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AI art "4 Girls" featuring #kilka dziewczyn
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4 Girls

4 girls' horror night

#kilka dziewczyn
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Dolunay

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4girls, four children, all girls, night, abandoned house, haunted house, entering, doorway, from behind, looking back, over-shoulder view, dutch angle, dark, flashlight, long hair, short hair, ponytail, twin, friends, childhood friends, suspense, fear, curious, wide-eyed, holding hands, standing on tiptoes, leaning forward, open door, wooden floor, dust, cobweb, moonlight, clock, baby crying, sound only, no baby visible, :o, nervous, determined, old wooden house, cracked walls, stairs, front door ajar, low camera, foreshortening Four girls crowd a doorway seen from behind at a tilted low camera, the door hanging half open on one hinge into a black hallway, so the frame is filled with their backs and the house swallowing them. Nearest the door and leftmost stands the tall curious one with long straight dark hair past her shoulder blades, a knitted beret-less head bare and unadorned, one palm flat on the door edge pushing it wider, her weight on her front foot, chin lifted as she peers in. Beside her, shoulder to shoulder, her twin sister with the same long dark hair tied in a loose matching ponytail, more stubborn in the stance: feet planted wide apart, both fists at her chest gripping the strap of a school bag, jaw set, eyes fixed hard into the dark. Behind them the third girl with a chin-length bob and a long ponytail tucked forward over one shoulder leans far forward between the twins' shoulders, one hand braced on the doorframe and her tiptoes lifting her heels off the floorboards, mouth open in a small "o" of startled delight. Last and rightmost, half out of the pocket of cold air that escapes the doorway, the fourth girl with a chaotic high ponytail and a slouched, lazy posture stands with her hands shoved in the pockets of a loose hoodie, one hip dropped against the wall, the only one glancing back over her shoulder toward the night behind them, brows pinched, cheerless. All four sets of shoulders are tense, all four heads angled in toward the black gap of the hall. The flashlight in the tall girl's other hand throws one cone of warm yellow light down the warped floorboards inside the doorway, dust motes suspended and caught in the beam, and everything outside that cone and behind the girls is deep blue-black moonlight, so their own long shadows stretch back toward the viewer. Behind them the house presents a sagging porch rail, peeling pale plaster and one cracked window with the faintest glow of a curtained room above; a wall clock visible through the crack in the door reads three-thirty. Cold air moves their hair and the loose hoodie's hem toward the camera, and the floating dust only sparkles inside the flashlight's cone, nowhere else. Palette of cold indigo and charcoal night, the single warm amber cone, pale dead-plaster white, and the girls' subdued clothing in grey, navy, moss and rust. Atmosphere of held-breath suspense and childish curiosity.
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Dolunay:İyi kalpli, Yardımsever, iyiliksever, zeki, Meraklı ve bir kız Aura: İnatçı, Çalışkan,İyi kalpli, Yardımsever, iyiliksever bir kız Bulut: İnatçı, Çalışkan,zeki, Meraklı, Mutlu Ezra: Futbol Oynamayı seven, İyi kalpli, Yardımsever,Uyuşuk, Tembel Dolunay ve Aura ikiz ve Bulut ve Ezra Dolunay'yın ve Aura'nın Çocukluk arkadaşı ve Bunlar Tek edilmiş bir eve girdiler Ve Bu evden bazen gece 03:30'da bebek ağlaması geliyormuş
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pro
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﹝Podpowiedzi﹞
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1104 x 1824
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lowres, worst quality, low quality, bad anatomy, explicit
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1girl, solo, haunted house, long black hair, straight hair, very long hair, blunt bangs, long bangs covering forehead, hikki, red eyes, glowing eyes, tattered white cotton nightdress, victorian nightgown, fake blood, blood stains on clothes, blood on cheek, blood on hands, claw pose, gao pose, both hands raised, curled fingers, open mouth, :d, sharp little teeth, looking at viewer, leaning forward, upper body, from below, dutch angle, dark background, cobweb, candle light, low key, horror (theme), spot color From a low, tilted angle the girl leans far forward over the frame, her upper body thrust toward the lens as if lunging out of the dark. Both arms are flung up and out to either side of her head, elbows bent, wrists cocked, every finger hooked into a curled claw, the palms facing the viewer so the stained fingertips read clearly; her weight rides on her front foot, shoulders rolled forward, chin tipped down while the red eyes stay locked on the viewer from under the brow, one eyebrow arched high and one corner of the mouth pulled up into a hooked, open-mouthed gao grin with a sliver of small teeth. Her long black hair hangs heavy and straight, glossy, swinging forward past her cheeks with the lunge so a few strands cross the nightdress; the blunt fringe is cut dead straight and worn long, its edge dropping almost to her lashes and shadowing the upper half of her eyes, and the rest of the hair falls past her shoulders in a dark curtain behind the raised arms. She wears a tattered white Victorian cotton nightgown: high buttoned collar, narrow pintucked yoke, long loose sleeves gathered at the wrist, the hem and cuffs frayed, the fabric creased and slightly damp-looking where it clings to her shoulders and chest. Fake blood is smeared across it in long downward streaks and fingerprint smudges -- darkest and wettest at the collar and one shoulder, thinning into dry rusty edges lower down -- with matching tacky smears on her right cheek, the back of her right hand and along the knuckles of the left, one glossy drip at the corner of her mouth. The set behind her is a haunted-house corridor: a warped wooden doorframe cuts diagonally behind her left shoulder, cobwebs sag in the upper corner, a single warm candle flame burns low at frame left and is the only light source, so her right side falls into near-total darkness and the red of her eyes catches the flame as two small hard glints; the raised hands throw ragged claw shadows onto the wall behind her, and her cast shadow lurches up the plaster taller than she is. Palette is held to cold plaster grey, black hair, the dirty bone-white of the cotton, and the blood's raw red, with the candle's amber touching only the edges of her face and hands; the whites of the gown pick up a faint grey-green bounce from the walls while the shadows go almost black. The heavy cotton hangs stiff and weighty rather than floating, and the blood streaks have visibly soaked into the weave and darkened the fibres where they are wettest. Mischievous, gleefully creepy.
shirasu
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