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AI artwork featuring #Akane Kurokawa
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Akane Kurokawa

#Akane Kurokawa
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Fitentia Lombardy

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character: kurokawa_akane 1girl, 1boy, kurokawa akane, long hair, bangs, black hair, blue hair, multicolored hair, gradient hair, hair between eyes, swept bangs, blue eyes, green eyes, heterochromia, star-shaped pupils, enormous breasts, rococo style, colossal earrings, colossal engagement ring, colossal bracelets, tiara, diamond collar, blush, sad, crying, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt, long skirt, oversized dress, glitter fabric, sequins, fur trim, ridiculous ornaments, red and white dress, ugly man, tall man, kidnapping, grabbed wrist, pulling, from below, dutch angle, cowboy shot, depth of field, looking at viewer, terrified, clenched teeth, wide-eyed, Low dutch angle, camera tilted so the whole hall leans, boy's-eye view up from knee height: the tall man fills the right two-thirds of the frame as a looming wedge, and the girl is dragged off-balance toward camera-left. He is gaunt and ugly — long lopsided jaw, broken crooked nose, heavy brow shadowing deep-set small eyes, bad uneven teeth bared in a grin, greasy lank hair sticking to his forehead, stubble, stooped shoulders in a plain threadbare dark traveling coat with the collar turned up, sleeves too short on his long arms. His huge bony right hand clamps all the way around her left wrist and forearm, thumb pressed into the inside of the wrist, knuckles whitening, lifting her arm high; his left hand fists the lace at her shoulder, bunching the fabric and hauling her sideways so her weight tips onto the outside edge of her left foot, right foot skidding, right toe trailing, body arcing away from him in a long counter-curve. She is drawn taller and softer than him, thrown forward into the tilt: chin pulled back and down, brows drawn up in the middle, one tear cutting a clean line through the blush high on her cheek and dropping free of her jaw, lower lip trembling under clenched teeth, mouth open in a small soundless shape. Her gaze is locked up into his face, and his eyes are angled down at her, so the two eyelines meet across the gap. Her free right hand is flung out to the side with fingers splayed, the colossal engagement ring a fat blazing rock that catches the light. Her hair is the loudest thing in the frame: long, falling past her hips, a gradient running from near-black at the crown and bangs into deep blue at the lengths, with a blue-black layered fringe cut straight across the brow, longer strands between her eyes, and one heavy swept section across the left brow. Eyes mismatched — the left one blue, the right one green — with faint star-shaped highlights in the pupils. Colossal jeweled earrings hang from both ears, long as her neck, swinging out on their own momentum; colossal bracelets stack up both forearms and clatter against the diamond collar, a rigid band of packed white stones ringing her throat above the fur. The dress is a catastrophe of excess: red and white rococo, boned bodice crusted with sequins over glitter-shot fabric, white lace foaming in three tiers at the neckline and cuffs, ruffles stacked so thick the seams disappear, bows knotted at the shoulder, the waist, the hip and the back — too many to count — plus ridiculous ornaments: enamel medallions, paste jewels, a little gilt bird, dangling ribbons, all of it crowding the bodice. A band of pale fur wraps the neckline and the hem edges. The skirt is enormous, puffed and boned out on hidden supports into a huge bell wider than she is tall, sweeping a long arc out of the bottom of the frame, quilted white and red panels, white fur along the hem, lace and sequins and bows piled on every visible tier. A small tiara sits pushed forward on her crown, one point snagging a lock of hair. The setting is a dim baroque hall: parquet floor running away under the tilted horizon, a row of gilded pilasters and a tall window receding into soft shadow behind them, all of it blurred by shallow depth of field. A single cold shaft of window light drives in from the upper left, striking the left side of her face, igniting the sequins, the latex sheen of the glitter fabric and the facets of the ring and earrings, and leaving his face in half-shadow on the right, rimmed only along the nose and brow. Cold blue-grey shadows, hot red and white and gold on her — nothing else admitted. The fur hem drags a fresh skid-mark in the floor dust where her foot has slipped; her hair and the earrings still carry the momentum of the pull in the opposite direction to the drag. Grim, garish, and sad.
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1 girl,akane kurokawa, kurokawa akane, long hair, bangs, blue eyes, green eyes, black hair, blue hair, multicolored hair, gradient hair,enormous breasts,rococo style,colossal earrings,colossal engagement ring, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt,long skirt oversized dress, glitter fabric, sequins,ridicolus ornaments in dress,red and white dress,fur dress,sad,colossal engagement ring,colossal bracelets,tiara,blush,diamond collar,1 man,ugly man,tall man,la mujer esta siendo secuestrada
Tryb
pro
Tag jakości
﹝Podpowiedzi﹞
Rozmiar
1104 x 1824
Metoda próbkowania
Euler
Niepożądane
lowres, worst quality, low quality, bad anatomy, explicit
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Tsubaki.3 - AI Model cover image

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Tsubaki.3
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AI artwork
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character: kurokawa_akane 1girl, 1boy, kurokawa akane, long hair, bangs, swept bangs, hair between eyes, multicolored hair, gradient hair, black hair fading to blue hair, blue eyes, green eyes, heterochromia, star-shaped pupils, enormous breasts, rococo style, colossal earrings, colossal engagement ring, colossal bracelets, tiara, diamond collar, blush, sad, crying, tears, furrowed brows, red and white dress, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, ridiculous ornaments, glitter fabric, sequins, fur trim, puffy skirt, huge skirt, long skirt, oversized dress, 1 man, tall man, ugly man, kidnapping, being carried, arm support, over-shoulder carry, from below, dutch angle, cowboy shot, looking at another, reaching out, outstretched arm, clenched teeth, struggle, dim grand hall, chandelier light, Shot from below at a tilted dutch angle: a tall, gaunt, ugly man fills the right half of the frame, and against his chest he hauls the girl off her feet in a rough over-shoulder carry, his thick forearm clamped across her back, her weight slumped forward over his shoulder so her enormous ruffled skirt hangs down behind him and her long gradient black-to-blue hair spills over his sleeve. His face, seen in three-quarter from below, is drawn long and coarse -- heavy sloping brow, big hooked nose, small deep-set eyes squinting down at her, wide crooked mouth pulled back in a grin with a couple of teeth showing -- and he is unhurried, one hand gripping her waist under the lace, the other planted flat on her shoulder blade. She is seen mostly from the waist up: her head is tipped toward the camera, cheek pressed near his collarbone, brows pinched up in the middle, blue eye and green eye both wet and shining, tears escaping sideways into her hair, a small open mouth, a hot blush smeared across both cheeks. Her hand stretches down and out toward the viewer with the colossal engagement ring heavy on it, the gigantic stone catching a spark of light, colossal bracelets rattling at her wrist, and the huge teardrop earrings swinging away from her jaw as she is turned. The dress is a rococo disaster: red and white satin and fur, a bodice plastered in layers of lace and sequined appliqué, bows stacked on bows from the neckline to the hem, absurd porcelain-figure ornaments and a tiny candy-striped cage strung on the skirt, glitters and sequins studding every fold so the fabric throws specks of light wherever it turns. A small tiara sits crooked in her bangs, and a diamond collar glints at her throat just under the lace. Her gaze goes past the man toward the viewer, and his gaze is pinned down on her face. Around them a dim grand hall, tall rococo mouldings and a marble floor falling away into shadow; a single chandelier high behind and above them is the only light source, so their faces are lit from above, the underside of her skirt and the space behind the man go black, and a huge soft shadow pools on the floor at his feet. Cool white light, warm red and gold from the dress and the gilding, deep brown shadow. Melodramatic, uneasy.
Fitentia Lombardy
#Akane Kurokawa
AI artwork
al
character: kurokawa_akane 1girl, 1oldwoman, 2girls, tall woman, gigantic woman, ugly old woman, kidnapping, (((carrying princess style))), long hair, bangs, multicolored hair, gradient hair, black hair, blue hair, blue eyes, green eyes, enormous breasts, rococo style, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge long skirt, oversized dress, glitter fabric, sequins, ridiculous dress ornaments, red and white dress, fur dress, sad expression, humiliated, not enjoying it, blush, tiara, diamond collar, colossal earrings, colossal bracelets, colossal engagement ring, woman frightening the girl, low angle, from below, dutch angle, scared expression, trembling, held up, carrying, arms supporting back and legs, ornate hall, from below, dramatic lighting, Shot from a low angle tilted into a slight dutch cant, so the two figures tower over the viewer and the hall's ceiling vaults out of frame. In the foreground the girl is hoisted off her feet: the old woman's forearms are locked under the girl's back and the crook of her knees, one huge hand spread across the girl's shoulder blades, the other gripping her calf just above the ankle. The girl's enormous chest pushes forward against the bodice as her spine arches back over the woman's arms, both of her hands clamped on the woman's forearm with white knuckles, one leg dangling with the huge puffy skirt collapsing downward in a heavy fall of fabric, sequins scattering the light. Her long black-and-blue gradient hair with straight bangs spills backward over the woman's arm in a slow weightless swing; blush burns across her cheeks, her blue-and-green eyes are wide and wet, brows pinched, mouth a small trembling line, gaze fixed down and away from the old woman's face. Behind her the old woman stands immense, dwarfing the girl by a full head and shoulders, ugly heavy-jawed face pushed close to the girl's ear, one eye squinting in cruel delight, lips peeled back in a toothy fright-making grin, gaze lasered onto the girl to drink in the fear. Her colossal earrings and bracelets catch hard glints, the diamond collar ringing her throat cold and bright. The girl wears a red-and-white rococo gown gone rotten with excess: lace frothing out of every seam, ruffles stacked in tiers, bows clustered so thickly they crowd the shoulders and waist, a fur collar molting over the neckline, glitter fabric and sequins firing light in all directions, ridiculous ornaments dangling from the bodice, the puffy skirt ballooning out in a colossal bell. A tiara skews on her head; a colossal engagement ring rides her finger. Light from a high fractured window strikes down and to the left, catching the sequins, the diamonds and the girl's wet eyes, leaving deep shadows under the woman's jaw and in the folds of the skirt. Palette locked to red, white, cold diamond silver and the girl's blue-black hair, everything steeped in the hall's amber gloom. The woman's slow lift makes the girl's dangling foot skim the floor; the skirt trails a hand's breadth above the marble, its shadow a huge dark bloom beneath them. Quiet dread.
Aizeth Lomardi
#Prawdziwe życie
AI artwork
sg
character: kurokawa_akane 2girls, kurokawa akane, 1girl, 1 old woman, tall old woman, gigantic old woman, long hair, bangs, swept bangs, hair between eyes, black hair, blue hair, multicolored hair, gradient hair, blue eyes, green eyes, star-shaped pupils, enormous breasts, blush, sad, tears, crying, grimacing, clenched teeth, furrowed brow, struggling, forcejea inutilmente, grabbing, being grabbed, kidnapping, tall woman, old woman, wrinkly skin, grey hair, updo, rococo style, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated dress, puffy skirt, huge skirt, long skirt, oversized dress, glitter fabric, sequins, ridiculous ornaments, red and white dress, fur trim, colossal earrings, colossal engagement ring, colossal bracelets, tiara, diamond collar, standing, standing woman, from below, dutch angle, cowboy shot, dramatic lighting, cinematic, masterpiece, extreme quality, perfect anatomy, Seen from a low dutch angle tilted hard to the right, the two women fill a vast marble-and-gold rococo salon, and the camera sits near the girl's knee line so the old woman towers over her, her tiara nearly cut by the top edge of the frame. The old woman stands on the right, feet planted wide apart in cracked gold slippers, her enormous height making her shoulders hunch against the ceiling's gilded coving; both huge hands close around the girl's left wrist, one ringed thumb pinning the sleeve, while the colossal engagement ring on her other hand throws a cold facet-glare into the lens. The girl is on the left, leaning away with her whole spine arced back, both heels skidding across the marble as her free right hand claws uselessly at the old woman's forearm, her blue-green eyes wide and wet with tears, mouth open in a strained grimace, cheeks blazing with blush. Her tacky red and white dress is a mountain of fur-trimmed lace, ruffled tiers, bows and glittering sequins, and the huge puffy skirt drags on the floor, its hem torn where she has stumbled. A colossal bracelet rattles on each wrist, huge earrings swing at her jaw, and the tiara is knocked askew among her black-to-blue gradient bangs and hair. The old woman's face is deeply wrinkled under a towering grey updo, her diamond collar sparkling over a heavy brocaded gown, and her lips peel back in a grim, relentless pull as she hauls the girl toward the right edge of the frame. A single huge chandelier hangs out of focus in the upper background, and its light rakes across every facet, sequin and jewel, scattering a thousand hard-edged glints over the marble, while the gold salon recedes into near-black shadow at the edges of the frame. Muddled, ominous.
Shylpfiette greyrat
#Prawdziwe życie
AI artwork
bb
character: kurokawa_akane 1girl, 1man, 2girls? no — 2 subjects total, standing, tall man, ugly man, kiss on the lips, brutal forced kiss, man kissing woman with malice, sad, blush, sighing, long hair, bangs, multicolored hair, gradient hair, black hair, blue hair, blue eyes, green eyes, star-shaped pupils, enormous breasts, rococo style, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated dress, puffy skirt, huge long skirt, oversized dress, glitter fabric, sequins, ridiculous ornaments, red and white dress, black fur coat over dress, colossal earrings, colossal engagement ring, colossal bracelets, diamond collar, tiara, from side, cowboy shot, dutch angle, dutch angle, profile, A low three-quarter view from slightly below, tilted a few degrees off level, catches both figures from the hips up, the man on the left and the woman on the right of a wide, empty ballroom floor that recedes into blackness behind them. She stands with her weight sunk into her right hip, left knee bent, shoulders dropped forward, the enormous puffy skirt of the red and white rococo dress ballooning out around her legs and pooling a full arm's length across the floor — the skirt so oversized it dominates the lower half of the frame, layered in tier upon tier of white lace and red ruffles, crowded with too many bows to count, bristling with sequins and ridiculous ornaments and embroidered rosettes and dangling glass beads that catch the light like scattered gravel on the glitter fabric. A black fur coat is thrown over the dress and hangs open off her shoulders, the fur swallowing her upper arms. Her long black-and-blue gradient hair falls past her waist, the black at the crown bleeding into deep cobalt at the tips, blunt bangs cut straight across her brow, and she wears a small glittering tiara set back in the crown of her hair. Her ears drag down under colossal hoop earrings the size of her palm, the lobes pulled visibly long by the weight; oversized bracelets stack and clatter at both wrists, and a colossal engagement ring sits on her left hand, a stone like a knuckled egg that makes her finger look thin. A wide diamond collar rings her throat, each stone set in silver, the lowest point resting in the hollow of her collarbone. Her eyes — the left blue, the right green, both with star-shaped pupils — are wide open and glistening, fixed on nothing, staring past the man's shoulder into empty air. Her cheeks are flushed deep red; her mouth is pushed forward and pressed shut by the man's lips, her jaw slack under the pressure, her chin tipped up and twisted slightly away. One breath escapes from her nose, the fine hairs at her temple stirring faintly. The man is much taller than she is, his head bent down to hers, shoulders hunched forward to close the difference, one hand clamped hard on her upper arm and gripping a fistful of fur coat and sleeve, the other hand splayed at the small of her back and crushing her forward against him, the puffy skirt compressed where her body is pressed against his knee. His face is heavy and coarse — a broad bulbous nose, thick uneven brows, a wide mouth wet with saliva, small deep-set eyes, jowls and a coarse shadow of stubble — and his lips are mashed down over hers, his head turned and working at the kiss, a strong malicious satisfaction folded into the grimace of his pressed-together face. His coat is dark, his posture ugly and proprietary; he says nothing and looks only at her mouth. Light comes from a single high candelabra off frame to the right and slightly behind her, dropping a warm gold rim on her tiara, the crown of her hair, and the tops of the ruffled skirt, and throwing long hard-edged shadow of both bodies off across the polished floor to the left. The rest of the ballroom is dark, swallowed up beyond the skirt's flare. Palette: red, white and black, sequin-glitter silver, the man's coat reduced to black, skin tones warm against the cold dark. His thumb clenches a fold in her sleeve; the fur fibres squeeze into a pale crease where his fingers grip the coat collar; her enormous skirt stays unpressed except where his leg dents it. Cold, sad, sick with ornament.
Brago bloodfallen
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