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1girl, solo, late teen, full body, standing, looking at viewer, serious, expressionless, (masterpiece:1.2), (best quality:1.2), (very aesthetic:1.2), (absurdres:1.2), (simple background:1.2), white background, no background, solid plain white field, ash gray hair, bowl cut, blunt bangs, red headband, single braid on right side, red hair streak in middle of hair, red eyes, black and red v-neck cropped camisole, buttoned camisole, high collar, bare midriff, ash gray sport mini tube skirt, red sneakers, white long socks, red thighband on both legs, straight-on view, eye-level camera, subtle contrapposto, arms relaxed at sides, hands loose, faint head tilt, lips pressed flat, brows level, gaze locked forward A single late-teen woman stands alone against a completely empty, seamless solid white field -- pure blank paper white from edge to edge, with no floor line, no wall, no scenery, no furniture, no props, no shadow-casting surface, nothing but her; the camera is at eye level and dead straight-on, a full-body framing that runs from the crown of her head to the soles of her red sneakers with a margin of white above and below, so the white reads as negative space pressed around her silhouette rather than as a room. Her body is not square to the lens: her weight settles onto her left leg, the hip under the ash gray skirt pushed very slightly out, the right knee soft and slightly forward, both feet planted flat and parallel at shoulder width, so the pose is a standing stillness with one small asymmetry keeping it alive -- her shoulders are level, her arms hang close to her body with the elbows a finger's width from her waist, and the fingers of both hands curl loosely inward just touching the outer seam of the skirt, the right thumb resting on the skirt's hem band. Her head is upright with a faint tilt of a degree or two toward her right shoulder, chin level, and her gaze goes straight out of the frame into the viewer's eyes and holds there, unblinking. Her hair is ash gray, pale and cool, cut in a bowl cut: a blunt fringe sliced level across her forehead just above the brows, the sides falling in a smooth even curve past her temples to the jaw, the ends cut flat. A red headband sits over the crown, its band pressing the hair down around it so the strands flatten and kink slightly where they emerge beneath its edge, and the band's width carries the eye up from her face. From the right side of the bowl cut a single narrow braid drops -- tight, even plaits gathered close to the skull and falling to about the collarbone, its tail tipped plain -- while the rest of the hair stays loose and blunt. Down the exact center of her head, parting the fringe into two equal halves, runs a streak of vivid red hair from the crown to the hairline, the red slightly coarser and catching more light than the ash gray around it. Her eyes are red, clear and cool-toned, set under straight ash gray brows, the whites clean, the lids relaxed at a neutral aperture, and her expression is serious: lips shut in a flat line with the corners neither raised nor pulled down, jaw set, the small muscle at the hinge of her jaw just visible, no smile anywhere in her face. Her top is a cropped black and red camisole with a high collar and a deep V at the chest -- the standing collar closes snug at her throat in black, the V opens beneath it edged in red piping, small black buttons march down the center placket, and the hem stops high enough to leave a band of bare midriff between the top and the skirt, the fabric a matte knit with a soft nap that absorbs light rather than shining. The skirt is an ash gray sport mini tube skirt, straight and close, sitting low on her hips with a plain elastic waistband and a short vertical seam at the front, its hem ending at upper thigh. Below it, white long socks rise to just under the knee, their cuffs a ribbed band that dimples the skin beneath, and a red thighband circles each leg high on the thigh -- elastic, flat, a finger's width, the left one sitting a touch higher than the right, both gripping the skin enough to leave a shallow soft crease above and below the band. Her sneakers are red with white soles and white laces, the toe boxes faintly scuffed, the sole edges picking up a thin gray line of wear. The light is a broad, even, directional studio light from above and slightly in front of her left shoulder at a low intensity ratio, so the illumination falls off gently down her body: the tops of her shoulders, the crown of her head, the top plane of the red headband and the upper surfaces of the sneakers' toe caps are the brightest passages, soft highlights sliding down the curve of the ash gray bowl cut; beneath her chin and under the high collar a small shaded pocket forms, the undersides of the braid, the inner edges of the skirt hem and the shadowed under-curve of the thighbands deepen, and a diffuse contact shadow pools small and soft directly under each sneaker, hugging the soles tightly without spreading. The palette is disciplined and narrow: cool ash grays in hair and skirt, black in the top and its buttons, and red as the single sharp accent in the headband, the center streak, the eyes, the V-piping, the thighbands and the sneakers, all of it floating on pure white. Every edge is crisp cel-style linework with clean two-tone shading and no texture noise on the white, the figure rendered at high resolution with fine detail concentrated in the face, the braid's plaits, the knit of the camisole and the ribbing of the socks. Still, cool, and quietly severe.
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Ash gray haircolor, bowl cut hairstyle, red headband, one side right braid, red middle hair streak, red eyes, late-teen 1lady, , standing, full body, white background, no background, (masterpiece:1.2), (best quality:1.2), (very aesthetic:1.2), (absurdres:1.2), (simple background:1.2), newest, intricate details, perfect anatomy, looking at viewer, serious, black & red vneck t-cropped buttoned camisole with high collar, ash gray sport mini tube skirt, red sneaker , white long sock, red thighband both legs,
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flash
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1104 x 1824
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Tsubaki.3 Flash - AI Model cover image

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lg
1girl, solo, late teen, full body, standing, looking at viewer, serious, expressionless, (masterpiece:1.2), (best quality:1.2), (very aesthetic:1.2), (absurdres:1.2), (simple background:1.2), white background, no background, solid plain white field, ash gray hair, bowl cut, blunt bangs, red headband, single braid on right side, red hair streak in middle of hair, red eyes, black and red v-neck cropped camisole, buttoned camisole, high collar, bare midriff, ash gray sport mini tube skirt, red sneakers, white long socks, red thighband on both legs, straight-on view, eye-level camera, subtle contrapposto, arms relaxed at sides, hands loose, faint head tilt, lips pressed flat, brows level, gaze locked forward A single late-teen woman stands alone against a completely empty, seamless solid white field -- pure blank paper white from edge to edge, with no floor line, no wall, no scenery, no furniture, no props, no shadow-casting surface, nothing but her; the camera is at eye level and dead straight-on, a full-body framing that runs from the crown of her head to the soles of her red sneakers with a margin of white above and below, so the white reads as negative space pressed around her silhouette rather than as a room. Her body is not square to the lens: her weight settles onto her left leg, the hip under the ash gray skirt pushed very slightly out, the right knee soft and slightly forward, both feet planted flat and parallel at shoulder width, so the pose is a standing stillness with one small asymmetry keeping it alive -- her shoulders are level, her arms hang close to her body with the elbows a finger's width from her waist, and the fingers of both hands curl loosely inward just touching the outer seam of the skirt, the right thumb resting on the skirt's hem band. Her head is upright with a faint tilt of a degree or two toward her right shoulder, chin level, and her gaze goes straight out of the frame into the viewer's eyes and holds there, unblinking. Her hair is ash gray, pale and cool, cut in a bowl cut: a blunt fringe sliced level across her forehead just above the brows, the sides falling in a smooth even curve past her temples to the jaw, the ends cut flat. A red headband sits over the crown, its band pressing the hair down around it so the strands flatten and kink slightly where they emerge beneath its edge, and the band's width carries the eye up from her face. From the right side of the bowl cut a single narrow braid drops -- tight, even plaits gathered close to the skull and falling to about the collarbone, its tail tipped plain -- while the rest of the hair stays loose and blunt. Down the exact center of her head, parting the fringe into two equal halves, runs a streak of vivid red hair from the crown to the hairline, the red slightly coarser and catching more light than the ash gray around it. Her eyes are red, clear and cool-toned, set under straight ash gray brows, the whites clean, the lids relaxed at a neutral aperture, and her expression is serious: lips shut in a flat line with the corners neither raised nor pulled down, jaw set, the small muscle at the hinge of her jaw just visible, no smile anywhere in her face. Her top is a cropped black and red camisole with a high collar and a deep V at the chest -- the standing collar closes snug at her throat in black, the V opens beneath it edged in red piping, small black buttons march down the center placket, and the hem stops high enough to leave a band of bare midriff between the top and the skirt, the fabric a matte knit with a soft nap that absorbs light rather than shining. The skirt is an ash gray sport mini tube skirt, straight and close, sitting low on her hips with a plain elastic waistband and a short vertical seam at the front, its hem ending at upper thigh. Below it, white long socks rise to just under the knee, their cuffs a ribbed band that dimples the skin beneath, and a red thighband circles each leg high on the thigh -- elastic, flat, a finger's width, the left one sitting a touch higher than the right, both gripping the skin enough to leave a shallow soft crease above and below the band. Her sneakers are red with white soles and white laces, the toe boxes faintly scuffed, the sole edges picking up a thin gray line of wear. The light is a broad, even, directional studio light from above and slightly in front of her left shoulder at a low intensity ratio, so the illumination falls off gently down her body: the tops of her shoulders, the crown of her head, the top plane of the red headband and the upper surfaces of the sneakers' toe caps are the brightest passages, soft highlights sliding down the curve of the ash gray bowl cut; beneath her chin and under the high collar a small shaded pocket forms, the undersides of the braid, the inner edges of the skirt hem and the shadowed under-curve of the thighbands deepen, and a diffuse contact shadow pools small and soft directly under each sneaker, hugging the soles tightly without spreading. The palette is disciplined and narrow: cool ash grays in hair and skirt, black in the top and its buttons, and red as the single sharp accent in the headband, the center streak, the eyes, the V-piping, the thighbands and the sneakers, all of it floating on pure white. Every edge is crisp cel-style linework with clean two-tone shading and no texture noise on the white, the figure rendered at high resolution with fine detail concentrated in the face, the braid's plaits, the knit of the camisole and the ribbing of the socks. Still, cool, and quietly severe.
LinkGenius Browser
AI artwork
lg
1girl, solo, late teen, full body, standing, looking at viewer, serious, expressionless, (masterpiece:1.2), (best quality:1.2), (very aesthetic:1.2), (absurdres:1.2), (simple background:1.2), white background, no background, solid plain white field, ash gray hair, bowl cut, blunt bangs, red headband, single braid on right side, red hair streak in middle of hair, red eyes, black and red v-neck cropped camisole, buttoned camisole, high collar, bare midriff, ash gray sport mini tube skirt, red sneakers, white long socks, red thighband on both legs, straight-on view, eye-level camera, subtle contrapposto, arms relaxed at sides, hands loose, faint head tilt, lips pressed flat, brows level, gaze locked forward A single late-teen woman stands alone against a completely empty, seamless solid white field -- pure blank paper white from edge to edge, with no floor line, no wall, no scenery, no furniture, no props, no shadow-casting surface, nothing but her; the camera is at eye level and dead straight-on, a full-body framing that runs from the crown of her head to the soles of her red sneakers with a margin of white above and below, so the white reads as negative space pressed around her silhouette rather than as a room. Her body is not square to the lens: her weight settles onto her left leg, the hip under the ash gray skirt pushed very slightly out, the right knee soft and slightly forward, both feet planted flat and parallel at shoulder width, so the pose is a standing stillness with one small asymmetry keeping it alive -- her shoulders are level, her arms hang close to her body with the elbows a finger's width from her waist, and the fingers of both hands curl loosely inward just touching the outer seam of the skirt, the right thumb resting on the skirt's hem band. Her head is upright with a faint tilt of a degree or two toward her right shoulder, chin level, and her gaze goes straight out of the frame into the viewer's eyes and holds there, unblinking. Her hair is ash gray, pale and cool, cut in a bowl cut: a blunt fringe sliced level across her forehead just above the brows, the sides falling in a smooth even curve past her temples to the jaw, the ends cut flat. A red headband sits over the crown, its band pressing the hair down around it so the strands flatten and kink slightly where they emerge beneath its edge, and the band's width carries the eye up from her face. From the right side of the bowl cut a single narrow braid drops -- tight, even plaits gathered close to the skull and falling to about the collarbone, its tail tipped plain -- while the rest of the hair stays loose and blunt. Down the exact center of her head, parting the fringe into two equal halves, runs a streak of vivid red hair from the crown to the hairline, the red slightly coarser and catching more light than the ash gray around it. Her eyes are red, clear and cool-toned, set under straight ash gray brows, the whites clean, the lids relaxed at a neutral aperture, and her expression is serious: lips shut in a flat line with the corners neither raised nor pulled down, jaw set, the small muscle at the hinge of her jaw just visible, no smile anywhere in her face. Her top is a cropped black and red camisole with a high collar and a deep V at the chest -- the standing collar closes snug at her throat in black, the V opens beneath it edged in red piping, small black buttons march down the center placket, and the hem stops high enough to leave a band of bare midriff between the top and the skirt, the fabric a matte knit with a soft nap that absorbs light rather than shining. The skirt is an ash gray sport mini tube skirt, straight and close, sitting low on her hips with a plain elastic waistband and a short vertical seam at the front, its hem ending at upper thigh. Below it, white long socks rise to just under the knee, their cuffs a ribbed band that dimples the skin beneath, and a red thighband circles each leg high on the thigh -- elastic, flat, a finger's width, the left one sitting a touch higher than the right, both gripping the skin enough to leave a shallow soft crease above and below the band. Her sneakers are red with white soles and white laces, the toe boxes faintly scuffed, the sole edges picking up a thin gray line of wear. The light is a broad, even, directional studio light from above and slightly in front of her left shoulder at a low intensity ratio, so the illumination falls off gently down her body: the tops of her shoulders, the crown of her head, the top plane of the red headband and the upper surfaces of the sneakers' toe caps are the brightest passages, soft highlights sliding down the curve of the ash gray bowl cut; beneath her chin and under the high collar a small shaded pocket forms, the undersides of the braid, the inner edges of the skirt hem and the shadowed under-curve of the thighbands deepen, and a diffuse contact shadow pools small and soft directly under each sneaker, hugging the soles tightly without spreading. The palette is disciplined and narrow: cool ash grays in hair and skirt, black in the top and its buttons, and red as the single sharp accent in the headband, the center streak, the eyes, the V-piping, the thighbands and the sneakers, all of it floating on pure white. Every edge is crisp cel-style linework with clean two-tone shading and no texture noise on the white, the figure rendered at high resolution with fine detail concentrated in the face, the braid's plaits, the knit of the camisole and the ribbing of the socks. Still, cool, and quietly severe.
LinkGenius Browser
AI artwork
lg
1girl, solo, late teen, full body, standing, looking at viewer, serious, expressionless, (masterpiece:1.2), (best quality:1.2), (very aesthetic:1.2), (absurdres:1.2), (simple background:1.2), white background, no background, solid plain white field, ash gray hair, bowl cut, blunt bangs, red headband, single braid on right side, red hair streak in middle of hair, red eyes, black and red v-neck cropped camisole, buttoned camisole, high collar, bare midriff, ash gray sport mini tube skirt, red sneakers, white long socks, red thighband on both legs, straight-on view, eye-level camera, subtle contrapposto, arms relaxed at sides, hands loose, faint head tilt, lips pressed flat, brows level, gaze locked forward A single late-teen woman stands alone against a completely empty, seamless solid white field -- pure blank paper white from edge to edge, with no floor line, no wall, no scenery, no furniture, no props, no shadow-casting surface, nothing but her; the camera is at eye level and dead straight-on, a full-body framing that runs from the crown of her head to the soles of her red sneakers with a margin of white above and below, so the white reads as negative space pressed around her silhouette rather than as a room. Her body is not square to the lens: her weight settles onto her left leg, the hip under the ash gray skirt pushed very slightly out, the right knee soft and slightly forward, both feet planted flat and parallel at shoulder width, so the pose is a standing stillness with one small asymmetry keeping it alive -- her shoulders are level, her arms hang close to her body with the elbows a finger's width from her waist, and the fingers of both hands curl loosely inward just touching the outer seam of the skirt, the right thumb resting on the skirt's hem band. Her head is upright with a faint tilt of a degree or two toward her right shoulder, chin level, and her gaze goes straight out of the frame into the viewer's eyes and holds there, unblinking. Her hair is ash gray, pale and cool, cut in a bowl cut: a blunt fringe sliced level across her forehead just above the brows, the sides falling in a smooth even curve past her temples to the jaw, the ends cut flat. A red headband sits over the crown, its band pressing the hair down around it so the strands flatten and kink slightly where they emerge beneath its edge, and the band's width carries the eye up from her face. From the right side of the bowl cut a single narrow braid drops -- tight, even plaits gathered close to the skull and falling to about the collarbone, its tail tipped plain -- while the rest of the hair stays loose and blunt. Down the exact center of her head, parting the fringe into two equal halves, runs a streak of vivid red hair from the crown to the hairline, the red slightly coarser and catching more light than the ash gray around it. Her eyes are red, clear and cool-toned, set under straight ash gray brows, the whites clean, the lids relaxed at a neutral aperture, and her expression is serious: lips shut in a flat line with the corners neither raised nor pulled down, jaw set, the small muscle at the hinge of her jaw just visible, no smile anywhere in her face. Her top is a cropped black and red camisole with a high collar and a deep V at the chest -- the standing collar closes snug at her throat in black, the V opens beneath it edged in red piping, small black buttons march down the center placket, and the hem stops high enough to leave a band of bare midriff between the top and the skirt, the fabric a matte knit with a soft nap that absorbs light rather than shining. The skirt is an ash gray sport mini tube skirt, straight and close, sitting low on her hips with a plain elastic waistband and a short vertical seam at the front, its hem ending at upper thigh. Below it, white long socks rise to just under the knee, their cuffs a ribbed band that dimples the skin beneath, and a red thighband circles each leg high on the thigh -- elastic, flat, a finger's width, the left one sitting a touch higher than the right, both gripping the skin enough to leave a shallow soft crease above and below the band. Her sneakers are red with white soles and white laces, the toe boxes faintly scuffed, the sole edges picking up a thin gray line of wear. The light is a broad, even, directional studio light from above and slightly in front of her left shoulder at a low intensity ratio, so the illumination falls off gently down her body: the tops of her shoulders, the crown of her head, the top plane of the red headband and the upper surfaces of the sneakers' toe caps are the brightest passages, soft highlights sliding down the curve of the ash gray bowl cut; beneath her chin and under the high collar a small shaded pocket forms, the undersides of the braid, the inner edges of the skirt hem and the shadowed under-curve of the thighbands deepen, and a diffuse contact shadow pools small and soft directly under each sneaker, hugging the soles tightly without spreading. The palette is disciplined and narrow: cool ash grays in hair and skirt, black in the top and its buttons, and red as the single sharp accent in the headband, the center streak, the eyes, the V-piping, the thighbands and the sneakers, all of it floating on pure white. Every edge is crisp cel-style linework with clean two-tone shading and no texture noise on the white, the figure rendered at high resolution with fine detail concentrated in the face, the braid's plaits, the knit of the camisole and the ribbing of the socks. Still, cool, and quietly severe.
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AI artwork
糖分
character: asamiya_athena, copyright: the_king_of_fighters 1girl, solo, full body, from behind, back to viewer, standing, facing away, (long purple hair from behind, white headband:1.2), blue high collar, gold trim at collar base, dark blue shoulders, dark blue short sleeves, white vertical lines on sleeves, dark blue and red very short cropped top, tight top, bare lower back, bare back, dark blue fingerless gloves, wide flared cuffs, red pleated skirt, white striped hem, dark blue bloomers, bare knees, black short socks, sneakers, plain white background, simple background, white background, no earrings, bare ears, hair unadorned except white headband, hands at sides, looking away, soft even light, pale skin. Full-body rear view, the girl stands with her back squarely to the viewer on a completely empty pure white field, nothing else in frame -- no props, no floor line, no horizon, the plain white ground running unbroken to every edge. She is caught in a small weight shift: her weight rides on her right leg with the right hip slightly higher, left knee softly bent so the left heel lifts a hair off the ground, torso turned a few degrees to her left so a sliver of her left cheekbone and the corner of her jaw show past the fall of her hair while her face stays turned away from the lens. Her long purple hair hangs loose and heavy down her back, the white headband sitting straight across the crown and pressing a shallow groove into the hair beneath it, a few fine strands lifted and drifting to her left as though the air had just moved; the ends of the hair sway clear of her lower back, leaving the bare skin of her waist and spine open between the cropped hem and the skirt waistband. The blue high collar stands up around the nape with a fine gold line running along its base, meeting the dark blue shoulders and the dark blue short sleeves, each sleeve slit by a pair of crisp white vertical lines running shoulder to cuff; the sleeves end in wide flared cuffs that hang loose and open around her forearms, the dark blue fingerless gloves leaving her fingers and knuckles bare, hands relaxed at her sides with the fingertips just brushing the outer seams of the skirt. The cropped top is cut severely short, the dark blue and red panels drawn taut across her back and stopping well above the waist. Below it the red pleated skirt sits at her hips, the knife pleats falling in even shadowed grooves and swinging slightly to her left, a white stripe banding the hem; at the hem's edge the dark blue bloomers show just beneath the pleats, and beneath those her bare knees and calves, black short socks snug at the ankle, and clean white sneakers planted with the right foot flat and the left toe barely touching down. Light is flat, soft and sourceless from the front of the frame, even across the white ground, with only the faintest contact shadow gathered under the soles and a thin dark line where the pleats meet; the palette is restricted to purple, white, dark blue, red and the gold collar line, nothing else admitted. Cool, poised, quietly confident.
糖分
#zetaCollab#The King of Fighters#Athena Asamiya

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