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AI artwork
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Relli

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W PixAI prompty są domyślnie publiczne, ale twórcy mogą je ukryć w każdej opublikowanej pracy. Autor tej pracy zdecydował się to zrobić, więc słowa użyte do wygenerowania obrazu pozostają prywatne — widzi je wyłącznie autor. Ukrycie promptu nie zmienia niczego więcej: praca nadal jest publiczna, a Ty możesz ją polubić, skomentować i udostępnić jak zwykle.
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AI artwork
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1girl, solo, ghost, spectre, spirit, pale skin, translucent body, glowing eyes, silver hair, very long hair, floating hair, front view, straight-on, looking at viewer, firm posture, upright, hands behind head, elbows out, serene expression, tattered dress, wispy trails, ghost tail, floating, ethereal, simple background, white background, pure white background, full body Front view at eye level. A solitary female spectre hovers suspended in the center of a seamless, pure white void, her posture resolute, erect, and motionless. Her torso is drawn tall with shoulders back and chin level, facing squarely toward the camera as both hands are clasped behind the crown of her head, elbows flared wide to the sides in a crisp, symmetrical stance. Her calm, luminous pale-blue eyes lock directly onto the viewer, framed by an impassive, serene countenance. She wears torn, diaphanous drapery of sheer white fabric that clings to her translucent upper body before dissolving into tatters; below her hips, her form tapers into weightless, undulating ribbons of vaporous spirit-mist instead of legs, faintly revealing the white field behind her through her semi-transparent edges. Her long silver hair drifts outward in sweeping, buoyant arcs as if suspended in water, curling around her raised forearms without falling. The sole illumination emanates from within her own spectral form, projecting a gentle, cool bluish-white bioluminescent rim that cleanly separates her pale silhouette from the stark, unblemished white ground. Palette of spectral cyan, silver, luminous ivory, and clean paper white. Ethereal majesty.
Ruben Carrasco
AI artwork
rc
1girl, solo, ghost, spectre, spirit, pale skin, translucent body, glowing eyes, silver hair, very long hair, floating hair, front view, straight-on, looking at viewer, firm posture, upright, hands behind head, elbows out, serene expression, tattered dress, wispy trails, ghost tail, floating, ethereal, simple background, white background, pure white background, full body Front view at eye level. A solitary female spectre hovers suspended in the center of a seamless, pure white void, her posture resolute, erect, and motionless. Her torso is drawn tall with shoulders back and chin level, facing squarely toward the camera as both hands are clasped behind the crown of her head, elbows flared wide to the sides in a crisp, symmetrical stance. Her calm, luminous pale-blue eyes lock directly onto the viewer, framed by an impassive, serene countenance. She wears torn, diaphanous drapery of sheer white fabric that clings to her translucent upper body before dissolving into tatters; below her hips, her form tapers into weightless, undulating ribbons of vaporous spirit-mist instead of legs, faintly revealing the white field behind her through her semi-transparent edges. Her long silver hair drifts outward in sweeping, buoyant arcs as if suspended in water, curling around her raised forearms without falling. The sole illumination emanates from within her own spectral form, projecting a gentle, cool bluish-white bioluminescent rim that cleanly separates her pale silhouette from the stark, unblemished white ground. Palette of spectral cyan, silver, luminous ivory, and clean paper white. Ethereal majesty.
Ruben Carrasco
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
1girl, solo, very long hair, silver hair, wavy hair, high ponytail, ponytail, red eyes, slit pupils, vertical slit pupils, beautiful makeup, eyeshadow, eyeliner, glossy lips, curvy, large breasts, wide hips, thick thighs, hourglass figure, one-shoulder gown, midnight-blue silk gown, bare shoulder, looking at own hand, holding hand up, hand disintegrating, turning to dust, dust particles floating upward, from below, close-up, cowboy shot, depth of field, dutch angle, dramatic lighting, dark background, floating hair, parted lips, wide-eyed, awe, elegant, ethereal, cinematic A low-angle close-up shot from below, angled slightly off-axis, fixes on the woman's upper body and raised hand against a deep, featureless night void. Her very long, wavy silver ponytail, gathered high at the crown, spills down past her waist and trails off in slow, undulating waves around her shoulders, catching the light so the strands read as cool moonlight-white. Her face is turned in three-quarter view toward the camera but her gaze drops downward to her own outstretched right hand; her red irises are luminous, each pupil a thin vertical black slit, and her makeup is flawless and dramatic—deep charcoal shadow blended out to a wing of black liner, luminous highlighter along the cheekbone, lips a glossy dark-plum that catch the light. She wears a single-shoulder midnight-blue silk gown that drapes from her left shoulder, baring the right one entirely; the silk clings across her large breasts and cinches tight at the narrow waist before flaring over wide hips, the fabric's sheen tracing every curve. Her right arm is lifted and extended toward the camera, palm up, fingers curling slightly; from the fingertips inward, the hand is disintegrating, flesh and bone breaking into silver-grey dust that streams upward in a slow, luminous plume, each mote catching the light as it drifts toward the top of the frame. Her left arm hangs relaxed, fingers just brushing the gown at her hip. The expression is caught between wonder and quiet sorrow: brows drawn a fraction, lips parted on a held breath, one eye slightly narrower than the other as she watches the dust escape. The key light is a single hard source from upper left, cool-white, carving a bright edge along her jaw, shoulder, breast and the rising dust; shadows fall dense and blue-black on the right side of her face and body, and the blue silk throws a soft reflected glow onto her chest and the underside of her chin. Beyond her, the background is absolute darkness, unbroken save for the drifting dust, so the figure and the plume are the only lit things in the world. The palette is built from silver-white, deep midnight blue and warm skin tones, held over an absolute black ground. A small physics detail anchors it: each dust particle casts its own tiny shadowless glow, the plume brightest at the source fingers and fading to a fine glitter as it thins toward the top of the frame. Ethereal, mournful wonder.
Kylee Violette (Kiy Chan)
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
1girl, solo, very long hair, silver hair, wavy hair, high ponytail, ponytail, red eyes, slit pupils, vertical slit pupils, beautiful makeup, eyeshadow, eyeliner, glossy lips, curvy, large breasts, wide hips, thick thighs, hourglass figure, one-shoulder gown, midnight-blue silk gown, bare shoulder, looking at own hand, holding hand up, hand disintegrating, turning to dust, dust particles floating upward, from below, close-up, cowboy shot, depth of field, dutch angle, dramatic lighting, dark background, floating hair, parted lips, wide-eyed, awe, elegant, ethereal, cinematic A low-angle close-up shot from below, angled slightly off-axis, fixes on the woman's upper body and raised hand against a deep, featureless night void. Her very long, wavy silver ponytail, gathered high at the crown, spills down past her waist and trails off in slow, undulating waves around her shoulders, catching the light so the strands read as cool moonlight-white. Her face is turned in three-quarter view toward the camera but her gaze drops downward to her own outstretched right hand; her red irises are luminous, each pupil a thin vertical black slit, and her makeup is flawless and dramatic—deep charcoal shadow blended out to a wing of black liner, luminous highlighter along the cheekbone, lips a glossy dark-plum that catch the light. She wears a single-shoulder midnight-blue silk gown that drapes from her left shoulder, baring the right one entirely; the silk clings across her large breasts and cinches tight at the narrow waist before flaring over wide hips, the fabric's sheen tracing every curve. Her right arm is lifted and extended toward the camera, palm up, fingers curling slightly; from the fingertips inward, the hand is disintegrating, flesh and bone breaking into silver-grey dust that streams upward in a slow, luminous plume, each mote catching the light as it drifts toward the top of the frame. Her left arm hangs relaxed, fingers just brushing the gown at her hip. The expression is caught between wonder and quiet sorrow: brows drawn a fraction, lips parted on a held breath, one eye slightly narrower than the other as she watches the dust escape. The key light is a single hard source from upper left, cool-white, carving a bright edge along her jaw, shoulder, breast and the rising dust; shadows fall dense and blue-black on the right side of her face and body, and the blue silk throws a soft reflected glow onto her chest and the underside of her chin. Beyond her, the background is absolute darkness, unbroken save for the drifting dust, so the figure and the plume are the only lit things in the world. The palette is built from silver-white, deep midnight blue and warm skin tones, held over an absolute black ground. A small physics detail anchors it: each dust particle casts its own tiny shadowless glow, the plume brightest at the source fingers and fading to a fine glitter as it thins toward the top of the frame. Ethereal, mournful wonder.
Kylee Violette (Kiy Chan)

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