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Uzuki Shimamura, The Idolmaster

#The Idolmaster#Body#pasek#The Idolmaster Cinderella Girls#Uzuki Shimamura#Unieruchomienie
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余命一万一日

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character: shimamura_uzuki 1girl, solo, shimamura_uzuki, brown_hair, long_hair, brown_eyes, hair_bow, full body, feet visible, head to toe, latex, blue_latex, tight_wrap, full_body_wrap, cocoon, no_gaps, cloth_over_nose, cloth_over_mouth, gag, muzzle, leather_belt, belt_between_nose_and_cloth, nose_and_mouth_contours_visible_through_cloth, belt_around_neck, belt_around_chest, belt_around_belly, belt_around_thighs, belt_around_ankles, hands_inside_wrap, no_hands_visible, arms_tucked, s-shaped_pose, curled_up, lying_on_side, bent_knees, confined, warehouse, sunlight, god_rays, dust_motes, concrete_floor, looking_at_viewer, wide-eyed, blush, distressed, trembling, bound, rope_bondage_adjacent, dramatic_lighting, cinematic From a slightly raised three-quarter angle with the camera tilted a little down in a full-body shot, Shimamura Uzuki lies curled on her side on the dusty concrete floor of a cavernous warehouse, her whole body bound into a sinuous S-shaped curve: hips swiveled toward the floor, knees drawn up and bent, chest arcing back, so the blue latex-cloth cocoon folds into a smooth serpentine line from the crown of her head to her wrapped toes. The glossy blue latex-textured cloth seals her from head to feet with no gaps — the same continuous sheeting sweeping over her long brown hair so only the shape of her head and a tail of hair trapped at the nape press through, and both arms disappearing entirely inside the wrap so no hands are seen and the cloth bulges faintly where her fists are swallowed near her ribs. Over the lower face, the blue fabric is pulled taut across her nose and mouth as a snug gag, its surface faintly pushed out by the contours of her nose bridge and the parted swell of her lips beneath; a narrow leather belt cinches the cloth tight between the top edge of the gag and the underside of her nose, digging a crease into the shining blue membrane. Further leather straps bite into the cocoon at five more points — one around her throat, one across her chest, one around her belly, one around her upper thighs, one around her ankles — each cinched so the latex bulges plumply on either side of the strap. Sunlight streams down from high warehouse windows in long diagonal shafts, laying bright bars across her curved body and lighting the dust that drifts in the air, while the rest of the vast space falls into deep shadow; the glossy blue surface catches a hard highlight along the top of her hip and a soft sheen in each taut belt dimple, and her shadow stretches thin and ragged on the concrete. Her wide brown eyes look up at the viewer over the blue gag, flushed cheeks and trembling shoulders betraying her strained distress. Quiet captivity, tense and still.
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ラテックスの質感のある青い布で鼻と口を覆われて猿轡をされている島村卯月。布はそこから全身を足の先まで隙間なく包み込んで両手も袋の中にしまい込まれている。布の端と鼻の間で革のベルトが締め付けられている。布の下からは鼻と口の凹凸がかすかに浮き上がっている。首、胸、腹、太腿、足首も革のベルトで締め付けられて、Sの字型に転がされている。陽光が差し込む倉庫に監禁されている。
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character: asuna_(sao), copyright: sword_art_online 1girl, solo, asuna_(sao), brown_hair, very_long_hair, long_hair, braid, floating_hair, brown_eyes, eight-heads-tall proportions, tall, head visible above a sealed black body bag, black bag covering entire body from neck to toes with no gaps, black cloth sack, leather belt around neck, leather belt around chest, leather belt around stomach, leather belt around thighs, leather belt around ankles, cinched tight, duct tape gag, tape over mouth, silver duct tape across lips, arms trapped inside the bag, legs together inside the bag, writhing, struggling, twisting torso, arching back, on floor, lying on side, from above, dutch angle, warehouse, wooden crates, concrete floor, sunbeams, dust motes, harsh sunlight from high window, bound, restrained, captivity, sweat, distress, furrowed brow, wide-eyed, tears in eyes, parted lips against tape, clenched fists inside the bag, tension lines, half-closed eyes, trembling, quivering Shot from above at a tilted dutch angle, the camera looking down into a bare concrete warehouse where a single figure twists across the floor. Her head is the only part of her free of the bag: eight-heads-tall proportions read in the long, narrow span of the sack from her neck to her toes, sealed black fabric stretched taut and seamless, so the length of her limbs shows only as the shape pressing through the cloth. Five leather belts bite in at the neck, the chest, the stomach, the thighs and the ankles, cinched hard enough that the fabric bunches into tight folds on either side of each strap and the leather edges press pale indents into the sheen. She is caught mid-writhe: hips rolled onto one side, torso twisted the other way, back arched off the concrete so a sliver of shadow shows under the bag, heels drumming, both arms swallowed inside the sack and pushing against the cloth from within. Silver duct tape crosses her mouth corner to corner, wrinkling the skin at the edges, her lips working and parting uselessly beneath it. Very long brown hair fans out loose and badgeless across the grey floor, a braid flung across the concrete, strands slipping over the tape and lifting with every thrash of her head. Her brown eyes stare wide up toward the window, lids trembling, a wet gleam gathering at the outer corners; her brows draw together hard and her jaw tenses under the tape. The warehouse is large and empty: stacked wooden crates in the midground, a rusted beam crossing the upper frame, high shuttered windows in the background letting hard sunlight pour in as visible slanted shafts. Dust motes drift slowly through the beams, thickest where the light is strongest; everything beyond the shafts sits in cool shadow. The concrete catches one bright trapezoid of sun on which her shoulder and hair are laid, and the belts throw short sharp shadows onto the black fabric not the floor, since the fabric itself is raised off the ground. Palette limited to black, silver tape, warm brown hair, deep greys and a single hot gold of the sun. Harsh high-contrast daylight, small gleam on sweat at her temple. Gritty, tense, uneasy.
余命一万一日
#Sword Art Online#Asuna#Unieruchomienie
AI artwork
余
character: asuna_(sao), copyright: sword_art_online 1girl, solo, asuna_(sao), long_hair, very_long_hair, brown_hair, braid, brown_eyes, eight-heads-tall, tall_female, bound, bondage, full_body_bag, black_bag, body_bag, enclosed_in_bag, neck_to_toe_coverage, leather_belt, belt_around_neck, belt_around_chest, belt_around_abdomen, belt_around_thigh, belt_around_ankle, tight_straps, duct_tape_over_mouth, tape_gag, gagged, lying, on_floor, on_side, s-shaped_pose, curled_body, warehouse, indoors, sunlight, sunbeam, dust_motes, concrete_floor, from_above, high_angle, wide_shot, looking_up, helpless, restrained, blush, sweat, half-closed_eyes, trembling, bound_legs, bound_arms, cinematic_lighting The camera looks down from a high corner of the warehouse, wide and slightly tilted, so the whole of her reads in one glance against the bare concrete. She lies on her left side in an S: hips rolled one way resting on the floor, shoulders turned back the other, knees bent and drawn up, ankles crossed — the long black bag following every bend so the S is drawn by the bag's own creases, not just by her body. Only her head emerges at the top of the bag; the fabric closes snug at the base of her skull with no gap. Five leather belts cinch the bag to her — one thick strap around the throat just under the jaw, one below the bust, one across the abdomen, one around the upper thigh, one around the ankles — each pulled so tight that the bag puckers in short radial creases either side of the band and the leather bites into the fabric. The bag itself is matte black, light-absorbing, taut, showing the shape of her through it, seams running down the sides. Her very long brown hair, released from its braid, spills out over the concrete in loose strands, some strands caught under the throat belt, the rest fanning toward the camera. A strip of grey duct tape crosses her mouth, its edges slightly lifted, creased where her lips press beneath it. Her brown eyes are open and turned up toward the light shaft falling from the high window, brows drawn, a faint sheen of sweat at her temple, one strand of hair stuck to her cheek. A trapezoid of sunlight from a high grimy window cuts diagonally across the floor and across the middle of the bag, the rest of her falling into cool shadow — the light is the only source, and beyond its edge the concrete goes dim. Dust hangs in the beam. Around her, the warehouse: rusted steel uprights, stacked pallets, crates, a dry-floored aisle. Her shoulder and hip press dents into a thin layer of dust on the concrete, and the belt around her ankles leaves a small shadow line under the fabric. Colour is strictly black bag, brown leather, brown hair, grey concrete and one shaft of warm daylight. Helpless, still.
余命一万一日
#Sword Art Online#Asuna#Unieruchomienie

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