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View details歡氏
Contest Entry
PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn#PixAI Halloween 2026
Pokaż parametry
- Oryginalny prompt
- solo, 1girl, witch, white terry cloth bath towel wrapped around body, sitting, relaxed, steam, rose room, roses, halloween, jack-o'-lantern A witch sits relaxed in a sauna packed with roses, dense blooms crowding the room, petals beaded with condensation, small carved pumpkins and jack-o'-lanterns tucked among the flowers with candlelight glowing through their cut faces, steam filling the air in slow coils and thickening into a soft haze at the far wall. Her bare body is wrapped only in a white terry cloth bath towel wound snugly around her, hands resting loosely where it tucks at her chest.
- Tryb
- ultra
- Tag jakości
- ﹝Podpowiedzi﹞
- Rozmiar
- 1104 x 1824
- Metoda próbkowania
- Euler
- Niepożądane
- lowres, worst quality, low quality, bad anatomy
Pomocnik podpowiedzi
Model i LoRA użyte
Podobne obrazy
Pokaż więcej歡氏
solo, 1girl, witch, witch hat, white terry cloth bath towel, towel wrapped around body, bare shoulders, bare legs, sitting, relaxed, closed mouth, light smile, half-closed eyes, looking to the side, hands at chest, hands resting loose, steam, condensation, wet skin, rose room, roses, dense rose blooms, red roses, pink roses, petals, jack-o'-lantern, small carved pumpkins, candlelight, glowing pumpkin faces, halloween, sauna, wooden bench, warm orange light, soft haze, three-quarter view, cowboy shot, from slightly above
The view is a three-quarter cowboy shot from slightly above and a step to her left, so the wooden bench she sits on runs back into the room and her face is turned toward the rose-dense corner rather than the lens. The witch sits with her weight sunk into the right hip, knees drawn together and dropped to one side on the slatted cedar bench, one heel resting against the seat edge and the other foot dangling so the toes hover just clear of the floorboards; both hands lie loosely folded at her chest where the white terry cloth is wound and tucked, the plush looped pile compressed under her fingers, its folded lip overlapping her sternum and leaving her shoulders, collarbones and the tops of her thighs bare to the steam. Her eyes are half-lowered, lids heavy, a faint closed-lip smile lifting one corner of her mouth, and her gaze travels lazily across a cluster of blooms at the far end of the bench; a tall witch hat sits canted back on her head, its brim bent by the moisture, and loose hair clings damply to her cheek and neck, one strand stuck flat to the skin above her ear. The room is packed with roses: dense blooms crowd every surface, hip-high banks of them spilling from tiered buckets and crates on both sides, fat red and blush-pink heads pressed shoulder to shoulder until the walls disappear, and each petal carries a fine bead of condensation that catches the light as a pinpoint. Small carved pumpkins and jack-o'-lanterns are tucked in among the flowers at bench height and below, their cut triangle eyes and jagged mouths leaking a warm ember-orange glow out through the pulp and painting a small upturned halo on the underside of the rose leaves above them. Steam rises off the heat of the room in slow coils, drifting left with the air and thickening into a soft veil at the far wall where the shapes of the flower banks dissolve into an amber haze. The candle flames inside the pumpkins are the only light source: the light comes low and warm, striking the front of her towel and the underside of her chin while her back and the deep rose masses behind her fall into a soft brown darkness, and the condensation on the petals beads heaviest on their upward-facing curves and runs in slow threads down the shaded sides, leaving the undersides dry. Palette of ember orange, deep rose red, damp white towelling and warm umber shadow; the terry texture stays readable against the smooth flower surfaces. Quiet, indolent warmth.
歡氏
歡氏
solo, 1girl, witch, witch hat, white terry cloth bath towel, towel wrapped around body, bare shoulders, bare legs, sitting, relaxed, closed mouth, light smile, half-closed eyes, looking to the side, hands at chest, hands resting loose, steam, condensation, wet skin, rose room, roses, dense rose blooms, red roses, pink roses, petals, jack-o'-lantern, small carved pumpkins, candlelight, glowing pumpkin faces, halloween, sauna, wooden bench, warm orange light, soft haze, three-quarter view, cowboy shot, from slightly above
The view is a three-quarter cowboy shot from slightly above and a step to her left, so the wooden bench she sits on runs back into the room and her face is turned toward the rose-dense corner rather than the lens. The witch sits with her weight sunk into the right hip, knees drawn together and dropped to one side on the slatted cedar bench, one heel resting against the seat edge and the other foot dangling so the toes hover just clear of the floorboards; both hands lie loosely folded at her chest where the white terry cloth is wound and tucked, the plush looped pile compressed under her fingers, its folded lip overlapping her sternum and leaving her shoulders, collarbones and the tops of her thighs bare to the steam. Her eyes are half-lowered, lids heavy, a faint closed-lip smile lifting one corner of her mouth, and her gaze travels lazily across a cluster of blooms at the far end of the bench; a tall witch hat sits canted back on her head, its brim bent by the moisture, and loose hair clings damply to her cheek and neck, one strand stuck flat to the skin above her ear. The room is packed with roses: dense blooms crowd every surface, hip-high banks of them spilling from tiered buckets and crates on both sides, fat red and blush-pink heads pressed shoulder to shoulder until the walls disappear, and each petal carries a fine bead of condensation that catches the light as a pinpoint. Small carved pumpkins and jack-o'-lanterns are tucked in among the flowers at bench height and below, their cut triangle eyes and jagged mouths leaking a warm ember-orange glow out through the pulp and painting a small upturned halo on the underside of the rose leaves above them. Steam rises off the heat of the room in slow coils, drifting left with the air and thickening into a soft veil at the far wall where the shapes of the flower banks dissolve into an amber haze. The candle flames inside the pumpkins are the only light source: the light comes low and warm, striking the front of her towel and the underside of her chin while her back and the deep rose masses behind her fall into a soft brown darkness, and the condensation on the petals beads heaviest on their upward-facing curves and runs in slow threads down the shaded sides, leaving the undersides dry. Palette of ember orange, deep rose red, damp white towelling and warm umber shadow; the terry texture stays readable against the smooth flower surfaces. Quiet, indolent warmth.
歡氏
歡氏
solo, 1girl, witch, witch hat, white terry cloth bath towel, towel wrapped around body, bare shoulders, bare legs, sitting, relaxed, closed mouth, light smile, half-closed eyes, looking to the side, hands at chest, hands resting loose, steam, condensation, wet skin, rose room, roses, dense rose blooms, red roses, pink roses, petals, jack-o'-lantern, small carved pumpkins, candlelight, glowing pumpkin faces, halloween, sauna, wooden bench, warm orange light, soft haze, three-quarter view, cowboy shot, from slightly above
The view is a three-quarter cowboy shot from slightly above and a step to her left, so the wooden bench she sits on runs back into the room and her face is turned toward the rose-dense corner rather than the lens. The witch sits with her weight sunk into the right hip, knees drawn together and dropped to one side on the slatted cedar bench, one heel resting against the seat edge and the other foot dangling so the toes hover just clear of the floorboards; both hands lie loosely folded at her chest where the white terry cloth is wound and tucked, the plush looped pile compressed under her fingers, its folded lip overlapping her sternum and leaving her shoulders, collarbones and the tops of her thighs bare to the steam. Her eyes are half-lowered, lids heavy, a faint closed-lip smile lifting one corner of her mouth, and her gaze travels lazily across a cluster of blooms at the far end of the bench; a tall witch hat sits canted back on her head, its brim bent by the moisture, and loose hair clings damply to her cheek and neck, one strand stuck flat to the skin above her ear. The room is packed with roses: dense blooms crowd every surface, hip-high banks of them spilling from tiered buckets and crates on both sides, fat red and blush-pink heads pressed shoulder to shoulder until the walls disappear, and each petal carries a fine bead of condensation that catches the light as a pinpoint. Small carved pumpkins and jack-o'-lanterns are tucked in among the flowers at bench height and below, their cut triangle eyes and jagged mouths leaking a warm ember-orange glow out through the pulp and painting a small upturned halo on the underside of the rose leaves above them. Steam rises off the heat of the room in slow coils, drifting left with the air and thickening into a soft veil at the far wall where the shapes of the flower banks dissolve into an amber haze. The candle flames inside the pumpkins are the only light source: the light comes low and warm, striking the front of her towel and the underside of her chin while her back and the deep rose masses behind her fall into a soft brown darkness, and the condensation on the petals beads heaviest on their upward-facing curves and runs in slow threads down the shaded sides, leaving the undersides dry. Palette of ember orange, deep rose red, damp white towelling and warm umber shadow; the terry texture stays readable against the smooth flower surfaces. Quiet, indolent warmth.
歡氏
歡氏
1girl, solo, witch, pointed hat, black witch hat, long wavy black hair, wet hair, raven hair, bare shoulders, collarbone, single white bath towel, towel wrapped around torso, towel around body, bath towel, bare arms, relaxed, closed eyes, light smile, half-closed eyes, serene expression, head tilted back, leaning back, arms resting on stone rim, shoulders above water, soaking, hot spring, onsen, steam, rising steam, tea bath, amber tea-colored water, halloween-themed, jack-o'-lantern, carved pumpkin lanterns, floating candles, orange and purple palette, night, moonlight, from above, three-quarter view, cowboy shot, wet skin, water droplets, condensation, warm highlights, glossy skin, blush, seductive, leisurely, adult
The camera looks down at a steep three-quarter angle from above the water's surface, so the whole basin of the spring opens beneath the viewer and the witch sits small inside it, shoulders deep. One woman, alone, at the center of the frame, her back against a moss-ringed stone rim: her spine curves lazily back over the edge, chin lifted, head tilted back until her throat is a long bare line, and her weight sinks through both hips into the water. Her arms are flung out along the rim on either side of her, forearms draped over the wet stone, fingers slack, one hand's fingertips just grazing the water's skin. A single plush white bath towel is wound snugly around her torso from under her arms to mid-hip, the terry cloth darkened and clinging where the steam has dampened it, its folded upper edge tucked and holding across her chest; below and above the towel her body is bare — bare shoulders, bare arms, bare collarbones, and open bare skin where the towel stops. Nothing else dresses her. Her long, wavy raven-black hair is soaked through, pushed back from her forehead and hanging in heavy wet ropes over her shoulders, some strands floating out on the water's surface behind her; a pointed black witch's hat rests tilted back on her head, its brim damp at the edge. Her eyes are closed to soft crescents, lashes lowered, a faint closed-lip smile at the corner of her mouth, cheeks flushed from the heat — relaxed and leisurely, no urgency anywhere in the pose.
The spring is a Halloween tea bath: the water is deep amber, translucent down to the stone bottom, and a scatter of carved jack-o'-lanterns float across it, their candlelit faces throwing orange lozenges of light onto the underside of the steam; small lit candles ride in wooden floats between them, and a few fallen dark leaves drift at the pool's edge. Steam rises thick in the foreground, veiling the lower third of the frame and softening the far rim, where a low stone wall, bare birch trunks and a violet night sky with a thin crescent moon sit out of focus. The only light sources are the pumpkin candles, the floating candles, and the cold moonlight from above; the moonlight lays a pale sheen across the tops of her shoulders, the crown of the hat and the towel's damp folds, while the candlelight warms the undersides of her jaw, throat and the wet stone rim. In the water, the pumpkin candles' reflections stretch into long wavering orange streaks broken into bright fragments by the slow ripples her back and shoulders have pushed outward — ripples that press soft concentric rings against the rim and rock the nearest lantern gently. Palette is controlled to amber water, orange candlelight, deep violet-blue night and the warm ivory of her skin and towel, with the black of her hair and hat as the only dark mass. Steam sheeting off the water blurs her lower body into the pool.
Mature anime style with glossy, high-finish rendering and soft lighting; skin blended with subtle gradients and warm highlights in a polished, almost airbrushed finish; intimate and sensual mood with controlled color harmony and smooth, minimally visible brushwork. Quietly indulgent, dreamlike.
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