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View detailsBrago bloodfallen
Pokaż parametry
- Oryginalny prompt
- 1 girl,akane kurokawa, kurokawa akane, long hair, bangs, blue eyes, green eyes, black hair, blue hair, multicolored hair, gradient hair,enormous breasts,rococo style,colossal earrings,colossal engagement ring, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt,long skirt oversized dress, glitter fabric, sequins,ridicolus ornaments in dress,red and white dress,sad,colossal engagement ring,colossal bracelets,tiara,blush,la mujer esta suspirando,la mujer esta de pie,diamond collar,1 man,tall man,ugly man,kiss in lips,brutal kiss,forced kiss,el hombre besa con maldad a la mujer
- Tryb
- pro
- Tag jakości
- ﹝Podpowiedzi﹞
- Rozmiar
- 1104 x 1824
- Metoda próbkowania
- Euler
- Niepożądane
- lowres, worst quality, low quality, bad anatomy, explicit,bad kiss
Pomocnik podpowiedzi
Model i LoRA użyte
Podobne obrazy
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character: kurokawa_akane
2girls, kurowaka akane, long hair, black hair with blue gradient, multicolored hair, bangs, heterochromia, blue eye, green eye, enormous breasts, tiara, colossal earrings, diamond collar, colossal bracelets, colossal engagement ring, overly ornate rococo dress, tacky dress, red and white dress, fur dress, too much lace, excessive ruffles, too many bows, overdecorated, glitter fabric, sequins, ridiculous ornaments, puffy skirt, huge skirt, long skirt, oversized dress, blush, sad, humiliated, eyes open, hands tied behind back, forced kiss, from side, profile, cowboy shot, one old woman, tall woman, old woman larger than girl, standing, bride day, wedding hall,
Side profile view, both figures in full side silhouette framed in a cowboy shot from hip to crown, the girl and the old woman occupying the center of a marble-floored wedding hall. The girl stands with her weight dropped onto her back heel, spine bowed backward as the old woman's single encircling arm at her mid-back tilts her off balance; her chin is pushed up and away, her bound wrists wrench the fabric of her huge puff skirt where the rope cinches behind her waist, shoulders drawn tight and pushed forward. Her open eyes are wide and fixed sideways past the old woman's cheek toward the far wall, wet at the lower lid, a deep flush burning across both cheeks and the bridge of her nose, mouth crushed closed under the forced kiss while one brow pulls up in the middle. Her long black hair falls in a blue-graded cascade down her back and over the fur-trimmed shoulder of her dress, bangs swept across her forehead, the tiara tipped askew from the tilt of her head. The dress is a red-and-white avalanche of lace tiers, ribbon bows stacked three deep on the bodice and hip, sequins and glitter fabric catching the chandelier light in scattered hot points, the enormous puffy skirt spreading wide and pooling heavily on the floor, its weight pulling her backward. Colossal earrings drag her earlobes down, the diamond collar sits rigid at her throat, colossal bracelets ring both bound wrists, and the colossal engagement ring flashes on the finger of one tied hand.
The old woman towers half a head and more above her, a bent but massive frame in a high-collared dark formal gown, one arm clamped around the girl's back and her other hand cupping the girl's jaw to hold the kiss; her head is angled down, eyes narrowed and calm, and the weight of her leaning body drives the girl's heel back across the marble. Shadow from the old woman's shoulder falls across the girl's upper face and the girl's shadow stretches long and skewed behind her on the polished floor. Warm chandelier light from high above and behind camera-left rims the old woman's hair and sets the sequins firing, leaving the recesses of the lace in deep shadow and glinting off the diamond collar and earrings; the hall beyond dissolves into soft bokeh of white floral arches, candles and pale draped fabric. Palette is red, white and cold diamond, cut with the blue-black sheen of the girl's hair and the warm amber of the candlelight. The marble beneath the skirt shows a faint compressed reflection where the heavy hem presses down. Oppressive, ceremonial.
Shylpfiette greyrat
bb
character: kurokawa_akane
1girl, 1man, 2girls? no — 2 subjects total, standing, tall man, ugly man, kiss on the lips, brutal forced kiss, man kissing woman with malice, sad, blush, sighing, long hair, bangs, multicolored hair, gradient hair, black hair, blue hair, blue eyes, green eyes, star-shaped pupils, enormous breasts, rococo style, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated dress, puffy skirt, huge long skirt, oversized dress, glitter fabric, sequins, ridiculous ornaments, red and white dress, black fur coat over dress, colossal earrings, colossal engagement ring, colossal bracelets, diamond collar, tiara, from side, cowboy shot, dutch angle, dutch angle, profile,
A low three-quarter view from slightly below, tilted a few degrees off level, catches both figures from the hips up, the man on the left and the woman on the right of a wide, empty ballroom floor that recedes into blackness behind them. She stands with her weight sunk into her right hip, left knee bent, shoulders dropped forward, the enormous puffy skirt of the red and white rococo dress ballooning out around her legs and pooling a full arm's length across the floor — the skirt so oversized it dominates the lower half of the frame, layered in tier upon tier of white lace and red ruffles, crowded with too many bows to count, bristling with sequins and ridiculous ornaments and embroidered rosettes and dangling glass beads that catch the light like scattered gravel on the glitter fabric. A black fur coat is thrown over the dress and hangs open off her shoulders, the fur swallowing her upper arms. Her long black-and-blue gradient hair falls past her waist, the black at the crown bleeding into deep cobalt at the tips, blunt bangs cut straight across her brow, and she wears a small glittering tiara set back in the crown of her hair. Her ears drag down under colossal hoop earrings the size of her palm, the lobes pulled visibly long by the weight; oversized bracelets stack and clatter at both wrists, and a colossal engagement ring sits on her left hand, a stone like a knuckled egg that makes her finger look thin. A wide diamond collar rings her throat, each stone set in silver, the lowest point resting in the hollow of her collarbone. Her eyes — the left blue, the right green, both with star-shaped pupils — are wide open and glistening, fixed on nothing, staring past the man's shoulder into empty air. Her cheeks are flushed deep red; her mouth is pushed forward and pressed shut by the man's lips, her jaw slack under the pressure, her chin tipped up and twisted slightly away. One breath escapes from her nose, the fine hairs at her temple stirring faintly.
The man is much taller than she is, his head bent down to hers, shoulders hunched forward to close the difference, one hand clamped hard on her upper arm and gripping a fistful of fur coat and sleeve, the other hand splayed at the small of her back and crushing her forward against him, the puffy skirt compressed where her body is pressed against his knee. His face is heavy and coarse — a broad bulbous nose, thick uneven brows, a wide mouth wet with saliva, small deep-set eyes, jowls and a coarse shadow of stubble — and his lips are mashed down over hers, his head turned and working at the kiss, a strong malicious satisfaction folded into the grimace of his pressed-together face. His coat is dark, his posture ugly and proprietary; he says nothing and looks only at her mouth.
Light comes from a single high candelabra off frame to the right and slightly behind her, dropping a warm gold rim on her tiara, the crown of her hair, and the tops of the ruffled skirt, and throwing long hard-edged shadow of both bodies off across the polished floor to the left. The rest of the ballroom is dark, swallowed up beyond the skirt's flare. Palette: red, white and black, sequin-glitter silver, the man's coat reduced to black, skin tones warm against the cold dark. His thumb clenches a fold in her sleeve; the fur fibres squeeze into a pale crease where his fingers grip the coat collar; her enormous skirt stays unpressed except where his leg dents it. Cold, sad, sick with ornament.
Brago bloodfallen
sg
character: kurokawa_akane
2girls, 1girl, 1boy, akane kurokawa, long hair, bangs, hair between eyes, multicolored hair, gradient hair, black hair fading to blue hair, blue eyes, green eyes, heterochromia, enormous breasts, standing, sad, sighing, blush, tears, downturned eyes, tiara, diamond collar, colossal earrings, colossal bracelets, colossal engagement ring, red dress, white dress, rococo style, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt, long skirt, oversized dress, glitter fabric, sequins, ridiculous ornaments, forced kiss, brutal kiss, kiss on lips, 1man, tall man, ugly man, older man, bald, thick eyebrows, big nose, crooked teeth, stubble, wide shoulders, tall, grabbing her chin, hand on her jaw, holding her in place, from below, dutch angle, cowboy shot, looking at another, closed eyes, clenched teeth, strained expression, looming, contact, dramatic lighting, high contrast, opulent, gold accents, lavish textures, ornate, decorative, intricate lace, gilt, oversaturated, oppressive, spoken_heart, half-closed eyes, trembling, sweat, heavy_breathing, motion_lines
From a low dutch angle, the camera tilts up so the man towers into the top of the frame and the woman is pushed down toward the lower right corner, both seen in a cowboy shot that crops them at mid-thigh so the enormous puffy skirt fills the bottom edge as a crush of red and white fabric. The woman with the long multicolored black-to-blue gradient hair and bangs stands braced on her heels, weight pitched back, knees locked, shoulders hunched forward as she sighs — her chest sweeping with the exhausted exhale, enormous bust straining the bodice seams, ribcage visibly falling. Her blue-and-green eyes are half-lidded and wet; she is looking down and away, not at the man, and her lashes cling in wet points. A deep flush burns across both cheeks and the bridge of her nose. She is saddled in an absurd rococo dress of red and white: a huge puffy long skirt ballooning outward with excessive ruffles, layers of lace edging every flounce, too many bows knotted at the waist and bodice and shoulders, ridiculous ornaments — gilt scrolling, beaded sprigs, small gilded figurines — crowding the fabric, sequins scattered across the glitter fabric catching the light in hard pinpricks. A tiara sits lopsided in her bangs, a diamond collar circles her throat in a band of glittering stones, colossal hoop earrings hang to her shoulders, colossal bracelets clatter heavy on both wrists, and the colossal engagement ring — a stone the size of a knuckle — weighs down her left hand.
The tall ugly man bends over her from above, a great stooping shape in a dark formal coat with a high collar, and his huge hand clamps her jaw, tilting her face up while his mouth presses brutally down on her lips — a hard, malicious, forced kiss. His big nose crushes against her cheek, his crooked yellow teeth bare as he seals the kiss, stubble rasping her skin; his thick brows are drawn down in a mean squint and his eyes are closed in cruel satisfaction. His other hand grips her upper arm. His shoulders block the upper left of the frame; the woman's free hand hangs at her side, fingers curled stiff around nothing.
The light comes from a single high ornate chandelier that is off-frame above and behind the man's shoulder; it rakes across the woman's upturned face and shoulders, glints off the diamond collar and the colossal ring, and throws the man's face half into shadow, so where his head blocks the source the darkness is dense and absolute. The palette is red and white and gold and glitter, everything saturated and hard-edged, with the man's black coat as the dark anchor in the upper left. High contrast, opulent, ornate, lavishly textured — decorative linework in the lace, gilt accents on every ornament, the whole frame overdecorated and oppressive. A small hand-drawn heart floats in a tiny speech bubble beside her wet, downturned face. High-contrast, oppressive, miserably opulent.
Shylpfiette greyrat
eb
character: kurokawa_akane
1girl, 1old man, 2girls? no — 1girl 1boy, long hair, bangs, multicolored hair, gradient hair, black hair fading to blue hair, blue eyes, green eyes, heterochromia-tinged blue-green eyes, enormous breasts, rococo style, bride day, wedding day, colossal earrings, colossal engagement ring, colossal bracelets, diamond collar, tiara, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, ridiculous ornaments on dress, glitter fabric, sequins, red and white dress, fur-trimmed dress, puffy skirt, huge skirt, long skirt, oversized dress, blush, sad, humiliated, not enjoying it, eyes open, hands tied behind back, forced kiss, dipped backward, tall man, old man, man larger than woman, one arm around her waist, standing, dutch angle, cowboy shot, from side,
The camera looks slightly up from her right side at a low dutch tilt, so the bride's sinking body slants across the frame from lower left to upper right and the old man's bulk fills the top corner of the shot. She is caught mid-dip: the old man's single arm is clamped around her waist, his big hand flat at the small of her back, pressing her spine into a backward arc so her chest lifts and her huge skirt crater out and spills toward the floor of the empty, candlelit cathedral nave. Her long black-to-blue gradient hair, bangs swept over her brow, swings down past her shoulder in loose coils, the blue ends dragging across the fur-trimmed neckline.
Her head tips back into his kiss, and her eyes stay wide open, fixed hard sideways and out past the viewer's shoulder; she is not looking at him, and her blue-green irises catch the candlelight as her brows pinch upward and her mouth is pressed shut under his. The blush sits low on her cheeks. His old, bald-fringed head hides her tiara's front, but the towering silver points still flare above her hair; her colossal earrings hang low, dragging her earlobes; her colossal bracelets clank on the wrists bound behind her back with white satin cord, her forearms hidden behind her own skirt.
The dress is the disaster the whole frame turns on: red and white rococo silk, sequined fabric flashing under the flames, lace frothing at every cuff and collar, ruffles stacked in tiered waterfalls, absurd bows bulging at the shoulders and hem, fur trim matted along the neckline and the high collar of the diamond choker biting her throat. The colossal engagement ring sits heavy on her bound finger behind her back. Light comes only from the tall altar candles to the right: warm gold on her cheek and his shoulder, deep shadow pooling under the huge skirt where the fabric touches the cold stone floor, a long shadow cast across the nave's worn tiles. Palette limited to blood red, cream white, candle gold and near-black shadow. Still, ornate, quietly cruel.
Eris Boreas greyrat
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