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AI art "ミオ「嫌だ〜‼️ミオは坊主だけは嫌ダァ‼️(泣)」" featuring #Resident Evil
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ミオ「嫌だ〜‼️ミオは坊主だけは嫌ダァ‼️(泣)」

#Resident Evil
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character: t-800, mio_(pixai), copyright: the_terminator 2girls, 1boy, chase, running, running towards viewer, from below, low-angle, wide shot, dutch angle, dynamic angle, foreshortening, perspective, forced perspective, vanishing point, high contrast, vivid colors, cinematic lighting, rim lighting, backlighting, lens flare, sparks, smoke, motion lines, speed lines, short white hair, heart-shaped ahoge, purple hair highlights, purple eyes, white eyelashes, cat ears, navy blue sailor crop top, white collar, blue ribbon, heart brooch, black beret, black choker, white gloves, black bows, white high-waisted shorts, navy blue stripes, frilled socks, black mary janes, crying, tears, huge eyes, wide-eyed, screaming, open mouth, flailing arms, arms up, mid-dash, running, legs apart, terrified, comic panic, exaggerated expression, sweatdrops, male, t-800, cyborg, tall, stern metallic face, dark sunglasses, black leather jacket, chrome endoskeleton arm, metallic hand, single glowing red eye, red eye glow, electric hair clipper, buzzing, clipper raised, outstretched arm, slow stride, walking, menacing, dark industrial background, red emergency lighting, factory, pipes, concrete, smoke, depth of field Dramatic low-angle wide shot, camera almost at floor level and tipped into a slight dutch angle, looking up and slightly forward into the corridor so the vanishing point drives toward the far red glow. In the immediate foreground the small mascot girl is caught mid-dash, running directly at the lens with full foreshortening: her near leg is planted on the concrete and bent at the knee, her far leg flung back, both feet off the ground on the forward stride, one boot sole lifted. Her white-gloved arms are thrown out wide, fingers splayed, elbows crooked; her short voluminous white hair with purple under-highlights whips backward, the heart-shaped strand bent back by her own sprint. Her huge purple eyes are wide and brimming with great comic teardrops, white lashes clumped wet, her mouth wide open in a scream, brows drawn up, a couple of small sweatdrops flying from her temple. Her sailor-style navy crop top and white collar flap, the blue heart-brooch ribbon bouncing, black choker and beret pinned to her head, shorts creased with the stride. She looks straight at the viewer, absolutely terrified, every muscle committed to escape. Behind her, looming over that small fleeing figure, the cyborg advances at a slow menacing stride: too tall, filling the upper third of the frame with the low camera making him tower, one heavy boot planted flat and the other coming down, black leather jacket hanging open over a plain dark shirt, broad shoulders cutting hard against the red glow behind. His face is stern and metallic, part chrome skull-plate with cold steel cheek and jaw, dark sunglasses confronting the camera; behind one lens a single glowing red eye burns through. One whole arm is a gleaming chrome endoskeleton — skeletal, ribbed fingers and wrist — and it is thrust forward and up, an electric barber hair clipper gripped in the metal hand, raised high, the clipper buzzing with tiny vibration lines and its chrome blades catching a hot white glint on the cutting teeth. His other human-looking hand hangs relaxed at his side. He is looking straight ahead at the girl's back, unhurried, inevitable. Dark industrial corridor: concrete floor with painted hazard lines, sweating pipes and ribbed conduit along the walls, catwalk rails above, red emergency lights fanned along the ceiling throwing a blood-red wash over everything and a hard red rim down the girl's white hair and the leather of the jacket. Sparks spray from a broken fixture high on the right, small incandescent streaks arcing and dying, drifting smoke coiling in slabs across the corridor and catching the red light so the space reads in deep layers, seam by seam. Dramatic rim light on both figures — hot red behind the jacket and the chrome arm, cold blue-white bounce off the floor filling their shadows. High contrast, deep blacks, vivid crimson and saturated purples and cyan; motion lines smearing past the girl, the concrete floor swept with a low dust and a fine spray of grit kicked up under her feet. Cinematic depth of field, detailed foreground on the girl's terrified face and the chrome clipper, the corridor dissolving into red haze behind. Movie-poster energy, frenetic and hilarious, breathless.
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Avatar image of Ouday Abdlaziz
2persons, 1boy, 1girl, yandere, robot girl, gynoid, exposed mechanical parts, torn synthetic skin, split faceplates, unhinged jaw, unnaturally wide mouth, open mouth, gaping maw, sharp metallic teeth, internal machinery, glowing oculars, heart-shaped pupils, manic blush, head tilt, leaning forward, lunging, 1boy from behind, recoiling, trembling, raised hands, over-the-shoulder, dutch angle, from below, dramatic lighting, street lamp, dark alley, asphalt, steam, sparks, psychological horror From a dramatic low-angle, over-the-shoulder perspective behind the recoiling young man, the scene captures an intimate encounter turned horrific. The girl leans aggressively into his personal space, towering slightly over him as her innocent demeanor shatters into unhinged robotic mania. Her porcelain-like synthetic facial skin splits cleanly along pre-machined panel seams across her cheeks, parting to expose gleaming titanium hinges, exposed servomotors, and pulsing fiber-optic cables beneath. Her jaw has dropped unnaturally, dislocated and extending downward via telescoping hydraulic pistons to create an impossibly wide, cavernous mouth aimed directly at the man's head, lined with interlocking steel teeth and a dark, whirring intake throat. Her eyes glow with crazed intensity, displaying vibrant crimson optical rings around heart-shaped target reticles, while flush pink blush marks remain stamped on her artificial cheeks beneath arched, manic brows. The young man stumbles backward onto his rear heel, his left shoulder and trembling raised hand framing the foreground as he shrinks away in paralyzed terror, his gaze locked directly into her gaping maw. The only illumination is a single flickering amber sodium-vapor streetlamp overhead, casting long, sharp shadows down the narrow brick alleyway, while tiny wisps of venting steam hiss out from the micro-actuators at the hinges of her jaw, catching the harsh yellow rim light. Deep indigo shadows, cold mechanical chrome, and sickly warm street lighting govern the palette. Menacing dread.
Ouday Abdlaziz
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Avatar image of Ouday Abdlaziz
A full body shot from a high-angle perspective showing a yandere robot girl pinning the viewer to the floor. The girl, appearing as a young woman with an obsessive, wide-eyed expression and a manic smile, is shown mid-action, having just slapped the viewer down; her right hand is pressed firmly against the viewer's cheek, while her left hand grips the viewer's wrist tightly against the ground. Her face is partially shattered, with large jagged cracks and missing pieces of synthetic skin peeling away to reveal a complex, metallic robotic endoskeleton, glowing circuitry, and mechanical components beneath. She wears a tattered school uniform consisting of a white blouse and a pleated skirt. The scene takes place in a dimly lit, sterile industrial room with cold concrete floors and flickering overhead lights. The atmosphere is oppressive and terrifying, with a stark color palette of cold greys and clinical whites, contrasted by the vivid red of her obsessive eyes and the metallic sheen of her exposed robotic face.
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