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AI artwork featuring #Seria Fate, #Fate/Grand Order and #Nagao Kagetora
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Nagao Kagetora, Seria Fate

#Seria Fate#Fate/Grand Order#Nagao Kagetora
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character: nagao_kagetora_(fate), copyright: fate/grand_order 1girl, solo, nagao_kagetora \(fate\), very_long_hair, two-tone_hair, black_hair, white_hair, multicolored_hair, hair_between_eyes, green_eyes, yellow_eyes, pilot_suit, skin-tight, blue_fabric, gold_trim, gold_decorations, gloves, standing, contrapposto, hand_on_hip, looking_at_viewer, head_tilt, raised_eyebrow, light_smile, cowboy_shot, from_below, dutch_angle, Low-angle three-quarter view looking up past her left hip, the camera tilted a few degrees off level so the hangar's overhead gantry runs as a diagonal behind her head. She stands in a wide contrapposto, weight sunk into her right leg, left hip pushed out toward the lens and left hand planted flat on that hip, fingers splayed over the blue fabric, while her right arm hangs loose with the fingers half-curled. Her very long two-tone hair — black through the crown and the long fall down her back, white streaked through the front locks that hang between her eyes — swings to one side of its own weight, one white lock crossing her cheek. Her chin tips down toward the viewer and her yellow-green eyes look straight into the lens, one brow arched higher than the other, a small closed-lip smile pulling more at the left corner. The pilot suit is one continuous skin-tight shell of deep saturated blue that clings from throat to ankle, so the fabric pulls taut and highlights across the chest, the front of each thigh and the hip she is pressing; at the joints it creases into tight radial wrinkles at the crotch of the shoulder, the inside of the elbow and the back of the knee. Gold decoration rides the suit as real appliqué — a gold collar band, gold piping running the outside of each arm and each leg, gold chevron plates across the ribs, a gold belt hardware at the waist and gold bands cinching the wrists into black gloves whose fingers stay hooked loosely at her side. The gold is polished and catches the light as raised metal, not printed colour. She stands on the ribbed steel deck of a hangar, the deck plates receding in perspective under the low camera and a blurred dark aircraft nose and landing gear far behind her right shoulder, out of focus. A cold overhead work-lamp sits high behind and to the left of her, so its light rakes down her right side: a hard rim along her right shoulder, right cheekbone and the outer edge of her right thigh, a crisp specular streak sliding down the shiny blue of the thigh, and a soft deep-blue shadow falling across her left side and onto the deck at her left foot. Beyond the lamp's reach the hangar falls into flat near-black. Palette held to deep blue, polished gold, black, and the cold white of the lamp, with her white hair streak as the one bright neutral. Quiet, cool confidence.
Pokaż parametry
Oryginalny prompt
ピチピチで蒼い生地に金色の装飾があしらわれたパイロットスーツを着た長尾影虎(FGO)
Tryb
pro
Rozmiar
1104 x 1824
Metoda próbkowania
Euler
Niepożądane
lowres, worst quality, low quality, bad anatomy, explicit
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AI artwork
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character: nagao_kagetora_(fate), copyright: fate/grand_order 1girl, solo, nagao_kagetora_(fate), very_long_hair, two-tone_hair, black_hair, white_hair, multicolored_hair, hair_between_eyes, green_eyes, yellow_eyes, tight-fitting_red_pilot_suit, red_bodysuit, skin-tight, zip-up_front, long_sleeves, gloves, red_gloves, standing, from_below, foreshortening, looking_down_at_viewer, one_hand_on_hip, head_tilt, smug, confident_smile, half-closed_eyes, dutch_angle, cowboy_shot, hangar, industrial_background, rim_light, cinematic_lighting, dynamic_angle, Low dutch-angle cowboy shot from below, the camera tilted so the diagonals of the hangar ceiling trusses rake across the upper third of the frame. A single woman stands centered but angled three-quarters to her right, weight loaded onto her left leg with the right hip pushed slightly out and the right knee relaxed; her left hand rests flat on her left hip, fingers splayed and pressing the tight fabric into a soft crease beneath them, while her right arm hangs loose with the glove cuff just touching her outer thigh. Her head is tilted a few degrees to her right, chin slightly lowered, so she is looking down along the line of the lens through half-lowered lids, one brow lifted a fraction above the other, the corner of her mouth pulled up in a small lopsided smirk. Her very long two-tone hair — black at the crown and falling into white toward the tips — sweeps back off her shoulders as if a hangar draft has just caught it, strands lifting away from the suit's high collar on her left side and streaming toward the right edge of frame, some locks crossing in front of her shoulder and others vanishing behind her back. She wears a skin-tight red pilot suit that follows the whole body: a front zip running from the throat down to the waist, long sleeves ending in snug red gloves, the fabric pulling taut over the chest and thighs and creasing at the inside of the elbow and the hip where she bears her weight. The suit's surface is a low-sheen technical weave that catches a hard rim of light along her left shoulder, the outside of her left forearm and the outer curve of her left thigh, leaving the front planes of the suit in a deep saturated crimson. No armor, no jacket, no bare shoulders, no wide sleeves — the red suit is the entire outfit. The environment is a cavernous aircraft hangar: a concrete floor with worn painted guide lines running away toward the bottom of the frame, a fighter fuselage and landing gear blurred into the midground behind her right shoulder, and a high ceiling of steel trusses and caged lamps. The light comes from a single bank of cold hangar floods high to her left, throwing a hard-edged shadow of her body and a looping shadow of her hair onto the floor and angled up the left wall; the far end of the hangar beyond her falls into unlit dark, and the lamps are the only source. Dust motes hang visible in the beam. Palette limited to the red of the suit, the black-and-white of her hair, cold steel blue-grey of the hangar and the concrete's neutral grey, with her green-yellow eyes the only other saturated note. Fine-grain anime cel rendering with crisp linework, flat shaded planes and hard shadow edges. Commanding, quietly cocky.
ゆきくら
AI artwork
ゆ
character: nagao_kagetora_(fate), copyright: fate/grand_order 1girl, solo, nagao kagetora, very long hair, two-tone hair, white hair, black hair, multicolored hair, hair between eyes, green eyes, yellow eyes, skin-tight blue pilot suit, blue bodysuit, full body suit, long sleeves, gloves, blue gloves, skin tight, zipper, standing on one leg, leaning forward, tiptoes, arm up, outstretched arm, head tilt, looking at viewer, one eye closed, grin, open mouth, from below, dutch angle, cowboy shot, dynamic pose, dutch angle, from below, cowboy shot: a low, tilted camera looks up at the woman from hip height, the horizon canted across the frame, so that her whole figure leans into the lens with its weight on her right leg planted flat, left leg lifted and bent back with the toes of her left boot hovering off the floor, the toe not yet down; her torso tips forward over that planted hip, shoulders rolled forward, chest angled at the camera, her right arm thrown up and out past the frame edge with the fingers of her gloved right hand spread wide, left arm bent so the gloved left hand rests loosely against her own hip, thumb hooked on the crest of the pelvis. The skin-tight blue pilot suit is one continuous second skin of deep cobalt synthetic, matte across the shoulders and belly and glassy along the outer thighs and the raised arm where the stretch tightens it, seam lines running down the flanks and around the outside of the sleeves, a flat collar closed to the throat, the fabric creasing in fine fans where her hips and knees bend and pulling smooth and taut at the small of her back; blue gloves cased to the wrist, blue boots to mid-calf, the suit uninterrupted and opaque from collar to ankle, sleeves running full length to the gloves. No armor plate, no jacket, no bare shoulders, no wide sleeves, nothing layered over or under the suit. Her very long two-tone hair, white over the crown and falling across one side, black in the other half and in the long strands between her eyes, streams backwards and to her left away from the tilt of her head, the strands whipping up and then back down under their own weight, a few locks cutting across her jaw and one white tip curling to the point of her chin. Her head is tipped with the tilt, chin lifted, one eye squeezed shut, the other green-yellow eye fixed straight down the lens with a sharp sideways spark, one corner of her mouth pulled up in a lopsided grin with the teeth showing; her lifted back foot and the raked shoulders read together as a figure caught in the half-second before she springs. Behind her a completely empty seamless studio sweep of cool neutral grey, unlit and featureless, with no floor line. A single hard cool-white key comes from the camera's upper left, sliding down the sheen of the suit along her raised right arm and thigh and leaving the underside of her chin, the inner side of the bent left arm and the creases at her waist in clean deep shadow; her cast shadow drops to the lower right and stretches long and soft, and beyond the key's reach the grey drifts off into darkness with no second source. Blue is the only saturated hue in the image, everything else white, black and grey. Playfully cocky, electric.
ゆきくら
AI artwork
ゆ
character: nagao_kagetora_(fate), copyright: fate/grand_order 1girl, solo, nagao kagetora, long hair, very long hair, two-tone hair, black hair, white hair, multicolored hair, hair between eyes, green eyes, yellow eyes, tight-fitting white pilot suit, skin-tight suit, bodysuit, white gloves, from below, cowboy shot, dutch angle, standing on one leg, arm support, leaning back, looking down at viewer, one eye closed, smug, :d, head tilt, long hair flowing, bodysuit clinging to body, cockpit interior, night sky through canopy, instrument panel glow, dark cockpit, red warning light, cool blue rim light, palette of white suit, black-and-white hair, deep navy cockpit, red instrument glow, high contrast, glossy fabric, pilot, mechanical interior The camera sits low and tilted, looking up from below at a three-quarter angle: one woman in a skin-tight white pilot suit fills the frame in a cowboy shot, her body tilted back and balanced on her right leg, her left knee lifted and foot braced against the edge of a dark cockpit console. Her long, very long two-tone black-and-white hair spills down past her waist and across the instrument panel, the pale strand catching the blue rim light while the black strand falls into shadow. She twists her torso away from the panel, one white-gloved hand resting on a lever housing and the other lifted near her collar, and she glances down at the viewer with one eye closed in a wink and a lopsided, open-mouthed grin, a single fang catching the light. The white suit is glossy and seamless, stretched taut over her hips and chest with seam lines running to her gloves, the fabric compressing at the bend of her raised knee and creasing at the crook of her arm where it grips the lever. Behind her the cockpit canopy arcs overhead, opening onto a cold night sky streaked with stars; in front of her the instrument panel throws a low red warning glow up across the underside of her chin, her throat and the white fabric, while a cool blue rim light from the canopy edges traces her shoulder and hair. The only other light is the panel's red glow, and beyond the canopy the darkness is absolute. The suit's white is the brightest value in the frame, the hair's black and white the second, and the cockpit's deep navy the ground they sit against. The lifted foot casts a small shadow on the console; the glossy suit mirrors a thin red line of the panel across her thigh. Playful, effortlessly cocky.
ゆきくら

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