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AI artwork featuring #Akane Kurokawa
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Akane Kurokawa

#Akane Kurokawa
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Brago bloodfallen

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character: kurokawa_akane 2girls? no -- 1girl, 1boy, 2 subjects, kurokawa akane, long hair, bangs, multicolored hair, gradient hair, black and blue two-tone hair, blue eye, green eye, heterochromia, enormous breasts, rococo style dress, overly ornate tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, ridiculous ornaments on dress, red and white dress, glitter fabric, sequins, puffy huge oversized long skirt, (((la chica lleva un abrigo negro encima del vestido))), black fur coat over dress, colossal earrings, colossal engagement ring, colossal bracelets, tiara, diamond collar, blush, sad, sighing, standing, tall man, ugly man, kiss on lips, brutal kiss, forced kiss, malicious kiss, woman not enjoying kiss, turning away, closed eyes, distressed, from side, profile, cowboy shot, dutch angle, dramatic lighting, chiaroscuro, A low three-quarter profile view from slightly below, tilted a few degrees off level, with the two figures filling the frame from mid-thigh up and the huge skirt spilling out of the bottom edge. The woman stands at the left of frame, her weight sunk onto her right leg so her left hip juts and the enormous puffed skirt bulges toward the lower right, its hem lost off-frame; her spine leans back and away, chin pulled to her right, whole torso torqued to escape. The man at the right of frame is a head and a half taller, stooping down and forward over her: his right hand clamps the back of her neck under the fur collar, his left fist bunches the black fur at her shoulder, and his mouth is crushed flat against hers, mashing her lips, his head tilted hard to one side. Her mouth stays compressed and pulled to one corner under his; her eyes are squeezed shut with the brows drawn up and pinched at the center, a shine of tears along the lower lash line, cheeks flushed deep red with blush, and her breath goes out in a thin visible puff from the corner of her mouth, the sigh escaping around the kiss. His eyes are open, narrowed, looking down at her face with a mean curl at one mouth corner. Her hair is long, falling past her shoulders in a black-to-blue gradient -- black at the crown and blue down the lengths -- with a heavy fringe of straight bangs over her brow, some strands crushed between her cheek and his jaw, the ends swinging back from the tilt of her head; one blue eye and one green eye, the blue on the frame-left side. The dress is a rococo explosion in red and white: a tight boned bodice crusted with sequins that throw hard pinpoint highlights, white lace foaming at the neckline in three stacked tiers, absurdly many ribbon bows in alternating red and white stuck at every seam, ruffles pleated so densely they read as a ridge of coral, gilt and paste-jewel ornaments of no consistent design bolted across the front, and a skirt puffed and gathered into a balloon that is wider than she is tall with more lace and bows at the hem. Over all of it she wears a heavy black fur coat, worn open and pushed back off her shoulders so it frames the dress, its thick nap swallowing the light and its collar standing up around her neck and crushed under his hand. A diamond collar rings her throat beneath the fur, above it colossal drop earrings pull at both earlobes, a tiara sits tilted in the black hair at her crown, enormous bracelets of stacked stones weight both wrists, and on her left hand the colossal engagement ring sits as a faceted mass the size of a plum, that hand hanging limp at her side with the fingers slack. The man's face is coarse and heavy-jawed, big nose, broken-veined cheeks, stubble, small wet eyes, greasy dark hair combed back; he wears a plain dark high-collared formal coat, dull and unornamented, so the visual weight sits entirely on her. The light is a single hard warm lamp from high frame-left, off-camera: it rakes the left side of the scene, catching the sequins and the facets of the ring and tiara in bright chips, throwing the man's shadow across her cheek and lighting the rim of the fur, while the right side of the frame and the underside of the skirt fall into deep brown-black. Palette is red and white on her, black in the fur and his coat, and warm skin tones -- nothing else admitted. A few loose sequins have fallen and lie scattered on the front of her skirt, twinkling where the light hits. Oppressive, glittering cruelty.
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1 girl,akane kurokawa, kurokawa akane, long hair, bangs, blue eyes, green eyes, black hair, blue hair, multicolored hair, gradient hair,enormous breasts,rococo style,colossal earrings,colossal engagement ring, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt,long skirt oversized dress, glitter fabric, sequins,ridicolus ornaments in dress,red and white dress,(((la chica lleva un abrigo negro encima del vestido))),fur coat,sad,colossal engagement ring,colossal bracelets,tiara,blush,la mujer esta suspirando,la mujer esta de pie,diamond collar,1 man,tall man,ugly man,kiss in lips,brutal kiss,forced kiss,el hombre besa con maldad a la mujer,la mujer no lo disfruta
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pro
Tag jakości
﹝Podpowiedzi﹞
Rozmiar
1104 x 1824
Metoda próbkowania
Euler
Niepożądane
lowres, worst quality, low quality, bad anatomy, explicit,bad kiss
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AI artwork
fl
character: kurokawa_akane 1girl, 1boy, 2girls? no, 1girl 1boy only, kurokawa akane, long hair, bangs, hair between eyes, swept bangs, multicolored hair, gradient hair, black hair fading into blue hair, heterochromia, one blue eye, one green eye, star-shaped pupils, enormous breasts, cleavage, rococo style, overly ornate tacky dress, overdecorated, too much lace, excessive ruffles, too many bows, ridiculous ornaments on dress, red and white dress, fur-trimmed dress, glitter fabric, sequins, puffy skirt, huge skirt, long skirt, oversized dress, colossal earrings, colossal engagement ring, colossal bracelets, tiara, diamond collar, blush, sad, frowning, teary eyes, 1boy, ugly man, tall man, grabbing waist from behind, hand over mouth, kidnapping, struggling, from behind, over-shoulder composition, dutch angle, cowboy shot, seductive_smile no — distressed, heavy_breathing, trembling, motion_lines, clutched hands, ballroom interior, chandelier light, Seen from a low dutch angle over the woman's shoulder: her back is toward the camera, her head twisted into a sharp left profile so the camera catches only that left cheek, one visible blue eye wide and wet, and the black-and-blue gradient hair spilling over her shoulder toward the viewer. Both of the tall man's arms are wrapped around her from behind — his left forearm barred across her waist, crushing the fur-trimmed red-and-white satin against her enormous chest, his right palm clamped flat over her mouth from jaw to nose, the fingers spread and denting her cheek so her lips are pressed unseen against his skin. Her hands claw up at that wrist, her colossal bracelets bunching and sliding at her forearm and her colossal engagement ring catching the light as she pulls; she lifts onto her toes, heels lifting out of the huge puffy skirt, weight tipping off balance into his grip. Her chin is craned up and away from the palm, no eye contact with him, gaze thrown toward the upper-left out of frame; his head is above and behind hers, tilted down, small eyes fixed on the top of her head, mouth slack and grim. He looms a full head and a half above her — heavy brow, crooked nose, stubbled jaw, sloping shoulders, shabby dark overcoat that ends bluntly against her glittering sequined silhouette, no lace, no ornament on him. The dress is a burden of excess: tiered lace cascading at the neckline, fur edge at the hem and cuffs, ruffles stacked in layers so dense the skirt stands out in a puffed bell wider than her hips, bows knotted at the waist, the sleeves and the bodice until they are almost too many to count, ridiculous ornaments of paste jewels and ribbons pinned everywhere, sequins strewn across the satin and the glitter fabric scattering pinpricks of light at every fold. The puffy skirt crumples and twists where his forearm digs into her hip. The colossal earrings swing forward on their long chains, the tiara slides a fraction off level, and the diamond collar sits rigid at her throat, digging in as she strains. Fur trim blurs at the edges where the fabric is crushed. Set in a dim ballroom: a gilded rococo interior dissolves in shadow behind them, cornices and a candelabra chandelier above the frame. A single warm chandelier light comes from high above and slightly right, laying highlights on the tiara, the diamond collar, the sequins and the man's bare forearm, and casting both their shadows hard and long onto the marble floor at the lower left. Beyond that pool the darkness is absolute. Palette: red and white dress, blue and black hair as the only cool note against warm gold and umber surroundings. One physical tell: where his palm presses her mouth, her breath fogs and the sequins at her cheek catch a fine sweat sheen, while the loose fur strands along the hem lie flat rather than puffing — crushed, not stirred. Tense, suffocating dread.
Fitentia Lombardy
AI artwork
fl
character: kurokawa_akane 1girl, 1boy, 2girls? no, 1girl 1boy, heterochromia, blue eyes, green eyes, black hair, blue hair, multicolored hair, gradient hair, long hair, bangs, hair between eyes, swept bangs, enormous breasts, red and white dress, rococo style dress, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge long skirt, oversized dress, glitter fabric, sequins, ridiculous ornaments on dress, tiara, colossal earrings, colossal bracelets, diamond collar, colossal engagement ring, tall man, ugly man, forced kiss, brutal kiss, kiss on lips, standing, sad, sighing, blush, closed eyes, furrowed brows, from side, profile, cowboy shot, dutch angle, ornate ballroom, chandelier light, dramatic shadow, looming, dominant, seductive_smile? no — cruel smirk, trembling, motion_lines, spoken_heart, From side, in a slight dutch tilt, the frame holds two figures against a tall mirrored ballroom wall: on the left, a young woman with long multicolored gradient hair — black at the crown melting to blue through the lengths — with swept bangs and a fringe of hair falling between her heterochromatic eyes, one eye blue and one green. She stands in a towering red and white rococo gown so overloaded it nearly swallows her: a huge puffy skirt that balloons out at the hips and trails to the parquet, crusted in glitter fabric and sequins, layered with excessive ruffles at every tier, frothed with too much lace at the neckline and cuffs, and studded with too many bows and ridiculous ornaments — wax-sealed medallions, glittering ribbon rosettes, tiny gilded cages — until the dress reads as an intentional catastrophe of riches. A tiara sits pushed slightly askew on her crown; colossal earrings drag at her earlobes and colossal bracelets clank along both wrists, a diamond collar glints at her throat, and on her ring finger a colossal engagement ring rides painfully heavy, its stone tipping her hand. She is standing, weight sunk into her back hip, one gloved hand hanging limp at her side, the other pressed flat to her own collarbone; her shoulders have dropped, her lashes are lowered over her mismatched eyes, and her open lips are caught mid-sigh, a warm blush blooming across her cheeks and the bridge of her nose. To her right, looming half a head taller and leaning down hard into her, a tall, ugly man: a heavy-browed, thick-jowled face with a crooked nose, deep-set eyes, stubbled jaw, and a mouth pulled into a cruel smirk as he crushes a brutal, forced kiss onto her lips. His hand fists the lace at her shoulder to hold her in place; the angle of his head crowds hers back and to the side, her tiara tilting further, strands of her gradient hair pulled taut between them. Her eyes stay lowered and half-closed, and beside her cheek a small hand-drawn heart floats inside a speech bubble — a symbol only, no words. The chandelier hangs behind them; its light comes from high at the upper right, laying warm highlights on the man's brow and the woman's cheekbone while her enormous skirt falls away into shadow and the parquet reflects a darker, softer echo of the sequins. Palette: the dress's deep reds and whites, pastel-champagne lace, glittering silver-pink, and the cool blue of her hair against the ballroom's murky gold-brown dark. Highly ornate, decorative rendering with elaborate lace and ruffle detail and a luxurious pastel-influenced opulent palette. Oppressive, glittering dread.
Fitentia Lombardy
AI artwork
bb
character: kurokawa_akane 1girl, 1man, 2girls? no — 2 subjects total, standing, tall man, ugly man, kiss on the lips, brutal forced kiss, man kissing woman with malice, sad, blush, sighing, long hair, bangs, multicolored hair, gradient hair, black hair, blue hair, blue eyes, green eyes, star-shaped pupils, enormous breasts, rococo style, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated dress, puffy skirt, huge long skirt, oversized dress, glitter fabric, sequins, ridiculous ornaments, red and white dress, black fur coat over dress, colossal earrings, colossal engagement ring, colossal bracelets, diamond collar, tiara, from side, cowboy shot, dutch angle, dutch angle, profile, A low three-quarter view from slightly below, tilted a few degrees off level, catches both figures from the hips up, the man on the left and the woman on the right of a wide, empty ballroom floor that recedes into blackness behind them. She stands with her weight sunk into her right hip, left knee bent, shoulders dropped forward, the enormous puffy skirt of the red and white rococo dress ballooning out around her legs and pooling a full arm's length across the floor — the skirt so oversized it dominates the lower half of the frame, layered in tier upon tier of white lace and red ruffles, crowded with too many bows to count, bristling with sequins and ridiculous ornaments and embroidered rosettes and dangling glass beads that catch the light like scattered gravel on the glitter fabric. A black fur coat is thrown over the dress and hangs open off her shoulders, the fur swallowing her upper arms. Her long black-and-blue gradient hair falls past her waist, the black at the crown bleeding into deep cobalt at the tips, blunt bangs cut straight across her brow, and she wears a small glittering tiara set back in the crown of her hair. Her ears drag down under colossal hoop earrings the size of her palm, the lobes pulled visibly long by the weight; oversized bracelets stack and clatter at both wrists, and a colossal engagement ring sits on her left hand, a stone like a knuckled egg that makes her finger look thin. A wide diamond collar rings her throat, each stone set in silver, the lowest point resting in the hollow of her collarbone. Her eyes — the left blue, the right green, both with star-shaped pupils — are wide open and glistening, fixed on nothing, staring past the man's shoulder into empty air. Her cheeks are flushed deep red; her mouth is pushed forward and pressed shut by the man's lips, her jaw slack under the pressure, her chin tipped up and twisted slightly away. One breath escapes from her nose, the fine hairs at her temple stirring faintly. The man is much taller than she is, his head bent down to hers, shoulders hunched forward to close the difference, one hand clamped hard on her upper arm and gripping a fistful of fur coat and sleeve, the other hand splayed at the small of her back and crushing her forward against him, the puffy skirt compressed where her body is pressed against his knee. His face is heavy and coarse — a broad bulbous nose, thick uneven brows, a wide mouth wet with saliva, small deep-set eyes, jowls and a coarse shadow of stubble — and his lips are mashed down over hers, his head turned and working at the kiss, a strong malicious satisfaction folded into the grimace of his pressed-together face. His coat is dark, his posture ugly and proprietary; he says nothing and looks only at her mouth. Light comes from a single high candelabra off frame to the right and slightly behind her, dropping a warm gold rim on her tiara, the crown of her hair, and the tops of the ruffled skirt, and throwing long hard-edged shadow of both bodies off across the polished floor to the left. The rest of the ballroom is dark, swallowed up beyond the skirt's flare. Palette: red, white and black, sequin-glitter silver, the man's coat reduced to black, skin tones warm against the cold dark. His thumb clenches a fold in her sleeve; the fur fibres squeeze into a pale crease where his fingers grip the coat collar; her enormous skirt stays unpressed except where his leg dents it. Cold, sad, sick with ornament.
Brago bloodfallen
#Prawdziwe życie
AI artwork
eb
character: kurokawa_akane 1girl, 1old man, 2girls? no — 1girl 1boy, long hair, bangs, multicolored hair, gradient hair, black hair fading to blue hair, blue eyes, green eyes, heterochromia-tinged blue-green eyes, enormous breasts, rococo style, bride day, wedding day, colossal earrings, colossal engagement ring, colossal bracelets, diamond collar, tiara, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, ridiculous ornaments on dress, glitter fabric, sequins, red and white dress, fur-trimmed dress, puffy skirt, huge skirt, long skirt, oversized dress, blush, sad, humiliated, not enjoying it, eyes open, hands tied behind back, forced kiss, dipped backward, tall man, old man, man larger than woman, one arm around her waist, standing, dutch angle, cowboy shot, from side, The camera looks slightly up from her right side at a low dutch tilt, so the bride's sinking body slants across the frame from lower left to upper right and the old man's bulk fills the top corner of the shot. She is caught mid-dip: the old man's single arm is clamped around her waist, his big hand flat at the small of her back, pressing her spine into a backward arc so her chest lifts and her huge skirt crater out and spills toward the floor of the empty, candlelit cathedral nave. Her long black-to-blue gradient hair, bangs swept over her brow, swings down past her shoulder in loose coils, the blue ends dragging across the fur-trimmed neckline. Her head tips back into his kiss, and her eyes stay wide open, fixed hard sideways and out past the viewer's shoulder; she is not looking at him, and her blue-green irises catch the candlelight as her brows pinch upward and her mouth is pressed shut under his. The blush sits low on her cheeks. His old, bald-fringed head hides her tiara's front, but the towering silver points still flare above her hair; her colossal earrings hang low, dragging her earlobes; her colossal bracelets clank on the wrists bound behind her back with white satin cord, her forearms hidden behind her own skirt. The dress is the disaster the whole frame turns on: red and white rococo silk, sequined fabric flashing under the flames, lace frothing at every cuff and collar, ruffles stacked in tiered waterfalls, absurd bows bulging at the shoulders and hem, fur trim matted along the neckline and the high collar of the diamond choker biting her throat. The colossal engagement ring sits heavy on her bound finger behind her back. Light comes only from the tall altar candles to the right: warm gold on her cheek and his shoulder, deep shadow pooling under the huge skirt where the fabric touches the cold stone floor, a long shadow cast across the nave's worn tiles. Palette limited to blood red, cream white, candle gold and near-black shadow. Still, ornate, quietly cruel.
Eris Boreas greyrat

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