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AI artwork featuring #One Piece and #Baki the Grappler
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One Piece, Baki the Grappler

#Baki the Grappler
Avatar image of Shadasky Lirka
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Shadasky Lirka

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character: tokita_ouma, artist: ratatatat74, copyright: kengan_ashura solo, 1boy, adult male, mature man, full body shot, from below, foreshortening, dynamic angle, dutch angle, fighting stance, incoming attack, rage attack, aggressive posture, leaning forward, muscular, extremely muscular, huge pectorals, abs, bulging veins, thick neck, broad shoulders, bare chest, shirtless, black pants, dark hair, curly hair, short curly dark hair, red eyes, glowing eyes, glowing, ((red skin)), scarlet red skin, reddish-toned skin, monstrous appearance, savage grin, challenging angry smile, clenched teeth, furrowed brow, ferocious gaze, intimidating, detailed face, detailed eyes, angry, furious, choleric, wild, insane, screaming, red aura, fire, electricity, spot color, dark shading, dramatic lighting, backlighting, rim lighting, high contrast, sharp cel-shading, cinematic, wide angle, white background, no text The camera sits low and close, looking up at the man from knee height so his chest and shoulders loom and his head is thrown back against the empty white field. He is caught in the instant before a rage attack lands: torso twisted hard to his left, right shoulder driven forward and down, left fist cocked back past his hip, right arm sweeping across the frame so the hand fills the near foreground with every knuckle and tendon visible. Weight sits on the bent rear leg, front foot planted wide and angled out, hips low, spine curved like a drawn bow. His face is the whole upper frame — jaw clenched, teeth bared in a challenging angry smile, one brow dragged down low while the other lifts, eyes wide and burning red, gaze fixed straight past the lens at an unseen opponent off-frame. Short dark curls are swept back off the sweat-slick forehead by the force of the motion; black pants pull taut over his thighs with a fold creasing at the knee where the leg braces. ((red skin)) covers him top to bottom — a deep scarlet that darkens to near maroon in the hollows of the neck and under the pecs, flushed brighter where the backlight burns its rim along the curves of his shoulders, deltoids and ears. Every muscle reads as a separate slab: pectorals, ridged abs, cable-thick forearms, veins standing out like cords across his biceps and neck. Two lights only — a brutal cool white backlight from behind that rims his silhouette and turns the white ground into a blazing halo, and a low warm key from the front-left that strikes the planes of his face and the front of his chest and leaves deep shadow pooling in the eye sockets, under the chin, between the abdominal ridges. Behind him a ragged red aura and thin tongues of electricity crackle off his shoulders, the sparks catching the rim light and flaring into tiny hard starpoints; fire licks low around his rear foot, its glow licking orange along the pant cuff. Nothing else exists in the frame — the background is flat pure white, cut only by the red halo of the aura and the man's own thrown shadow, which juts sharp and small against the white floor beneath his planted foot. Palette is entirely red, black and white with the hot orange of the flames: red skin, red glare, black pants, white absence. Quiet dread breaking into unstoppable momentum.
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Tokita ohma, (KENGAN ASHURA). A male man, with reddish-toned skin, scarlet red skin, dark hair, curly hair, dark eyes, fighter, trained body, abs, thick muscles, muscle, masive muscle build, big muscles, Very muscular body with bulging veins on the body, full body shot, adult man, mature men, muscle build body, black pants. Evil, crazy, rude, raging,fierce, violent, mad, Wild, angry, anger, Choleric, savage, furious, rabid, rage angry, insane,monstrous appearance, red eyes, the skin color turned red, ((red skin)), aggressive, savage stance ,incoming attack, Rage attack, dynamic, versatile. Facial details, very expressive. Detailed face and eyes, intimidating, choleric, detailed eyes and face, imposing, challenging angry smile. Standing epic, In cinematic epic form Dramatic Battle Angle, fight stance. Perfect image, better image, best image, unic, solo, alone, perfection, cinematic, masterpiece, White Background. Cinematic anime illustration, professional anime illustration,cinematic anime aesthetic,dark shading, dramatic lighting, ferocious gaze, expressive eyes, solo, artistic style, drawing style, Rage mode, red eyes, glowing eyes, glowing, spot color, rage, glowing, glowing eyes, OPTIONAL: fire, electricity ,Xenkai-11b [Caliber A],Ratatatat74
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pro
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﹝Podpowiedzi﹞
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1104 x 1824
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lowres, worst quality, low quality, bad anatomy, explicit
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AI artwork
Avatar image of Shadasky Lirka
character: tokita_ouma, artist: ratatatat74, copyright: kengan_ashura solo, 1boy, male focus, adult man, mature male, full body shot, standing, wide stance, fight stance, aggressive stance, leaning forward, clenched fists, arms spread, incoming attack, ((red skin)), scarlet red skin, reddish-toned skin, dark hair, short dark curly hair, dark eyes, red eyes, glowing eyes, glowing red eyes, very muscular, muscular male, massive muscle build, thick muscles, huge pectorals, abs, defined abs, bulging veins, veins on arms, veins on chest, bare torso, shirtless, black pants, dark pants, angry, furious, rage, insane, evil smile, angry smile, challenging smile, teeth, open mouth, grin, ferocious gaze, intimidating, sharp eyes, detailed face, detailed eyes, expressive face, monstrous appearance, dramatic angle, dynamic pose, dutch angle, from below, foreshortening, dark shading, dramatic lighting, rim lighting, backlighting, high contrast, spot color, red accent, glowing aura, fire, electricity, white background, simple background, cinematic anime illustration, professional anime illustration, sharp cel-shading, vibrant accent colors, high quality The camera sits low and close to the floor, tilted a few degrees off level, looking up the length of a lone shirtless man so that his shoulders and knuckles loom and his bare feet plant wide at the bottom of the frame -- a full body shot with nothing else in it. His skin is a raw scarlet red, that ((red skin)) reading hottest across the swelling chest, the corded deltoids and the ridged abdomen, and it darkens to oxblood in the recesses where the muscles overlap. Short dark curly hair clings tight to his scalp in sweat-damped rings; beneath the heavy brow his eyes burn a glowing red with dark pupils, and the light thrown back out of them is the brightest thing in the picture. His face is drawn into a monstrous, furious challenge: one brow cinched down hard, the other cocked higher, nose wrinkled, lips peeled back off the teeth in an angry challenging smile while the jaw muscles bunch and a tendon stands in his neck. He is caught mid-lunge, torso pitched forward over a wide staggered stance, front knee deep-bent and taking his weight, back leg stretched long with the heel driving into the ground; the left fist is cocked back past his hip, the right arm flung wide across the front leg to guard, both hands clenched hard enough that the knuckles pale. Every muscle in the massive build stands out and thick veins crawl over his forearms, biceps, chest and abdomen; black pants sit low on his hips, creased and twisted by the stance, and they flare slightly at the ankle over his bare feet. Hair and trouser cuffs are both blown back, so the air in front of him is moving. Behind him there is nothing: a completely empty white ground, no floor line, no scenery. The key light rakes in from behind and above in cold white, edging his shoulders, the crown of his head and the tops of his forearms with a hard rim, and a second hot red source glows from the very front, so the undersides of his jaw, pectorals and knuckles catch a crimson bounce while the pits of the muscles fall into near-black; his cast shadow spills forward along the empty ground and its edge is crisp. Colour is disciplined to three things only -- the saturated red of his skin and eyes, the deep black of the pants, his hair and the shadows, and the unbroken white field -- with orange sparks and thin arcs of fire and electricity peeling off his back and forearms, brief and bright against the white. Rendering is sharp cel-shaded anime linework with hard shadow edges, high contrast and a slightly stretched wide-angle perspective that exaggerates the near arm and shrinks nothing of the threat he carries. Ferocious, explosive.
Shadasky Lirka
#Baki the Grappler
AI artwork
Avatar image of Shadasky Lirka
character: tokita_ouma, ohma, artist: ratatatat74, copyright: kengan_ashura solo, 1boy, male, adult, mature male, muscular, extremely muscular, abs, pectorals, bulging veins, trained body, fitness, ((red skin)), scarlet skin, dark hair, short curly hair, red eyes, glowing eyes, glowing, black pants, bare torso, savage fighting stance, fight stance, clenched fists, incoming attack, rage, furious, angry, insane, evil grin, arrogant challenging smile, ferocious gaze, intimidating, monstrous appearance, dynamic pose, dutch angle, full body shot, from below, white background, dramatic lighting, dark shading, high contrast, rim lighting, spot color, cinematic anime illustration, sharp cel-shading, fire, electricity, sharp eyes A full-body dramatic battle angle shot from low and to the side, tilted a dutch angle, of one lone adult man planted on a bare white field: a heavyweight fighter, mature and imposing, his enormous trained physique stripped to the waist, every slab of pectoral, abdominal and shoulder muscle carved out under taut ((scarlet red skin)) that runs deep crimson in the shadows and bright vermilion where the light strikes, thick purple-black veins standing out along his forearms and neck, his dark curly hair short and flung sideways by his own movement. His black pants are worn low at the hips, twisting with the torque of his stance. He is caught mid-lunge into an incoming rage attack: front leg deeply bent and driving, rear heel peeled off the ground and turned out, hips rotated, torso corkscrewed so one shoulder is thrown forward, both fists clenched hard, one arm cocked back and the other beginning to swing across in a wide clawing arc, tendons standing on his wrists, the whole trunk leaning into the blow. His face is very detailed and hugely expressive, brow crushed down, one eye narrowed and the other wide and glaring, eyes glowing red and spilling a hot red spot-color bloom into the air around them, a savage arrogant challenging smile pulled back off his teeth with his lip curled, insane and furious, jaw tight, chin dropped, his ferocious intimidating gaze fixed on an opponent outside the frame. Dramatic backlighting burns in from behind him, rim lighting tracing the whole muscular silhouette in fiery red-gold so the front of his body falls into deep dark cel-shaded planes, high contrast and moody; optional fire and electricity crackle and whip around his striking arm and off his shoulders, thin arcs and licking tongues of flame flung backwards by the force of his motion, leaving the white background clean and blank behind him with only his hard cast shadow on the ground. Sharp cel shading, cinematic wide-angle perspective with the near fist enlarged by foreshortening, vibrant red accent against black and white, monstrous and savage, pure furious ecstasy.
Shadasky Lirka
#Baki the Grappler
AI artwork
Avatar image of Shadasky Lirka
character: tokita_ouma, ohma, artist: ratatatat74, copyright: kengan_ashura solo, 1boy, male focus, adult man, mature male, full body shot, fight stance, savage stance, incoming attack, rage, furious, angry, insane, evil grin, challenging smile, arrogant, ferocious gaze, glowing eyes, red eyes, dark hair, curly hair, ((red skin)), scarlet skin, massive muscle build, very muscular, bulging veins, abs, trained body, black pants, monstrous appearance, imposing, from below, dutch angle, foreshortening, dynamic pose, white background, spot color, dark shading, dramatic lighting, cinematic anime illustration, clenched hand, open mouth, teeth, wide-eyed The camera sits low and canted, looking up at him from knee height through a slight dutch tilt so he looms across the frame, his whole body inside the shot from the flat soles of his feet to the top of his head. He is a grown, heavy-set man, skin burned to a deep scarlet red all over — ((red skin)) across his chest, his arms, his face — with a thick, trained, massive muscle build stacked under it: broad pectorals, ridged abs, deltoids and forearms swollen so hard the veins stand out in raised blue cords down his biceps and across the backs of his hands. Dark curly hair mats in tight coils over his skull and breaks into short ringlets at his temples. His feet are planted wide, weight sunk on the back leg with the front knee bent and the front foot's toes gripping, hips turned a quarter away from the lens while his shoulders swing back toward it, one arm cocked low and drawn back to the ribs with the knuckles whitened into a fist, the other hand raised open, fingers splayed, in front of his chin. He is twisted mid-coil, three-quarters turned, the whole torso wringing like a wound spring, one shoulder riding higher than the other, an incoming blow loaded and not yet thrown. His head is tipped down so the low lens sees him from under the brow: red eyes glowing from inside the sockets, glowing crescents along the lower lids, pupils pin-points inside the red. His mouth is pulled into a challenging arrogant smile with the teeth bared and one corner riding higher, jaw clenched, a crease cut deep between the brows, and the grin reads as pure insane delight in the fight. Every tendon in his neck stands out. No one else is in the frame; there is no visible surface under him and no horizon; the ground is bare and the air behind him is empty white, so he is the only thing in the world. Dramatic lighting rakes him from low and to his right, so hard rim light cuts a white edge down the veins of one arm and the ridge of his shoulder while the other side of his chest and the far side of his jaw fall into dense dark shading; the cast shadow drops somewhere outside the frame. Spot color discipline is strict — the scarlet red of his skin is the only warm hue in the image, and it is the only hue at all besides the glow; the black pants and the dark curls are the darkest masses, and the white is a clean void around him. When a lick of flame or a forked spark of electricity is admitted behind his shoulder, it stays a thin, hard, saturated riff of orange or blue-white on the white field and lights nothing of him. Sweat beads stand proud on the red shoulder and catch the rim light; the veins bulge against the surface and never break it. Sharp cel-shading with crisp dark linework, high contrast between the hot rim and the deep shaded planes, cinematic wide-lens perspective pushing the near fist large and shrinking the far foot; he is calm under the fury, and the white silence makes the rage enormous.
Shadasky Lirka
AI artwork
Avatar image of Shadasky Lirka
character: tokita_ouma, ohma, artist: ratatatat74, copyright: kengan_ashura solo, 1boy, male focus, adult man, mature male, muscular, very muscular, big muscles, abs, bulging veins, topless, bare chest, ((red skin)), scarlet red skin, reddish-toned skin, dark hair, curly hair, short dark curly hair, dark red eyes, glowing eyes, red eyes, angry, furious, rage, choleric, insane, evil grin, challenging smile, arrogant smile, open mouth, teeth, ferocious gaze, intimidating, looking at viewer, savage stance, fighting stance, clenched fists, incoming attack, dynamic pose, foreshortening, from below, dutch angle, full body, black pants, white background, simple background, spot color, glowing, dark shading, dramatic lighting, backlighting, rim lighting, high contrast, sharp cel-shading, cinematic, wide angle Full body shot from a low dramatic battle angle, tilted a few degrees off level, so the lone man looms up out of a plain solid white field — no scenery, no objects, no second figure anywhere in the frame; the white is unbroken edge to edge and the only darkness in the image is cast on his own body. He is an adult man of heavy, trained build, shirtless, chest and shoulders thick with slabbed muscle, abs cut in hard rows, veins standing out roped along both forearms, across the biceps and up the side of the neck; every inch of bare skin is ((red skin)) — a saturated scarlet that deepens to near-crimson in the hollows of the muscle and burns brighter over the peaks. Short dark curly hair clings in tight coils to his scalp, matted forward over a sweat-sheened brow, and his eyes glare out of the shadow of that brow as two points of glowing red, hot and small, aimed straight down the lens. He is caught in the middle of a rush: weight pitched onto the forward leg, that knee bent and driven over the toes, rear leg extended back and braced, hips twisted so the torso comes round toward the viewer, one fist cocked and the other arm slung low for the follow-through, shoulders rolled forward, chin dipped. The attacking arm is thrown toward the camera and foreshortened — the fist huge and blurred-edged at the near plane, the arm receding to the shoulder — while the other fist is clenched white-knuckled at his hip and the black pants twist and crease across his thighs, cuffs snapping back from the speed of the step. His mouth is torn open in a wide challenging smile, arrogant and savage at once, teeth bared, upper lip lifted, one brow hooked higher than the other; he is not looking past the viewer but through them. A hard backlight rims the whole silhouette — the outline of the curls, the shelf of shoulder, the ridge of the forearms — in a thin hot edge that separates him from the white, while a colder key from the front-left cuts the muscle into sharp cel-shaded planes with a hard shadow edge and a violet-black core in every crevice. Colour is disciplined to three things and no more: the scarlet body, the black of the pants and the shadows, and the glowing red of the eyes; the background contributes nothing but white, and the glow of the eyes and the hottest rim-light lines are the only bloom in the frame. A faint haze of displacement trails off the attacking fist and the leading shoulder — disturbed air made visible against the flat white, dragged into thin streaks along the direction of the strike — and the sweat on his skin catches the rim light only where the surface faces the light, leaving the rest of him dry and matte. Ferocious, cinematic.
Shadasky Lirka
#Baki the Grappler

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