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hakugami

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hakugami

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character: 1girl 1girl, solo, full body, side profile, profile, standing, tall posture, confident, slender, curvy, hourglass figure, large breasts, narrow waist, wide hips, thick thighs, white silk, satin, shiny, ghost costume, full-body suit, bodysuit, skin tight, body-hugging, visible body lines, fitted hood, hood over face, face covered, no mouth, two black dot eyes, stitched eyes, embroidered ghost face, oversized sleeves, huge sleeves, puffy sleeves, billowing sleeves, hands hidden, hands inside sleeves, arms hidden, no skin, covered navel, fully clothed, plain background, neutral background, simple background, soft lighting, side lighting, rim light, anime illustration, clean linework, cel shading A true side profile view, full body from crown to sole: a single girl silhouetted against a completely empty, seamless neutral background that sits flat and shadowless, so the only subject in frame is her. The side view exposes the whole shape of her costume in one continuous outline — the smooth silk hood pulled down close over her skull, the crown rising into a rounded point, its back sweeping down the nape; then the profile of the hood front, where the two small perfectly round solid-black stitched dots sit as eyes, and below them a plain unbroken field of white where no mouth is stitched; the tight body-hugging silk of the torso drawn back at a narrow waist and rounded out over a large bust and wide hips, the fabric pulled taut enough that the lines of her body read through it in a clean contour, with the thick thighs filling the fitted legs of the costume; and, at the front, the oversized puffy sleeve ballooning down from the shoulder, billowing wide past where a hand would be, and hanging completely closed — no fingers, no wrist, nothing but gathered shimmering fabric, and the same closed balloon of a sleeve on the far arm barely showing as a soft bulge behind the near one. She stands tall and confident, weight carried not on the flat of both feet but settled onto the slightly forward leg, the rear knee softly bent, the spine lifted and the chin level so the hood's front tip points just ahead of her, chest carried forward and shoulders squared back; both arms hang and gently bend forward at the elbow, the ballooned sleeve resting just clear of the hip. Her head is turned cleanly into profile, the two stitched eyes aimed toward a point out of frame to the left, reading as calm, unreadable presence. The lighting is soft and directional from the left, the single source low and warm-white: the front-facing curve of the hood, the swell of the bust and the leading edge of the sleeve catch a glossy, sharply defined satin highlight — a crisp white streak along the silk, brightest at the shoulder and the hip where the fabric curves most; the far side of her falls into cool, soft half-shadow without any hard cast shadow on the ground, so the silk reads as lustrous and heavy rather than flat. The only slight physical tell: where the tight silk crosses the lower back, the sheen correctly breaks into a duller band exactly along the pull line, so the tension in the fabric is legible on the surface itself. Palette is limited to bright white, warm ivory-white, pale cool grey in the shadow, and pure black only in the two stitched eyes. Quiet, ghostly, elegant.
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flash
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1024 x 1536

Model i LoRA użyte

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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Mio.2
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Mio.2

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character: 1girl 1girl, solo, full body, three-quarter view, standing, weight on one leg, contrapposto, hands hidden in sleeves, ghost costume, white silk, satin sheen, tight-fitting torso, body-hugging clothes, large breasts, narrow waist, wide hips, thick thighs, hourglass figure, curvy, puffy sleeves, oversized sleeves, long sleeves past hands, fitted hood, face covered, covered face, no mouth, black dot eyes, stitched eyes, hooded, head to toe covered, no skin visible, full coverage, simple background, neutral background, studio lighting, soft lighting, anime illustration, clean linework, smooth shading, no humans visible, faceless A single figure stands in three-quarter view, turned roughly forty degrees away from the lens with her left shoulder nearer the camera, framed head to toe with a little breathing room above the hood and below the hem. Her weight rides on her left leg, the hip pushed out and high under the silk, while the right knee bends and the right foot rests slightly forward and across, toe barely touching the floor; the left hip and the forward thigh pull the fabric taut, so the tight torso piece shows a clear hourglass outline — a pronounced rounded bust straining the silk into two smooth curved highlights, a sharply indented narrow waist, then wide hips and thick thighs filling out the skirtless fitted fabric with a visible body line running down the side of each thigh. The torso panel is bright white silk with a lustrous, liquid satin sheen: broad soft specular bands down the bust and the outer thigh, deep grey core shadows in the creases at the waist and between the thighs, the fabric clinging without a single wrinkle at the chest and pulling into fine tension creases only at the hip and the knee. From the shoulders the sleeves balloon out enormously, each one a great rounded puff of the same white silk billowing past the wrist and hanging well below the fingertips, both hands completely swallowed inside — the cuffs dangle loose and slightly crumpled, one sleeve swinging a touch forward with the shifted weight, and no hand, finger or outline of a wrist is visible anywhere. The fitted hood hugs the skull closely, smooth silk drawn taut over the crown with soft draping folds gathering at the throat and jaw, and it seals her face entirely: on the front, slightly turned away from the lens, two small perfectly round solid black stitched dots sit as eyes, matte black thread against the white satin with a fine ring of punched thread around them, and the silk below them is smooth and unbroken — no mouth, no nose, no seam. No skin is visible anywhere from crown to floor; the white silk closes over throat, wrists and ankles in an unbroken envelope. A soft studio key lights her from the upper left at a gentle angle, laying a clean highlight down the left of the hood and the near sleeve, letting the far side of the body fall into a soft grey ambient shadow without harsh edges, and the floor carries a faint diffuse shadow pooled at the right foot; the background is a plain seamless neutral grey-cream sweep, empty and slightly darker at the edges, so the figure reads as the only object in the frame. Palette held to white, warm off-white, grey-white shadow and pure black thread, nothing else. Clean confident linework, smooth cel-soft shading inside the silk highlights, quietly elegant.
hakugami
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Avatar image of hakugami
1girl, solo, full body, three-quarter view, standing, weight on one leg, contrapposto, hands hidden in sleeves, ghost costume, white silk, satin sheen, tight-fitting torso, body-hugging clothes, large breasts, narrow waist, wide hips, thick thighs, hourglass figure, curvy, puffy sleeves, oversized sleeves, long sleeves past hands, fitted hood, face covered, covered face, no mouth, black dot eyes, stitched eyes, hooded, head to toe covered, no skin visible, full coverage, white background, pure white background, studio lighting, soft lighting, anime illustration, clean linework, smooth shading, no humans visible, faceless A single figure stands in three-quarter view, turned roughly forty degrees away from the lens with her left shoulder nearer the camera, framed head to toe with a little breathing room above the hood and below the hem. Her weight rides on her left leg, the hip pushed out and high under the silk, while the right knee bends and the right foot rests slightly forward and across, toe barely touching the floor; the left hip and the forward thigh pull the fabric taut, so the tight torso piece shows a clear hourglass outline — a pronounced rounded bust straining the silk into two smooth curved highlights, a sharply indented narrow waist, then wide hips and thick thighs filling out the skirtless fitted fabric with a visible body line running down the side of each thigh. The torso panel is bright white silk with a lustrous, liquid satin sheen: broad soft specular bands down the bust and the outer thigh, deep grey core shadows in the creases at the waist and between the thighs, the fabric clinging without a single wrinkle at the chest and pulling into fine tension creases only at the hip and the knee. From the shoulders the sleeves balloon out enormously, each one a great rounded puff of the same white silk billowing past the wrist and hanging well below the fingertips, both hands completely swallowed inside — the cuffs dangle loose and slightly crumpled, one sleeve swinging a touch forward with the shifted weight, and no hand, finger or outline of a wrist is visible anywhere. The fitted hood hugs the skull closely, smooth silk drawn taut over the crown with soft draping folds gathering at the throat and jaw, and it seals her face entirely: on the front, slightly turned away from the lens, two small perfectly round solid black stitched dots sit as eyes, matte black thread against the white satin with a fine ring of punched thread around them, and the silk below them is smooth and unbroken — no mouth, no nose, no seam. No skin is visible anywhere from crown to floor; the white silk closes over throat, wrists and ankles in an unbroken envelope. A soft studio key lights her from the upper left at a gentle angle, laying a clean highlight down the left of the hood and the near sleeve, letting the far side of the body fall into a soft grey ambient shadow without harsh edges, and the floor carries a faint diffuse shadow pooled at the right foot; the background is a pure flat pure-white seamless field, completely empty and without any tone variation edge to edge, so the figure reads as the only subject on the white. Palette held to white silk highlights, warm ivory-white in the satin glow, cool pale grey shadows within the costume folds, and pure black thread in the eyes — no other background tones. Clean confident linework, smooth cel-soft shading inside the silk highlights, quietly elegant.
hakugami
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character: 1girl 1girl, solo, full body, standing, from behind, back view, ghost costume, white silk, satin sheen, fitted hood, hood covering head, two stitched black dot eyes on hood, no mouth, oversized puffy sleeves, hands hidden in sleeves, slender, curvy, hourglass figure, large breasts, narrow waist, wide hips, thick thighs, skin-tight torso, silk clinging to body, draping fabric, billowing sleeves, no skin, simple neutral background, backlighting, clean linework, anime illustration She stands full-length, seen entirely from behind against a plain, seamless, pale-grey neutral ground with no scenery, no depth markers and no other object in the frame — the whole image is her silhouette and the material. A single soft backlight comes from directly in front of her, so the light reaches her only after passing around the edges of her: it glows along her shoulders, the tops of the puffy sleeves and the outline of the hood, and lays a luminous rim down both flanks of the costume, while the broad plane of her back carries the silk's lustrous sheen as a smooth, cool sheen of reflected light rather than a lit face. Her shadow spreads toward the camera, and the costume itself is the revealer of that hidden front light: the pooled, drape-heavy fabric down her spine catches only the sheen it throws. The bright white silk covers her completely from head to toe — no skin anywhere, the fitted hood sealed around the head, her face entirely turned away and unseen, the front of the hood bearing only two small, perfectly round, solid black stitched dots, no mouth stitches. The torso section clings with a tight, body-hugging fit that carries the rounded curve of the bust around to the sides of her ribcage, pinches to a narrow waist and then swells out over wide hips into thick thighs that fill the snug silk, every contour of her hourglass figure reading as a smooth line beneath the satin. From the shoulders her sleeves billow into dramatically oversized puffy shapes that hang past where her hands are, both hands fully swallowed inside the shimmering fabric so the sleeve ends droop empty and slightly swaying; the fabric bunches and falls in long soft folds down her back, gathering in a heavier, shadowed fall at the hem where it meets the ground. She stands with her weight sunk on one leg, hip pushed out to that side, the other foot relaxed, one shoulder dropped a fraction lower than the other, so the hem breaks in an asymmetrical curve and the billowing sleeves hang at different heights. Cool white, pale silver and soft grey-blue shadows against the neutral grey field, nothing else admitted. Quiet, luminous, uncanny.
hakugami
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character: 1girl 1girl, solo, full body, slender, curvy figure, large breasts, thick thighs, narrow waist, full-coverage ghost costume, white sheet ghost, hood covering head, stitched ghost face on hood, cute smiling stitched face, oversized sleeves, extra-long sleeves, hands hidden in sleeves, empty hanging sleeves, loose flowing hem, vertical cloth folds, baggy white cotton cloth, slightly translucent fabric, backlit silhouette, no skin visible, standing, arms at sides, from below, full body portrait, soft painterly shading, rim lighting, backlighting, purple-blue night background, mist, halloween, moonless dark sky From a low camera placed near the ground and tilted up, one girl stands full-body in the frame, the flowing hem of her costume almost brushing the lens while the dark violet sky opens above her. She is a slender figure with a narrow waist, large breasts and thick thighs, all of it read only as shape beneath cloth: a one-piece ghost costume of loose white cotton drapery falling from the crown of her head to the ground, a soft bedsheet outfit with no opening and no gap. The hood wraps her entire head and a cute smiling ghost face is stitched across the front of it in soft grey thread, two curved stitched eyes and a small smiling stitched mouth, so her own features are hidden behind the embroidery. The sleeves are enormous and extra long, bunched and gathering at her wrists and hanging well past where her hands would be, and both hands stay hidden inside the fabric, the empty sleeves dangling loosely at her sides with a soft inward curl at their tips. The hem pools and folds around her feet in soft vertical pleats, the cloth hanging in relaxed airy folds from shoulder to ankle, wider than her body, lifting slightly at the edges as if in a faint draft. Light comes from far behind and slightly above her, throwing a diffuse glow through the thin cotton: her silhouette reads as a gentle warm-bodied shadow inside the white cloth, the curve of her breasts and the fullness of her thighs appearing only as a soft glowing shape within the fabric, no skin, no face, no hands. That backlight rims her outline, head, shoulders and the outer folds of the sleeves in pale lilac-white, while the front of the costume stays in cool shadow, lit only by dim reflected violet. Behind her, a calm midnight field of purple-blue mist drifts in horizontal bands, deeper indigo at the top, paler violet near the ground, with a faint scatter of dim bokeh pinpricks where distant lights dissolve in the haze; there is no visible ground detail beyond the mist swallowing the hem's shadow. Palette is limited to white, cool lavender shadows, deep violet and blue-black, everything soft-edged and painterly, no hard cel borders. Where the backlight passes through the cloth the thicker stitched seam of the ghost face stays dark and opaque against the glow, the one place the fabric blocks the light. Still, hushed, gently eerie.
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