Sign up free, get 10,000 credits

Starter credits added when you sign up.

Sign up and create 8 images for free

Starter credits added when you sign up.

AI artwork
Generuj za darmo

Joshua Froat

Avatar image of Joshua Froat
avatar-frame

Joshua Froat

Więcej do zobaczenia

Komentarze

1girl, solo, pale skin, brown hair, ponytail, high ponytail, big round eyes, blue eyes, freckles, snaggletooth, wide hips, large breasts, plump ass, white blouse, button-up blouse, knee length skirt, black leather jacket, cropped leather jacket, knee socks, white knee socks, half-closed eyes, blank stare, vapid smile, closed mouth smile, head tilt, sitting, riding subway, seat, metal seat, hanging strap, subway car, from side, cowboy shot, dutch angle, looking to the side, looking at nothing, arm support, leaning back, warm fluorescent lighting, cool night window, public transit, oblivious, drowsy The view is a low dutch-angle cowboy shot from her side and slightly below, in a subway car that runs an ordinary route we never see. She is seated across the car's forward-facing bench, hips canted to the right and sunk into the blue molded plastic seat, both knees pressed together with her calves angled left, her backside flattened against the cushion, and her shoulders drooping under the cropped black leather jacket. Her pale skin reads washed and cool against the jacket's waxy sheen and the crisp white blouse underneath, the blouse buttoned high to the collar and tucked into the navy knee-length skirt, which rides short against the seat edge; white knee socks stack above her ankles, one toe pointed in a loose idle bounce. Her brown ponytail is gathered high and swept over her right shoulder so the tail lies along the jacket collar, a few loose strands stuck to her cheek from leaning her head against the window frame. One hand hangs from a stainless passenger strap overhead, the strap's webbing stretched and twisted in her grip; the other hand rests palm-up and open on her own knee. Her big round blue eyes are half-lidded, unfocused, drifting toward the far dark window; a faint, closed-lip, vapid smile lifts one corner of her mouth, and the snaggletooth catches the overhead light. The car's fluorescent tubes run in a broken line above her and lay a flat, greenish stripe down her face and the white of her blouse; the window beside her is a black glass mirror of the car's interior, with a single tunnel light sliding past as a stretched, softer smear than the tube it reflects. The palette is strictly blue, white, black and pale washed skin: cold mint fluorescent light, stainless steel and the blue bench, the white blouse and socks, the leather jacket's black, and no other color admitted. Her faint reflection in the glass is dimmer and less sharp than her real figure, and the floor's worn gray rubber matting shows the scuff of many shoes. Sleepy, oblivious, adrift.
Pokaż parametry
Oryginalny prompt
A pale woman, with brown hair in a pony tail, big blue round eyes, freckles, a snaggletooth, wide hips, large breasts, a plump ass, Wearing white blouse, knee length skirt, leather jaket, , knee socks, with a ditzy clueless half asleep look, and a vapid smile, ridding a subway,
Tryb
pro
Tag jakości
﹝Podpowiedzi﹞
Rozmiar
1104 x 1824
Metoda próbkowania
Euler
Niepożądane
lowres, worst quality, low quality, bad anatomy, explicit
Pomocnik podpowiedzi

Model i LoRA użyte

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.36k

Podobne obrazy

Pokaż więcej
AI artwork
Avatar image of Joshua Froat
1girl, solo, pale skin, brown hair, ponytail, big round eyes, blue eyes, freckles, snaggletooth, wide hips, large breasts, plump ass, school uniform, white short-sleeved button-up shirt, pleated navy plaid skirt, knee socks, white knee-high socks, ditzy clueless look, vacuous smile, riding subway, sitting, from above, three-quarter view, looking up, head tilt, gripping strap, leaning back, open mouth, :d, half-closed eyes, blush, cowboy shot, train interior, overhead handrail, Shot from above in a three-quarter view, the camera looks down the length of a moving subway car onto one young woman seated alone on a molded orange bench seat, the frame cropped at mid-thigh. She sits low and slack in the seat, weight spilled onto her right hip so her plaid skirt rides up on one side and fans across the plastic, one bare thigh pressed against the seat edge, the other knee lolling outward; her white knee socks are pulled to just below the knee, their cuffs slightly slouched, both flat soles planted wide apart on the rubber floor. Her right arm is flung up and her fingers curl loosely around the hanging stainless-steel grab strap, the strap pulled taut and angled back toward the overhead rail; her left hand rests palm-up and forgotten on her own thigh, fingers half-curled. Her spine curves, shoulders slumped, chest pushed forward against the buttoned white shirt so the placket strains, her wide hips filling the seat and the skirt bunching under her rear against the bench. Her head tips back and to one side, brown ponytail swinging loose over her left shoulder and its tail resting along her collarbone, loose strands stuck to her cheek. Her big round blue eyes are wide and unfocused, aimed up past the rail at nothing, lids heavy at the outer corners; her mouth hangs slightly open in a lopsided vacuous smile, one crooked tooth jutting over her lower lip; freckles scatter across the bridge of her nose and both cheeks, and two hard highlights catch in each iris. A faint blush sits high on her cheeks. The car's fluorescent strip lights run down the ceiling and throw a cold greenish-white light from above, so the tops of her thighs, the shelf of her chest and the crown of her head are lit while soft shadow pools under her chin, beneath her jaw, in the folds of the skirt and the crease where her hip meets the seat; a long thin shadow of the grab strap falls diagonally across her shirt. Behind and around her, brushed-steel poles and maroon bench backs recede in perspective, the far end of the car falling into dimness; the window beside her shows only the black tunnel with a single streak of passing light, its reflection ghosting faintly and darker than her face on the dark glass, and a small tilted paper ad pasted above the window carries deliberate illegible micro-print. Muted institutional palette: cold fluorescent white, worn orange seating, navy-and-cream plaid, dulled steel, the warm coppery brown of her hair the only saturated note. Faint sway of the moving car: the strap leans back at its angle and the ponytail drifts away from her neck. Sleepy, blissfully vacant.
Joshua Froat
AI artwork
Avatar image of Joshua Froat
1girl, solo, tall, slender, long brown hair, messy hair, long face, big pink eyes, pink irises, plump lips, eyeshadow, glasses, medium breasts, wide hips, white cropped tank top, bare midriff, navel, denim short shorts, black opaque tights, black leather jacket, sneakers, standing, standing on train, train interior, riding train, holding phone, looking at phone, smartphone, smiling, closed-mouth smile, from side, profile, cowboy shot, three-quarter body, subway car interior, handrail, hanging straps, window reflection, overhead fluorescent lighting A vertical three-quarter shot from the side, the camera at chest height and angled slightly from below so the tall figure fills the frame from mid-thigh to above her head. She stands in the aisle of a commuter train car, in profile facing frame-right, her weight settled on her left leg with her right knee bent and her right heel lifted inside the sneaker, hip cocked out so the wide curve of her hips and the back pockets of the denim shorts read clearly against the car's far windows. Both hands hold a smartphone up at chest height, thumbs resting on the glass; her elbows are tucked in, the phone tilted toward her face. Her head tips down and slightly toward the screen, chin lowered, one long pink eye catching the screen's light and glancing side-on at the display, the other eye half-lidded behind the thin metal rim of her glasses; the corners of her plump lips curve up in a small close-mouthed smile, cheeks lifted. Her long messy brown hair falls forward over her right shoulder in loose unruly strands, ends brushing the black leather jacket's collar, a few strands stuck to her cheek; the jacket hangs open and slides off her shoulders, its sleeves pushed to her forearms, the white tank top stretched across her medium chest and cut off above the navel, her bare stomach visible between the hem and the denim shorts' waistband, the shorts sitting low over black opaque tights that run unbroken down her legs to the sneakers planted on the ridged rubber floor. Behind her the train car recedes in one-point perspective: brushed steel ceiling panels, a row of grey-blue seats, a vertical stanchion pole close to her shoulder, overhead luggage racks. Her reflection appears faintly and darker in the window glass beside her, dimmer and a touch softer than her actual face. The only light is the car's overhead fluorescent tubes, cool and slightly green, running in a bright band down the ceiling and striking the top of her head, her nose and collarbone, with soft shadow pooling under her jaw, beneath the jacket's hem and down the inside of her legs; the daylight beyond the windows reads flat and cold and does not reach her. Palette of cool grey steel, navy seats, black leather, white cotton, ochre denim and the warm screen glow on her face, with her pink eyes as the one saturated point. Quiet, absorbed, ordinary-tender.
Joshua Froat

Odkryj więcej

Polecani użytkownicy

Może Ci się spodobać

AI artwork
Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
3#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
Strona głównaModeleGenerujRecipeProfil