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Rick Striker
Pokaż parametry
- Oryginalny prompt
- long hair, spiked hair, black hair, hair over one eye, blue eyes, vampire costume, halloween, glass of wine, throne, red pupils, scar on cheek, guy
- Tryb
- flash
- Tag jakości
- ﹝Podpowiedzi﹞
- Rozmiar
- 1104 x 1824
Pomocnik podpowiedzi
Model i LoRA użyte
Podobne obrazy
Pokaż więcej
1boy, solo, male, long hair, spiked hair, black hair, hair over one eye, one eye covered, blue eyes, red pupils, scar on cheek, vampire costume, high-collared cape, black velvet cape, red cape lining, black waistcoat, white ruffled cravat, halloween, glass of wine, holding wine glass, red wine, throne, sitting, crossed legs, leaning back, head tilt, looking at viewer, half-closed eyes, lopsided smirk, sharp fingernails, dim hall, carved pumpkins, candlelight, from below, low angle, dutch angle, dramatic lighting, dark palette, red accents.
A low, tilted camera looks up at one seated man, so the throne's high back rises behind and above his shoulders and the hall ceiling is lost in shadow. He sprawls into the tall carved throne rather than sitting upright: his weight is thrown back against the right armrest, that elbow planted on the wood, his left leg crossed over the right knee with the boot hanging loose, and his right hand rolled half-around the stem of the wine glass so its bowl tilts a few degrees off level, the red surface holding a thin crescent of reflected candle flame.
His long spiked black hair is swept back from the crown and broken into hard upward tufts that flare outward at the shoulders, and one long black lock falls straight down across the right side of his face, dead over that eye and its blue iris. Only the left eye shows: a blue iris around a clearly red pupil, lid dropped halfway, the gaze coming down at the viewer along the tilted axis with a slow lopsided smirk that lifts one corner of the mouth higher than the other. The scar cuts a pale line across the left cheek, catching the light on its raised tissue. Above him, his high velvet collar stands up around the back of his neck, the cape's black velvet falling away over the throne's side with the deep red silk lining folding into the gap between his hip and the armrest.
The hall around him is dressed for the season: a dim stone chamber with carved pumpkins set along a low sill behind the throne and one guttering candle beside them. That candle and a second low flame are the only light sources. Their warm orange light strikes the left side of his face, the scar, the wine glass and the pale cravat; the far side of his cheek, the right half of the throne and the whole back of the hall fall into near-total darkness, with only a faint warm rim on the silhouetted shoulder of the black cape. Deep black, warm candle ochre, agitated blood red on the wine and the cape lining, and pale bone white on the cravat and scar make up the whole palette.
Behind him a last thread of pumpkin-lit floor shows a single dry leaf that has blown in and settled. Quiet, theatrical menace.
Rick Striker
1boy, solo, male, long hair, spiked hair, black hair, hair over one eye, one eye covered, blue eyes, red pupils, scar on cheek, vampire costume, high-collared cape, black velvet cape, red cape lining, black waistcoat, white ruffled cravat, halloween, glass of wine, holding wine glass, red wine, throne, sitting, crossed legs, leaning back, head tilt, looking at viewer, half-closed eyes, lopsided smirk, sharp fingernails, dim hall, carved pumpkins, candlelight, from below, low angle, dutch angle, dramatic lighting, dark palette, red accents.
A low, tilted camera looks up at one seated man, so the throne's high back rises behind and above his shoulders and the hall ceiling is lost in shadow. He sprawls into the tall carved throne rather than sitting upright: his weight is thrown back against the right armrest, that elbow planted on the wood, his left leg crossed over the right knee with the boot hanging loose, and his right hand rolled half-around the stem of the wine glass so its bowl tilts a few degrees off level, the red surface holding a thin crescent of reflected candle flame.
His long spiked black hair is swept back from the crown and broken into hard upward tufts that flare outward at the shoulders, and one long black lock falls straight down across the right side of his face, dead over that eye and its blue iris. Only the left eye shows: a blue iris around a clearly red pupil, lid dropped halfway, the gaze coming down at the viewer along the tilted axis with a slow lopsided smirk that lifts one corner of the mouth higher than the other. The scar cuts a pale line across the left cheek, catching the light on its raised tissue. Above him, his high velvet collar stands up around the back of his neck, the cape's black velvet falling away over the throne's side with the deep red silk lining folding into the gap between his hip and the armrest.
The hall around him is dressed for the season: a dim stone chamber with carved pumpkins set along a low sill behind the throne and one guttering candle beside them. That candle and a second low flame are the only light sources. Their warm orange light strikes the left side of his face, the scar, the wine glass and the pale cravat; the far side of his cheek, the right half of the throne and the whole back of the hall fall into near-total darkness, with only a faint warm rim on the silhouetted shoulder of the black cape. Deep black, warm candle ochre, agitated blood red on the wine and the cape lining, and pale bone white on the cravat and scar make up the whole palette.
Behind him a last thread of pumpkin-lit floor shows a single dry leaf that has blown in and settled. Quiet, theatrical menace.
Rick Striker
1boy, solo, male, long hair, spiked hair, black hair, hair over one eye, one eye covered, blue eyes, red pupils, scar on cheek, vampire costume, high-collared cape, black velvet cape, red cape lining, black waistcoat, white ruffled cravat, halloween, glass of wine, holding wine glass, red wine, throne, sitting, crossed legs, leaning back, head tilt, looking at viewer, half-closed eyes, lopsided smirk, sharp fingernails, dim hall, carved pumpkins, candlelight, from below, low angle, dutch angle, dramatic lighting, dark palette, red accents.
A low, tilted camera looks up at one seated man, so the throne's high back rises behind and above his shoulders and the hall ceiling is lost in shadow. He sprawls into the tall carved throne rather than sitting upright: his weight is thrown back against the right armrest, that elbow planted on the wood, his left leg crossed over the right knee with the boot hanging loose, and his right hand rolled half-around the stem of the wine glass so its bowl tilts a few degrees off level, the red surface holding a thin crescent of reflected candle flame.
His long spiked black hair is swept back from the crown and broken into hard upward tufts that flare outward at the shoulders, and one long black lock falls straight down across the right side of his face, dead over that eye and its blue iris. Only the left eye shows: a blue iris around a clearly red pupil, lid dropped halfway, the gaze coming down at the viewer along the tilted axis with a slow lopsided smirk that lifts one corner of the mouth higher than the other. The scar cuts a pale line across the left cheek, catching the light on its raised tissue. Above him, his high velvet collar stands up around the back of his neck, the cape's black velvet falling away over the throne's side with the deep red silk lining folding into the gap between his hip and the armrest.
The hall around him is dressed for the season: a dim stone chamber with carved pumpkins set along a low sill behind the throne and one guttering candle beside them. That candle and a second low flame are the only light sources. Their warm orange light strikes the left side of his face, the scar, the wine glass and the pale cravat; the far side of his cheek, the right half of the throne and the whole back of the hall fall into near-total darkness, with only a faint warm rim on the silhouetted shoulder of the black cape. Deep black, warm candle ochre, agitated blood red on the wine and the cape lining, and pale bone white on the cravat and scar make up the whole palette.
Behind him a last thread of pumpkin-lit floor shows a single dry leaf that has blown in and settled. Quiet, theatrical menace.
Rick Striker
1boy, solo, vampire, vampire costume, halloween, sitting, throne, glass of wine, holding glass, holding wine glass, black hair, long hair, spiked hair, hair over one eye, blue eyes, red pupils, looking at viewer, smirk, fangs, cape, high collar, cravat, vest, gothic, jack-o'-lantern, candle, candlelight, from below, low angle, cowboy shot, cinematic lighting.
From a low angle looking upward at an elevated dais, a young man in an opulent vampire costume lounges arrogantly upon a massive, carved obsidian throne. His weight settles into the tufted crimson velvet upholstery of the seat, with his right elbow braced against a stone armrest to prop up his tilted chin, while his left hand loosely pinches the slender stem of a crystal wine glass filled with deep red wine. Spiked, uneven jet-black hair flares outward with long locks draping over his shoulders, and long spiky bangs completely veil his left eye. His visible right eye displays a striking pale blue iris around a pinpoint glowing red pupil, fixed downward at the viewer with an amused, superior smirk revealing a sharp upper fang. He wears an ornate midnight-black mantle with a soaring flared collar lined in glossy scarlet satin, draped over a tailored charcoal damask waistcoat, a ruffled white silk cravat, and dark fitted trousers. Flanking the steps of the throne, several carved jack-o'-lanterns flicker with intense orange flame, casting jagged shadows across the stone floor alongside heavy iron candelabras coated in mounds of dripping wax. The warm candlelight rakes across his pale skin, fabric folds, and the wine glass from below, while cool silver moonlight filters through distant gothic lancet windows behind the throne, rim-lighting the spikes of his black hair. The tilted surface of the dark wine clings to the clear bowl of the glass, leaving faint translucent trails down the inner curve. Haughty theatricality.
Rick Striker
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