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Notice: About Recent Slower Generation Speeds and Limited Computing Resources — Dear PixAI Community, Thank you for your continued love and support for PixAI. Recently, generation speeds on PixAI have…

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shawn Bennett

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shawn Bennett

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character: prism_(dispatch) 1girl, solo, dark skin, dark-skinned female, chin-length bob haircut, short hair, perfectly split-dyed hair, two-tone hair, half turquoise blue hair, half hot pink hair, blunt bangs, black futuristic visor sunglasses, tinted eyewear, cyan lipstick, brown eyes, curvy athletic build, wide hips, thick thighs, narrow waist, sleeveless black high-neck bodysuit, gold vertical zipper, gold circular collar ring, asymmetrical long gloves, cyan left glove, pink right glove, gold upper-arm bands, cyan thigh-high boots, gold boot accents, high heels, bare shoulders, from below, cowboy shot, dutch angle, standing, weight on one leg, hand on hip, head tilted down, looking at viewer, smug, one eyebrow raised, lopsided grin, parted lips, city night, neon signage, film grain, shallow depth of field From a low dutch angle, a single dark-skinned woman holds the lower-right third of the frame in a cowboy shot cut at mid-thigh, the camera looking steeply up along the front of her body so that her hips and thighs read widest and her shoulders taper back and away. She stands with her weight sunk into her right leg, that hip pushed out and slightly toward the lens, her left knee bent and the left cyan boot's toe set forward and turned out; her left hand rests flat on that jutting hip, four fingers pressing into the black fabric of the bodysuit, thumb hooked back, while her right arm hangs loose with the pink-gloved fingers half-curled. Her chin is down and her head is tilted toward her left shoulder, the opaque black visor sitting across her eyes and shutting out whatever the visor hides, her mouth pulled into a lopsided grin that lifts the left corner higher, cyan lipstick catching a wet highlight on the lower lip, one eyebrow arched above the visor's top edge. She looks straight down the lens through the dark shield. Her hair is cut to the jaw in a blunt bob, the bangs sliced level and straight across her forehead just below the visor's frame, and the colour splits down the exact centre parting: hot pink fills the left half and turquoise blue the right, the pink side swept slightly behind her cheek and the blue side falling forward so the tips graze the gold ring at her throat. The bodysuit climbs to a high neck sealed by the gold circular collar ring, and the gold vertical zipper runs from that ring straight down the centre of her chest, its teeth catching light in one continuous line that widens over the curve of her bust and narrows at the waist. Sleeveless, the suit leaves both shoulders bare from the ring out to the deltoid, and the long gloves start high on the upper arms beneath the two gold bands — banded gold on the left above the cyan glove, banded gold on the right above the pink one — the glove fabric hugging tight to the elbow and continuing down over the back of each hand. The cyan boots rise past the knee to mid-thigh, leaving a bare strip of dark skin between boot top and the hem of nothing at all, and a gold accent band and a gold heel brace trim each boot. Behind her the environment is a rain-slick night street compressed by the low lens into two receding walls of light: a hot pink tube sign glows at the far left above a dark doorway, a turquoise neon strip runs along the right wall, and both wet colours bleed into the film-grain haze behind her shoulders, their lettering blurred past reading. The key light is a single cyan-white source high and slightly behind her right shoulder, so its light rims the turquoise half of her bob and the top of the visor while throwing the front of her face and the far side of the bodysuit into deep shadow, and the pink neon fills the shadows on her left cheek and left glove as a cool reflected wash. On the wet pavement at the bottom edge, a hard-edged puddle holds her reflection — darker, softer and compressed by the low angle — and the gold of her zipper appears there as a broken, downward-drawn thread. Her shadow stretches away up the wall behind her rather than along the ground, because the light sits above and behind her. Cool neon noir palette: black, hot pink, turquoise, and gold as the only warm metal. Confident, effortlessly stylish.
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1girl, Prism_(Dispatch), dark skin, chin-length bob haircut, perfectly split-dyed hair, turquoise blue hair, hot pink hair, blunt bangs, black futuristic visor sunglasses, cyan lipstick, curvy athletic build, sleeveless black high-neck bodysuit, gold vertical zipper, gold circular collar ring, asymmetrical long gloves, cyan left glove, pink right glove, gold upper-arm bands, cyan thigh-high boots, gold boot accents
Tryb
flash
Rozmiar
1104 x 1824
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Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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AI artwork
sb
character: prism_(dispatch) 1girl, solo, dark skin, dark-skinned female, chin-length bob haircut, short hair, perfectly split-dyed hair, two-tone hair, half turquoise blue hair, half hot pink hair, blunt bangs, black futuristic visor sunglasses, tinted eyewear, cyan lipstick, brown eyes, curvy athletic build, wide hips, thick thighs, narrow waist, sleeveless black high-neck bodysuit, gold vertical zipper, gold circular collar ring, asymmetrical long gloves, cyan left glove, pink right glove, gold upper-arm bands, cyan thigh-high boots, gold boot accents, high heels, bare shoulders, from below, cowboy shot, dutch angle, standing, weight on one leg, hand on hip, head tilted down, looking at viewer, smug, one eyebrow raised, lopsided grin, parted lips, city night, neon signage, film grain, shallow depth of field From a low dutch angle, a single dark-skinned woman holds the lower-right third of the frame in a cowboy shot cut at mid-thigh, the camera looking steeply up along the front of her body so that her hips and thighs read widest and her shoulders taper back and away. She stands with her weight sunk into her right leg, that hip pushed out and slightly toward the lens, her left knee bent and the left cyan boot's toe set forward and turned out; her left hand rests flat on that jutting hip, four fingers pressing into the black fabric of the bodysuit, thumb hooked back, while her right arm hangs loose with the pink-gloved fingers half-curled. Her chin is down and her head is tilted toward her left shoulder, the opaque black visor sitting across her eyes and shutting out whatever the visor hides, her mouth pulled into a lopsided grin that lifts the left corner higher, cyan lipstick catching a wet highlight on the lower lip, one eyebrow arched above the visor's top edge. She looks straight down the lens through the dark shield. Her hair is cut to the jaw in a blunt bob, the bangs sliced level and straight across her forehead just below the visor's frame, and the colour splits down the exact centre parting: hot pink fills the left half and turquoise blue the right, the pink side swept slightly behind her cheek and the blue side falling forward so the tips graze the gold ring at her throat. The bodysuit climbs to a high neck sealed by the gold circular collar ring, and the gold vertical zipper runs from that ring straight down the centre of her chest, its teeth catching light in one continuous line that widens over the curve of her bust and narrows at the waist. Sleeveless, the suit leaves both shoulders bare from the ring out to the deltoid, and the long gloves start high on the upper arms beneath the two gold bands — banded gold on the left above the cyan glove, banded gold on the right above the pink one — the glove fabric hugging tight to the elbow and continuing down over the back of each hand. The cyan boots rise past the knee to mid-thigh, leaving a bare strip of dark skin between boot top and the hem of nothing at all, and a gold accent band and a gold heel brace trim each boot. Behind her the environment is a rain-slick night street compressed by the low lens into two receding walls of light: a hot pink tube sign glows at the far left above a dark doorway, a turquoise neon strip runs along the right wall, and both wet colours bleed into the film-grain haze behind her shoulders, their lettering blurred past reading. The key light is a single cyan-white source high and slightly behind her right shoulder, so its light rims the turquoise half of her bob and the top of the visor while throwing the front of her face and the far side of the bodysuit into deep shadow, and the pink neon fills the shadows on her left cheek and left glove as a cool reflected wash. On the wet pavement at the bottom edge, a hard-edged puddle holds her reflection — darker, softer and compressed by the low angle — and the gold of her zipper appears there as a broken, downward-drawn thread. Her shadow stretches away up the wall behind her rather than along the ground, because the light sits above and behind her. Cool neon noir palette: black, hot pink, turquoise, and gold as the only warm metal. Confident, effortlessly stylish.
shawn Bennett
AI artwork
sb
character: prism_(dispatch) 1girl, solo, dark skin, dark-skinned female, chin-length bob haircut, short hair, perfectly split-dyed hair, two-tone hair, half turquoise blue hair, half hot pink hair, blunt bangs, black futuristic visor sunglasses, tinted eyewear, cyan lipstick, brown eyes, curvy athletic build, wide hips, thick thighs, narrow waist, sleeveless black high-neck bodysuit, gold vertical zipper, gold circular collar ring, asymmetrical long gloves, cyan left glove, pink right glove, gold upper-arm bands, cyan thigh-high boots, gold boot accents, high heels, bare shoulders, from below, cowboy shot, dutch angle, standing, weight on one leg, hand on hip, head tilted down, looking at viewer, smug, one eyebrow raised, lopsided grin, parted lips, city night, neon signage, film grain, shallow depth of field From a low dutch angle, a single dark-skinned woman holds the lower-right third of the frame in a cowboy shot cut at mid-thigh, the camera looking steeply up along the front of her body so that her hips and thighs read widest and her shoulders taper back and away. She stands with her weight sunk into her right leg, that hip pushed out and slightly toward the lens, her left knee bent and the left cyan boot's toe set forward and turned out; her left hand rests flat on that jutting hip, four fingers pressing into the black fabric of the bodysuit, thumb hooked back, while her right arm hangs loose with the pink-gloved fingers half-curled. Her chin is down and her head is tilted toward her left shoulder, the opaque black visor sitting across her eyes and shutting out whatever the visor hides, her mouth pulled into a lopsided grin that lifts the left corner higher, cyan lipstick catching a wet highlight on the lower lip, one eyebrow arched above the visor's top edge. She looks straight down the lens through the dark shield. Her hair is cut to the jaw in a blunt bob, the bangs sliced level and straight across her forehead just below the visor's frame, and the colour splits down the exact centre parting: hot pink fills the left half and turquoise blue the right, the pink side swept slightly behind her cheek and the blue side falling forward so the tips graze the gold ring at her throat. The bodysuit climbs to a high neck sealed by the gold circular collar ring, and the gold vertical zipper runs from that ring straight down the centre of her chest, its teeth catching light in one continuous line that widens over the curve of her bust and narrows at the waist. Sleeveless, the suit leaves both shoulders bare from the ring out to the deltoid, and the long gloves start high on the upper arms beneath the two gold bands — banded gold on the left above the cyan glove, banded gold on the right above the pink one — the glove fabric hugging tight to the elbow and continuing down over the back of each hand. The cyan boots rise past the knee to mid-thigh, leaving a bare strip of dark skin between boot top and the hem of nothing at all, and a gold accent band and a gold heel brace trim each boot. Behind her the environment is a rain-slick night street compressed by the low lens into two receding walls of light: a hot pink tube sign glows at the far left above a dark doorway, a turquoise neon strip runs along the right wall, and both wet colours bleed into the film-grain haze behind her shoulders, their lettering blurred past reading. The key light is a single cyan-white source high and slightly behind her right shoulder, so its light rims the turquoise half of her bob and the top of the visor while throwing the front of her face and the far side of the bodysuit into deep shadow, and the pink neon fills the shadows on her left cheek and left glove as a cool reflected wash. On the wet pavement at the bottom edge, a hard-edged puddle holds her reflection — darker, softer and compressed by the low angle — and the gold of her zipper appears there as a broken, downward-drawn thread. Her shadow stretches away up the wall behind her rather than along the ground, because the light sits above and behind her. Cool neon noir palette: black, hot pink, turquoise, and gold as the only warm metal. Confident, effortlessly stylish.
shawn Bennett
AI artwork
sb
character: prism_(dispatch) 1girl, solo, dark skin, dark-skinned female, chin-length bob haircut, short hair, perfectly split-dyed hair, two-tone hair, half turquoise blue hair, half hot pink hair, blunt bangs, black futuristic visor sunglasses, tinted eyewear, cyan lipstick, brown eyes, curvy athletic build, wide hips, thick thighs, narrow waist, sleeveless black high-neck bodysuit, gold vertical zipper, gold circular collar ring, asymmetrical long gloves, cyan left glove, pink right glove, gold upper-arm bands, cyan thigh-high boots, gold boot accents, high heels, bare shoulders, from below, cowboy shot, dutch angle, standing, weight on one leg, hand on hip, head tilted down, looking at viewer, smug, one eyebrow raised, lopsided grin, parted lips, city night, neon signage, film grain, shallow depth of field From a low dutch angle, a single dark-skinned woman holds the lower-right third of the frame in a cowboy shot cut at mid-thigh, the camera looking steeply up along the front of her body so that her hips and thighs read widest and her shoulders taper back and away. She stands with her weight sunk into her right leg, that hip pushed out and slightly toward the lens, her left knee bent and the left cyan boot's toe set forward and turned out; her left hand rests flat on that jutting hip, four fingers pressing into the black fabric of the bodysuit, thumb hooked back, while her right arm hangs loose with the pink-gloved fingers half-curled. Her chin is down and her head is tilted toward her left shoulder, the opaque black visor sitting across her eyes and shutting out whatever the visor hides, her mouth pulled into a lopsided grin that lifts the left corner higher, cyan lipstick catching a wet highlight on the lower lip, one eyebrow arched above the visor's top edge. She looks straight down the lens through the dark shield. Her hair is cut to the jaw in a blunt bob, the bangs sliced level and straight across her forehead just below the visor's frame, and the colour splits down the exact centre parting: hot pink fills the left half and turquoise blue the right, the pink side swept slightly behind her cheek and the blue side falling forward so the tips graze the gold ring at her throat. The bodysuit climbs to a high neck sealed by the gold circular collar ring, and the gold vertical zipper runs from that ring straight down the centre of her chest, its teeth catching light in one continuous line that widens over the curve of her bust and narrows at the waist. Sleeveless, the suit leaves both shoulders bare from the ring out to the deltoid, and the long gloves start high on the upper arms beneath the two gold bands — banded gold on the left above the cyan glove, banded gold on the right above the pink one — the glove fabric hugging tight to the elbow and continuing down over the back of each hand. The cyan boots rise past the knee to mid-thigh, leaving a bare strip of dark skin between boot top and the hem of nothing at all, and a gold accent band and a gold heel brace trim each boot. Behind her the environment is a rain-slick night street compressed by the low lens into two receding walls of light: a hot pink tube sign glows at the far left above a dark doorway, a turquoise neon strip runs along the right wall, and both wet colours bleed into the film-grain haze behind her shoulders, their lettering blurred past reading. The key light is a single cyan-white source high and slightly behind her right shoulder, so its light rims the turquoise half of her bob and the top of the visor while throwing the front of her face and the far side of the bodysuit into deep shadow, and the pink neon fills the shadows on her left cheek and left glove as a cool reflected wash. On the wet pavement at the bottom edge, a hard-edged puddle holds her reflection — darker, softer and compressed by the low angle — and the gold of her zipper appears there as a broken, downward-drawn thread. Her shadow stretches away up the wall behind her rather than along the ground, because the light sits above and behind her. Cool neon noir palette: black, hot pink, turquoise, and gold as the only warm metal. Confident, effortlessly stylish.
shawn Bennett

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
2#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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