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AI art "Aunn's Peaceful Shrine Visit (Touhou)"
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Aunn's Peaceful Shrine Visit (Touhou)

There's something so captivating about Komano Aunn standing amidst the dappled sunlight and ancient statues. The way the light filters through the trees in this piece really brings out the serene, protective vibe of the shrine. I'd love to know what you think of this Touhou fan art, so please leave a comment, give it a like, and follow for more!

#Touhou Project#Torii#zielone włosy#Rogi#kilka dziewczyn#światło przesączające się przez liście#Komano Aunn#posąg
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○黃月１３日里

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character: komano_aunn, hung_(arknights) 2girls, komano aunn, hung (arknights), komainu guardian statue pair, a-un pair, open-mouthed lion-dog statue, closed-mouthed lion-dog statue, stone statues, torii gate, tree, shrine grounds, moss, from below, wide shot, dutch angle, low angle, standing, crouching, leaning forward, looking at another, animal ears, dog ears, green hair, curly hair, very long hair, single horn, green eyes, fangs, orange hair, streaked hair, medium hair, orange eyes, black sleeveless shirt, bare shoulders, white shorts, red kariyushi shirt, geta, hair flower, tail, sunlight from above, dappled light, stone texture, moss green palette, warm afternoon The camera sits low at the foot of the stone steps and tilts up, so the huge weathered torii gate fills the upper third of the frame and the two of them rise against it. On the left stands a girl with very long curly green hair spilling around her shoulders, a single small horn at her brow, one flower tucked in her hair, fangs showing past her lower lip as she grins; she wears a short-sleeved red kariyushi shirt buttoned down the front and white shorts, geta sandals planted wide on the flagstones, and a tail curling back behind her knees. She leans far forward toward her companion, one hand pushed flat on the mossy pedestal of the open-mouthed lion-dog statue beside her, chin tipped up, eyes fixed on the other girl's face. On the right, a girl with streaked orange hair cut to medium length and dog-like komainu ears pricked upright, orange eyes bright, a single small horn, her bare shoulders lifted out of a black sleeveless shirt, dark pants and one knee dropped onto the stone so she crouches low beside the closed-mouthed statue, one palm resting on its carved foreleg, the other hand near her own knee; her head turns up toward the standing girl and her eyes come to rest on her face, and a small closed-mouth smirk plays on one side. Their gazes meet between the two statues, which face each other across the path — the open mouth of the left lion-dog calling out, the closed one silent, each sculpted with curled mane and hollowed eye sockets, chipped at the paw. Behind them a great old tree leans over the approach, its trunk twisted and its crown dense with leaves, roots humping the flagstones where the two girls stand. Sunlight rakes down through the branches so the light falls only where leaves part and the tree's shadow sculpts everything else in cool green; bright specks scatter across the statues' shoulders and the girls' hair, and the moss on the pedestals glows where it catches the sun. The palette is green and stone grey with the red of the kariyushi shirt as the one loud accent, orange hair warming the right side of the frame. Stray leaves have collected in the hollows of the statues and between the flagstone seams. Effortlessly lively.
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