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Saki Chan
Kawaii Sexy Perfect Girl
W PixAI prompty są domyślnie publiczne, ale twórcy mogą je ukryć w każdej opublikowanej pracy. Autor tej pracy zdecydował się to zrobić, więc słowa użyte do wygenerowania obrazu pozostają prywatne — widzi je wyłącznie autor. Ukrycie promptu nie zmienia niczego więcej: praca nadal jest publiczna, a Ty możesz ją polubić, skomentować i udostępnić jak zwykle.
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1girl, solo, huge breasts, pure-looking face, standing, facing front, looking at viewer, short sleeves, crop top, midriff, bare midriff, navel, miniskirt, pleated skirt, bright room, indoors, from below, cowboy shot, arms behind back, head tilt, closed mouth, faint smile, soft blush, long hair, brown hair, straight hair, sidelocks, brown eyes, collarbone, slender waist, wide hips, sunlight, window light, day, pastel palette
The camera sits low, slightly below her eye level, tilted up a little so the bright room opens out above her head and she reads as present rather than posed; she stands square to the lens with her face turned straight to the viewer, chin level, both eyes meeting the lens directly with a calm, unforced gaze. Her weight settles onto her left leg, right knee relaxed and turned slightly inward, hips canted just off the frame's vertical axis so the silhouette is not symmetrical; both hands are folded loosely behind her back, wrists crossed, elbows softly bent, which draws her shoulders back and lifts her chest. Her face is the quiet kind of pretty: fine straight brows sitting level, a narrow chin, a small closed mouth with the corners eased into the faintest smile, lashes lowered just a fraction so the look is gentle rather than blank, and a soft warm blush high on each cheek. Long straight brown hair falls past her shoulder blades, parted in the middle with two short locks framing her cheeks, and where it meets her shoulders the strands splay outward from the backward-rolled shoulders instead of lying flat. The short-sleeved top is white cotton, its sleeve hems ending mid-upper-arm with a soft crease at the edge, and it stops high above her waist so a band of bare midriff and her navel are open to the light; the fabric pulls taut across her very large bust, the cotton creasing in short diagonal folds from the underbust to the side seams, and the hem rides up over the swell of her ribs. Below it a navy pleated denim mini skirt sits at her hipbones, the pleats falling in crisp vertical lines that break into shallow zigzags at the hem well above her knees, the dark denim a single deep saturated anchor against the pale room. Light comes from a large window off-frame left: a broad cool-white wash strikes the left side of her face, her left sleeve, the left slope of her chest and the left half of the skirt, leaving the right side of her body one step softer and cooler in tone, and a long low shadow of her legs and skirt stretches to the right across a light wooden floor. Behind her the room is bright and simple -- a cream-white wall, a window with pale sheer curtains glowing at the left edge, a low pale-wood cabinet at the far right, everything washed toward high key so no dark mass competes with her. Where the sun crosses the floorboards, the light skims along the seams between the boards and the thin gaps read as fine darker lines running away to the right. Palette of cream, white, warm pale wood and one block of deep navy, skin kept warm and soft. Airy, quietly radiant.
ぺーぺー
ぺ
1girl, solo, huge breasts, pure-looking face, standing, facing front, looking at viewer, short sleeves, crop top, midriff, bare midriff, navel, miniskirt, pleated skirt, bright room, indoors, from below, cowboy shot, arms behind back, head tilt, closed mouth, faint smile, soft blush, long hair, brown hair, straight hair, sidelocks, brown eyes, collarbone, slender waist, wide hips, sunlight, window light, day, pastel palette
The camera sits low, slightly below her eye level, tilted up a little so the bright room opens out above her head and she reads as present rather than posed; she stands square to the lens with her face turned straight to the viewer, chin level, both eyes meeting the lens directly with a calm, unforced gaze. Her weight settles onto her left leg, right knee relaxed and turned slightly inward, hips canted just off the frame's vertical axis so the silhouette is not symmetrical; both hands are folded loosely behind her back, wrists crossed, elbows softly bent, which draws her shoulders back and lifts her chest. Her face is the quiet kind of pretty: fine straight brows sitting level, a narrow chin, a small closed mouth with the corners eased into the faintest smile, lashes lowered just a fraction so the look is gentle rather than blank, and a soft warm blush high on each cheek. Long straight brown hair falls past her shoulder blades, parted in the middle with two short locks framing her cheeks, and where it meets her shoulders the strands splay outward from the backward-rolled shoulders instead of lying flat. The short-sleeved top is white cotton, its sleeve hems ending mid-upper-arm with a soft crease at the edge, and it stops high above her waist so a band of bare midriff and her navel are open to the light; the fabric pulls taut across her very large bust, the cotton creasing in short diagonal folds from the underbust to the side seams, and the hem rides up over the swell of her ribs. Below it a navy pleated denim mini skirt sits at her hipbones, the pleats falling in crisp vertical lines that break into shallow zigzags at the hem well above her knees, the dark denim a single deep saturated anchor against the pale room. Light comes from a large window off-frame left: a broad cool-white wash strikes the left side of her face, her left sleeve, the left slope of her chest and the left half of the skirt, leaving the right side of her body one step softer and cooler in tone, and a long low shadow of her legs and skirt stretches to the right across a light wooden floor. Behind her the room is bright and simple -- a cream-white wall, a window with pale sheer curtains glowing at the left edge, a low pale-wood cabinet at the far right, everything washed toward high key so no dark mass competes with her. Where the sun crosses the floorboards, the light skims along the seams between the boards and the thin gaps read as fine darker lines running away to the right. Palette of cream, white, warm pale wood and one block of deep navy, skin kept warm and soft. Airy, quietly radiant.
ぺーぺー
j3
1girl, sfw, solo, looking at viewer, school uniform, pleated skirt, long hair, smile
j363 w
ぺ
1girl, solo, huge breasts, pure-looking face, standing, facing front, looking at viewer, short sleeves, crop top, midriff, bare midriff, navel, miniskirt, pleated skirt, bright room, indoors, from below, cowboy shot, arms behind back, head tilt, closed mouth, faint smile, soft blush, long hair, brown hair, straight hair, sidelocks, brown eyes, collarbone, slender waist, wide hips, sunlight, window light, day, pastel palette
The camera sits low, slightly below her eye level, tilted up a little so the bright room opens out above her head and she reads as present rather than posed; she stands square to the lens with her face turned straight to the viewer, chin level, both eyes meeting the lens directly with a calm, unforced gaze. Her weight settles onto her left leg, right knee relaxed and turned slightly inward, hips canted just off the frame's vertical axis so the silhouette is not symmetrical; both hands are folded loosely behind her back, wrists crossed, elbows softly bent, which draws her shoulders back and lifts her chest. Her face is the quiet kind of pretty: fine straight brows sitting level, a narrow chin, a small closed mouth with the corners eased into the faintest smile, lashes lowered just a fraction so the look is gentle rather than blank, and a soft warm blush high on each cheek. Long straight brown hair falls past her shoulder blades, parted in the middle with two short locks framing her cheeks, and where it meets her shoulders the strands splay outward from the backward-rolled shoulders instead of lying flat. The short-sleeved top is white cotton, its sleeve hems ending mid-upper-arm with a soft crease at the edge, and it stops high above her waist so a band of bare midriff and her navel are open to the light; the fabric pulls taut across her very large bust, the cotton creasing in short diagonal folds from the underbust to the side seams, and the hem rides up over the swell of her ribs. Below it a navy pleated denim mini skirt sits at her hipbones, the pleats falling in crisp vertical lines that break into shallow zigzags at the hem well above her knees, the dark denim a single deep saturated anchor against the pale room. Light comes from a large window off-frame left: a broad cool-white wash strikes the left side of her face, her left sleeve, the left slope of her chest and the left half of the skirt, leaving the right side of her body one step softer and cooler in tone, and a long low shadow of her legs and skirt stretches to the right across a light wooden floor. Behind her the room is bright and simple -- a cream-white wall, a window with pale sheer curtains glowing at the left edge, a low pale-wood cabinet at the far right, everything washed toward high key so no dark mass competes with her. Where the sun crosses the floorboards, the light skims along the seams between the boards and the thin gaps read as fine darker lines running away to the right. Palette of cream, white, warm pale wood and one block of deep navy, skin kept warm and soft. Airy, quietly radiant.
ぺーぺー
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