Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details
AI art "ケンカばかりのネット社会" featuring #Monochromatyczny, #Komiks, #4-koma, #Kot, #zwierzę, #Skala szarości and #fokus na zwierzę
Generuj za darmo

ケンカばかりのネット社会

#Monochromatyczny#Komiks#4-koma#Kot#zwierzę#Skala szarości#fokus na zwierzę
Więcej do zobaczenia

Komentarze

4koma, comic, multiple views, monochrome, greyscale, screentone, hatching, speed lines, panel borders, manga page, 4 animals, calico cat, calico, teary eyes, crying, tears, distressed, maneki-neko, beckoning cat, raised paw, black cat, solid black fur, giant panda, sitting, talking, speech bubbles, japanese text, relaxing, peaceful atmosphere, no humans A four-panel black-and-white manga page, four equal horizontal panels stacked top to bottom with clean ruled borders and white gutters, screentone and hatching only, no colour anywhere; four animals sit in a loose ring on a bare floor with nothing else in the room, all rendered in grayscale tone and texture — the calico's white fur plain white paper, its light and black patches as light and dark halftone screentone, the black cat as solid spotting black with white rim-light edges, the panda as white fur with solid black ears, eye patches, arms and legs. Panel 1: medium shot, slightly from above the ring, the calico cat at the left foreground seen three-quarter facing the others, its large eyes brimming, one round tear already detached and sliding down its cheek fur, ears flattened back, whiskers drooping, body hunched low with front paws tucked together and tail curled tight around its haunches; the maneki-neko sits opposite at the right, upright and round, one raised paw held high beside its cheek, the other paw resting on its belly, its painted smile unchanged; the black cat sits in the middle distance in profile, tail laid flat; the panda sits at the back edge, heavy and slack, forepaws on its knees. A tall bubble at the upper left, its jagged tail pointing down at the calico, holds 「右翼とか」; a second bubble beneath it reads 「左翼とか」; a third, its edge trembling, reads 「男女対立とか」; a fourth reads 「ネット中」. Panel 2: closer on the calico, low camera at its eye level, tears now streaming in two lines down its muzzle, mouth open in a small wobble, fur on its cheeks damp and spiked by hatching; behind its shoulder the other three sit as soft screentone silhouettes. Three stacked bubbles at the right edge read 「どこを見ても」, 「ケンカばかりで」, and the last one large and bold with its border broken by short stress lines, 「しんどいよ」. Panel 3: the maneki-neko in close-up at panel centre, the raised paw still lifted, coins and collar line at its chest rendered in fine hatching, its painted eyes half-lidded and serene; the black cat and the panda look toward it from the left and right edges of the frame. A bubble above the maneki-neko reads 「正義VS正義。」; beneath it 「正義中毒。」; then 「争いなんて」 with an ink-dot trail, 「右も左も」, 「どっちも自分だけが」, and last 「正しいと思ってる。」; the black cat's whiskers lift slightly as it listens. Panel 4: wide shot of the whole ring from slightly above, the calico's tears drying to a shine, the black cat sitting upright with its chin lifted and eyes straight ahead as it speaks, the maneki-neko nodding beside it, the panda calm at the back with its paws folded and its eyes closed to happy crescents. A bubble cluster on the left reads 「三毛猫さんよ。」, 「今の時代」, 「人の目を気にして」, 「他人軸で生きると」, 「ネット社会に」, 「振り回されるだけ」; a bubble cluster on the right, looser and rounder, reads 「せめて」, 「我々だけでも」, 「ケンカせず」, 「仲良く」, 「のんびり」, and the last one soft-edged and large, 「マイペースに」. Flat even interior light from above so every shadow falls straight down as short hatch bands under each animal's chin and belly, screentone dots consistent in angle across all four panels, no cast shadow crossing a panel border; a quiet, gentle mood.
Pokaż parametry
Oryginalny prompt
猫さんたちの会話。 三毛猫が涙目で言う。「右翼とか」「左翼とか」「男女対立とか」「ネット中」「どこを見ても」「ケンカばかりで」「しんどいよ」。 招き猫が言う。「正義VS正義。」「正義中毒。」「争いなんて」「右も左も」「どっちも自分だけが」「正しいと思ってる。」 黒猫が言う。「三毛猫さんよ。」「今の時代」「人の目を気にして」「他人軸で生きると」「ネット社会に」「振り回されるだけ」。 パンダが言う。「せめて」「我々だけでも」「ケンカせず」「仲良く」「のんびり」「マイペースに」
Tryb
flash
Rozmiar
1104 x 1824
Pomocnik podpowiedzi

Model i LoRA użyte

Podobne obrazy

Pokaż więcej

Odkryj więcej

Polecani użytkownicy

Może Ci się spodobać

AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬