Sign up free, get 10,000 credits

Starter credits added when you sign up.

Notice: About Recent Slower Generation Speeds and Limited Computing Resources — Dear PixAI Community, Thank you for your continued love and support for PixAI. Recently, generation speeds on PixAI have…

View details
AI artwork
Generuj za darmo

吉田晴樹

吉

吉田晴樹

Więcej do zobaczenia

Komentarze

1girl, solo, high school girl, school uniform, white short-sleeved button-down shirt, pleated navy blue skirt, barefoot, bare legs, sitting, legs extended toward viewer, feet forward, soles facing viewer, sole focus, very large feet, long toes, high arch, clean feet, 600ml plastic bottle, pet bottle beside sole, size comparison, indoor, home interior, from below, foreshortening, close-up on feet, looking at viewer, light smile, head tilt, arm support, tatami floor The camera sits low on the floorboards and tips upward, so the nearest thing in the frame is the pair of soles held upright toward the lens, and the girl's tall slim body runs away above them in sharp foreshortening. She sits on the tatami with her weight rocked back onto her left hip, one palm planted flat behind her for support, her spine long and relaxed, both legs stretched straight at the viewer so the feet stand almost vertical, heels resting on the mat, toes tipped slightly back toward her own face. The soles are the whole foreground: long vertically, broader than the 600ml plastic bottle lying on its side on the floorboards right beside the right sole, the sole's length running well past the bottle's body and its width plainly exceeding the bottle's diameter; a clear, deep arch cuts a distinct hollow along the inner edge of each foot, and the toes are long, straight and clean, each one separated and readable, toenails neat and short, the balls of the feet and heels softly pinked where they press the air. Her right hand rests loosely on her knee, the left still braced on the tatami, fingers spread. She looks down the length of her own legs at the lens with a faint closed-lip smile, chin tilted, one eyebrow slightly lifted, a strand of hair slipping from behind her ear. Warm afternoon light comes in low through a paper-screened window off-frame to the left, laying a soft bright band across the soles and the bottle, catching the plastic bottle's curved highlight and the shine on her toenails, and dropping the room behind her into quiet amber shadow; the bottle lies in the soles' own cast shadow, its clear plastic picking up a pale caustic glow on the floorboards where the light passes through it. Behind her, a low table and a folded cushion sit against a plain wall in soft focus, palette limited to warm tatami straw, cream, navy and clean skin tones. Quiet, unhurried.
Pokaż parametry
Oryginalny prompt
女子高生。身長180㎝スリムスタイル抜群。制服姿。裸足。背景は家の中。彼女は座ってこちらに脚を伸ばしている。足裏を立てている。彼女の足裏は非常に大きく、綺麗。彼女の足は縦に大きい。彼女の足裏のよこに600ｍｌのペットボトルが置いてあり、彼女の足裏の方が缶よりも大きい。彼女の足の指はとても長く、綺麗。土踏まずがくっきりとある。
Tryb
flash
Rozmiar
1232 x 1632
Pomocnik podpowiedzi

Model i LoRA użyte

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.02k

Podobne obrazy

Pokaż więcej
AI artwork
吉
1girl, solo, high school girl, school uniform, white short-sleeved button-down shirt, pleated navy blue skirt, barefoot, bare legs, sitting, legs extended toward viewer, feet forward, soles facing viewer, sole focus, very large feet, long toes, high arch, clean feet, 600ml plastic bottle, pet bottle beside sole, size comparison, indoor, home interior, from below, foreshortening, close-up on feet, looking at viewer, light smile, head tilt, arm support, tatami floor The camera sits low on the floorboards and tips upward, so the nearest thing in the frame is the pair of soles held upright toward the lens, and the girl's tall slim body runs away above them in sharp foreshortening. She sits on the tatami with her weight rocked back onto her left hip, one palm planted flat behind her for support, her spine long and relaxed, both legs stretched straight at the viewer so the feet stand almost vertical, heels resting on the mat, toes tipped slightly back toward her own face. The soles are the whole foreground: long vertically, broader than the 600ml plastic bottle lying on its side on the floorboards right beside the right sole, the sole's length running well past the bottle's body and its width plainly exceeding the bottle's diameter; a clear, deep arch cuts a distinct hollow along the inner edge of each foot, and the toes are long, straight and clean, each one separated and readable, toenails neat and short, the balls of the feet and heels softly pinked where they press the air. Her right hand rests loosely on her knee, the left still braced on the tatami, fingers spread. She looks down the length of her own legs at the lens with a faint closed-lip smile, chin tilted, one eyebrow slightly lifted, a strand of hair slipping from behind her ear. Warm afternoon light comes in low through a paper-screened window off-frame to the left, laying a soft bright band across the soles and the bottle, catching the plastic bottle's curved highlight and the shine on her toenails, and dropping the room behind her into quiet amber shadow; the bottle lies in the soles' own cast shadow, its clear plastic picking up a pale caustic glow on the floorboards where the light passes through it. Behind her, a low table and a folded cushion sit against a plain wall in soft focus, palette limited to warm tatami straw, cream, navy and clean skin tones. Quiet, unhurried.
吉田晴樹
AI artwork
吉
1girl, solo, high school girl, school uniform, white short-sleeved button-down shirt, pleated navy blue skirt, barefoot, bare legs, sitting, legs extended toward viewer, feet forward, soles facing viewer, sole focus, very large feet, long toes, high arch, clean feet, 600ml plastic bottle, pet bottle beside sole, size comparison, indoor, home interior, from below, foreshortening, close-up on feet, looking at viewer, light smile, head tilt, arm support, tatami floor The camera sits low on the floorboards and tips upward, so the nearest thing in the frame is the pair of soles held upright toward the lens, and the girl's tall slim body runs away above them in sharp foreshortening. She sits on the tatami with her weight rocked back onto her left hip, one palm planted flat behind her for support, her spine long and relaxed, both legs stretched straight at the viewer so the feet stand almost vertical, heels resting on the mat, toes tipped slightly back toward her own face. The soles are the whole foreground: long vertically, broader than the 600ml plastic bottle lying on its side on the floorboards right beside the right sole, the sole's length running well past the bottle's body and its width plainly exceeding the bottle's diameter; a clear, deep arch cuts a distinct hollow along the inner edge of each foot, and the toes are long, straight and clean, each one separated and readable, toenails neat and short, the balls of the feet and heels softly pinked where they press the air. Her right hand rests loosely on her knee, the left still braced on the tatami, fingers spread. She looks down the length of her own legs at the lens with a faint closed-lip smile, chin tilted, one eyebrow slightly lifted, a strand of hair slipping from behind her ear. Warm afternoon light comes in low through a paper-screened window off-frame to the left, laying a soft bright band across the soles and the bottle, catching the plastic bottle's curved highlight and the shine on her toenails, and dropping the room behind her into quiet amber shadow; the bottle lies in the soles' own cast shadow, its clear plastic picking up a pale caustic glow on the floorboards where the light passes through it. Behind her, a low table and a folded cushion sit against a plain wall in soft focus, palette limited to warm tatami straw, cream, navy and clean skin tones. Quiet, unhurried.
吉田晴樹
AI artwork
吉
1girl, solo, high school girl, school uniform, white short-sleeved button-down shirt, pleated navy blue skirt, barefoot, bare legs, sitting, legs extended toward viewer, feet forward, soles facing viewer, sole focus, very large feet, long toes, high arch, clean feet, 600ml plastic bottle, pet bottle beside sole, size comparison, indoor, home interior, from below, foreshortening, close-up on feet, looking at viewer, light smile, head tilt, arm support, tatami floor The camera sits low on the floorboards and tips upward, so the nearest thing in the frame is the pair of soles held upright toward the lens, and the girl's tall slim body runs away above them in sharp foreshortening. She sits on the tatami with her weight rocked back onto her left hip, one palm planted flat behind her for support, her spine long and relaxed, both legs stretched straight at the viewer so the feet stand almost vertical, heels resting on the mat, toes tipped slightly back toward her own face. The soles are the whole foreground: long vertically, broader than the 600ml plastic bottle lying on its side on the floorboards right beside the right sole, the sole's length running well past the bottle's body and its width plainly exceeding the bottle's diameter; a clear, deep arch cuts a distinct hollow along the inner edge of each foot, and the toes are long, straight and clean, each one separated and readable, toenails neat and short, the balls of the feet and heels softly pinked where they press the air. Her right hand rests loosely on her knee, the left still braced on the tatami, fingers spread. She looks down the length of her own legs at the lens with a faint closed-lip smile, chin tilted, one eyebrow slightly lifted, a strand of hair slipping from behind her ear. Warm afternoon light comes in low through a paper-screened window off-frame to the left, laying a soft bright band across the soles and the bottle, catching the plastic bottle's curved highlight and the shine on her toenails, and dropping the room behind her into quiet amber shadow; the bottle lies in the soles' own cast shadow, its clear plastic picking up a pale caustic glow on the floorboards where the light passes through it. Behind her, a low table and a folded cushion sit against a plain wall in soft focus, palette limited to warm tatami straw, cream, navy and clean skin tones. Quiet, unhurried.
吉田晴樹
AI artwork
吉
solo, 1girl, high school girl, school uniform, white short-sleeved button-down shirt, navy pleated skirt, barefoot, bare legs, long legs, tall, 180cm, slender, sitting, legs stretched toward viewer, feet forward, soles facing viewer, upright soles, sole focus, very large soles, vertically long feet, long toes, high arch, prominent arch, clean soles, beautiful feet, 600ml plastic bottle, bottle beside sole, size comparison, from below, foreshortening, full-length, indoor, home interior, looking down at viewer, light smile, head tilt, arm support, leaning back on hands, wooden floor Low, near-floor camera set at the edge of a living-room floor, looking up along the length of her outstretched legs: a tall slender high-school girl sits on the wooden floorboards with her back against the low sofa base, both legs extended straight toward the lens, knees slightly apart, heels planted on the floor and both soles tilted up and square to the camera so the full undersides read as two long smooth planes. Her weight is back on her hips, her arms braced behind her on the floor with elbows locked, hands flat and fingers spread taking the load, which arches her spine a little and lifts her chin. She looks down over her shins at the viewer, chin tipped, one eyebrow faintly raised, a small closed-lip smile at one corner of her mouth — amused, entirely at ease, not performing. Her short-sleeved white shirt is buttoned and crisply creased at the elbows, the navy pleated skirt fanned flat over the floor behind her thighs with its pleats splayed; her hair falls forward slightly over one shoulder with the tilt of her head. Nothing on her feet: bare soles, bare heels, bare toes. The soles are the subject and carry the detail budget: long and narrow, clearly taller than they are wide, each toe separated and unusually long, the big toe longest, toenails clean and neatly kept; the arch cuts a deep distinct crescent between the ball and a well-defined rounded heel, the skin pale with a faint warm flush along the pressure line of the ball and a soft matte sheen where the light skims the instep. Beside the right sole, standing upright on the floorboards in the same focal plane, is a 600 ml clear plastic PET bottle with a white cap and a blue label band; the bottle's full height reaches only about halfway up her foot, and its width measures less than a third of the sole's width — the comparison runs vertically and unmistakably in her favor. The bottle's cap sits a little in front of her little toe, not touching it; a small standing gap separates bottle and skin, and the bottle holds a faint reflection of the window light on its shoulder. Where her heels press the boards, the wood shows the slight pale compression of weight, and the soles' own soft shadow lies under their raised edges rather than under the whole foot. Light: a single broad window at frame left, cool late-afternoon daylight raking low across the floor, striking the right side of her face, the outer edge of her left shin and the front of both soles, throwing long soft shadows of her legs and the bottle off to the right across the boards; the room behind her — a plain wall, the sofa's shadowed underside, a door edge — falls into gentle dim brown-grey. Palette: warm honey floorboards, cool grey-blue daylight, crisp white shirt, deep navy skirt, pale warm skin, and the bottle's single blue band as the only saturated accent. Quiet, casual, faintly teasing.
吉田晴樹

Odkryj więcej

Polecani użytkownicy

Może Ci się spodobać

AI artwork
Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
2#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
Strona głównaModeleGenerujRecipeProfil