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AI art "Medusa Jashin-chan dropkick"
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Medusa Jashin-chan dropkick

#ahoge#Piersi#Spódnica#Niebo#pępek#krótkie włosy#Na zewnątrz#solo#fioletowe włosy#Zmarszczone brwi#chmura#fioletowe oczy#1 dziewczyna#Małe piersi#Dzień#błękitne niebo#Starożytny Egipt#Dropkick on My Devil!#Meduza#kołnierz usech
Avatar image of Ricardo Barreto de Brittes
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Ricardo Barreto de Brittes

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Komentarze1

jashin-chan dropkick, 1girl, solo, short hair, jewelry, navel, bare shoulders, purple eyes, ahoge, purple hair, small breasts, sky, frown, tiara, ancient egyptian, ancient egyptian clothes, usekh collar
Pokaż parametry
Rozmiar
720 x 1280
Kroki próbkowania
28
Metoda próbkowania
Euler a
Skala CFG
5
Niepożądane
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

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LoRA użytkownika

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Medusa (Jashin-chan Dropkick) Illustrious - AI Model cover image

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AI artwork
あ
character: jashin-chan, medusa_(jashin-chan_dropkick), copyright: jashin-chan_dropkick 1girl, solo, full body, standing, looking at viewer, smile, open mouth, :d, short hair, purple hair, purple eyes, ahoge, hair between eyes, small fang, small breasts, midriff, navel, white skirt, ancient egyptian clothes, usekh collar, jewelry, earrings, bracelet, armlet, hand up, sandals, gladiator sandals, transparent background, from below, dutch angle, outstretched arm, v, head tilt, looking down at viewer, smug, fang, pink-tinted cheeks, ancient egyptian palette, flat cel shading, clean lineart Low-angle dutch shot, tilted about twelve degrees, the camera set at hip height so the figure towers slightly against an absolutely transparent field — no ground, no horizon, no backdrop line, only bare canvas around her. She stands full-body in frame from the soles of her gladiator sandals to the tip of the ahoge, her weight carried on her straight right leg while her left knee softens inward and her left sandal rests heel-lifted a finger's width off the nothing beneath it, toes pointed. Her right arm is thrown up and out to her own upper left, elbow soft, forearm angled across the top of the frame, palm open toward the viewer with thumb and index forming a lopsided V; her left hand lies flat against her hip bone just above the white skirt's waistband, fingers splayed and pressing the fabric in five soft dimples. Her shoulders roll back, chest lifted, spine in a shallow backwards curve — the pose of someone showing off a sun-warm midriff — and the exposed strip of bare skin runs from beneath the usekh collar down to the skirt's top edge, the navel a small round knot of shadow at its center. Her face tips chin-down toward the lens with the head tilted so one purple eye sits higher than the other; both eyes are wide and fixed on the viewer, lower lids pushed up by the grin. The mouth is open in a broad :d, upper teeth showing and a single small fang catching on the lower lip, one brow cocked higher than its partner, a faint pink flush across both cheeks. Short purple hair falls to the jaw and cuts sharply forward at the cheekbones; a hank of it drops between the eyes, the ahoge springs up from the crown in a thin curl, and the tilted pose throws a couple of loose strands across her right cheek. Earrings hang from both lobes, swinging a touch forward of her jaw because her head has turned. The ancient Egyptian clothes resolve as a broad usekh collar of layered turquoise, lapis-blue and coral beads fanned wide over collarbones and upper chest, its lower edge following the curve of her shoulders, so most of the torso below it is bare skin; a slim white skirt wraps the hips from waist to mid-thigh with a single soft diagonal fold across the front. A gold armlet band with a small blue inlay circles her raised right upper arm, a beaded bracelet sits at that wrist, and a second narrow bracelet crosses her left wrist at the hip. The gladiator sandals lace up in thin straps around ankles and the lower calf, crisscrossing over bare skin, a horizontal band cupping each foot across the toes. All metal reads as warm gold; all stone reads as turquoise and lapis against the purple hair. The palette admits nothing but purple hair and eyes, warm skin tones, gold, turquoise and lapis blue against the plain white of the untouched ground, with the white skirt repeating the field's own color. The only light is a soft even key from the front and slightly above, generating contact shadows directly beneath the usekh collar on her collarbone, beneath the skirt's waistband, in the crook of the raised arm, and under both sandal soles — those small dark patches of shadow floating on the transparent ground are the only thing that anchors her to the frame. Flat cel shading with hard-edged shadows, clean thin lineart, no grain and no texture; a bright, sun-warm, effortless cartoon regality.
ああああ
#Dropkick on My Devil!

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