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makamero

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makamero

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1girl, solo, albino, pale white skin, white hair, long white hair, straight hair, red eyes, small stature, petite, 140cm tall, child-like build, kimono, western dress styled kimono, frilled kimono, layered frills, wide flared sleeves, flared skirt, frilly skirt, skirt hem below elbows, obi sash, standing on one leg, tiptoes, arms up, outstretched arm, reaching up, head tilt, looking up, open mouth, :d, wide-eyed, blush, from below, low angle, foreshortening, full body, soft pastel palette, clean linework, sticker-like composition, chibi proportions From a low angle looking up, a single tiny albino girl balances on her right tiptoe, her left leg bent up behind her so the knee lifts the back panel of her kimono. Both arms are flung overhead, sleeves falling back from her pale wrists, fingers spread as if she has just caught the hem of the sky; her weight rocks through the ball of her right foot and her shoulders tilt, one higher than the other. Her head tips back toward the pale light, chin lifted, white lashes low over red irises glancing up and slightly away from the lens, and her mouth is open in a small bright grin. Snow-white hair, long and straight, spills down her back and sways out to the left of the tilt, a few strands lifting free. Her kimono is cut like a western gown: a fitted crossover bodice in a soft pastel blue-white, edged with rows of fine frills at the collar and the cuffs, tied with a wide obi sash whose bow sits high at the small of her back. Below the sash the skirt breaks into layered frills and flares outward in a wide bell, stiff enough to hold its own shape, and its hem hangs just below her elbows at her sides, so the flared edges bounce with her balancing motion and one panel lifts where her raised knee pushes it out. The fabric is pale, almost transparently white at the sleeves, with a faint blush-pink lining showing at the hem where it turns. Her skin is paper-white, faintly pink at the knuckles, ears and the tip of her nose, veins a soft blue at the wrists. The ground is a seamless soft cream studio sweep, no horizon, no furniture. The only light is a broad cool-white source high and behind her, so the undersides of her jaw and her raised forearms carry shadow while the hem's inner pink lining glows where the backlight passes through the thinner silk. Her cast shadow lies small and round beneath her supporting foot and stretches long and thin away from it across the floor. The palette is white, powder blue, blush pink, cream and the red of her eyes, nothing else admitted. Every frill drawn as a crisp, dense, decorative edge. Effortlessly cute.
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アルビノ美少女 身長140。 着物（西洋ドレス風）（裾の長さは肘下くらい。ドレスのようにヒラヒラ着物）
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pro
Styl
Chibi
Tag jakości
﹝Podpowiedzi﹞
Rozmiar
1104 x 1824
Niepożądane
lowres, worst quality, low quality, bad anatomy, explicit
Styl: Chibi
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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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1girl, solo, albino, pale white skin, white hair, long hair, fluffy hair, voluminous wavy hair, red eyes, petite, 140cm tall, childlike frame, kimono, western dress styled kimono, dress-like kimono, elbow-length hem, flared skirt, fluttering hem, layered ruffled hem, wide swinging sleeves, obi sash, floral hair ornament, from below, full body, standing on tiptoes, arms up, outstretched arm, spinning, looking up, open mouth, :d, blush, floating petals, wind, dreamy, pastel palette, A low camera looks up from just above the floor, so the tiny figure gains height she does not have: she stands on the very tips of her toes, heels lifted clear off the ground, and has caught herself mid-spin, one arm swept wide as though she were reaching for a falling petal and the other crossed in against her waist. Her weight rides on the ball of her right foot, her left leg trailing behind with the knee softly bent, and her chin is tipped back so her upturned face fills the top of the frame; her eyes are wide and red, her mouth open in a small delighted laugh, two spots of pink high on her cheeks. Under the spin her long fluffy white hair lifts and drifts outward, strands curling away from her shoulders in soft blurred arcs, and the kimono's flared hem swings wide around her shins, the fabric rippling in overlapping waves. The kimono is cut so its collar crosses at the throat like a traditional robe, cinched at the waist by an obi sash tied off into a bulky knot at her back, but from there down it opens out like a western ballgown: the hem stops just below the level of her elbows where her hands sometimes hang, edge finished in two soft layers that will not lie flat, and the whole skirt billows out and flutters like a dress caught in a crosswind. Between its fluttering panels the pale ankles and the bare soles of her lifted feet show. A cluster of small white blossoms is pinned in her hair above her left ear; her ears carry nothing else and her neck and wrists are bare. She is the only figure in a featureless pale lavender studio void that fades into soft pink toward the top of the frame, the ground a smooth gradient with no horizon line, and loose white petals drift down through the empty air across the low viewpoint, some passing near the lens as blurred foreground shapes and one turning just beyond her raised fingertips. The light is diffused and cool, coming from high above and slightly to the right, so the tops of her hair, her forehead, her shoulders and the crests of the billowing hem catch a soft highlight while the undersides of the skirt, the folds under her chin and the hollow beneath the obi knot sink into gentle shadow; her cast shadow is a small soft ellipse pooled directly beneath her toes, darkest where they touch the floor. The palette stays nearly monochrome white and ivory in her skin, hair and kimono against a pastel pink-lavender setting that warms faintly, with only the red of her eyes and the pink of her cheeks breaking the hush. In the very center of the spin her skirt trails a fraction of a beat behind her body, the hem still lifting as her shoulders have already turned. Sweet, luminous.
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