Sign up free, get 10,000 credits

Starter credits added when you sign up.

Sign up and create 8 images for free

Starter credits added when you sign up.

AI artwork
Generuj za darmo

Ｍｒ．✚ナタ 'ﾉ

ｍ✚

Ｍｒ．✚ナタ 'ﾉ

Więcej do zobaczenia

Komentarze

poster, advertising poster, vintage japanese advertisement, showa era aesthetic, 1boy, 1girl, 1child, family, three people, side profile, profile, facing right, in profile, ballpoint pen, holding pen, multiple ballpoint pens, colorful, multicolored, gradient background, monochrome accent, high contrast, textured brushstrokes, dry brush, heavy paint texture, layered paint, black background texture, goofy, comical, silly, smug, half-closed eyes, looking at pen, short dark hair, cream shirt, high collar, brown leather wristwatch, shoulder-length hair, hair behind ear, pastel blue knit sweater, round eyes, wide-eyed, child with messy hair, oversized sweater, big bold lettering, japanese text, large title text, legible subtitle text From the side, in a wide horizontal poster format: three figures stand in a row, all strictly in profile facing the right edge of the frame, arranged at staggered depths like a proud advertisement lineup -- the short-haired man in the cream high-collared cotton shirt nearest the left, his thin brown leather watch strap riding up as he holds a single ballpoint pen out in front of his chest, its nib pointing right; the shoulder-length-haired woman in the pastel-blue knit sweater with her hair tucked behind the near ear slightly behind and right of him, chin lifted, one hand flat on the small child's shoulder; the small child in an oversized sweater in front of her at knee height, neck craned forward, lips pursed in a comic sideways pout. Every gaze is locked on the pen: the man's with a proud, satisfied half-lidded smirk, the woman's with a wide-eyed goofy stare, the child's cross-eyed with concentration. Bodies overlap left to right, the man's shoulder cutting across the woman's sleeve and the child's head crossing in front of her hip; only the near side of each face is visible, so each nose, brow, jaw and lash line reads as one clean silhouette edge against a single huge diagonal band of light-colored background. The background is a flat field of heavy black textured paint laid on in dozens of restated, smudged passes -- visible drag marks, dry-brush skips, thumb-smudges and reworked edges at 10-30% opacity where one dark pass sits over another, so the black itself shows at least thirty distinct brightness levels, from near-velvet down to a bruised grey. Across it, a diagonal wedge in warm red and a second in yellow-orange cut through from the upper right down to the lower left, painted with the same overworked brushes, and each of those hue families is likewise built in more than thirty steps of brightness -- deep rust to pale pink, burnt amber to cream-yellow -- so the whole poster is a disciplined palette of a few closely-related hues, each stretched through an enormous range of value rather than many unrelated colors. Inside the silhouettes of the three figures the color runs cooler and cleaner: cream, pastel blue, warm skin, the small gold stud of an earring catching the light. Light comes from a hard, low source at the upper right, the direction the figures face; it strikes the bridge of the man's nose, the ball tip of the pen and the crown of the child's head, leaving the far side of every face hidden and the shadows dropping to the left into the black band. The pen is the brightest small thing in the frame, a fine white glint at its point, and its thin tapered silhouette is the only sharp edge against all that smudged paint. Lettering sits on top of the paint: a bold Japanese display title in heavy, slightly misregistered ink runs along the top band in large red characters, its edges dragged and re-inked like it was painted three times; below it a smaller legible white subtitle line in a squarer modern typeface sits left of the group; a small boxed wordmark sits in the lower right corner above deliberately illegible micro-text, and the ballpoint pen's barrel carries a short legible printed name reading along its length. Bold, punchy, absurdly confident.
Pokaż parametry
Oryginalny prompt
MyPaintブラシ（テクスチャ）+ Smudge（低不透明度10-30%）、黒の何度も塗り直したような風合いと間抜けっぽさ、color palette using multiple brightness levels of similar hues, 三十重以上の明度,三菱のJETSTREAMの宣伝に使えるポスター、かっこいい、昭和、宣伝効果最大、ボールペン、カラフル、人物の横顔、家族、
Tryb
pro
Tag jakości
﹝Podpowiedzi﹞
Rozmiar
1104 x 1824
Metoda próbkowania
Euler
Niepożądane
lowres, worst quality, low quality, bad anatomy, explicit
Pomocnik podpowiedzi

Model i LoRA użyte

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.33k

Podobne obrazy

Pokaż więcej
AI artwork
ｍ✚
poster, advertising poster, vintage japanese advertisement, showa era aesthetic, 1boy, 1girl, 1child, family, three people, side profile, profile, facing right, in profile, ballpoint pen, holding pen, multiple ballpoint pens, colorful, multicolored, gradient background, monochrome accent, high contrast, textured brushstrokes, dry brush, heavy paint texture, layered paint, black background texture, goofy, comical, silly, smug, half-closed eyes, looking at pen, short dark hair, cream shirt, high collar, brown leather wristwatch, shoulder-length hair, hair behind ear, pastel blue knit sweater, round eyes, wide-eyed, child with messy hair, oversized sweater, big bold lettering, japanese text, large title text, legible subtitle text From the side, in a wide horizontal poster format: three figures stand in a row, all strictly in profile facing the right edge of the frame, arranged at staggered depths like a proud advertisement lineup -- the short-haired man in the cream high-collared cotton shirt nearest the left, his thin brown leather watch strap riding up as he holds a single ballpoint pen out in front of his chest, its nib pointing right; the shoulder-length-haired woman in the pastel-blue knit sweater with her hair tucked behind the near ear slightly behind and right of him, chin lifted, one hand flat on the small child's shoulder; the small child in an oversized sweater in front of her at knee height, neck craned forward, lips pursed in a comic sideways pout. Every gaze is locked on the pen: the man's with a proud, satisfied half-lidded smirk, the woman's with a wide-eyed goofy stare, the child's cross-eyed with concentration. Bodies overlap left to right, the man's shoulder cutting across the woman's sleeve and the child's head crossing in front of her hip; only the near side of each face is visible, so each nose, brow, jaw and lash line reads as one clean silhouette edge against a single huge diagonal band of light-colored background. The background is a flat field of heavy black textured paint laid on in dozens of restated, smudged passes -- visible drag marks, dry-brush skips, thumb-smudges and reworked edges at 10-30% opacity where one dark pass sits over another, so the black itself shows at least thirty distinct brightness levels, from near-velvet down to a bruised grey. Across it, a diagonal wedge in warm red and a second in yellow-orange cut through from the upper right down to the lower left, painted with the same overworked brushes, and each of those hue families is likewise built in more than thirty steps of brightness -- deep rust to pale pink, burnt amber to cream-yellow -- so the whole poster is a disciplined palette of a few closely-related hues, each stretched through an enormous range of value rather than many unrelated colors. Inside the silhouettes of the three figures the color runs cooler and cleaner: cream, pastel blue, warm skin, the small gold stud of an earring catching the light. Light comes from a hard, low source at the upper right, the direction the figures face; it strikes the bridge of the man's nose, the ball tip of the pen and the crown of the child's head, leaving the far side of every face hidden and the shadows dropping to the left into the black band. The pen is the brightest small thing in the frame, a fine white glint at its point, and its thin tapered silhouette is the only sharp edge against all that smudged paint. Lettering sits on top of the paint: a bold Japanese display title in heavy, slightly misregistered ink runs along the top band in large red characters, its edges dragged and re-inked like it was painted three times; below it a smaller legible white subtitle line in a squarer modern typeface sits left of the group; a small boxed wordmark sits in the lower right corner above deliberately illegible micro-text, and the ballpoint pen's barrel carries a short legible printed name reading along its length. Bold, punchy, absurdly confident.
Ｍｒ．✚ナタ 'ﾉ
AI artwork
ｍ✚
poster, advertising poster, vintage japanese advertisement, showa era aesthetic, 1boy, 1girl, 1child, family, three people, side profile, profile, facing right, in profile, ballpoint pen, holding pen, multiple ballpoint pens, colorful, multicolored, gradient background, monochrome accent, high contrast, textured brushstrokes, dry brush, heavy paint texture, layered paint, black background texture, goofy, comical, silly, smug, half-closed eyes, looking at pen, short dark hair, cream shirt, high collar, brown leather wristwatch, shoulder-length hair, hair behind ear, pastel blue knit sweater, round eyes, wide-eyed, child with messy hair, oversized sweater, big bold lettering, japanese text, large title text, legible subtitle text From the side, in a wide horizontal poster format: three figures stand in a row, all strictly in profile facing the right edge of the frame, arranged at staggered depths like a proud advertisement lineup -- the short-haired man in the cream high-collared cotton shirt nearest the left, his thin brown leather watch strap riding up as he holds a single ballpoint pen out in front of his chest, its nib pointing right; the shoulder-length-haired woman in the pastel-blue knit sweater with her hair tucked behind the near ear slightly behind and right of him, chin lifted, one hand flat on the small child's shoulder; the small child in an oversized sweater in front of her at knee height, neck craned forward, lips pursed in a comic sideways pout. Every gaze is locked on the pen: the man's with a proud, satisfied half-lidded smirk, the woman's with a wide-eyed goofy stare, the child's cross-eyed with concentration. Bodies overlap left to right, the man's shoulder cutting across the woman's sleeve and the child's head crossing in front of her hip; only the near side of each face is visible, so each nose, brow, jaw and lash line reads as one clean silhouette edge against a single huge diagonal band of light-colored background. The background is a flat field of heavy black textured paint laid on in dozens of restated, smudged passes -- visible drag marks, dry-brush skips, thumb-smudges and reworked edges at 10-30% opacity where one dark pass sits over another, so the black itself shows at least thirty distinct brightness levels, from near-velvet down to a bruised grey. Across it, a diagonal wedge in warm red and a second in yellow-orange cut through from the upper right down to the lower left, painted with the same overworked brushes, and each of those hue families is likewise built in more than thirty steps of brightness -- deep rust to pale pink, burnt amber to cream-yellow -- so the whole poster is a disciplined palette of a few closely-related hues, each stretched through an enormous range of value rather than many unrelated colors. Inside the silhouettes of the three figures the color runs cooler and cleaner: cream, pastel blue, warm skin, the small gold stud of an earring catching the light. Light comes from a hard, low source at the upper right, the direction the figures face; it strikes the bridge of the man's nose, the ball tip of the pen and the crown of the child's head, leaving the far side of every face hidden and the shadows dropping to the left into the black band. The pen is the brightest small thing in the frame, a fine white glint at its point, and its thin tapered silhouette is the only sharp edge against all that smudged paint. Lettering sits on top of the paint: a bold Japanese display title in heavy, slightly misregistered ink runs along the top band in large red characters, its edges dragged and re-inked like it was painted three times; below it a smaller legible white subtitle line in a squarer modern typeface sits left of the group; a small boxed wordmark sits in the lower right corner above deliberately illegible micro-text, and the ballpoint pen's barrel carries a short legible printed name reading along its length. Bold, punchy, absurdly confident.
Ｍｒ．✚ナタ 'ﾉ

Odkryj więcej

Polecani użytkownicy

Może Ci się spodobać

AI artwork
Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
3#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
Strona głównaModeleGenerujRecipeProfil