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W PixAI prompty są domyślnie publiczne, ale twórcy mogą je ukryć w każdej opublikowanej pracy. Autor tej pracy zdecydował się to zrobić, więc słowa użyte do wygenerowania obrazu pozostają prywatne — widzi je wyłącznie autor. Ukrycie promptu nie zmienia niczego więcej: praca nadal jest publiczna, a Ty możesz ją polubić, skomentować i udostępnić jak zwykle.
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1girl, solo, 18-year-old, brown hair, wavy hair, twintails, long twintails, wavy twintails, brown eyes, large breasts, prominent breasts, white lab coat, open lab coat, black long skirt, black pantyhose, white nurse shoes, mixing chemicals, pouring, test tube, beaker, glassware, chemicals, laboratory, lab bench, indoors, from side, profile, cowboy shot, leaning forward, looking at object, focused, parted lips, head tilt, standing on one leg, weight on one hip, hand on pipette, science equipment, shelves, fluorescent light, cool palette, masterpiece, best quality
Seen in profile from the side, a little above the counter line and slightly behind her shoulder, a single 18-year-old young woman stands at a laboratory bench turned three-quarters away from the frame, her attention entirely inside the glassware in front of her. Her brown wavy hair is split into two low twintails that fall over the front of her shoulders, the waves loosening toward the ends, one tail lying across the white lab coat's lapel and the other swinging slightly forward as she leans; a few loose curls escape at her temple and catch the light. She wears the white lab coat open and unbelted over a black long skirt that drops straight to the floor, black pantyhose sheathing her legs from hem to ankle, and white nurse shoes planted on the tile — her weight rides on the front foot, the back heel lifted a fraction so the shoe's sole shows a sliver of tread, and her hip is cocked against the bench edge, the coat's back hem drawn taut where it presses the counter. The bust fills the coat's front panels, stretching the white cotton into soft, weight-bearing folds and dragging the lapel line open at the chest. Both hands are at work: the left braces a small beaker flat on the bench, fingers spread around its base, while the right tips a slender test tube over its mouth and holds it steady, wrist rotated so the tube's lip hovers a finger's width above the beaker rim. The gaze is locked down onto the pour, chin dipped, a vertical crease of concentration between her brows, lips parted on a held breath, and one eyelid lowered slightly against the faint vapour lifting off the mixture. Her other shoulder is raised, pinching the coat collar up toward her ear. The laboratory closes in around her: stainless bench running away to the right, a rack of stoppered tubes standing in a neat row behind her forearm, a tall amber reagent bottle and a graduated cylinder further back with their labels turned mostly out of sight, a glass-fronted cabinet of dark bottles in the deeper background reduced to shelves and highlights, and pale grey tile below. Overhead fluorescent tubes run toward the far wall and are the only light source, laying a flat cool green-white sheen along the bench top, a hard reflection down the cylinder's glass, and a bright rim along the curve of each twintail while the undersides of the coat folds and the shadow beneath the bench go to a deep cool grey; her body cuts a soft penumbra onto the tile that thickens behind her back heel. The palette is disciplined to clinical white, black, cool grey-green light, warm brown hair, and one note of amber in the reagent bottle and the liquid in the tube. A single thread of condensation slips down the cool glass of the beaker and pools at its foot where it meets the tile, the only warm-adjacent detail on an otherwise cold surface. Quiet concentration, clinical calm.
まりおっと
真剣に筆を執るオフィスレディ
user-2069969925424718262
ま
1girl, solo, 18-year-old, brown hair, wavy hair, twintails, long twintails, wavy twintails, brown eyes, large breasts, prominent breasts, white lab coat, open lab coat, black long skirt, black pantyhose, white nurse shoes, mixing chemicals, pouring, test tube, beaker, glassware, chemicals, laboratory, lab bench, indoors, from side, profile, cowboy shot, leaning forward, looking at object, focused, parted lips, head tilt, standing on one leg, weight on one hip, hand on pipette, science equipment, shelves, fluorescent light, cool palette, masterpiece, best quality
Seen in profile from the side, a little above the counter line and slightly behind her shoulder, a single 18-year-old young woman stands at a laboratory bench turned three-quarters away from the frame, her attention entirely inside the glassware in front of her. Her brown wavy hair is split into two low twintails that fall over the front of her shoulders, the waves loosening toward the ends, one tail lying across the white lab coat's lapel and the other swinging slightly forward as she leans; a few loose curls escape at her temple and catch the light. She wears the white lab coat open and unbelted over a black long skirt that drops straight to the floor, black pantyhose sheathing her legs from hem to ankle, and white nurse shoes planted on the tile — her weight rides on the front foot, the back heel lifted a fraction so the shoe's sole shows a sliver of tread, and her hip is cocked against the bench edge, the coat's back hem drawn taut where it presses the counter. The bust fills the coat's front panels, stretching the white cotton into soft, weight-bearing folds and dragging the lapel line open at the chest. Both hands are at work: the left braces a small beaker flat on the bench, fingers spread around its base, while the right tips a slender test tube over its mouth and holds it steady, wrist rotated so the tube's lip hovers a finger's width above the beaker rim. The gaze is locked down onto the pour, chin dipped, a vertical crease of concentration between her brows, lips parted on a held breath, and one eyelid lowered slightly against the faint vapour lifting off the mixture. Her other shoulder is raised, pinching the coat collar up toward her ear. The laboratory closes in around her: stainless bench running away to the right, a rack of stoppered tubes standing in a neat row behind her forearm, a tall amber reagent bottle and a graduated cylinder further back with their labels turned mostly out of sight, a glass-fronted cabinet of dark bottles in the deeper background reduced to shelves and highlights, and pale grey tile below. Overhead fluorescent tubes run toward the far wall and are the only light source, laying a flat cool green-white sheen along the bench top, a hard reflection down the cylinder's glass, and a bright rim along the curve of each twintail while the undersides of the coat folds and the shadow beneath the bench go to a deep cool grey; her body cuts a soft penumbra onto the tile that thickens behind her back heel. The palette is disciplined to clinical white, black, cool grey-green light, warm brown hair, and one note of amber in the reagent bottle and the liquid in the tube. A single thread of condensation slips down the cool glass of the beaker and pools at its foot where it meets the tile, the only warm-adjacent detail on an otherwise cold surface. Quiet concentration, clinical calm.
まりおっと
真剣に書き物をする女性のイラスト
user-2069969925424718262
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