Oct 23, 2026

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Joshua Froat

Opublikowano Oct 28, 2026

Joshua Froat

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1girl, 1boy, solo, androgynous, femboy, petite, adult, long brown hair, straight hair, blue eyes, round glasses, full lips, earrings, white button-up blouse, collared shirt, long sleeves, black plaid skirt, long skirt, belt, black knee socks, ankle boots, wide hips, thick thighs, large ass, shy, blushing, looking away, looking down, head tilt, hands clasped in front of skirt, standing on one leg, leaning forward, cowboy shot, from above, dutch angle, The camera looks down from high and slightly to the side, tilted a few degrees off level, framing him as a cowboy shot from mid-thigh to the top of his head. He is caught mid-pose: weight loaded onto his right leg, left knee bent and turned inward with the toe of that ankle boot barely touching the floor, hips swung a half-inch to his left so the long black plaid skirt pulls taut across the wide curve of his hip and falls in heavy knife pleats to his shins. Both hands are clasped low in front of the skirt, fingers laced, knuckles pale from the squeeze, forearms pressed together; his shoulders are drawn up and rolled forward so the white button-up blouse bunches at the collar, one button left open at the throat and the rest done up tight, cuffs buttoned at his wrists. The belt sits snug at the narrowest point of his waist, its buckle slightly crooked because he has been fidgeting with it. His head tilts down and away from the lens, chin tucked toward his left shoulder, and his gaze slides off to the lower left corner rather than meeting the viewer -- a sideways glance under half-lowered lids through the round glasses. Behind the lenses his blue eyes are wide and a little watery, the upper lashes catching the light. A flush sits high on both cheekbones and spreads to the tips of his ears; his full lips are pressed together and pulled slightly inward at the corners, one side lifted in a nervous almost-smile, the lower lip catching a small highlight. Long brown hair falls forward over one shoulder in a slack brown curtain, the far side pushed back behind the ear so a single dangling earring swings free against his jaw; the other earring shows as a glint half-hidden in the hair. The room behind him is an unremarkable bedroom corner in plain pale grey-blue, kept soft and out of focus so nothing competes, with a bare wall and the edge of a doorframe giving a single vertical line at the right of frame. Light comes from one window high on the left, cool daylight striking the left side of his face, the outer edge of his glasses rim, the white blouse and the front pleats of the skirt, while the right side of his body and the wall behind his right shoulder sink into soft shadow; his shadow falls right and short on the floor, and the light gleams on the polished leather of his ankle boots. The palette is disciplined to white, black plaid, warm brown and cool pale blue, nothing else admitted. Where the plaid crosses the pleat folds the lines break and kink with the fabric rather than running straight. The blouse is cotton with a faint weave, the skirt a matte wool that swallows light, the socks ribbed and pulled up straight to just below the knee. Quiet, bashful, tender.

Joshua Froat

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