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AI art "慰め論外。"
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慰め論外。

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1girl, solo, no other people, black hair, long hair, straight hair, dark brown eyes, fair skin, oversized off-white knit sweater, sweater sleeves past the wrists, dark pleated skirt, knees together, sitting on a low concrete step, leaning forward toward the viewer, elbows on knees, hands clasped loosely between her knees, head tilt, soft closed-lip smile, gentle gaze, looking at viewer, slightly lowered lashes, small worried brow, concerned expression, late afternoon, warm low backlight, rim light on hair, soft shadow, close-up, cowboy shot, from eye level, shallow depth of field A cowboy shot framed from just below eye level: a single girl sits on a low concrete step at the near end of a narrow residential alley, knees pressed together, leaning forward toward the lens with both forearms resting along her thighs so her hands meet loosely between her knees — knuckles touching, fingers curled, one thumb rubbing slowly over the other. Her oversized off-white knit sweater bunches at the elbows, the ribbed cuffs pushed up just short of her knuckles; the fabric stretches taut across her back and gathers in loose folds over her hips, the hem falling over the top of her dark pleated skirt where it presses against the concrete edge, and one pleat is creased flat, indented by her sitting weight. She sits with her weight on her left hip, her right foot turned out onto the pavement below the step, the toe of a scuffed dark shoe just reaching the ground; the step's front face is worn to a paler grey where feet have scuffed it and shows fine spider cracks. Her head tilts a few degrees to her right toward her raised shoulder, her black hair falling straight on either side of her cheeks, a few strands caught forward across the sweater's shoulder seam; her dark brown eyes stay on the viewer, but the brows pinch faintly at the inner corners, and the closed-lip smile is small and slightly uncertain, as though she is asking rather than greeting. Behind her, the alley runs away in a narrowing perspective of cinderblock walls, a bicycle leaning against the left wall with its front wheel turned toward the camera, a drainpipe running down the right; a few laundry lines cross the upper background and read as pale silhouettes only, and a small hand-painted sign on the right wall faces the alley, its lettering worn and illegible. The single light source is the low sun at the far end of the alley behind her, so its rim catches the top of her hair and the fuzzy nap of the sweater's shoulders in a warm gold, the shadows of the walls slide forward into the foreground in long cool bands, and her face sits in soft open shade lit only by the pale bounce off the concrete and the sweater — a flat, gentle illumination that keeps her features readable while a narrow hot highlight rims one cheek. Palette is restrained: off-white knit, cool blue-grey concrete and shadow, one band of amber in the distant sky. The focus is sharp on her face and hands and falls away to a soft blur behind her; the mood is tender, quietly hopeful.
Pokaż parametry
Oryginalny prompt
つらいことがあるなら、話してみて。
Tryb
pro
Tag jakości
﹝Podpowiedzi﹞
Rozmiar
1104 x 1824
Niepożądane
lowres, worst quality, low quality, bad anatomy, explicit
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Avatar image of tennsinn
character: suou_yuki 1girl, solo, suou_yuki, long hair, black hair, brown eyes, crossed bangs, hair between eyes, casual clothes, private clothes, off-shoulder knit sweater, cream cable-knit sweater, bare shoulders, thin gold necklace absent, no necklace, bare throat, pleated skirt, dark red pleated skirt, knee-high socks, brown loafers, sitting, on a low stone step, leaning forward, elbows on knees, hands clasped, chin not resting, head tilt, looking at viewer, light smile, one eye half-closed, smirk, half-closed eyes, from above, high angle, foreshortening, cowboy shot, daylight, outdoors, empty stairwell, warm afternoon light The camera looks down from above at a steep three-quarter high angle, foreshortening the figure so her shoulders are broad and her lap recedes; she sits on the second-lowest step of a small outdoor stone stairway, knees together and angled to the left of frame, both feet planted on the step below, brown loafers flat, the soles catching a thin bright rim. She leans forward over her knees, elbows resting on them with the weight sunk into her forearms, hands loosely clasped, and the loose cream cable-knit sweater -- a wide off-shoulder neckline -- has slipped down her upper arms so the bare skin of both shoulders reads in the open air, the knit's braid pattern stretched over the pull of her elbows; her throat is bare, nothing at the collarbone, the neckline sitting unobstructed. A dark red pleated skirt fans across the stone, its pleats compressed where her thighs press them flat and springing open at the hem, and the frayed cuff of the sweater laps her wrists just above her knuckles. Her long black hair, cut with crossed bangs and a strand between her eyes, falls forward over the sweater's shoulders, and the ends of it hang free in the gap where the neckline has slipped, so a few strands catch the light and float clear of the knit. Her head is tipped slightly, chin lifted toward the lens, one eye half-closed, a small lopsided closed-lip smirk, gaze straight into the camera and returning the viewer's look with a teasing, knowing half-lidded steadiness. Warm late-afternoon daylight rakes in from the upper left, striking the top of her head and one shoulder in a hot cream highlight, filling the cable braid with shadow in its grooves, and dropping a crisp shadow of her forearm and hand across the red pleats; the stone step behind her right hip darkens into cool grey shadow, and the stairwell's white plaster wall climbs out of frame at the right edge, entirely out of focus. Palette is cream, warm stone grey, deep red and the black of her hair, nothing else admitted. Calm, effortlessly stylish.
tennsinn

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リオ