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solo, 1girl, dark magic scholar, ((The Entropy Witch:2.0)), black magic caster, chaotic magic user, dark brown skin, glowing amber decay-lines on arms and chest, long wild black hair, amber-glowing hair tips, sharp amber eyes, hourglass-shaped pupils, ((extremely voluptuous woman)), ((extremely massive breasts)), ((deep heavy cleavage)), ((extremely wide hips)), tattered black-and-amber robes, robes hanging open at chest, decaying unraveling robe edges dissolving into amber dust, robes clinging to wide hips, intricate design patterns, dark amber-and-black aura, chaotic amber energy decaying from hands, floating amber entropy-meter, floating glowing amber halo of crumbling light-rings, wooden chair crumbling to splinters, book dissolving to dust, stone pillar cracking, black and amber and dark-brown color scheme, extreme close-up, low angle, from below, tilted sharply upward, full body framing, foreshortening, casting magic, arms down, open hands, looking down at viewer, parted lips, from below, (masterpiece, best quality 1.2), ultra-detailed, The camera sits almost at floor level and tips sharply upward, so the woman towers over the lens: her boots plant wide apart in the bottom foreground, foreshortened enormous, and her body recedes up and away from them in a steep convergence to the small tipped-back face at the top of the frame. Taken from this low angle, her full body still reads from boot to halo, but everything nearest the lens — the hips, the heavy fall of her chest, the robes drawn tight around the widest span of her waist — swells to fill the width of the picture while the room shrinks behind her. Her long wild black hair lifts and tangles outward as if the decay-charge in the air were pushing from below, and its amber-glowing tips trail sparks upward; her chin is tipped down and her sharp amber eyes angle down the line of her body straight into the lens, and in those pupils the little crumbling hourglasses seem to be shedding their sand. Her mouth is parted mid-incantation, one eyebrow arched higher than the other. Both arms hang low and slightly away from her hips, palms open and fingers splayed, and from each palm chaotic amber energy sloughs away in crooked ribbons, breaking apart into dust before it reaches the floor. The tattered black-and-amber robes hang open across her extremely massive breasts, leaving a deep heavy cleavage bare, the charred amber threads at the neckline actively unravelling and lifting off in motes that drift up into the aura; lower down the same torn cloth clings tight across her extremely wide hips so that the fabric's weave shows every curve it wraps, intricate dark amber patterns surfacing in it only to dissolve where the decay has eaten through. Glowing amber decay-lines crawl up her dark brown forearms and across her collarbone and the tops of her breasts, thin as hairline cracks in porcelain, brightest where the magic leaves her hands. Around her head a floating halo of crumbling light-rings hangs in several broken concentric loops, shedding amber grit that falls like slow ash and drifts sideways in the aura rather than straight down. The same ragged aura — dark amber at its core, black at the fringes — rolls off her shoulders and eats into the edges of the frame. Behind and beside her the room is coming apart in the lowest third of the image where the low lens sees the floor best: a wooden chair on the left has lost its back and is dropping apart into a spray of splinters caught mid-fall, a book on the right has already gone to a sinking cloud of pale dust with only its cover corner still solid, and a stone pillar at frame right splits along a jagged diagonal with crumbs of masonry tumbling down toward the camera. Hovering just off her right shoulder, the amber entropy-meter floats as a stack of thinning light-bars, its count visibly draining. The light is entirely her own: amber from the decay-lines, palms, hair tips and halo strikes the undersides of her jaw, breasts, forearms and the inner faces of the robes, throwing the low camera's hard upward shadows onto everything above; the room beyond the amber reaches is absolute black, and the only other illumination is the cold glitter of dust catching the aura on its way down. Palette is strictly black, dark amber and deep brown, with the amber forced to its hottest at her hands and hair tips. Bold thick outlines, halftone dot shadow in the blacks, graffiti-sharp amber sparks and punchy neon-hot highlights give the piece its chaotic pop-graphic edge. Hazy, ominous decay.
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(masterpiece best quality 1.2), ultra-detailed, dark magic scholar character design, extreme close-up zoomed in up close, low angle tilted sharply upward, full body framing, ((The Entropy Witch:2.0)), dark magic scholar, black magic caster, chaotic magic user, extremely voluptuous woman, extremely voluptuous figure, extremely wide hips, extremely massive breasts, deep heavy cleavage, solo, 1female, extremely unique appearance, intricate design patterns, dark brown skin with glowing amber decay-lines spreading across her arms and chest — the lines spreading the more she casts, long wild black hair with amber-glowing tips, sharp amber eyes with pupils shaped like crumbling hourglasses, wearing tattered black-and-amber robes — the fabric decaying in real-time at the edges the threads unraveling and dissolving into amber dust the robes hanging open across her extremely voluptuous chest deep heavy cleavage visible, the tattered robes clinging to her extremely wide hips, things decaying around her — a wooden chair crumbling to splinters a book dissolving to dust a stone pillar cracking, floating amber entropy-meter counting her spell's decay rate, chaotic amber energy decaying from her hands, dark amber-and-black aura of decay and dissolution, black and amber and dark-brown color scheme, floating glowing amber halo made of crumbling light-rings, highly detailed, cinematic composition, 8K
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pro
Styl
Neon Poster
Tag jakości
﹝Podpowiedzi﹞
Rozmiar
1104 x 1824
Metoda próbkowania
Euler
Niepożądane
lowres, worst quality, low quality, bad anatomy, explicit
Styl: Neon Poster
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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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solo, 1girl, dark magic scholar, ((The Entropy Witch:2.0)), black magic caster, chaotic magic user, dark brown skin, glowing amber decay-lines on arms and chest, long wild black hair, amber-glowing hair tips, sharp amber eyes, hourglass-shaped pupils, ((extremely voluptuous woman)), ((extremely massive breasts)), ((deep heavy cleavage)), ((extremely wide hips)), tattered black-and-amber robes, robes hanging open at chest, decaying unraveling robe edges dissolving into amber dust, robes clinging to wide hips, intricate design patterns, dark amber-and-black aura, chaotic amber energy decaying from hands, floating amber entropy-meter, floating glowing amber halo of crumbling light-rings, wooden chair crumbling to splinters, book dissolving to dust, stone pillar cracking, black and amber and dark-brown color scheme, extreme close-up, low angle, from below, tilted sharply upward, full body framing, foreshortening, casting magic, arms down, open hands, looking down at viewer, parted lips, from below, (masterpiece, best quality 1.2), ultra-detailed, The camera sits almost at floor level and tips sharply upward, so the woman towers over the lens: her boots plant wide apart in the bottom foreground, foreshortened enormous, and her body recedes up and away from them in a steep convergence to the small tipped-back face at the top of the frame. Taken from this low angle, her full body still reads from boot to halo, but everything nearest the lens — the hips, the heavy fall of her chest, the robes drawn tight around the widest span of her waist — swells to fill the width of the picture while the room shrinks behind her. Her long wild black hair lifts and tangles outward as if the decay-charge in the air were pushing from below, and its amber-glowing tips trail sparks upward; her chin is tipped down and her sharp amber eyes angle down the line of her body straight into the lens, and in those pupils the little crumbling hourglasses seem to be shedding their sand. Her mouth is parted mid-incantation, one eyebrow arched higher than the other. Both arms hang low and slightly away from her hips, palms open and fingers splayed, and from each palm chaotic amber energy sloughs away in crooked ribbons, breaking apart into dust before it reaches the floor. The tattered black-and-amber robes hang open across her extremely massive breasts, leaving a deep heavy cleavage bare, the charred amber threads at the neckline actively unravelling and lifting off in motes that drift up into the aura; lower down the same torn cloth clings tight across her extremely wide hips so that the fabric's weave shows every curve it wraps, intricate dark amber patterns surfacing in it only to dissolve where the decay has eaten through. Glowing amber decay-lines crawl up her dark brown forearms and across her collarbone and the tops of her breasts, thin as hairline cracks in porcelain, brightest where the magic leaves her hands. Around her head a floating halo of crumbling light-rings hangs in several broken concentric loops, shedding amber grit that falls like slow ash and drifts sideways in the aura rather than straight down. The same ragged aura — dark amber at its core, black at the fringes — rolls off her shoulders and eats into the edges of the frame. Behind and beside her the room is coming apart in the lowest third of the image where the low lens sees the floor best: a wooden chair on the left has lost its back and is dropping apart into a spray of splinters caught mid-fall, a book on the right has already gone to a sinking cloud of pale dust with only its cover corner still solid, and a stone pillar at frame right splits along a jagged diagonal with crumbs of masonry tumbling down toward the camera. Hovering just off her right shoulder, the amber entropy-meter floats as a stack of thinning light-bars, its count visibly draining. The light is entirely her own: amber from the decay-lines, palms, hair tips and halo strikes the undersides of her jaw, breasts, forearms and the inner faces of the robes, throwing the low camera's hard upward shadows onto everything above; the room beyond the amber reaches is absolute black, and the only other illumination is the cold glitter of dust catching the aura on its way down. Palette is strictly black, dark amber and deep brown, with the amber forced to its hottest at her hands and hair tips. Bold thick outlines, halftone dot shadow in the blacks, graffiti-sharp amber sparks and punchy neon-hot highlights give the piece its chaotic pop-graphic edge. Hazy, ominous decay.
grim
AI artwork
g
solo, 1girl, dark magic scholar, ((The Entropy Witch:2.0)), black magic caster, chaotic magic user, dark brown skin, glowing amber decay-lines on arms and chest, long wild black hair, amber-glowing hair tips, sharp amber eyes, hourglass-shaped pupils, ((extremely voluptuous woman)), ((extremely massive breasts)), ((deep heavy cleavage)), ((extremely wide hips)), tattered black-and-amber robes, robes hanging open at chest, decaying unraveling robe edges dissolving into amber dust, robes clinging to wide hips, intricate design patterns, dark amber-and-black aura, chaotic amber energy decaying from hands, floating amber entropy-meter, floating glowing amber halo of crumbling light-rings, wooden chair crumbling to splinters, book dissolving to dust, stone pillar cracking, black and amber and dark-brown color scheme, extreme close-up, low angle, from below, tilted sharply upward, full body framing, foreshortening, casting magic, arms down, open hands, looking down at viewer, parted lips, from below, (masterpiece, best quality 1.2), ultra-detailed, The camera sits almost at floor level and tips sharply upward, so the woman towers over the lens: her boots plant wide apart in the bottom foreground, foreshortened enormous, and her body recedes up and away from them in a steep convergence to the small tipped-back face at the top of the frame. Taken from this low angle, her full body still reads from boot to halo, but everything nearest the lens — the hips, the heavy fall of her chest, the robes drawn tight around the widest span of her waist — swells to fill the width of the picture while the room shrinks behind her. Her long wild black hair lifts and tangles outward as if the decay-charge in the air were pushing from below, and its amber-glowing tips trail sparks upward; her chin is tipped down and her sharp amber eyes angle down the line of her body straight into the lens, and in those pupils the little crumbling hourglasses seem to be shedding their sand. Her mouth is parted mid-incantation, one eyebrow arched higher than the other. Both arms hang low and slightly away from her hips, palms open and fingers splayed, and from each palm chaotic amber energy sloughs away in crooked ribbons, breaking apart into dust before it reaches the floor. The tattered black-and-amber robes hang open across her extremely massive breasts, leaving a deep heavy cleavage bare, the charred amber threads at the neckline actively unravelling and lifting off in motes that drift up into the aura; lower down the same torn cloth clings tight across her extremely wide hips so that the fabric's weave shows every curve it wraps, intricate dark amber patterns surfacing in it only to dissolve where the decay has eaten through. Glowing amber decay-lines crawl up her dark brown forearms and across her collarbone and the tops of her breasts, thin as hairline cracks in porcelain, brightest where the magic leaves her hands. Around her head a floating halo of crumbling light-rings hangs in several broken concentric loops, shedding amber grit that falls like slow ash and drifts sideways in the aura rather than straight down. The same ragged aura — dark amber at its core, black at the fringes — rolls off her shoulders and eats into the edges of the frame. Behind and beside her the room is coming apart in the lowest third of the image where the low lens sees the floor best: a wooden chair on the left has lost its back and is dropping apart into a spray of splinters caught mid-fall, a book on the right has already gone to a sinking cloud of pale dust with only its cover corner still solid, and a stone pillar at frame right splits along a jagged diagonal with crumbs of masonry tumbling down toward the camera. Hovering just off her right shoulder, the amber entropy-meter floats as a stack of thinning light-bars, its count visibly draining. The light is entirely her own: amber from the decay-lines, palms, hair tips and halo strikes the undersides of her jaw, breasts, forearms and the inner faces of the robes, throwing the low camera's hard upward shadows onto everything above; the room beyond the amber reaches is absolute black, and the only other illumination is the cold glitter of dust catching the aura on its way down. Palette is strictly black, dark amber and deep brown, with the amber forced to its hottest at her hands and hair tips. Bold thick outlines, halftone dot shadow in the blacks, graffiti-sharp amber sparks and punchy neon-hot highlights give the piece its chaotic pop-graphic edge. Hazy, ominous decay.
grim
AI artwork
a
(masterpiece best quality 1.2), ultra-detailed, eldritch deity character design, extreme close-up zoomed in up close, low angle, front view, camera positioned extremely low tilted sharply upward, ((The Null Nightmare:2.0)), solo, 1girl, female, the goddess of final sleep — the collective unconscious of every sleeping mind frozen at the moment of ending, body composed of deep purple-black energy solidified into flesh-like form the purple is the purple of deep sleep the purple of closed-eyelid light the purple of the space between dreaming and dying the purple shading into black the color of a bruise on the skin of reality the color of the last moment before darkness, voluptuous and full and impossibly tall — enormous breasts heavy and smooth composed of purple-black dream-stuff held in obsidian stillness the surface smooth and polished like glass like the surface of a still pool of purple-black water reflecting the world and tinting everything the color of endings, wide hips frozen in place, massive thighs solidified dream-stuff held in permanent stillness, her body radiates a purple aura that is not energy but ABSENCE the aura is drowsiness given physical form the aura is the color of what-used-to-be the aura is the ghost of everything that existed before her and the memory is fading because she is erasing it, her body shifts at the edges where solidity dissolves into dream-stuff but the dissolution is FROZEN — the dream-stuff reaches outward like a spreading night caught in crystal — motion that has been stopped and the stopping is her nature, her skin is deep purple-black smooth and faintly luminous the texture of her skin is the texture of the inside of an eyelid — warm and soft and private and covering — but the softness is FROZEN the warmth is STATIC the privacy is PERMANENT, her face is beautiful and terrifying — symmetrical and perfect and the perfection is the horror because symmetry is not natural and the face is too perfect to be alive, her eyes are black — absolute black voids where eyes should be — the black is not emptiness the black is FULL the black contains every nightmare ever dreamed the eyes are archives of every terror — but across the black void-eyes run two thin white lines — closed eye-lines — deliberate — she has CHOSEN not to see — she has seen everything and the seeing is over — the white lines are the seal on the archive the white lines are the lock on the nightmares the white lines are the last act and the last act is closing, her mouth is wide and full of white teeth too many teeth the only sharp thing about her the sharpness is the contrast the soft purple-black body and the sharp white teeth the mouth is slightly parted and the parting is not a smile the parting is the beginning of a word and the word has not been spoken yet and the unspoken word is the last nightmare and the last nightmare is the one you do not wake from, her hair is black and reaches past her enormous breasts the hair is not hair it is NIGHT the hair is the physical manifestation of darkness — but the hair is FROZEN — the hair is night caught in crystal the hair drifts like smoke held in place the hair is alive but the alive-ness is STATIC the hair touches things and the touching is the infection and the infected things dream and the dreaming is the feeding and the feeding is the ending, her body is draped in flowing robes of deep purple-black the robes are made of the same dream-stuff as her body the robes ARE her body the distinction between clothing and flesh is absent — but the robes are FROZEN — the flowing is stopped the mantle is a waterfall caught in crystal the robes are motion that has been permanently halted, intricate design patterns carved into the frozen dream-stuff surface of her robes and skin — geometric sleep-sigils and null-glyphs etched in white along the edges of her robes across her enormous breasts along her wide hips — each sigil a sealed nightmare each glyph a finished story, her hands are large and soft and OPEN — palms facing upward in a gesture of offering — but the hands are EMPTY — she has let go of everything she held everything and released it and the releasing was the last movement and the last movement is over — the open empty hands offer sleep the open empty hands offer dreams the open empty hands offer the sweetness of unconsciousness and the sweetness is the trap and the trap is the final nightmare and the final nightmare is the goddess, her posture is absolute stillness — not tense not relaxed FINISHED — she has finished standing she has finished existing she has finished being — but the finished-ness LOOMS — the posture is the posture of someone leaning over a bed watching someone sleep — the looming is frozen the watching is permanent the leaning is eternal — she was there before you fell asleep and she will be there after and she does not leave and the not-leaving is the terror and the terror is the stillness and the stillness is the goddess, environment shown as a purple void — not a landscape not a sky not a room but the color of after everything — the environment is the same purple-black as the goddess because the environment IS the goddess she has consumed the world she has eaten existence she has metabolized reality into purple null and the null is everywhere and everywhere is her — sleeping figures barely visible at the far edges of the frame unconscious forms dissolving into the purple void the goddess has put the world to sleep and the world dreams and the dreams feed her and the feeding is the ending and the ending is the goddess, rim light along purple-black obsidian-smooth body surface catching the faintest purple sheen across her enormous breasts and wide hips, rim light catching black void-eyes with white closed eye-lines the deliberate final sightlessness, rim light catching too-many white teeth in slightly parted mouth, rim light catching frozen black night-hair held in crystal drift, rim light catching frozen purple-black dream-stuff robes with white null-glyph engravings, rim light catching open empty offering-hands palms up, rim light catching purple-null void environment dissolving into the goddess, rim light catching sleeping figures at the far edges dissolving into purple null, shadow — the null nightmare shadow with void-environment of purple nothingness that IS the goddess, chiaroscuro eldritch divine lighting with deep purple-black null-ambient afterglow — the light of what-used-to-exist — and white-closed-eye-line contrast and white too-many-teeth contrast against purple-black obsidian surface, black-void and deep-purple and purple-black and white color scheme, highly detailed, intricate design patterns, 8K, cinematic composition
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