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うい

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うい

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character: egawa_kusumi egawa kusumi, brown eyes, drooping eyes, small mouth, pale skin, skinny, narrow shoulders, narrow waist, medium breasts, healthy thin thighs, fair skin, very long hair, white hair, silver hair, straight hair, blunt bangs, black ribbon, black lace hair bow, hair ribbon, black and white separates, two piece, black camisole, black sleeveless, thin straps, camisole, low-cut, high exposure, bare shoulders, black lace trim, frilled hem, lace, sheer fabric, black plain, black solid color, black slit skirt, black high-slit skirt, black mini skirt, polyester, satin, black thighhighs, black lace-trimmed thighhighs, black choker, black lace choker, black cross necklace, silver hoop earrings masterpiece, best quality, very aesthetic, absurdres, 1girl, egawa kusumi, brown eyes, drooping eyes, small mouth, pale skin, skinny, narrow shoulders, narrow waist, medium breasts, healthy thin thighs, fair skin, very long hair, white hair, silver hair, straight hair, blunt bangs, black ribbon, black lace hair bow, hair ribbon, black camisole, black sleeveless, thin straps, low-cut, bare shoulders, black lace trim, frilled hem, black slit skirt, black high-slit skirt, black mini skirt, black thighhighs, black lace-trimmed thighhighs, black choker, black lace choker, black cross necklace, silver hoop earrings, looking at viewer, slightly open mouth, upper body, from below, dutch angle, old apartment corridor, shared hallway, tiled wall, rusty handrail, emergency light, night, late night, cloudy autumn night, cold air, smartphone in hand, detailed background, scenery, cold blue emergency light, soft shadows, (clean medium-thin soft colored linework:1.2), minimal pure black, smooth soft cel shading in 2-3 tones, airbrushed gradients, rounded blended shadow edges, glossy wet-look specular highlights on skin, hair strands and fabric, bright high-key luminous palette of pastels, pink lavender mint cyan cream, vivid saturated accents, warm skin tones, subtle bloom, fine sparkles, light particles, polished smooth digital finish, no visible grain A haunting yet delicate illustration of a slender young woman standing alone in an old apartment corridor at late night, capturing the exact moment she senses unseen eyes watching her. The emotional hook is the collision of pure, fragile cuteness with quiet psycho-horror dread, designed so the face and silver-white hair read instantly even in thumbnail form. The overall impression is luminous and high-key despite the dark setting, with soft pastel light clinging to her pale skin and long hair while the corridor stretches into uncertain darkness behind her. Composition centers her upper body as the single clear focal point, using a slight dutch angle and low camera to heighten the feeling that something is approaching from the shadows she has not yet fully turned to face. The framing is a tight upper-body shot taken from a low angle with a gentle dutch tilt, placing the viewer slightly below her eye line so her gaze feels both vulnerable and accusatory. Vertical 2:3 composition leaves controlled negative space along the corridor walls, guiding the eye from her face down the line of her bare shoulders and the dark camisole straps, then into the receding hallway. The camera stays close enough that facial details and hair highlights dominate, yet far enough to include the tiled wall and emergency light that establish place without clutter. Her very long straight silver-white hair falls past her waist with blunt bangs framing a pale face. Drooping brown eyes catch the cold light, pupils slightly dilated, small mouth closed in a thin line. The hair is rendered strand by strand with soft specular highlights along each lock, catching the emergency light so individual strands gleam. Pale, fair skin shows subtle glossy highlights on the cheekbones and collarbones; the overall impression is of a healthy but skinny frame with narrow shoulders and waist, medium breasts softly defined under the thin fabric. She wears a black sleeveless camisole with thin straps and low-cut neckline edged in black lace and a delicate frilled hem, the sheer quality of the fabric allowing soft light to pass through at the edges. The black high-slit mini skirt is visible at the top of the frame, satin-like polyester catching light along the slit. Black lace-trimmed thighhighs rise into the lower edge of the shot. A black lace choker sits at her throat, a small black cross necklace rests against her skin, and silver hoop earrings catch the light. All clothing elements that appear in the upper-body crop are fully detailed; nothing below the upper thigh is invented. Her expression is the quiet moment of realization: eyes just beginning to widen, gaze locked on the viewer as if she has finally noticed the watching presence. Shoulders are slightly raised in a protective hunch, one hand holding a dark smartphone loosely at her side. The pose is a half-turn, body still facing down the corridor while the head has begun to look back, creating tension between the direction she was walking and the sudden awareness of being observed. The location is a worn shared corridor of an old Japanese apartment building at late night under cloudy autumn air that feels cold and slightly damp. In the foreground a section of old tiled wall and the edge of a rusty metal handrail create soft depth. Midground holds the girl herself standing on the scuffed floor, emergency light mounted high on the wall casting a cold cyan-blue glow across her hair and skin. Background stretches into a long, dim hallway lined with more doors, older postal boxes, and a single fallen flyer on the floor, the far end swallowed by soft darkness broken only by another distant emergency light. The three layers are carefully separated by light and soft focus so the character remains the brightest, clearest element. A few tiny light particles drift only near her face and hair, never scattered across the whole frame. Lighting comes primarily from the cold blue emergency light above and slightly behind her, wrapping her silver hair and pale skin in luminous pastel tones while casting rounded, airbrushed shadows that never turn pitch black. Warm skin tones contrast gently with the cyan and mint of the light, keeping the high-key luminous quality of the palette. Subtle bloom softens the brightest highlights on hair and the glossy points on skin and fabric. The overall color harmony stays within bright pastels of pink, lavender, mint, and cream accents against the dominant black clothing and silver hair. The art style uses clean medium-thin soft colored linework with almost no pure black, smooth soft cel shading in two to three tones, airbrushed gradients, and rounded blended shadow edges. Glossy wet-look specular highlights appear on skin, individual hair strands, and the satin surfaces of the skirt and straps. The palette is bright and high-key with luminous pastels and vivid saturated accents, warm skin glowing against cooler background light. Subtle bloom, fine sparkles, and a few light particles gather only around the face. The finish is polished, smooth, and digital with no visible grain. Thick black outlines, hard cel shadows, photorealistic skin, painterly brushwork, and muddy or oversaturated colors are deliberately avoided so the image remains soft, luminous, and delicately unsettling.
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egawa kusumi, brown eyes, drooping eyes, small mouth, pale skin, skinny, narrow shoulders, narrow waist, medium breasts, healthy thin thighs, fair skin, very long hair, white hair, silver hair, straight hair, blunt bangs, black ribbon, black lace hair bow, hair ribbon, black and white separates, two piece, black camisole, black sleeveless, thin straps, camisole, low-cut, high exposure, bare shoulders, black lace trim, frilled hem, lace, sheer fabric, black plain, black solid color, black slit skirt, black high-slit skirt, black mini skirt, polyester, satin, black thighhighs, black lace-trimmed thighhighs, black choker, black lace choker, black cross necklace, silver hoop earrings masterpiece, best quality, very aesthetic, absurdres, 1girl, egawa kusumi, brown eyes, drooping eyes, small mouth, pale skin, skinny, narrow shoulders, narrow waist, medium breasts, healthy thin thighs, fair skin, very long hair, white hair, silver hair, straight hair, blunt bangs, black ribbon, black lace hair bow, hair ribbon, black camisole, black sleeveless, thin straps, low-cut, bare shoulders, black lace trim, frilled hem, black slit skirt, black high-slit skirt, black mini skirt, black thighhighs, black lace-trimmed thighhighs, black choker, black lace choker, black cross necklace, silver hoop earrings, looking at viewer, slightly open mouth, upper body, from below, dutch angle, old apartment corridor, shared hallway, tiled wall, rusty handrail, emergency light, night, late night, cloudy autumn night, cold air, smartphone in hand, detailed background, scenery, cold blue emergency light, soft shadows, (clean medium-thin soft colored linework:1.2), minimal pure black, smooth soft cel shading in 2-3 tones, airbrushed gradients, rounded blended shadow edges, glossy wet-look specular highlights on skin, hair strands and fabric, bright high-key luminous palette of pastels, pink lavender mint cyan cream, vivid saturated accents, warm skin tones, subtle bloom, fine sparkles, light particles, polished smooth digital finish, no visible grain A haunting yet delicate illustration of a slender young woman standing alone in an old apartment corridor at late night, capturing the exact moment she senses unseen eyes watching her. The emotional hook is the collision of pure, fragile cuteness with quiet psycho-horror dread, designed so the face and silver-white hair read instantly even in thumbnail form. The overall impression is luminous and high-key despite the dark setting, with soft pastel light clinging to her pale skin and long hair while the corridor stretches into uncertain darkness behind her. Composition centers her upper body as the single clear focal point, using a slight dutch angle and low camera to heighten the feeling that something is approaching from the shadows she has not yet fully turned to face. The framing is a tight upper-body shot taken from a low angle with a gentle dutch tilt, placing the viewer slightly below her eye line so her gaze feels both vulnerable and accusatory. Vertical 2:3 composition leaves controlled negative space along the corridor walls, guiding the eye from her face down the line of her bare shoulders and the dark camisole straps, then into the receding hallway. The camera stays close enough that facial details and hair highlights dominate, yet far enough to include the tiled wall and emergency light that establish place without clutter. Her very long straight silver-white hair falls past her waist with blunt bangs framing a pale face. Drooping brown eyes catch the cold light, pupils slightly dilated, small mouth closed in a thin line. The hair is rendered strand by strand with soft specular highlights along each lock, catching the emergency light so individual strands gleam. Pale, fair skin shows subtle glossy highlights on the cheekbones and collarbones; the overall impression is of a healthy but skinny frame with narrow shoulders and waist, medium breasts softly defined under the thin fabric. She wears a black sleeveless camisole with thin straps and low-cut neckline edged in black lace and a delicate frilled hem, the sheer quality of the fabric allowing soft light to pass through at the edges. The black high-slit mini skirt is visible at the top of the frame, satin-like polyester catching light along the slit. Black lace-trimmed thighhighs rise into the lower edge of the shot. A black lace choker sits at her throat, a small black cross necklace rests against her skin, and silver hoop earrings catch the light. All clothing elements that appear in the upper-body crop are fully detailed; nothing below the upper thigh is invented. Her expression is the quiet moment of realization: eyes just beginning to widen, gaze locked on the viewer as if she has finally noticed the watching presence. Shoulders are slightly raised in a protective hunch, one hand holding a dark smartphone loosely at her side. The pose is a half-turn, body still facing down the corridor while the head has begun to look back, creating tension between the direction she was walking and the sudden awareness of being observed. The location is a worn shared corridor of an old Japanese apartment building at late night under cloudy autumn air that feels cold and slightly damp. In the foreground a section of old tiled wall and the edge of a rusty metal handrail create soft depth. Midground holds the girl herself standing on the scuffed floor, emergency light mounted high on the wall casting a cold cyan-blue glow across her hair and skin. Background stretches into a long, dim hallway lined with more doors, older postal boxes, and a single fallen flyer on the floor, the far end swallowed by soft darkness broken only by another distant emergency light. The three layers are carefully separated by light and soft focus so the character remains the brightest, clearest element. A few tiny light particles drift only near her face and hair, never scattered across the whole frame. Lighting comes primarily from the cold blue emergency light above and slightly behind her, wrapping her silver hair and pale skin in luminous pastel tones while casting rounded, airbrushed shadows that never turn pitch black. Warm skin tones contrast gently with the cyan and mint of the light, keeping the high-key luminous quality of the palette. Subtle bloom softens the brightest highlights on hair and the glossy points on skin and fabric. The overall color harmony stays within bright pastels of pink, lavender, mint, and cream accents against the dominant black clothing and silver hair. The art style uses clean medium-thin soft colored linework with almost no pure black, smooth soft cel shading in two to three tones, airbrushed gradients, and rounded blended shadow edges. Glossy wet-look specular highlights appear on skin, individual hair strands, and the satin surfaces of the skirt and straps. The palette is bright and high-key with luminous pastels and vivid saturated accents, warm skin glowing against cooler background light. Subtle bloom, fine sparkles, and a few light particles gather only around the face. The finish is polished, smooth, and digital with no visible grain. Thick black outlines, hard cel shadows, photorealistic skin, painterly brushwork, and muddy or oversaturated colors are deliberately avoided so the image remains soft, luminous, and delicately unsettling.
Tryb
pro
Style Code
BJ392511
Tag jakości
﹝Podpowiedzi﹞
Rozmiar
1232 x 1632
Metoda próbkowania
Euler
Niepożądane
lowres, bad anatomy, bad hands, extra fingers, missing fingers, extra limbs, worst quality, low quality, jpeg artifacts, signature, watermark, text, blurry, cropped, simple background, plain background, white background, black outline, thick outline, heavy lineart, cel shading, hard shadow, high contrast, dark, oversaturated, flat color, harsh lighting, muddy colors, monochrome, sketch, rough, photorealistic, photorealistic rendering, DSLR photo, hyperrealistic, plastic skin, cgi appearance, 3d render, western cartoon style, chibi, sketchy rough unfinished lineart, messy scribbled linework, heavy sketchy lineart, lineless, heavy bold thick black outlines, thick black outlines, bold ink lines, rough coarse brushwork, traditional oil painting texture, thick impasto, heavy visible paint strokes, hard flat cel shading, flat cel shading, hard cel shading, flat cel coloring, flat color fill, minimalist simple design, neon oversaturated colors, dull muted dark color palette, low contrast, grayscale, vintage retro style, hard harsh lighting, harsh high contrast shadows, pitch black blocky shadows, blocky hard shadows, harsh shadow contrast, deep pitch-black shadows, overexposed, underexposed, heavy excessive bloom, heavy chromatic aberration, realistic body proportions, plain simple costume, minimal accessories, bare unadorned design, flat lighting, harsh direct light, plain even lighting, painterly rendering, rough brushstrokes, visible canvas texture, flat coloring, thick bold outlines, sketchy messy lines, rough expressive brushwork, textured strokes
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Avatar image of うい
character: egawa_kusumi egawa kusumi, brown eyes, drooping eyes, small mouth, pale skin, skinny, narrow shoulders, narrow waist, medium breasts, healthy thin thighs, fair skin, very long hair, white hair, silver hair, straight hair, blunt bangs, black ribbon, black lace hair bow, hair ribbon, black and white separates, two piece, black camisole, black sleeveless, thin straps, camisole, low-cut, high exposure, bare shoulders, black lace trim, frilled hem, lace, sheer fabric, black plain, black solid color, black slit skirt, black high-slit skirt, black mini skirt, polyester, satin, black thighhighs, black lace-trimmed thighhighs, black choker, black lace choker, black cross necklace, silver hoop earrings masterpiece, best quality, very aesthetic, absurdres, 1girl, egawa kusumi, brown eyes, drooping eyes, small mouth, pale skin, skinny, narrow shoulders, narrow waist, medium breasts, healthy thin thighs, fair skin, very long hair, white hair, silver hair, straight hair, blunt bangs, black ribbon, black lace hair bow, hair ribbon, black camisole, black sleeveless, thin straps, low-cut, bare shoulders, black lace trim, frilled hem, black slit skirt, black high-slit skirt, black mini skirt, black thighhighs, black lace-trimmed thighhighs, black choker, black lace choker, black cross necklace, silver hoop earrings, looking at viewer, slightly open mouth, upper body, from below, dutch angle, old apartment corridor, shared hallway, tiled wall, rusty handrail, emergency light, night, late night, cloudy autumn night, cold air, smartphone in hand, detailed background, scenery, cold blue emergency light, soft shadows, (clean medium-thin soft colored linework:1.2), minimal pure black, smooth soft cel shading in 2-3 tones, airbrushed gradients, rounded blended shadow edges, glossy wet-look specular highlights on skin, hair strands and fabric, bright high-key luminous palette of pastels, pink lavender mint cyan cream, vivid saturated accents, warm skin tones, subtle bloom, fine sparkles, light particles, polished smooth digital finish, no visible grain A haunting yet delicate illustration of a slender young woman standing alone in an old apartment corridor at late night, capturing the exact moment she senses unseen eyes watching her. The emotional hook is the collision of pure, fragile cuteness with quiet psycho-horror dread, designed so the face and silver-white hair read instantly even in thumbnail form. The overall impression is luminous and high-key despite the dark setting, with soft pastel light clinging to her pale skin and long hair while the corridor stretches into uncertain darkness behind her. Composition centers her upper body as the single clear focal point, using a slight dutch angle and low camera to heighten the feeling that something is approaching from the shadows she has not yet fully turned to face. The framing is a tight upper-body shot taken from a low angle with a gentle dutch tilt, placing the viewer slightly below her eye line so her gaze feels both vulnerable and accusatory. Vertical 2:3 composition leaves controlled negative space along the corridor walls, guiding the eye from her face down the line of her bare shoulders and the dark camisole straps, then into the receding hallway. The camera stays close enough that facial details and hair highlights dominate, yet far enough to include the tiled wall and emergency light that establish place without clutter. Her very long straight silver-white hair falls past her waist with blunt bangs framing a pale face. Drooping brown eyes catch the cold light, pupils slightly dilated, small mouth closed in a thin line. The hair is rendered strand by strand with soft specular highlights along each lock, catching the emergency light so individual strands gleam. Pale, fair skin shows subtle glossy highlights on the cheekbones and collarbones; the overall impression is of a healthy but skinny frame with narrow shoulders and waist, medium breasts softly defined under the thin fabric. She wears a black sleeveless camisole with thin straps and low-cut neckline edged in black lace and a delicate frilled hem, the sheer quality of the fabric allowing soft light to pass through at the edges. The black high-slit mini skirt is visible at the top of the frame, satin-like polyester catching light along the slit. Black lace-trimmed thighhighs rise into the lower edge of the shot. A black lace choker sits at her throat, a small black cross necklace rests against her skin, and silver hoop earrings catch the light. All clothing elements that appear in the upper-body crop are fully detailed; nothing below the upper thigh is invented. Her expression is the quiet moment of realization: eyes just beginning to widen, gaze locked on the viewer as if she has finally noticed the watching presence. Shoulders are slightly raised in a protective hunch, one hand holding a dark smartphone loosely at her side. The pose is a half-turn, body still facing down the corridor while the head has begun to look back, creating tension between the direction she was walking and the sudden awareness of being observed. The location is a worn shared corridor of an old Japanese apartment building at late night under cloudy autumn air that feels cold and slightly damp. In the foreground a section of old tiled wall and the edge of a rusty metal handrail create soft depth. Midground holds the girl herself standing on the scuffed floor, emergency light mounted high on the wall casting a cold cyan-blue glow across her hair and skin. Background stretches into a long, dim hallway lined with more doors, older postal boxes, and a single fallen flyer on the floor, the far end swallowed by soft darkness broken only by another distant emergency light. The three layers are carefully separated by light and soft focus so the character remains the brightest, clearest element. A few tiny light particles drift only near her face and hair, never scattered across the whole frame. Lighting comes primarily from the cold blue emergency light above and slightly behind her, wrapping her silver hair and pale skin in luminous pastel tones while casting rounded, airbrushed shadows that never turn pitch black. Warm skin tones contrast gently with the cyan and mint of the light, keeping the high-key luminous quality of the palette. Subtle bloom softens the brightest highlights on hair and the glossy points on skin and fabric. The overall color harmony stays within bright pastels of pink, lavender, mint, and cream accents against the dominant black clothing and silver hair. The art style uses clean medium-thin soft colored linework with almost no pure black, smooth soft cel shading in two to three tones, airbrushed gradients, and rounded blended shadow edges. Glossy wet-look specular highlights appear on skin, individual hair strands, and the satin surfaces of the skirt and straps. The palette is bright and high-key with luminous pastels and vivid saturated accents, warm skin glowing against cooler background light. Subtle bloom, fine sparkles, and a few light particles gather only around the face. The finish is polished, smooth, and digital with no visible grain. Thick black outlines, hard cel shadows, photorealistic skin, painterly brushwork, and muddy or oversaturated colors are deliberately avoided so the image remains soft, luminous, and delicately unsettling.
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