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AI art "yamamura sadako" featuring #Sadako Yamamura, #Czarne włosy, #Horror, #Ring, #czarne oczy, #1 dziewczyna, #otwarta dłoń and #Advance
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yamamura sadako

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IBITSU Illustration Contest ♪ Advance
#Sadako Yamamura#Czarne włosy#Horror#Ring#czarne oczy#1 dziewczyna#otwarta dłoń
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character: yamamura_sadako ibitsu style, (rough lineart, strong ink lines, sketch texture, cross-hatching shading), character: yamamura_sadako, 1girl, solo, pov, looking at viewer, emerging from tv, vintage crt television, dark room, reaching towards viewer, foreshortening, outstretched hand, wet black hair, hair over one eye, single eye visible, black eyes, very long hair, pale skin, white dress, dripping wet, tv static, glowing screen, static noise, vhs artifacts, scanlines, chromatic aberration, horror, teal and black palette. From a paralyzed first-person protagonist point of view sitting on the dark floor, the camera faces an old-fashioned bulky CRT television set centered in an otherwise pitch-black room. The television screen roars with violent, flickering cyan-teal static snow, through which an emaciated pale woman in a sodden, clinging white dress emerges halfway out into the physical space. A colossal, ultra-detailed bony, pallid hand with fingers tensed like talons is positioned right in the absolute center of the frame, filling about 85% of the central view. The hand is captured in extreme wide-angle foreshortening, appearing incredibly huge as if it is less than an inch away from the viewer, stretching out straight toward the camera lens to grab the viewer. Her opposite hand braces hard against the lower plastic bezel of the monitor. Drenched, heavy cords of jet-black hair hang in a tangled curtain over her face, spilling over the bottom rim of the television set and parting narrowly to expose a single wide, unblinking black eye locked directly onto the viewer. The harsh, pulsing teal light of the static screen acts as the sole illumination, carving jagged cyan highlights along the ridge of her reaching fingers, cheekbone, and soaked fabric. Where her damp limbs pierce the screen threshold, the CRT phosphor scan lines warp and ripple like viscous liquid without breaking the glass, and stagnant droplets of water bead along the warm glass. Across the entire composition, fine VHS scan lines, horizontal tracking jitter, and tape noise texture the image. Spine-chilling horror shock. Uniform sharp focus on the gigantic reaching hand.
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character: yamamura_sadako, 1girl, solo, pov, looking at viewer, emerging from tv, vintage crt television, dark room, reaching towards viewer, foreshortening, outstretched hand, wet black hair, hair over one eye, single eye visible, black eyes, very long hair, pale skin, white dress, dripping wet, tv static, glowing screen, static noise, vhs artifacts, scanlines, chromatic aberration, horror, teal and black palette. From a paralyzed first-person protagonist point of view sitting on the dark floor, the camera faces an old-fashioned bulky CRT television set centered in an otherwise pitch-black room. The television screen roars with violent, flickering cyan-teal static snow, through which an emaciated pale woman in a sodden, clinging white dress emerges halfway out into the physical space. A colossal, ultra-detailed bony, pallid hand with fingers tensed like talons is positioned right in the absolute center of the frame, filling about 85% of the central view. The hand is captured in extreme wide-angle foreshortening, appearing incredibly huge as if it is less than an inch away from the viewer, stretching out straight toward the camera lens to grab the viewer. Her opposite hand braces hard against the lower plastic bezel of the monitor. Drenched, heavy cords of jet-black hair hang in a tangled curtain over her face, spilling over the bottom rim of the television set and parting narrowly to expose a single wide, unblinking black eye locked directly onto the viewer. The harsh, pulsing teal light of the static screen acts as the sole illumination, carving jagged cyan highlights along the ridge of her reaching fingers, cheekbone, and soaked fabric. Where her damp limbs pierce the screen threshold, the CRT phosphor scan lines warp and ripple like viscous liquid without breaking the glass, and stagnant droplets of water bead along the warm glass. Across the entire composition, fine VHS scan lines, horizontal tracking jitter, and tape noise texture the image. Spine-chilling horror shock. Uniform sharp focus on the gigantic reaching hand.
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944 x 1584
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Avatar image of むぎちゃ
character: yamamura_sadako 1girl, solo, (cute sadako:1.3), long messy black hair covering face, hair over face, eyes peeking through hair, pale white skin, loose white dress, black tights, black pantyhose, crawling, on all fours, pigeon-toed, crawling out of a television screen, emerging from TV, television with static noise, screen filled with static, dark room, indoor, from below, dutch angle, low angle, foreshortening, outstretched arm, looking at viewer, spooky yet cute, colorful, detailed, anime style, masterpiece The camera sits low on the floor, tilted a few degrees off level, looking up and slightly along the length of the crawling girl so that her shoulders and face loom larger than her hips. She is a single girl coming out of a television that stands on short legs against the back wall of a small dark room, her white-dressed body halfway through the screen: her head and both shoulders are already out in the room, her torso clears the frame's glassless opening, and her hips and knees are still inside the thick glass border. Her messy black hair falls in long, straggling strands straight down from her scalp to well past her chest, hanging forward in a dense curtain that covers her whole face; the only break in that curtain is a narrow gap where both black eyes shine out through the strands, the pupils fixed straight ahead at the viewer, the eyelids lifted wide and steady. Her pale white skin at the hands and the bit of throat reads nearly paper-white against the black hair and the black tights. She crawls on all fours in a pigeon-toed pose: both palms planted flat on the wooden floorboards in front of her, elbows locked and turned slightly outward, wrists bent so the fingers splay forward; one knee pulled up close under her hip and the other trailing back so the leg is still half-lost in the static inside the screen, and both toes turned inward toward each other so the tips of the black-clad feet point at one another on the floor. The loose white dress hangs from her shoulders in slack, light folds that pool and ruffle around her elbows and thighs, the long skirt brushing the floor; beneath it the black tights and pantyhose sheathe her legs in a smooth, faintly sheened dark tube down to the toes, the fabric darker where the knees press and stretch. Weight rides forward onto her planted hands, her back flat and level, spine curving just slightly upward at the shoulders. The static is the light: the screen behind her is filled edge to edge with fine, bright television snow that spills out of the screen and washes the room. It falls on the back of her head and the outside of her arms, glows through the loose white dress so her shoulders are lit from behind, and throws a hard pale glow onto her forearms and the palms flat on the boards. Because the light comes from the screen, the outer edges of the room fall into absolute darkness beyond that pool; the light throws her shadow forward along the floorboards, long, dark, and stretched out in front of her hands. The dust in the air catches the static glow and the floorboards' grain shows in soft gray and brown lines under her palms; a faint ring of tiny corner reflections glints on the static field where the curved glass edge bends the light. Static creeps onto the floor around the television's feet in fine grain, brightening the boards where the screen faces them. Palette is limited to the hot white-gray of the static, the deep black of the hair and the tights, the cold white of the dress, and the pale pink-white of her skin, with the dark room holding everything else in shadow; the color lives in the cool blue tint the static throws over the shadows and the warm faint amber of the floor where the light pool fades. Static hiss and the close, airless dark of the room fill the mood; the girl stares out of her hair curtain, motionless before her next push forward, spooky yet cute.
むぎちゃ
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Avatar image of むぎちゃ
character: yamamura_sadako 1girl, solo, (cute sadako:1.3), long messy black hair covering face, hair over face, eyes peeking through hair, pale white skin, loose white dress, black tights, black pantyhose, crawling, on all fours, pigeon-toed, crawling out of a television screen, emerging from TV, television with static noise, screen filled with static, dark room, indoor, from below, dutch angle, low angle, foreshortening, outstretched arm, looking at viewer, spooky yet cute, colorful, detailed, anime style, masterpiece The camera sits low on the floor, tilted a few degrees off level, looking up and slightly along the length of the crawling girl so that her shoulders and face loom larger than her hips. She is a single girl coming out of a television that stands on short legs against the back wall of a small dark room, her white-dressed body halfway through the screen: her head and both shoulders are already out in the room, her torso clears the frame's glassless opening, and her hips and knees are still inside the thick glass border. Her messy black hair falls in long, straggling strands straight down from her scalp to well past her chest, hanging forward in a dense curtain that covers her whole face; the only break in that curtain is a narrow gap where both black eyes shine out through the strands, the pupils fixed straight ahead at the viewer, the eyelids lifted wide and steady. Her pale white skin at the hands and the bit of throat reads nearly paper-white against the black hair and the black tights. She crawls on all fours in a pigeon-toed pose: both palms planted flat on the wooden floorboards in front of her, elbows locked and turned slightly outward, wrists bent so the fingers splay forward; one knee pulled up close under her hip and the other trailing back so the leg is still half-lost in the static inside the screen, and both toes turned inward toward each other so the tips of the black-clad feet point at one another on the floor. The loose white dress hangs from her shoulders in slack, light folds that pool and ruffle around her elbows and thighs, the long skirt brushing the floor; beneath it the black tights and pantyhose sheathe her legs in a smooth, faintly sheened dark tube down to the toes, the fabric darker where the knees press and stretch. Weight rides forward onto her planted hands, her back flat and level, spine curving just slightly upward at the shoulders. The static is the light: the screen behind her is filled edge to edge with fine, bright television snow that spills out of the screen and washes the room. It falls on the back of her head and the outside of her arms, glows through the loose white dress so her shoulders are lit from behind, and throws a hard pale glow onto her forearms and the palms flat on the boards. Because the light comes from the screen, the outer edges of the room fall into absolute darkness beyond that pool; the light throws her shadow forward along the floorboards, long, dark, and stretched out in front of her hands. The dust in the air catches the static glow and the floorboards' grain shows in soft gray and brown lines under her palms; a faint ring of tiny corner reflections glints on the static field where the curved glass edge bends the light. Static creeps onto the floor around the television's feet in fine grain, brightening the boards where the screen faces them. Palette is limited to the hot white-gray of the static, the deep black of the hair and the tights, the cold white of the dress, and the pale pink-white of her skin, with the dark room holding everything else in shadow; the color lives in the cool blue tint the static throws over the shadows and the warm faint amber of the floor where the light pool fades. Static hiss and the close, airless dark of the room fill the mood; the girl stares out of her hair curtain, motionless before her next push forward, spooky yet cute.
むぎちゃ

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