Nov 2, 2026

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AI art "That Time I Got Reincarnated as a Slime"

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That Time I Got Reincarnated as a Slime

There's just something so captivating about seeing a character like this framed against a vast, misty mountain backdrop. I wanted to capture a gentle, serene moment that really highlights the beautiful contrast between her striking pink hair and the traditional white kimono. I hope this piece brings a little peace to your day! If you enjoy it, please leave a like and follow for more creations, and let me know your thoughts in the comments below.

#Tradycyjny strój japoński #kimono #różowe włosy #Rogi #z góry #1 dziewczyna #Cała sylwetka #Odrodzony jako galareta

Opublikowano Oct 28, 2026

Mariah Burn

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character: shuna_(tensura) 1girl, solo, shuna-style, outdoors, cliff edge, standing on cliff, downward view, view from above, looking up at viewer, high angle, from above, long hair, very long hair, pink hair, red eyes, colored eyelashes, white horns, white kimono, red hakama, hakama skirt, sash, tassel, sandals, japanese clothes, large glossy expressive eyes, color layering in eyes, warm shadows, bright highlights, heavy outer linework, fine inner line detail, soft gradients, red-toned multiply shading, vibrant color contrast, rounded babyish face, dark-pastel aesthetic, eerie stillness, windblown hair, startled expression, raising one hand, empty drop behind her The camera looks straight down from a high angle, and she is seen from above on the lip of the cliff: her head tipped back so her upturned face fills the upper third of the frame and the drop she is standing over opens out below and around her. Her long pink hair streams sideways off the back of her head and over the edge in one direction, some strands hanging into the void behind her, the rest clinging flat across her shoulders. Two small white horns rise from her brow-line, their pale tips catching the light. Her eyes are the point of the picture -- wide, glossy, layered in deep red with a warm shadowed rim and two bright white specular flecks each -- lifted toward the lens in a startled, unblinking stare, the colored lashes drawn as fine dark strokes. Her mouth is small and slightly open in a rounded shape; the face itself is soft, round, babyish. She stands at the very margin of the rock, one sandal forward so the toe sits a centimetre from where the stone stops and the abyss begins, the other back, weight settled on the rear leg, hip and shoulder offset rather than squared. One hand is lifted at chest height, fingers half-curled, as though caught mid-gesture toward the viewer; the other is held close, palm pressed against the sash at her waist. Her white kimono and red hakama skirt both snap and drag in one direction in the wind, the heavy cloth furling away from her body, the tassel whipping with it, the hem clearing the rock behind her. The cliff is bare weathered stone with coarse grain and deep cracks, its edge running diagonally across the frame; the long fall of rock below her recedes into a haze of distance, tiny broken ledges and scrub becoming specks, emptying into a wide pale drop. The sky behind and below is a muted dusk pastel -- dusty lavender and washed rose cloud -- and the light comes from the low side, warm and raking, so her face and the top edges of the horns and shoulders take the glow while a long shadow of her body falls forward toward the lens across the stone. The red-toned shading sits deep in the folds of the sleeves, under the skirt pleats and in the sockets of the eyes, against the crisp bright whites and saturated reds of her clothing. The contrast is high between that vivid figure and the pale, empty air below. Eerie, suspended.

That Time I Got Reincarnated as a Slime

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