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AI art "レゼ" featuring #dżins, #Czarne włosy, #gołe nogi, #1 dziewczyna, #Chainsaw Man and #What You Love, Your Way 3

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レゼ

Contest Entry

3rd "Favorite Works" Contest

#dżins #Czarne włosy #gołe nogi #1 dziewczyna #Chainsaw Man

Opublikowano Nov 5, 2026

山田琢磨

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character: reze_(chainsaw_man), copyright: chainsaw_man 1girl, solo, teenage girl, reze, black hair, short hair, hair between eyes, green eyes, detailed eyes, beautiful girl, ((slim, short stature, short, lowteen, oppai loli, game asset)), small breasts, clothed, sweatshirt, shoulder slit, off shoulder, bare shoulders, micro denim shorts, bare legs, barefoot, panicking, running, running for her life, sprinting toward viewer, holding fishing rod, fishing rod in right hand, looking back over shoulder, wide-eyed, open mouth, sweat, motion lines, trembling, two-headed shark with legs, shark monster, chasing, broken utility pole, sparks, low angle, foreshortening, dutch angle, street, daylight Low-angle dutch-tilt game asset shot, slightly foreshortened as the girl sprints almost straight at the lens. She is short, slim and small-framed with a heavy bust that throws her weight forward — black hair cut short with a fringe falling between her green eyes, which are wide, glassy and ringed with fine detail; the tear-duct shine catches the light. She is mid-stride, right leg driving back off the toe, left knee up, both feet bare and slapping the asphalt; her torso twists so her left shoulder drops and her chin snaps back toward her right shoulder to look at what is behind her, lips pulled apart in a panicked open-mouthed gasp, a sheen of sweat on her temple. One bare shoulder has slipped clean out of the sweatshirt's shoulder slit, the ribbed cuff hanging at the upper arm, the loose body of the sweatshirt ballooning behind her in the running wind; the micro denim shorts are pale, frayed at the hem and ride high on her hips, the fabric creasing as her legs scissor. Her right hand is clamped white-knuckled around a fishing rod, held low and angled back across her body so the whippy tip and line stream behind her; her left arm swings out for balance with the fingers spread. Close behind her the two-headed shark with legs is caught in a heavy lunging bound on four stumpy, clawed limbs, both heads thrust forward with jaws open on different lines — one low at her ankles, one higher at her waist — its wet hide glistening, throwing a single big blunt shadow that crowds her heels. Between them, a broken utility pole juts from a cracked hole in the sidewalk at a steep lean, splintered wood at the break, snapped wires hanging slack and sparking where they touch the wet channel of the gutter. The street is empty behind them, low kerbs and shuttered shopfronts simplified to flat shapes, the road receding up toward the top of frame. Hard slanting daylight rakes from camera-left, so the girl's off-shoulder skin and the pole's cracked face are struck bright while their shadows stretch right and slightly back; the shark's underside falls dark. The colour stays on a tight slate-and-denim register — black hair, green eyes, faded blue denim, ash-grey asphalt, cold steel-blue shark hide, with the only hot note in the orange spark at the broken wire. Panicked, breathless momentum.

レゼ

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