her back has no arch and no tension in it, and her legs trail loose behind her. Her eyes are shut, the lids smooth and motionless, and where they meet, the closed lids carry flat-matte cyan with no glint, no catchlight, no sheen anywhere -- dull, drained, unlit. Her white hair is gathered into a bun at the back of her head, but the front has come loose: long white strands and sidelocks spill free across her brow and cheek and fan out over the floorboards beside her face, fine tips lifting slightly where the air stirs them.
Her white turtleneck is still on her, pulled askew and rucked up around the shoulders, and it is torn -- a long rip opening across one shoulder seam and a jagged hole at the ribs exposing a scrap of pale skin, the fibres frayed and the knit stretched out of shape. The tight dark blue short skirt sits low on her hips, hiked and creased from the fall, its hem twisted. Dark brown leggings sheath her legs all the way down to the black high heels, matte and close-fitting, a run starting faintly at one knee. Beside her cheek and one outflung hand, a small puddle of water sits in a low hollow of the floorboards; the boards' seams break its edge into notches, it reflects the white of her hair and the pale blue of the room in a soft, darker, dimmer mirror than the hair itself, and the wetness creeps into the grain of the wood well past the standing water. Her outflung fingertips rest just short of the wet edge.
The living room around her holds itself still: a low sofa against the far wall, a coffee table with a toppled cushion beneath it, a rug rucked at one corner, curtained windows at the left. The only light comes in through those curtains as a lowered, cool late-afternoon wash that lands across the floor and over her back and hair, catching the dust and the damp sheen of the puddle; under the sofa, beneath the table, and in the whole room beyond the curtain light, the shadow is deep and brown. Palette of pale wood, drowsy ochre, cool window light and the muted white-blue of her hair and skirt. Quiet, drained collapse.
らり
character: yukino_mifuyu_(puuzaki_puuna)
1girl, solo, yukino_mifuyu_(puuzaki_puuna), lying on stomach, facedown, prone, completely limp, exhausted, eyes closed, no highlights in eyes, matte eyes, white hair, hair bun, loose front strands, sidelocks, hair between eyes, long hair, cyan eyes, white turtleneck, tight dark blue short skirt, dark brown leggings, black heels, torn clothes, ripped fabric, small puddle, living room, indoors, on floor, from above, dutch angle, foreshortening, high angle, best quality, great quality, anime illustration
The camera looks down from above at a steep, slightly tilted angle, so the single figure lies across the floor in foreshortening, her head at the near-bottom of the frame and her hips and legs receding up and away. She is flat on her belly, face down on the wooden living-room floor, one cheek pressed into the boards, and every limb is surrendered to gravity: her arms are splayed loosely forward and out, palms half-curled and upturned, fingers slack and touching nothing; her hips lie heavy and twisted a fraction to one side so one black heel has slipped half off its foot and hangs at an angle from the toe, the other heel still on. Her back has no arch and no tension in it, and her legs trail loose behind her. Her eyes are shut, the lids smooth and motionless, and where they meet, the closed lids carry flat-matte cyan with no glint, no catchlight, no sheen anywhere -- dull, drained, unlit. Her white hair is gathered into a bun at the back of her head, but the front has come loose: long white strands and sidelocks spill free across her brow and cheek and fan out over the floorboards beside her face, fine tips lifting slightly where the air stirs them.
Her white turtleneck is still on her, pulled askew and rucked up around the shoulders, and it is torn -- a long rip opening across one shoulder seam and a jagged hole at the ribs exposing a scrap of pale skin, the fibres frayed and the knit stretched out of shape. The tight dark blue short skirt sits low on her hips, hiked and creased from the fall, its hem twisted. Dark brown leggings sheath her legs all the way down to the black high heels, matte and close-fitting, a run starting faintly at one knee. Beside her cheek and one outflung hand, a small puddle of water sits in a low hollow of the floorboards; the boards' seams break its edge into notches, it reflects the white of her hair and the pale blue of the room in a soft, darker, dimmer mirror than the hair itself, and the wetness creeps into the grain of the wood well past the standing water. Her outflung fingertips rest just short of the wet edge.
The living room around her holds itself still: a low sofa against the far wall, a coffee table with a toppled cushion beneath it, a rug rucked at one corner, curtained windows at the left. The only light comes in through those curtains as a lowered, cool late-afternoon wash that lands across the floor and over her back and hair, catching the dust and the damp sheen of the puddle; under the sofa, beneath the table, and in the whole room beyond the curtain light, the shadow is deep and brown. Palette of pale wood, drowsy ochre, cool window light and the muted white-blue of her hair and skirt. Quiet, drained collapse.
らり
character: yukino_mifuyu_(puuzaki_puuna)
1girl, solo, yukino mifuyu, blue eyes, silver hair, white hair, hair between eyes, hair bun, long hair, sidelocks, ahoge, huge breasts, white turtleneck sweater, sleeveless, bare shoulders, shiny black pencil skirt, tight dark blue short skirt, torn clothes, ripped outfit, broken outfit, torn sweater, torn skirt, empty eyes, lifeless eyes, hollow gaze, blank stare, staring at viewer, expressionless, losing strength, lying, lying on back, crawling, crawling with chest on floor, reaching out, outstretched hand, from behind, overhead shot, full body, front view, indoors, living room, wooden floor, many puddles, water on floor, furniture, couch, low table, masterpiece, ultra detailed, muted desaturated palette, cold overcast light
An overhead shot looks straight down from directly above the room, and inside that steep downward view the girl is seen from behind and from the front at once: she lies prone across the wooden floor with her chest pressed flat against the planks, hips slightly raised, legs trailing back out of the bottom edge of the frame, so the crown of her head and the back of the silver hair are nearest the top of the image while her face is turned up and back over one shoulder, tilted so both blue eyes look straight up into the lens. Her long silver hair fans out around the bun in loose wet strands, hair falling between her eyes in a pale fringe; the loose hair spreads on the boards and clings to the damp wood. Both arms are forward: the right arm is folded under her chest, taking her weight, and the left arm is stretched out ahead of her across the floor toward the upper corner of the frame, hand open, fingers half-curled and slack, palm up, close enough that a single lifted finger suggests how little strength is left. The white sleeveless turtleneck is pulled taut over her chest by the pose, one shoulder strap slipped down over the bare shoulder, the knit snagged and ripped open at the ribs and hem with frayed loops of yarn trailing on the floor; the shiny black pencil skirt is tight across her hips and hitched up, its dark blue sheen catching the pale light, its side seam split and torn open in a long ragged rip with the fabric's edge curling. Her expression does not change at all: eyelids half lowered, mouth slack and slightly open, no focus anywhere in the eyes, the face of someone whose strength has already drained out of her.
The living room is cluttered around her in the overhead view: a low wooden table at the left, a pale couch along the top edge, a rug pushed askew, and the floorboards running in parallel planks beneath everything. Water has pooled across the boards in many puddles of different sizes, darkening the wood, beading on the varnish, and the largest puddle lies under her outstretched left hand, where the still surface holds a soft broken reflection of her palm and her silver hair; in the smallest, the ceiling's pale light sits as one smeared highlight, and where the boards have warped the water runs along the seams instead of across them. Light is flat, cold and sourceless from a grey overcast window at the frame's edge: no hard shadows, only a diffuse sheen on the wet floor and the glossy skirt and a dull shadow pooled beneath her body. The palette is restrained to silver, white, wet dark wood, the skirt's cold blue-black and the faint blue of her eyes, all muted.
Empty, quiet, drained.
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