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26.11.07 #1
W PixAI prompty są domyślnie publiczne, ale twórcy mogą je ukryć w każdej opublikowanej pracy. Autor tej pracy zdecydował się to zrobić, więc słowa użyte do wygenerowania obrazu pozostają prywatne — widzi je wyłącznie autor. Ukrycie promptu nie zmienia niczego więcej: praca nadal jest publiczna, a Ty możesz ją polubić, skomentować i udostępnić jak zwykle.
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26.11.07 #5
Louen
1girl, solo, full body, from above, standing on one leg, tiptoes, one leg raised behind, leaning forward slightly, head tilt, light smile, half-closed eyes, looking down, shoulder-length hair, medium hair, brown hair, lightly swaying bangs, hair lifted by motion, clean simple one-piece dress, pale blue cotton dress, modest neckline, short sleeves, knee-length skirt, white ankle socks, pastel socks, floral embroidery, embroidered flowers near toes, tiny heart embroidery on sock side, round-toed shoes, brown leather mary janes, ankle strap, soft lighting, warm palette, anime style, plain unadorned ears, bare wrists, high angle, soft ambient daylight, gentle expression, cozy atmosphere
Viewed from above at a slight three-quarter angle, the girl fills the frame from crown to shoes, her body leaning forward into the lens as she balances on the toes of her right foot, her left leg lifted and bent behind her knee so the hem of her pale blue cotton dress swings forward and hangs in a soft bell. Her torso tilts toward the camera, weight carried through the ball of the right foot and the strap of her Mary Jane, and both arms hang loosely, fingers curled and relaxed, no hands touching anything. Her shoulders drop, chin tips down and a little to her left, and her gaze slides down and off toward the floor at her raised foot rather than meeting the lens; her right brow sits a fraction higher than the left, lip corners pulled into a faint closed-mouth smile, one eyelid lower than the other. Her shoulder-length brown hair is caught mid-motion, bangs and side locks sifting forward over her forehead and toward her cheek as if lifted by the small turn of her head, some strands grazing the collar of the dress. The dress itself is simple and spotless: a modest round neckline, short sleeves, a plain hem that flares away from her thighs, no pattern on the cotton but the faint softness of the weave.
The camera looks down steeply enough that the floor is a broad pale surface behind and beneath her, holding her small cast shadow — narrow at the toe of the planted shoe, widening toward the lifted heel — and the toes of the raised foot curl slightly in the air. Both socks are in plain view: white knit with a soft pastel undertone, snug at the ankle, their tiny embroidered flowers stitched near the toes and a small heart at the outer side of the right sock, the thread standing slightly proud of the knit and catching light along each petal so the stitches read as raised, tactile loops rather than print. The brown leather Mary Janes have rounded bulbous toes, a single thin instep strap fastened with a small buckle, and a soft dull sheen where the leather crowns; a faint scuff lightens the toe of the planted shoe. Light comes from high and slightly behind her left shoulder, diffuse and warm, laying a broad soft highlight along the crown of her head, the tops of her shoulders and the rounded toes of the shoes, while the undersides of her chin, sleeves and hem fall into gentle graded shade and the shadow beneath her stays soft-edged rather than sharp. The palette is warm and low-contrast — pale blue cotton, cream-white socks with blush and butter-yellow thread, cocoa-brown leather, honeyed light on a soft ivory floor — and nothing else is admitted. Her hair and hem still hang in the last instant of movement. Tender, warm.
むぎ
1girl, solo, full body, from above, standing on one leg, tiptoes, one leg raised behind, leaning forward slightly, head tilt, light smile, half-closed eyes, looking down, shoulder-length hair, medium hair, brown hair, lightly swaying bangs, hair lifted by motion, clean simple one-piece dress, pale blue cotton dress, modest neckline, short sleeves, knee-length skirt, white ankle socks, pastel socks, floral embroidery, embroidered flowers near toes, tiny heart embroidery on sock side, round-toed shoes, brown leather mary janes, ankle strap, soft lighting, warm palette, anime style, plain unadorned ears, bare wrists, high angle, soft ambient daylight, gentle expression, cozy atmosphere
Viewed from above at a slight three-quarter angle, the girl fills the frame from crown to shoes, her body leaning forward into the lens as she balances on the toes of her right foot, her left leg lifted and bent behind her knee so the hem of her pale blue cotton dress swings forward and hangs in a soft bell. Her torso tilts toward the camera, weight carried through the ball of the right foot and the strap of her Mary Jane, and both arms hang loosely, fingers curled and relaxed, no hands touching anything. Her shoulders drop, chin tips down and a little to her left, and her gaze slides down and off toward the floor at her raised foot rather than meeting the lens; her right brow sits a fraction higher than the left, lip corners pulled into a faint closed-mouth smile, one eyelid lower than the other. Her shoulder-length brown hair is caught mid-motion, bangs and side locks sifting forward over her forehead and toward her cheek as if lifted by the small turn of her head, some strands grazing the collar of the dress. The dress itself is simple and spotless: a modest round neckline, short sleeves, a plain hem that flares away from her thighs, no pattern on the cotton but the faint softness of the weave.
The camera looks down steeply enough that the floor is a broad pale surface behind and beneath her, holding her small cast shadow — narrow at the toe of the planted shoe, widening toward the lifted heel — and the toes of the raised foot curl slightly in the air. Both socks are in plain view: white knit with a soft pastel undertone, snug at the ankle, their tiny embroidered flowers stitched near the toes and a small heart at the outer side of the right sock, the thread standing slightly proud of the knit and catching light along each petal so the stitches read as raised, tactile loops rather than print. The brown leather Mary Janes have rounded bulbous toes, a single thin instep strap fastened with a small buckle, and a soft dull sheen where the leather crowns; a faint scuff lightens the toe of the planted shoe. Light comes from high and slightly behind her left shoulder, diffuse and warm, laying a broad soft highlight along the crown of her head, the tops of her shoulders and the rounded toes of the shoes, while the undersides of her chin, sleeves and hem fall into gentle graded shade and the shadow beneath her stays soft-edged rather than sharp. The palette is warm and low-contrast — pale blue cotton, cream-white socks with blush and butter-yellow thread, cocoa-brown leather, honeyed light on a soft ivory floor — and nothing else is admitted. Her hair and hem still hang in the last instant of movement. Tender, warm.
むぎ
1
1girl, solo, full body, from above, standing on one leg, tiptoes, one leg raised behind, leaning forward slightly, head tilt, light smile, half-closed eyes, looking down, shoulder-length hair, medium hair, brown hair, lightly swaying bangs, hair lifted by motion, clean simple one-piece dress, pale blue cotton dress, modest neckline, short sleeves, knee-length skirt, white ankle socks, pastel socks, floral embroidery, embroidered flowers near toes, tiny heart embroidery on sock side, round-toed shoes, brown leather mary janes, ankle strap, soft lighting, warm palette, anime style, plain unadorned ears, bare wrists, high angle, soft ambient daylight, gentle expression, cozy atmosphere
Viewed from above at a slight three-quarter angle, the girl fills the frame from crown to shoes, her body leaning forward into the lens as she balances on the toes of her right foot, her left leg lifted and bent behind her knee so the hem of her pale blue cotton dress swings forward and hangs in a soft bell. Her torso tilts toward the camera, weight carried through the ball of the right foot and the strap of her Mary Jane, and both arms hang loosely, fingers curled and relaxed, no hands touching anything. Her shoulders drop, chin tips down and a little to her left, and her gaze slides down and off toward the floor at her raised foot rather than meeting the lens; her right brow sits a fraction higher than the left, lip corners pulled into a faint closed-mouth smile, one eyelid lower than the other. Her shoulder-length brown hair is caught mid-motion, bangs and side locks sifting forward over her forehead and toward her cheek as if lifted by the small turn of her head, some strands grazing the collar of the dress. The dress itself is simple and spotless: a modest round neckline, short sleeves, a plain hem that flares away from her thighs, no pattern on the cotton but the faint softness of the weave.
The camera looks down steeply enough that the floor is a broad pale surface behind and beneath her, holding her small cast shadow — narrow at the toe of the planted shoe, widening toward the lifted heel — and the toes of the raised foot curl slightly in the air. Both socks are in plain view: white knit with a soft pastel undertone, snug at the ankle, their tiny embroidered flowers stitched near the toes and a small heart at the outer side of the right sock, the thread standing slightly proud of the knit and catching light along each petal so the stitches read as raised, tactile loops rather than print. The brown leather Mary Janes have rounded bulbous toes, a single thin instep strap fastened with a small buckle, and a soft dull sheen where the leather crowns; a faint scuff lightens the toe of the planted shoe. Light comes from high and slightly behind her left shoulder, diffuse and warm, laying a broad soft highlight along the crown of her head, the tops of her shoulders and the rounded toes of the shoes, while the undersides of her chin, sleeves and hem fall into gentle graded shade and the shadow beneath her stays soft-edged rather than sharp. The palette is warm and low-contrast — pale blue cotton, cream-white socks with blush and butter-yellow thread, cocoa-brown leather, honeyed light on a soft ivory floor — and nothing else is admitted. Her hair and hem still hang in the last instant of movement. Tender, warm.
むぎ
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