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Midnight Tteokbokki Time and Yuseong

Sztuka AI „Midnight Tteokbokki Time and Yuseong” autorstwa jddn083 na PixAI. Tagi: gwiazdy, Pejzaż miejski, Spadająca gwiazda, nocne niebo. Utworzono z Tsubaki.3.

Contest Entry

PixAI × zeta Original Character Creation Contest 2026

#Noc #gwiazdy #Pejzaż miejski #Spadająca gwiazda #nocne niebo

Opublikowano Oct 26, 2026

jddn083

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1girl, solo, night, night sky, cozy, oversized pajamas, pastel pink pajamas, fleece pajamas, long hair, blonde hair, blue eyes, large breasts, sitting, gaming chair, black and blue gaming chair, leaning back, holding chopsticks, eating, tteokbokki, red plastic food container, computer, computer monitor, monitor glow, turned-on computer, from side, profile, looking at monitor, one knee up, bare feet, window, window frame, glass, meteor, shooting star, night sky, neon lights, neon city, city skyline, skyscrapers, city lights, reflection, indoors, bedroom, warm lamp, cool ambient light, detailed background, high quality anime style, cel shading, soft shading, cinematic lighting Seen from the side in a close mid-shot, the young woman occupies the right two-thirds of a dim bedroom and faces left in profile toward a glowing monitor. She has long blonde hair that falls past her hips in loose, slightly mussed waves, catching the monitor's cool blue-white light along the strands that hang forward over her shoulder, while the rest spills down her back and flattens where she leans into the chair's backrest. Her blue eyes are half-lidded and fixed on the screen, reflecting a thin horizontal bar of white light, and her lips are parted around a fresh mouthful of tteokbokki, a faint smear of red sauce at one corner. She wears cute oversized pastel-pink fleece pajamas: the top is loose and thick, its collar slipping to bare one shoulder, the sleeves swallowing her wrists to the knuckles, and beneath the soft bulky fabric her E-cup bust presses the loose fleece into a heavy, rounded drape. Her lower body sits sideways in the black and blue ergonomic gaming chair, weight settled on her right hip, left knee drawn up with the bare foot braced against the chair's seat edge, right foot planted flat on the floor. Her right hand holds a pair of wooden chopsticks pinched at mid-length, lifting the next rice cake from a red plastic takeout container that rests on the desk directly beside the glowing monitor, sauce glistening on the cake; her left forearm rests across her stomach, the fleece sleeve bunched. The chair's backrest curves behind her shoulders, one blue accent panel visible past her arm. The desk in the foreground holds the monitor, the red container with its lid propped open, a short tangle of cable, and a faint, soft condensation ring where the container's base has warmed the wood. The monitor is the second light source: its bluish glow strikes the left side of her face, her throat, the front of the fleece and the tops of her bare feet, while behind her a small warm amber desk lamp throws a low pool over the chair's headrest and leaves the upper corners of the room in soft darkness; her cast shadow spreads long and soft to the right along the floor. To her left, the large window occupies the left third of the frame, its glass beaded with a few faint droplets and carrying both the cold neon spill of the city and a ghostly reflection of her back and the chair. Outside, a deep indigo night sky is punctuated by a bright shooting star tearing a thin white trail downward across the upper left, and far below the sill a dense cluster of neon city buildings — magenta, cyan, electric blue and warm yellow signage — glows in sharp pinpoints and stacked vertical strips, the beams softened by atmosphere with distance. A slow curl of steam rises from the tteokbokki and drifts, thinning, toward the cool pane. Palette: warm fleece pink and amber lamp against the cold indigo, cyan and magenta of window light, anchored by the red container; nothing else admitted. The scene is quiet, warm, and effortlessly healing.

Midnight Tteokbokki Time and Yuseong

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