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榊原久就
Contest Entry
PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn#PixAI Halloween 2026
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- 新技術を取り入れた、川崎のサッカースタジアム
- Tryb
- pro
- Tag jakości
- ﹝Podpowiedzi﹞
- Rozmiar
- 1104 x 1824
- Metoda próbkowania
- Euler
- Niepożądane
- lowres, worst quality, low quality, bad anatomy, explicit
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soccer stadium, Kawasaki, futuristic technology, retractable translucent roof panels, holographic pitch-side display, LED perimeter boards, robotic camera rigs on overhead rails, autonomous delivery robots, aerial drone show, wide shot, from above, elevated corner view, night, neon green and deep blue palette, no people in foreground, crowd as distant texture, architectural visualization, clean sci-fi realism
An elevated corner view from above the floodlight gantry looks down across a futuristic soccer stadium built beside the Tama River in Kawasaki, the camera set high enough that the full oval of the pitch opens into a clean geometric lens and the tiered stands rise away in concentric arcs. The field is a perfect rectangle of striped turf, freshly mown, its mower lines converging away from the near corner with true perspective; the white touchline curves slightly at the corners as real painted lines do, and the center circle holds a crisp painted emblem. Above the pitch, the retractable roof is half open: segmented translucent panels slide along exposed titanium ribs, and where the panels overlap they dim the floodlights into soft graded bands before the light falls clean and white onto the grass. An array of holographic pitch-side panels hovers just above the advertising boards along the far touchline, their projection light spilling in faint volumetric sheets onto the turf; the perimeter LED boards glow a saturated signal green that reflects along the wet sheen of the mown grass in long broken streaks. Overhead rails cross the roof trusses, and three robotic camera rigs hang from them at different depths, their lenses angled down toward the pitch, visibly closer in the foreground and reduced to small silhouettes deeper in the bowl. On the near sideline a line of low autonomous delivery robots rests in a neat row on their charging pads, one of them mid-return, its small wheels casting a single hard shadow. Higher still, above the open roof gap, a drone formation hovers in a loose grid, each drone a point of green light, and the whole grid reads as a shallow floating constellation against the deep blue night sky. The stands are packed, but the spectators are rendered only as dense texture: a granular sea of small lit faces and phone screens in the lower tiers, resolving into pure color banding in the upper decks, no individual figure singled out. Kawasaki's riverside skyline sits at the far edge beyond the roof opening -- a few lit towers, the faint arc of a bridge, and the black ribbon of the river catching the city glow. The palette is held strictly to signal green, deep navy blue and cool white light, with the titanium structure in neutral gray and the crowd a muted warm haze, nothing else admitted. The single-source physics that sells the scene: the floodlights strike only the open portion of the pitch, so the grass under the closed roof panels sits in cool blue shadow while the exposed turf glows green-white, a hard diagonal boundary between the two falling exactly along the roof's edge. Crisp, orderly, quietly spectacular.
榊原久就
soccer stadium, Kawasaki, futuristic technology, retractable translucent roof panels, holographic pitch-side display, LED perimeter boards, robotic camera rigs on overhead rails, autonomous delivery robots, aerial drone show, wide shot, from above, elevated corner view, night, neon green and deep blue palette, no people in foreground, crowd as distant texture, architectural visualization, clean sci-fi realism
An elevated corner view from above the floodlight gantry looks down across a futuristic soccer stadium built beside the Tama River in Kawasaki, the camera set high enough that the full oval of the pitch opens into a clean geometric lens and the tiered stands rise away in concentric arcs. The field is a perfect rectangle of striped turf, freshly mown, its mower lines converging away from the near corner with true perspective; the white touchline curves slightly at the corners as real painted lines do, and the center circle holds a crisp painted emblem. Above the pitch, the retractable roof is half open: segmented translucent panels slide along exposed titanium ribs, and where the panels overlap they dim the floodlights into soft graded bands before the light falls clean and white onto the grass. An array of holographic pitch-side panels hovers just above the advertising boards along the far touchline, their projection light spilling in faint volumetric sheets onto the turf; the perimeter LED boards glow a saturated signal green that reflects along the wet sheen of the mown grass in long broken streaks. Overhead rails cross the roof trusses, and three robotic camera rigs hang from them at different depths, their lenses angled down toward the pitch, visibly closer in the foreground and reduced to small silhouettes deeper in the bowl. On the near sideline a line of low autonomous delivery robots rests in a neat row on their charging pads, one of them mid-return, its small wheels casting a single hard shadow. Higher still, above the open roof gap, a drone formation hovers in a loose grid, each drone a point of green light, and the whole grid reads as a shallow floating constellation against the deep blue night sky. The stands are packed, but the spectators are rendered only as dense texture: a granular sea of small lit faces and phone screens in the lower tiers, resolving into pure color banding in the upper decks, no individual figure singled out. Kawasaki's riverside skyline sits at the far edge beyond the roof opening -- a few lit towers, the faint arc of a bridge, and the black ribbon of the river catching the city glow. The palette is held strictly to signal green, deep navy blue and cool white light, with the titanium structure in neutral gray and the crowd a muted warm haze, nothing else admitted. The single-source physics that sells the scene: the floodlights strike only the open portion of the pitch, so the grass under the closed roof panels sits in cool blue shadow while the exposed turf glows green-white, a hard diagonal boundary between the two falling exactly along the roof's edge. Crisp, orderly, quietly spectacular.
榊原久就
soccer stadium, Kawasaki, futuristic technology, retractable translucent roof panels, holographic pitch-side display, LED perimeter boards, robotic camera rigs on overhead rails, autonomous delivery robots, aerial drone show, wide shot, from above, elevated corner view, night, neon green and deep blue palette, no people in foreground, crowd as distant texture, architectural visualization, clean sci-fi realism
An elevated corner view from above the floodlight gantry looks down across a futuristic soccer stadium built beside the Tama River in Kawasaki, the camera set high enough that the full oval of the pitch opens into a clean geometric lens and the tiered stands rise away in concentric arcs. The field is a perfect rectangle of striped turf, freshly mown, its mower lines converging away from the near corner with true perspective; the white touchline curves slightly at the corners as real painted lines do, and the center circle holds a crisp painted emblem. Above the pitch, the retractable roof is half open: segmented translucent panels slide along exposed titanium ribs, and where the panels overlap they dim the floodlights into soft graded bands before the light falls clean and white onto the grass. An array of holographic pitch-side panels hovers just above the advertising boards along the far touchline, their projection light spilling in faint volumetric sheets onto the turf; the perimeter LED boards glow a saturated signal green that reflects along the wet sheen of the mown grass in long broken streaks. Overhead rails cross the roof trusses, and three robotic camera rigs hang from them at different depths, their lenses angled down toward the pitch, visibly closer in the foreground and reduced to small silhouettes deeper in the bowl. On the near sideline a line of low autonomous delivery robots rests in a neat row on their charging pads, one of them mid-return, its small wheels casting a single hard shadow. Higher still, above the open roof gap, a drone formation hovers in a loose grid, each drone a point of green light, and the whole grid reads as a shallow floating constellation against the deep blue night sky. The stands are packed, but the spectators are rendered only as dense texture: a granular sea of small lit faces and phone screens in the lower tiers, resolving into pure color banding in the upper decks, no individual figure singled out. Kawasaki's riverside skyline sits at the far edge beyond the roof opening -- a few lit towers, the faint arc of a bridge, and the black ribbon of the river catching the city glow. The palette is held strictly to signal green, deep navy blue and cool white light, with the titanium structure in neutral gray and the crowd a muted warm haze, nothing else admitted. The single-source physics that sells the scene: the floodlights strike only the open portion of the pitch, so the grass under the closed roof panels sits in cool blue shadow while the exposed turf glows green-white, a hard diagonal boundary between the two falling exactly along the roof's edge. Crisp, orderly, quietly spectacular.
榊原久就
i2
A medium shot, wide-angle view of a vast, empty soccer stadium, capturing the grand scale of the arena from a central pitch perspective. The scene is devoid of humans, focusing on the meticulously maintained green grass of the pitch, featuring perfectly manicured stripes and crisp white boundary lines. Towering, empty spectator stands with rows of multicolored seats curve around the field, leading up to a massive architectural roof structure. The environment is clean and silent, with goalposts standing solitary at each end of the field. The atmosphere is serene and expectant, illuminated by bright, natural daylight that casts soft shadows across the turf. The color palette is dominated by the vibrant emerald green of the grass and the cool grey of the concrete stands, rendered in a clean anime illustration style with sharp lines, high contrast, and a sense of immense open space.
Inthemine2
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