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Contest Entry
PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn#PixAI Halloween 2026
Pokaż parametry
- Oryginalny prompt
- 1girl, long hair, black hair, hat, hair between eyes, military hat, gloves, skirt, white hat, white gloves, jacket, belt, military uniform, white skirt, white cape, long sleeves, white jacket, peaked cap, v-shaped eyebrows, pleated skirt, buckle, miniskirt, shirt, heart-shaped buckle, black belt, eyelashes, very long hair, blue eyes, white shirt, boots, jewelry, witch, glowing eyes, several desiccated charred male bodies lie on the floor in the background, penthouse suite background, background, white outline, beautiful face, masterpiece, best quality, absurdres, very absurdres, highres, volumetric lighting, depth of field, CG, newest, very awe, amazing quality, high quality, high resolution, 8k, full hd, illustrating, detailed shading, perfect anatomy, very aesthetic, ratatatat74, 4k, ultra hd, ominous lighting, sitting on bed, stripping, unzipping jacket, discarded cape, malevolent, seductive look, seductive pose,
- Tryb
- flash
- Rozmiar
- 768 x 1280
Pomocnik podpowiedzi
Model i LoRA użyte
Podobne obrazy
Pokaż więcejn2
artist: ratatatat74
1girl, solo, very long black hair, hair between eyes, blue eyes, glowing eyes, long eyelashes, v-shaped eyebrows, beautiful face, white peaked cap, military hat, white military uniform, white jacket, long sleeves, zipping up jacket, hand on zipper pull, white shirt, white pleated miniskirt, black belt, heart-shaped buckle, white gloves, jewelry, white boots, white cape discarded on the bed, witch, sitting on bed, putting clothes back on, seductive pose, leaning back on one hand, malevolent expression, seductive look, half-closed eyes, smug, sidelong glance at viewer, looking at viewer, head tilt, white outline, penthouse suite background, floor-to-ceiling windows, city skyline at night, volumetric lighting, ominous lighting, rim lighting, dramatic backlighting, depth of field, sharp cel-shading, high contrast, cinematic perspective, wide angle lens, sharp eyes, moody atmosphere, from below, cowboy shot, high quality, masterpiece, best quality, absurdres, very absurdres, highres, ultra detailed, detailed shading, perfect anatomy, very aesthetic
From a low three-quarter angle, the witch sits on the near edge of a wide bed in a penthouse suite, one knee drawn up onto the mattress and the other leg slanting down toward the floor, her white boot's toe just grazing the carpet. She leans her weight back onto her left gloved hand planted flat against the rumpled duvet behind her hip, shoulders angled away from the lens while her chin turns back over her shoulder toward the viewer, so her face arrives in three-quarter view under the brim of the white peaked cap. Her right gloved hand grips the zipper pull at the sternum of the white jacket, drawing it upward: the teeth below the slider are newly interlocked and closed, the teeth above it still open in a widening V down to the waist, and the white shirt shows through the gap. The black belt cuts across the white pleated miniskirt at the waist, its heart-shaped buckle catching a point of light; the skirt's pleats fan out where her raised thigh presses them into the mattress. Her discarded white cape lies crumpled behind her hip in a loose S of fabric, one corner still hanging off the mattress edge, its shadow doubled on the duvet.
The black hair is the longest thing in the frame, spilling off her shoulders and down her back onto the bedding in heavy strands, a few locks falling between her eyes and veiling her brow. Her glowing blue eyes are lit from within, unmistakably the brightest points in the image, their light spilling a faint blue onto the black lashes and the underside of the cap brim; the v-shaped eyebrows pull into a hard downward point above them, and one corner of her mouth curls higher than the other. She looks directly at the viewer, chin tucked, lids lowered to a slit, the glow of her eyes narrowing with them.
Behind her the penthouse opens into a wall of glass; the city far below is a field of tiny cold lights, deep charcoal sky above, the room's dim interior reflected faintly back across the pane so that her silhouette hangs mirrored among the towers. Volumetric light angles in from the tall window at the right rear of the frame, a cold pale blue shaft cutting the haze of the room and laying a bright edge along her cap, her shoulder, the zipper teeth and the top of the duvet, while the bedspread and the folds of the discarded cape fall into deep black shadow. A thin hard white outline traces her whole silhouette against the dark room, separating her from the glass. Depth of field keeps her face and hands razor-sharp and lets the skyline soften into bokeh; the wide lens stretches the near knee and the bed corner, pulling the tall windows into a slight lean above her.
Palette of white, black and cold blue, with a single warm amber flare of a distant tower reflected on the window; sharp cel-shaded planes with crisp shadow borders, high contrast, moody. Quiet menace, effortlessly seductive.
nyx22222
n2
artist: ratatatat74
1girl, solo, very long hair, long hair, black hair, hair between eyes, glowing eyes, blue eyes, eyelashes, v-shaped eyebrows, white peaked cap, military hat, white gloves, white jacket, long sleeves, military uniform, white shirt, white pleated miniskirt, miniskirt, pleated skirt, black belt, heart-shaped buckle, belt, buckle, boots, jewelry, witch, white cape, discarded cape, sitting on bed, stripping, unzipping jacket, seductive look, seductive pose, malevolent, half-closed eyes, smug, head tilt, looking at viewer, hand on own chest, unzipped jacket, open jacket, collarbone, penthouse suite background, bed, night, city lights, volumetric lighting, depth of field, ominous lighting, white outline, sharp cel-shading, high contrast, dramatic rim lighting, vibrant accent colors, cool blue and violet palette, blood-red accent, adult, heavy_breathing, seductive_smile, shiny_skin, parted_lips, sweat
The camera sits low and close, tilted slightly up from the foot of the bed in a tight three-quarter view, so the figure looms over the lens and the penthouse falls away behind her: a wall of black night glass, the city's cold pinpricks of light far below, the room's haze thickening into visible shafts. She occupies the right two-thirds of the frame and faces nearly front but with her shoulders rolled a quarter turn away, torso leaning forward over crossed legs, weight sunk into her left hip on the mattress; the duvet compresses and creases in a deep fold beneath her thigh and one boot heel digs in beside the other knee.
Her right hand is hooked in the jacket's zipper pull at the sternum, teeth biting into the fabric, tab dragged halfway down and held there mid-motion, the long white sleeve falling back from the glove. The zipper's open V parts over the white shirt, whose collar and top buttons are already undone, and the jacket's lapels fall outward off the shoulders. Her left glove rests flat against the mattress behind her for support, fingers spread and pressing a dent into the sheets. Her black-gloved fingers catch a thin silver chain at her throat and drag it a millimetre sideways.
The discarded white cape lies heaped on the covers at frame left, one corner spilling over the bed's edge toward the floor, its folds holding the shape of a body no longer in it. The belt's heart-shaped buckle catches a hard specular highlight at her waist, black strap tight over the white pleated skirt, pleats splaying where her thigh presses.
Her very long black hair pours over one shoulder toward the bed, the straight lock between her eyes bisecting her forehead, and the peak of the white cap casts a sharp shadow across the upper half of her face; under its brim her glowing blue eyes are narrowed to a slit, the glow blooming a soft blue halo in the rim light and reflecting two tiny cold sparks in her irises. Her chin is tipped down, lids heavy, one corner of her mouth pulled into a lopsided smirk, and she stares straight into the lens as though she has already decided what happens next.
One hard source only: a cool blue key from the window wall behind her throws a white-hot rim along the cap's edge, her shoulders, the cape's heap and the outside of her right arm, while a dim warm violet fill from a single low lamp off-frame right catches the inside of her jaw, her collarbone and the zipper's teeth; the shadowed half of her face and the folds under the duvet sink to near black, and her cast shadow stretches long across the sheets toward the viewer. Palette is disciplined: white, black and the cold blue window glow, with the city's amber lights and the tiny red heart of the buckle as the only warm notes. Everything in focus is her face, gloved hands, the zipper and the buckle; the penthouse softens into bokeh behind. Hazy, dangerous, effortlessly seductive.
nyx22222
n2
artist: ratatatat74
1girl, solo, close-up, from below, looking down at viewer, very long black hair, black hair, hair between eyes, long hair, white peaked cap, military hat, white cape, white jacket, long sleeves, white shirt, white gloves, black belt, heart-shaped buckle, belt buckle, white pleated skirt, miniskirt, boots, jewelry, witch, glowing eyes, blue eyes, glowing blue eyes, eyelashes, v-shaped eyebrows, beautiful face, malevolent, seductive look, demanding, flirting, half-closed eyes, head tilt, smirk, white outline, several desiccated charred male bodies, corpses on floor, penthouse suite background, city skyline through glass, volumetric lighting, ominous lighting, dramatic backlighting, rim lighting, depth of field, sharp cel-shading, high contrast, sharp eyes, cinematic perspective, detailed shading, dark palette with cold blue accents, highres, best quality, masterpiece, absurdres, ultra detailed
Camera is a close-angle shot from slightly below, pitched upward: the white peaked cap and its black brim dominate the upper third of the frame, tilted so her chin drops and she looks down the line of her nose at the viewer, head cocked to her left. Very long black hair pours past her shoulders in heavy strands, a blunt fringe of it falling straight between her wide glowing blue eyes, which are lit from within in a cold electric cyan that spills faint light onto her cheekbones and the underside of the brim; long dark lashes frame them and her thin v-shaped eyebrows slant down toward the bridge of her nose. Her lips curve in a slow, lopsided smirk, one corner pulled higher, jaw angled, chin lifted — malevolent and flirting at once, demanding. She wears the crisp white military uniform: a white long-sleeved jacket buttoned high over a white shirt, its collar sharp at her throat, a white cape falling from her shoulders past the edge of the frame, white gloves on both hands — her right hand lifted, one gloved finger pressed to her lower lip, her left arm bent with the gloved fist resting against the heart-shaped buckle of the black belt cinched tight over the waist of her white pleated miniskirt, each pleat knife-sharp; dark boots below. Jewelry glints at her ears and at her throat, small and cold in the rim light.
Behind her, out of focus and receding into shadow, the penthouse suite opens up: floor-to-ceiling glass, a low sofa, polished marble floor, a cold city skyline beyond the window, all in muted charcoal and steel-blue. On that floor several desiccated charred male bodies lie scattered and collapsed in the middle distance, blackened, cracked, shrunken, ash flaking off their outlines, their shapes broken and heavy against the pale stone — small in frame, softened by the shallow depth of field, never competing with her face. A thin skin of grey ash dusts the marble around them and their blackened silhouettes smear the polished floor, and their outlines are dimmer than the glossy reflection of her white uniform in the same stone. Volume haze hangs in the air behind her; the room's only true key light comes from the cold skyline glow behind and above, throwing a hard white rim down the edge of her cap, along her shoulder and the ridge of her cape, while warm amber accent light from somewhere out of frame catches the underside of her jaw and the tip of her nose. Every shadow in the suite is deep near-black, and her glowing eyes are the brightest thing in it. Palette holds to white, black and cold steel-blue with that one amber kiss on her skin. Ominous, effortlessly commanding.
nyx21-
n2
artist: ratatatat74
1girl, solo, close-up, from below, looking down at viewer, very long black hair, hair between eyes, white peaked cap, white military uniform, white jacket, long sleeves, white shirt, white cape, white pleated miniskirt, black belt, heart-shaped buckle, white gloves, boots, jewelry, glowing blue eyes, glowing eyes, v-shaped eyebrows, eyelashes, beautiful face, seductive look, malevolent smile, demanding, flirting, witch, white outline, penthouse suite background, floor-to-ceiling windows, city skyline at night, several desiccated charred male bodies on the floor in the background, volumetric lighting, ominous lighting, rim lighting, depth of field, sharp cel-shading, high contrast, dramatic backlighting, cinematic perspective, vibrant accent colors, moody atmosphere, masterwork, high quality
The camera sits low and close, tilted up so the white peaked cap and the vast glass wall of the penthouse tower over the lens, the whole upper frame filled by her face while the ruined floor falls away behind her shoulder. Very long black hair spills past her waist, one lock hanging dead-center between her brows, and her v-shaped eyebrows draw down over wide glowing blue eyes whose light washes faint blue over the cap's underside and the bridge of her nose; her lashes are long and heavy, and her lips are parted in a slow, knowing curve, one corner lifted higher than the other. She leans in toward the viewer, weight on one boot forward, chin dipped so she looks down the line of her nose, both white-gloved hands planted on the polished ledge of the window seat in the near foreground so the gloves frame the bottom of the shot. The white military jacket is buttoned to the throat with the white cape falling behind her shoulders, its edge lifting slightly; the black belt cinches tight with the heart-shaped buckle sitting just above the white pleated miniskirt, and jewelry glints at her ear and throat. Behind and below her, scattered across the dark marble of the penthouse suite floor, several desiccated charred male bodies lie contorted on the ground, their twisted silhouettes receding into soft focus down the long room. Exterior city light from the windows behind her pours in cold and blue, the exclusive source of light, cutting a bright rim along her hair, her cap and her shoulders while her face falls into cool shadow broken only by the glow of her eyes; beyond the glass the skyline sparkles and the reflections on the polished floor carry only the upward lamp-light of the city, darker and softer than their sources. The visible white outline traces her silhouette against that brightness. Palette held to white and pearl for her uniform, near-black for her hair and the burned shapes on the floor, and cold electric blue for the eye-glow and the window light, nothing warm admitted. Detail concentrated on her eyes, lips, gloved hands and the heart buckle; the distant dead simplified to charred shapes. Ominous, seductive.
nyx222026
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