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セーラーブルマ少女を馬で誘拐
Pokaż parametry
- Oryginalny prompt
- 1girl, cute alignment, cute expansion, Matte painting style, thick outline, masterpiece, ultra detailed, high quality, Transparency, original character, A detailed illustration of an endearing and cute girl named Yumi. She is full of pure and innocent charm. She has short smooth light brown hair styled in high-twintails, exposing her forehead, expressive almond-shaped hazel-colored small eyes, thick and long eyebrows, thick lips, healthy slightly tanned wheat-colored skin, immature flat breasts, soft abdomen, healthy thick thighs, healthy full backside. She wears long-sleeved dark blue sailor school uniform with a navy sailor collar and a white sailor ribbon, exposing her underboob and midriff, black high-leg buruma made of matte-fabric, bare foot. Bright blue sky and sunny day. A horse with a saddle and stirrups and reins in South American grassland. A man, clad in black long-sleeved work shirt and dark gray cargo pants and black boots, rides on the horse. She rides in front of him on the back his riding horse. Her arms are bound behind her back. Her knees are bound with brown rough ropes, fixed to the saddle. He holds her arm behind her back with his one hand, and he holds the reins with his other hand. Her expression is embarrassed and anxious, her mouth opens, her face turns up, highlighting the tense atmosphere of control and submission.
- Tryb
- flash
- Rozmiar
- 944 x 1584
Model i LoRA użyte
Podobne obrazy
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1boy, 1girl, carrying another, girl on shoulders, from front, looking at viewer, black skirt, black thigh-highs, lower body, legs, legs in air, occlusion, depth of field, medium shot
A medium shot from the front. A boy with short brown hair, wearing a navy blue cotton t-shirt and khaki cargo shorts, stands squarely facing the camera with a neutral, direct gaze. He is carrying a girl draped over his shoulders; because he is facing completely forward, his broad back completely occludes her torso and head from view. Only the girl's lower body is visible, extending from the waist down over his shoulders. She wears a pleated black mini skirt and opaque black nylon thigh-high stockings; her legs hang down on either side of his neck, her knees bent and feet dangling in the air. The boy's shoulders compress the fabric of her skirt where it meets his upper back. Bright, neutral daylight illuminates the scene from above, casting soft shadows beneath the boy's chin and under the girl's hanging legs. The background is a seamless, out-of-focus pale grey studio sweep. Effortlessly casual.
hi its me
1boy, 1girl, carrying another, girl on shoulders, from front, looking at viewer, black skirt, black thigh-highs, lower body, legs, legs in air, occlusion, depth of field, medium shot
A medium shot from the front. A boy with short brown hair, wearing a navy blue cotton t-shirt and khaki cargo shorts, stands squarely facing the camera with a neutral, direct gaze. He is carrying a girl draped over his shoulders; because he is facing completely forward, his broad back completely occludes her torso and head from view. Only the girl's lower body is visible, extending from the waist down over his shoulders. She wears a pleated black mini skirt and opaque black nylon thigh-high stockings; her legs hang down on either side of his neck, her knees bent and feet dangling in the air. The boy's shoulders compress the fabric of her skirt where it meets his upper back. Bright, neutral daylight illuminates the scene from above, casting soft shadows beneath the boy's chin and under the girl's hanging legs. The background is a seamless, out-of-focus pale grey studio sweep. Effortlessly casual.
hi its me
g
character: celica_a._mercury
2girls, 1boy, male focus, from front, front view, eye-level, medium shot, celica_a._mercury, brown hair, long hair, ponytail, hair ribbon, red ribbon, ahoge, brown eyes, red eyes, school uniform, pleated skirt, cape, skirt, both arms up, arms raised, raised hands, open hands, surprised, wide-eyed, blush, embarrassed, flustered, sweatdrop, parted lips, looking at viewer, startled, man, short brown hair, white button-down shirt, rolled-up sleeves to the elbows, navy blue trousers, both hands gripping her skirt, leaning slightly forward, room interior, wooden floorboards, plaster wall, window with pale daylight, positive state: her ears bare and unadorned, her hair held only by its ribbon, positive state: her hands hold nothing, no speech bubbles, no lettering anywhere in the frame
The camera sits at eye level, straight on, framing both figures from mid-thigh up in a vertical medium shot: the girl faces the viewer squarely, dead center, while the man stands just off her right shoulder, his body angled toward her hip so that his shoulder partly overlaps her arm and one of his shoes is hidden behind her skirt hem. Her line of action is a small backward recoil -- weight rocked onto her back foot, hips drawn an inch away from him, chest lifted, shoulders pulled up around her ears -- and both her arms are flung straight up above her shoulders, elbows slightly bent, palms open and empty, fingers splayed, nothing gripped in either hand. Her ponytail swings out and up behind her right shoulder from the recoil, its red ribbon trailing, the long tail of hair lifting clear of the cape that hangs from her shoulders; the short ahoge at her crown flicks forward. Her face is fully toward the lens: eyes wide and round, both irises catching the window light, brows lifted high, mouth open on a caught breath, a hot blush spread across both cheeks and the bridge of her nose, one sweatdrop at her temple. Her gaze is fixed straight on the viewer, caught mid-startle.
The man's head is turned in profile toward her, chin down, eyes on the fabric in his fists, so his look lands on the point of contact rather than the lens; his eyebrows are drawn level in plain concentration. He leans in from behind and to her right, knees slightly bent, and both of his hands close on the side panel of her pleated skirt at hip height -- thumbs over the cloth, knuckles raised, the fabric bunched and creased between his fingers and pulled subtly toward him, so that the pleats fan open on that side and the hem lifts an inch off her thigh.
The room is a plain interior: bare plaster wall in cool grey-beige, a strip of varnished wooden floorboards with visible seams running toward the viewer, a tall window at frame left. Daylight from that window is the only light source, cool and soft, striking the left side of her face and the left side of his shirt; the right side of both figures falls into gentle shade, and two soft cast shadows stretch across the floorboards to the right, hers bulky with the skirt's spread, his narrow and cut off by the frame edge. Palette: the warm browns of her hair and his, the pure red of her ribbon as the single saturated accent, her navy-and-white uniform against the cream of his shirt, all grounded on grey plaster and honey-toned wood. The detail budget sits on her face, her splayed open hands, and the compressed fabric in his fists, including the fine creases radiating from his knuckles where the pleats bunch. Bright, flustered, comedic.
Gfcg
g
character: celica_a._mercury
2girls, 1boy, male focus, from front, front view, eye-level, medium shot, celica_a._mercury, brown hair, long hair, ponytail, hair ribbon, red ribbon, ahoge, brown eyes, red eyes, school uniform, pleated skirt, cape, skirt, both arms up, arms raised, raised hands, open hands, surprised, wide-eyed, blush, embarrassed, flustered, sweatdrop, parted lips, looking at viewer, startled, man, short brown hair, white button-down shirt, rolled-up sleeves to the elbows, navy blue trousers, both hands gripping her skirt, leaning slightly forward, room interior, wooden floorboards, plaster wall, window with pale daylight, positive state: her ears bare and unadorned, her hair held only by its ribbon, positive state: her hands hold nothing, no speech bubbles, no lettering anywhere in the frame
The camera sits at eye level, straight on, framing both figures from mid-thigh up in a vertical medium shot: the girl faces the viewer squarely, dead center, while the man stands just off her right shoulder, his body angled toward her hip so that his shoulder partly overlaps her arm and one of his shoes is hidden behind her skirt hem. Her line of action is a small backward recoil -- weight rocked onto her back foot, hips drawn an inch away from him, chest lifted, shoulders pulled up around her ears -- and both her arms are flung straight up above her shoulders, elbows slightly bent, palms open and empty, fingers splayed, nothing gripped in either hand. Her ponytail swings out and up behind her right shoulder from the recoil, its red ribbon trailing, the long tail of hair lifting clear of the cape that hangs from her shoulders; the short ahoge at her crown flicks forward. Her face is fully toward the lens: eyes wide and round, both irises catching the window light, brows lifted high, mouth open on a caught breath, a hot blush spread across both cheeks and the bridge of her nose, one sweatdrop at her temple. Her gaze is fixed straight on the viewer, caught mid-startle.
The man's head is turned in profile toward her, chin down, eyes on the fabric in his fists, so his look lands on the point of contact rather than the lens; his eyebrows are drawn level in plain concentration. He leans in from behind and to her right, knees slightly bent, and both of his hands close on the side panel of her pleated skirt at hip height -- thumbs over the cloth, knuckles raised, the fabric bunched and creased between his fingers and pulled subtly toward him, so that the pleats fan open on that side and the hem lifts an inch off her thigh.
The room is a plain interior: bare plaster wall in cool grey-beige, a strip of varnished wooden floorboards with visible seams running toward the viewer, a tall window at frame left. Daylight from that window is the only light source, cool and soft, striking the left side of her face and the left side of his shirt; the right side of both figures falls into gentle shade, and two soft cast shadows stretch across the floorboards to the right, hers bulky with the skirt's spread, his narrow and cut off by the frame edge. Palette: the warm browns of her hair and his, the pure red of her ribbon as the single saturated accent, her navy-and-white uniform against the cream of his shirt, all grounded on grey plaster and honey-toned wood. The detail budget sits on her face, her splayed open hands, and the compressed fabric in his fists, including the fine creases radiating from his knuckles where the pleats bunch. Bright, flustered, comedic.
Gfcg
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