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AI art "すみ" featuring #What You Love, Your Way 3
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すみ

Contest Entry
3rd "Favorite Works" Contest#What You Love, Your Way 3
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ブラック・マオ・ニューオメガ

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character: sumi_(monobeno), copyright: monobeno sumi_(monobeno), 1girl, solo, multicolored hair, red hair, white streaked hair, short hair, sidelocks, hair between eyes, red eyes, bow, kimono, obi, japanese clothes, cowboy shot, from above, looking up, head tilt, leaning forward, arms behind back, tiptoes, standing on one leg, light smile, one eye closed, blush, dutch angle, warm lantern light, night, stone steps From a high three-quarter angle looking down, a short-haired girl stands on the worn stone step of a shrine stair in the blue hour, tilted a little off the vertical so the shot reads as a gentle dutch angle. Her hair is short and cut close at the nape, a mix of deep red and pale white strands interleaved through the crown and the long sidelocks that fall past her jaw, with a straight fringe parted enough to leave a few strands between her brows; a small bow sits at the back of her head, its tails lifted slightly. She is caught mid-turn on her toes: her weight rides on the ball of her left foot, heel peeled off the stone, right leg crossed lightly behind, both hands linked behind her back so her shoulders pull open and the collar of the kimono draws taut at the nape. The kimono is a soft indigo figured cloth with a wide obi cinched high, its knot pressed flat against her lower back where her knuckles rest; the hem swings slightly out from the hem-weight of the turn, and the sleeve on her far arm hangs away with the same motion. Her chin is tipped up and her face turns over her shoulder toward the lens above her, red eyes catching the overhead light; one eye is squeezed shut in a wink, the other wide and bright under a lowered brow, the corner of her mouth pulled into a light closed-lip smile, a faint blush sitting high on both cheeks. The light source is a single stone lantern at the upper left of the frame, its flame the only light: it strikes the top planes of her hair and the white streaks running along the crown, rims her left shoulder and the bow's edge, and leaves her lower body and her right side in a deep quiet blue; a short soft shadow of her body falls down and to the right across the step, and the pale stone beneath her lifted heel stays brighter than the treads below. Around her the shrine ground is empty and in shadow, wet-flagged steps receding below into darkness, low stone railings and the dark bulk of trees above the lantern's pool, cool indigo and moss-green in the air with the lantern's amber as the one warm note, her red-and-white hair the second accent against the blue stone. Crisp linework, clean cel shading with a soft gradient in the shadows, a reserved palette of indigo, amber and red. Quiet mischief, wistful.
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ものべの、すみ
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flash
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768 x 1280
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Model i LoRA użyte

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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character: uraume_(jujutsu_kaisen), copyright: jujutsu_kaisen 1girl, uraume, solo, pov, leaning forward, leaning over viewer, from below, looking down at viewer, close-up, upper body, giant breasts, large breasts, giant thighs, thick thighs, tiny waist, narrow waist, fully clothed, black kimono, white kimono, two-tone kimono, japanese clothes, long sleeves, wide sleeves, sash, obi, multicolored hair, two-tone hair, red hair, white hair, short hair with long side locks, blunt bangs, pale skin, calm expression, half-closed eyes, light smile, head tilt, hands on own knees, arms straight, sleeves hanging down, indoor, shoji, paper screens, dim interior, soft window light, cool palette The camera looks up from where the viewer sits or kneels on the tatami floor: a POV shot, the viewer's own eyeline at floor height, the figure leaning down over the lens so that her face fills the top third of the frame and her torso swells toward the camera, near shoulder and sleeves dropping close to the edges, her knees planted on either side of the viewer's space. She is bent forward at the hips with her weight resting through both knees and her spine arched so that her waist stays narrow and cinched tight under the obi, while the chest and the thighs read enormously exaggerated by the low angle and the foreshortening -- great masses of black and white kimono fabric crowding the middle of the frame and swelling wider and wider as they recede from her shoulders to the lens. Both hands rest flat on her own knees, long sleeves hanging straight down from her wrists and swaying slightly, elbows locked, shoulders lifted toward her ears with the lean. Her short two-tone hair, red at the left and white at the right with blunt bangs, hangs forward away from her scalp with the tilt of her head, ends swaying; her head is tipped down so she looks straight into the lens from above -- half-lidded eyes, a faint closed-lip smile, one brow slightly raised, chin lowered, an unhurried appraisal aimed at the viewer. The kimono is fastened and fully closed at the throat, the collar crossed high, nothing exposed but her face and hands. Behind and above her, a quiet interior: pale shoji paper screens in a shallow grid, dark wooden posts, a single low window behind her left shoulder. That window is the only light in the room -- cool, diffuse daylight raking in from the upper left behind her, so that the black half of her kimono falls into near-silhouette and the white half glows, her face is lit from above with soft shadows under the brow and chin, and her cast shadow spills across the tatami toward the viewer's feet, long and soft-edged. Palette held to black, off-white paper, muted red, dark wood and the warm straw of the tatami; no other colours admitted. Within the sleeve openings and at her collar, faint breath of air moves the fabric. Intimate, quietly imperious.
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