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Ni Ke (Nike)
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- (8k, best quality, masterpiece:1.2),solo girls,enmaided,18years old, full body,standing,the Western-style guest rooms. victorian maid dress(outfit)={Silk,tight clothes,black victorian maid dress,Gold-embroidered trim,layered dress,too many frills,long sleeves, bell sleeves, very long dress,maxi skirt,juliet sleeves,very wide sleeves,sleeves past wrists,white petticoat,frilled skirt,frilled apron, frilled shirt collar,white gloves,frilled gloves,An apron with a chest panel,white apron,long apron,Black tights,A skirt long enough to cover the ankles,black mary janes.loafers,white Maid's Cap.white Maid's Hat,collar jewel,earrings,}, bow =｛（white Gigantic bowtie:1.5.） at the neckline,back bow,white hair bow,glove bow,｝ ,fujimaru ritsuka (female), ritsuka, short hair, orange hair, ahoge, one side up, yellow eyes, breasts,
- Tryb
- ultra
- Tag jakości
- ﹝Podpowiedzi﹞
- Rozmiar
- 1408 x 1408
- Metoda próbkowania
- Euler
- Niepożądane
- lowres, worst quality, low quality, bad anatomy, explicit
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nk
character: fujimaru_ritsuka_(female)
solo, 1girl, 18 years old, full body, standing, western-style guest room interior, victorian maid dress, silk, tight-fitting clothes, black victorian maid dress, gold-embroidered trim, layered dress, too many frills, long sleeves, bell sleeves, very long maxi dress, maxi skirt, juliet sleeves, very wide sleeves, sleeves past wrists, white petticoat, frilled skirt, frilled apron with chest panel, white long apron, frilled shirt collar, white gloves, frilled gloves, black tights, ankle-length skirt, black mary janes, loafers, white maid's cap, white maid's hat, collar jewel, earrings, white gigantic bowtie at neckline, back bow, white hair bow, glove bow, short hair, orange hair, ahoge, one side up, yellow eyes, breasts, hair ornament, hair between eyes, scrunchie, dutch angle, cowboy shot leaning to full body, weight on one leg, hand on apron chest panel, head tilt, looking at viewer, light smile, one eyebrow raised, (8k, best quality, masterpiece:1.2)
A slight low dutch angle tilts the whole frame so the room's dado rail and tall window run on a diagonal, and the girl stands at three-quarter length in the middle of a Western-style guest room, her full figure inside the frame from the crown of her white maid's cap to the black mary jane loafers on the parquet. She is caught mid-motion, torso swiveled a quarter-turn on the ball of her left foot while her right heel has just settled, the ankle-length black silk skirt swinging a beat behind her so the hem lifts enough to show the white frilled petticoat and the black tights above the shoe, then falls back to cover the ankles again.
Her right hand rests flat on the apron's white chest panel, fingers splayed over the frilled fabric, and the glove's small white bow sits just above the wrist; her left arm hangs slightly out from the hip, the juliet sleeve's very wide bell falling open past the wrist so the frilled white cuff and glove bow show at the bottom of the drape. Her head tips to her left shoulder in a small questioning tilt, one eyebrow arched above the other, yellow eyes looking straight into the lens with a light closed-lip smile that is more challenge than welcome; the orange ahoge springs up off her crown and the one-side-up tuft of orange hair, tied off with its scrunchie, flops over in the opposite direction to the head tilt. The gigantic white bowtie at the neckline sits huge and crisp against the black silk collar, collar jewel glinting at the throat, earrings catching the window light, and the sculpted bodice pulls taut across her bust with the gold-embroidered trim tracing the seams before the skirt layers and the frilled apron overtake it in a cascade of white frills.
Behind and around her the guest room is read only in the negative space the tilt opens up: a tall sash window at frame left with heavy dark drapes and a pale sheer, a strip of patterned wallpaper, a corner of a wooden bedpost and a wash of Turkish rug at the bottom edge, the back bow at her waist visible as she turns. Daylight rakes in from that window at a low afternoon angle, striking the left side of the cap, the shoulder of the black silk and the flared white apron with a warm edge while the right side of her body falls into cool soft shadow, and a long soft shadow of her standing figure stretches across the parquet towards the viewer. Late-afternoon gold on black silk, poised and faintly teasing.
Ni Ke (Nike)
nk
character: fujimaru_ritsuka_(female)
solo, 1girl, 18 years old, full body, standing, western-style guest room interior, victorian maid dress, silk, tight-fitting clothes, black victorian maid dress, gold-embroidered trim, layered dress, too many frills, long sleeves, bell sleeves, very long maxi dress, maxi skirt, juliet sleeves, very wide sleeves, sleeves past wrists, white petticoat, frilled skirt, frilled apron with chest panel, white long apron, frilled shirt collar, white gloves, frilled gloves, black tights, ankle-length skirt, black mary janes, loafers, white maid's cap, white maid's hat, collar jewel, earrings, white gigantic bowtie at neckline, back bow, white hair bow, glove bow, short hair, orange hair, ahoge, one side up, yellow eyes, breasts, hair ornament, hair between eyes, scrunchie, dutch angle, cowboy shot leaning to full body, weight on one leg, hand on apron chest panel, head tilt, looking at viewer, light smile, one eyebrow raised, (8k, best quality, masterpiece:1.2)
A slight low dutch angle tilts the whole frame so the room's dado rail and tall window run on a diagonal, and the girl stands at three-quarter length in the middle of a Western-style guest room, her full figure inside the frame from the crown of her white maid's cap to the black mary jane loafers on the parquet. She is caught mid-motion, torso swiveled a quarter-turn on the ball of her left foot while her right heel has just settled, the ankle-length black silk skirt swinging a beat behind her so the hem lifts enough to show the white frilled petticoat and the black tights above the shoe, then falls back to cover the ankles again.
Her right hand rests flat on the apron's white chest panel, fingers splayed over the frilled fabric, and the glove's small white bow sits just above the wrist; her left arm hangs slightly out from the hip, the juliet sleeve's very wide bell falling open past the wrist so the frilled white cuff and glove bow show at the bottom of the drape. Her head tips to her left shoulder in a small questioning tilt, one eyebrow arched above the other, yellow eyes looking straight into the lens with a light closed-lip smile that is more challenge than welcome; the orange ahoge springs up off her crown and the one-side-up tuft of orange hair, tied off with its scrunchie, flops over in the opposite direction to the head tilt. The gigantic white bowtie at the neckline sits huge and crisp against the black silk collar, collar jewel glinting at the throat, earrings catching the window light, and the sculpted bodice pulls taut across her bust with the gold-embroidered trim tracing the seams before the skirt layers and the frilled apron overtake it in a cascade of white frills.
Behind and around her the guest room is read only in the negative space the tilt opens up: a tall sash window at frame left with heavy dark drapes and a pale sheer, a strip of patterned wallpaper, a corner of a wooden bedpost and a wash of Turkish rug at the bottom edge, the back bow at her waist visible as she turns. Daylight rakes in from that window at a low afternoon angle, striking the left side of the cap, the shoulder of the black silk and the flared white apron with a warm edge while the right side of her body falls into cool soft shadow, and a long soft shadow of her standing figure stretches across the parquet towards the viewer. Late-afternoon gold on black silk, poised and faintly teasing.
Ni Ke (Nike)
nk
character: fujimaru_ritsuka_(female)
solo, 1girl, 18 years old, full body, standing, western-style guest room interior, victorian maid dress, silk, tight-fitting clothes, black victorian maid dress, gold-embroidered trim, layered dress, too many frills, long sleeves, bell sleeves, very long maxi dress, maxi skirt, juliet sleeves, very wide sleeves, sleeves past wrists, white petticoat, frilled skirt, frilled apron with chest panel, white long apron, frilled shirt collar, white gloves, frilled gloves, black tights, ankle-length skirt, black mary janes, loafers, white maid's cap, white maid's hat, collar jewel, earrings, white gigantic bowtie at neckline, back bow, white hair bow, glove bow, short hair, orange hair, ahoge, one side up, yellow eyes, breasts, hair ornament, hair between eyes, scrunchie, dutch angle, cowboy shot leaning to full body, weight on one leg, hand on apron chest panel, head tilt, looking at viewer, light smile, one eyebrow raised, (8k, best quality, masterpiece:1.2)
A slight low dutch angle tilts the whole frame so the room's dado rail and tall window run on a diagonal, and the girl stands at three-quarter length in the middle of a Western-style guest room, her full figure inside the frame from the crown of her white maid's cap to the black mary jane loafers on the parquet. She is caught mid-motion, torso swiveled a quarter-turn on the ball of her left foot while her right heel has just settled, the ankle-length black silk skirt swinging a beat behind her so the hem lifts enough to show the white frilled petticoat and the black tights above the shoe, then falls back to cover the ankles again.
Her right hand rests flat on the apron's white chest panel, fingers splayed over the frilled fabric, and the glove's small white bow sits just above the wrist; her left arm hangs slightly out from the hip, the juliet sleeve's very wide bell falling open past the wrist so the frilled white cuff and glove bow show at the bottom of the drape. Her head tips to her left shoulder in a small questioning tilt, one eyebrow arched above the other, yellow eyes looking straight into the lens with a light closed-lip smile that is more challenge than welcome; the orange ahoge springs up off her crown and the one-side-up tuft of orange hair, tied off with its scrunchie, flops over in the opposite direction to the head tilt. The gigantic white bowtie at the neckline sits huge and crisp against the black silk collar, collar jewel glinting at the throat, earrings catching the window light, and the sculpted bodice pulls taut across her bust with the gold-embroidered trim tracing the seams before the skirt layers and the frilled apron overtake it in a cascade of white frills.
Behind and around her the guest room is read only in the negative space the tilt opens up: a tall sash window at frame left with heavy dark drapes and a pale sheer, a strip of patterned wallpaper, a corner of a wooden bedpost and a wash of Turkish rug at the bottom edge, the back bow at her waist visible as she turns. Daylight rakes in from that window at a low afternoon angle, striking the left side of the cap, the shoulder of the black silk and the flared white apron with a warm edge while the right side of her body falls into cool soft shadow, and a long soft shadow of her standing figure stretches across the parquet towards the viewer. Late-afternoon gold on black silk, poised and faintly teasing.
Ni Ke (Nike)
nk
character: fujimaru_ritsuka_(female)
solo, 1girl, full body, standing, enmaided, maid, victorian maid dress, black dress, silk, tight clothes, gold-embroidered trim, layered dress, too many frills, long sleeves, bell sleeves, very long dress, maxi skirt, juliet sleeves, very wide sleeves, sleeves past wrists, white petticoat, frilled skirt, frilled apron, white apron, long apron, apron with chest panel, frilled shirt collar, white gloves, frilled gloves, glove bow, black tights, skirt long enough to cover the ankles, black mary janes, loafers, white maid's cap, white maid's hat, collar jewel, earrings, white gigantic bowtie, neckline bow, back bow, white hair bow, short hair, orange hair, ahoge, one side up, yellow eyes, breasts, 18 years old, hair between eyes, hair scrunchie, from below, cowboy shot, looking at viewer, light smile, head tilt, hands clasped in front, western-style guest room, (8k, best quality, masterpiece:1.2)
The camera looks up from knee height, so the girl in the black Victorian maid dress fills a tall, narrow frame of a Western-style guest room: her skirt widens toward the bottom of the picture while the coffered ceiling and the top of a tall shuttered window bend away above her. She stands with her weight on her left leg, right toe turned out and just touching the parquet, one hip pushed out so the layered maxi skirt sways off her ankles; the black silk of the bodice is tight across her chest and catches a low highlight along the gold-embroidered trim that runs the seams and the frilled shirt collar. The juliet bell sleeves are very wide and drape past her wrists, so the white frilled gloves show only from the middle of the hand, each glove cuffed with a small glove bow and each gloved hand clasped loosely over the other at her waist, the fingertips denting the white apron. The apron's chest panel sits high and flat over the bodice, its long skirt of frills falling almost to the hem of the dress, and the white petticoat shows as a single crisp flute of fabric just under the outermost frill. At the neckline the gigantic white bowtie dominates her upper body, its loops rising almost to her chin, and behind her the back bow swells out from the waist, the white hair bow perched over one side of her short orange hair where the hair is caught up, the ahoge curling off the crown. The white maid's cap sits back on her head over hair parted down between the eyes; a collar jewel glints at the throat, and small earrings hang under the short orange hair. Black tights run unbroken to the black mary jane loafers on the parquet, the toe of the forward shoe polished to a small wax-bright point. Her chin tips down and her yellow eyes look straight out under a light, faint smile, one brow a little higher than the other. Behind her, wallpaper with a repeating damask pattern climbs to a cornice and a moulded ceiling rose; a marble mantelpiece is flooded with pale window light, and a patterned rug sits on the parquet under her, the shadows of the frills fanning long and soft toward the camera while the only light comes from the shuttered window at frame left, cool on the apron and amber where it combs through the silk.
Ni Ke (Nike)
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