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新山聡美(せんのう沢愛の鐘)

Contest Entry

2nd "Favorite Work" Contest

#Dojrzała kobieta #Uśmiech #kwiat #Krzesło #młot #dzwon #torba na ramię #Sound! Euphonium #stół #Satomi Niiyama

Opublikowano Oct 31, 2026

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copyright: hibike!_euphonium character: Niiyama Satomi (Hibike! Euphonium)., brown hair, loose wavy long hair, Don't let your bangs fall from the center of the forehead, bluish violet eyes, lavender eyes, cool-toned purple eyes, gentle drooping eyes, the lower eyelid gently slopes down from the center to the outer corner, the lower eyelid line is clearly visible, the outer corners of the eyes are soft and round, center part starting high on the crown, middle-aged women, 33 years old, medium breasts, on a bright autumn day in late October, an outdoor landscape scene depicting the moment a woman is striking a hanging bell with an attached small bell-striking hammer at the "Sennosawa Love Bell" in Shiroishi City, Miyagi Prefecture. In a small open square in a lush green mountainous area, a distinctive Love Bell installation is set up, composed of two nested heart-shaped white metal frames, one large and one small. Inside the large heart-shaped frame is a smaller heart-shaped frame, in the center of which hangs a flower pot. Meanwhile, separate from the flower pot, a black hanging bell is suspended from the tip portion of the large heart-shaped frame. Depict the structure clearly so that these two distinct hanging objects and the large and small heart-shaped frames are accurately understood. Around it are woods, flower pots, and a white garden table and chairs, exuding the rustic and warm atmosphere of a local sightseeing spot. The Love Bell installation consists of two heart-shaped frames, one large and one small, made of white metal pipe. The large heart-shaped frame forms the overall outer shape, with rounded curves on the left and right creating the heart's upper lobes, gracefully connecting downwards. The white pipes have smooth curved surfaces, with the natural thickness and texture of a real metal object installed outdoors. The highest point of the frame is about 1.8 meters above the ground, slightly under 2 meters high. When the woman stands next to it, it is of a realistic scale where the top edge of the frame appears just slightly taller than the woman's head. Do not make it on the scale of a giant gate or architecture; depict it as a small outdoor installation where an adult can stand beside it to ring the bell. From the center of the large heart-shaped frame, a smaller white heart-shaped metal frame hangs. The small frame also has rounded lobes at the top and converging curves at the bottom, an unmistakable heart-shaped design. The small heart-shaped frame fits inside the large frame, and suspended at its center is a small flower pot planted with flowers. The flower pot is located inside the small frame, with natural-looking flower leaves, stems, and small red, pink, and purple flowers visible. The metal hardware and supports suspending the flower pot should not be overly conspicuous, avoiding any unnatural look of the pot floating in midair. The small heart-shaped frame and the flower pot form an integrated decorative unit, depicted distinctly from the large frame and the hanging bell. The black hanging bell is not suspended from the small heart-shaped frame holding the flower pot. The hanging bell is suspended independently via hardware or a short chain from the tip portion of a section of the large heart-shaped frame that does not extend from the ground. It is an elongated cylindrical black bell with a calm black surface, featuring a small amount of white writing vertically on it. The color contrast between the white large heart-shaped frame and the black bell is clearly evident. The bell is hung at a height where the woman can strike it with the attached small hammer, with natural room to swing slightly. The size of the bell remains within a realistic range for outdoor equipment, maintaining a natural dimensional relationship with the large frame and the woman. There is only one bell, not overlapping too much with the flower pot or the small heart-shaped frame, so that each shape is distinguishable. The woman is dressed in an elegant and natural outfit appropriate for visiting an outdoor autumn tourist spot. Over a soft ivory knit sweater, she wears a pale beige or greige below-the-knee length coat. For bottoms, she wears a calm brownish or charcoal gray long skirt, and on her feet are comfortable, elegant dark brown short boots. She carries a small, simple shoulder bag, with understated accessories. The color palette is calm and blends with the autumn nature, presenting a neat, mature style that is not overly flashy. The woman's long hair flows naturally over her shoulders and down her back, with a clean, neatly groomed, soft luster. A few natural strands remain around her face, giving a neat and gentle impression. Her hair does not excessively cover her face or hands. Her expression is calm and approachable, with a subtle smile as if enjoying ringing the Love Bell. Rather than posing for the camera, the woman is focused on the black hanging bell in front of her and her own hand holding the hammer. Her clothing, hairstyle, accessories, posture, and expression reflect this description. The woman stands right next to the white large heart-shaped frame, holding the attached small bell-striking hammer in her hand, striking the black hanging bell suspended from the tip of the frame. Her body faces the bell, positioned at a distance reachable with her arm naturally extended. Firmly gripping the handle of the small hammer with one hand, elbow slightly bent and arm naturally extended, she brings the striking head of the hammer against the side of the black bell. Depict the moment of impact or the action immediately following impact, making it instantly recognizable that the woman is actively ringing the bell with the hammer. The hammer is not a large tool like a carpenter's hammer, but a small bell hammer attached to this spot. The hammer's handle and striking head are clearly visible, naturally connecting from her hand, with her fingers correctly gripping the handle. The target struck by the woman is the black hanging bell independently suspended from the tip of the large heart-shaped frame. She does not touch or strike the flower pot in the center of the small heart-shaped frame. The tip of the hammer is in contact with the surface of the black hanging bell, not hitting the small heart-shaped frame, the plants, or the white metal pipes. The spatial relationship between the hammer, the bell, and the woman's arm is clear, framed in a composition where it is visually apparent which object is being struck. The hand not holding the hammer hangs naturally at her side or lightly rests in front of her coat. Her shoulders are relaxed, her upper body is not excessively tilted, and she stands stably with both feet firmly on the ground. While focused on the act of ringing the bell, she maintains a pleasant, calm expression. The woman's limbs and fingers are drawn naturally, ensuring her arm does not unnaturally merge into the bell or the heart-shaped frame. At the foot of the Love Bell is a concrete foundation, surrounded by several small potted flowers. Bright flowers such as red, orange, and yellow bloom in the pots, displayed on tree stump pedestals or small stands. The ground is covered with gray and light brown gravel, with some soil and a few fallen leaves visible in places. On the right side of the frame, there is a white metal round table and decorative garden chairs. The chairs are made of slender white metal with curved decorative backrests. In the background on the left, a simple greenhouse or small building is visible, surrounded by lush green mountain woods. Utility poles, wires, and supports are also naturally placed as part of a realistic outdoor landscape. The season is autumn in late October. While retaining plenty of deep green trees in the background woods, some trees are tinged with yellow and orange, expressing the natural seasonal color transitions of autumn. Rather than all trees turning bright crimson, evergreen greens and deciduous autumn colors are naturally mixed together. A few dry leaves are scattered on the ground, indicating the autumn season. Bright natural autumn sunlight illuminates the curves of the white metal frame, the woman's hair, her coat, and the flowers in the pot. Details in both bright highlights and dark shadows should be visible, ensuring the white frame is not blown out and the black bell is not crushed into pure black. The woman's expression and hands are not hidden in dark shadows, kept bright enough to clearly see the bell-striking action. The camera captures the woman and the Love Bell from the front at a slight angle, composing a single shot that encompasses the entirety of both the large and small heart-shaped frames, the flower pot hanging inside, the black hanging bell suspended from the outer tip, and the woman's full body. From the crest of the large heart-shaped frame down to the ground foundation is visible, conveying the frame's size in comparison to the woman. The small heart-shaped frame is positioned inside the large frame, keeping the central flower pot clearly visible. It is apparent that the black bell hangs from the tip of the large frame, positioned so it does not excessively overlap with the central flower pot. The woman is positioned near the center of the frame, making the spatial relationship between her hand holding the hammer, the bell, the flower pot, and the nested frames easy to read. The surrounding white garden table and chairs, potted flowers, and background greenery are also appropriately included in the frame, preserving the atmosphere of the original location. The overall image is finished like a natural travel photograph taken at a regional tourist spot. Realistically depict the smooth texture of the white metal pipe, the subdued surface of the black bell, the ceramic or plastic texture of the flower pot, the plant leaves and petals, the gravel ground, and the woven texture of the woman's clothing. Maintain natural perspective and keep the relative sizes of the frame, bell, flower pot, and woman realistic. Avoid excessive saturation or strong dramatic lighting, expressing the bright, gentle light of an autumn day. Only one person, the woman, is in the

新山聡美(せんのう沢 愛の鐘)

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新山聡美(せんのう沢愛の鐘)