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View details크레딧1
Pokaż parametry
- Oryginalny prompt
- The character's head is off-screen and not visible, the background is a blank white, only the upper body is shown, with a small chest, a profile view, and a flesh-colored corset outfit
- Tryb
- pro
- Rozmiar
- 1408 x 1408
- Metoda próbkowania
- Euler
- Niepożądane
- nsfw, lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry
Pomocnik podpowiedzi
Model i LoRA użyte
Podobne obrazy
Pokaż więcej1girl, solo, headless, head out of frame, cropped at neck, upper body only, profile, from side, side view, small breasts, flat chest, flesh-colored corset, beige corset, satin corset, boning, scalloped top edge, blank white background, plain white backdrop, arms at sides, one arm behind back, shoulder blades, collarbone, bare shoulders, bare arms, looking to the side, soft studio lighting,
A pure side view, the figure turned so that the left shoulder faces the camera and the body reads as one clean contour line from shoulder to hip; the frame cuts across the base of the neck, so nothing above the collarbone exists in the image and the empty white simply continues where the head would be. The torso fills the vertical center of a portrait frame, cropped again at the waist so only the chest and midriff are present, the small chest rendered as a shallow, understated curve that the satin lies flat across, its scalloped upper edge following the line of the collarbone with each rounded scallop lying one over the next, and eight narrow boning channels running vertically down the front, the fabric pulling taut between the stitching and creasing softly at the waist where the body turns. The near arm hangs down with a slight forward drift, the elbow just out of frame at the bottom, and the far arm is drawn behind the back so only the rounded suggestion of that shoulder shows past the near one; a faint diagonal line of the strap crosses the bare upper back. Flesh-toned beige satin, warm and close to the skin's own value but a shade cooler and more matte, so the corset separates from the shoulder above it by texture rather than by hue; the only other colors are the white ground and the pale warm shadow inside the fabric's folds. Soft, broad, diffused light from the upper left of frame rakes across the satin, laying a long highlight down each boning ridge, dropping the front contour into a gentle shadow that hugs the body's edge, and casting a faint soft shadow just behind the figure onto the white — the single cue that the ground is a surface and not a void; the light source sits off-frame and nothing else is lit. The skin is smooth with a low waxy sheen at the shoulder cap, satin with fine woven grain at close range, the white seamless and unmarked, and the shadow behind the body is the only thing that breaks it. Quiet, sculptural.
크레딧1
1girl, solo, headless, head out of frame, cropped at neck, upper body only, profile, from side, side view, small breasts, flat chest, flesh-colored corset, beige corset, satin corset, boning, scalloped top edge, blank white background, plain white backdrop, arms at sides, one arm behind back, shoulder blades, collarbone, bare shoulders, bare arms, looking to the side, soft studio lighting,
A pure side view, the figure turned so that the left shoulder faces the camera and the body reads as one clean contour line from shoulder to hip; the frame cuts across the base of the neck, so nothing above the collarbone exists in the image and the empty white simply continues where the head would be. The torso fills the vertical center of a portrait frame, cropped again at the waist so only the chest and midriff are present, the small chest rendered as a shallow, understated curve that the satin lies flat across, its scalloped upper edge following the line of the collarbone with each rounded scallop lying one over the next, and eight narrow boning channels running vertically down the front, the fabric pulling taut between the stitching and creasing softly at the waist where the body turns. The near arm hangs down with a slight forward drift, the elbow just out of frame at the bottom, and the far arm is drawn behind the back so only the rounded suggestion of that shoulder shows past the near one; a faint diagonal line of the strap crosses the bare upper back. Flesh-toned beige satin, warm and close to the skin's own value but a shade cooler and more matte, so the corset separates from the shoulder above it by texture rather than by hue; the only other colors are the white ground and the pale warm shadow inside the fabric's folds. Soft, broad, diffused light from the upper left of frame rakes across the satin, laying a long highlight down each boning ridge, dropping the front contour into a gentle shadow that hugs the body's edge, and casting a faint soft shadow just behind the figure onto the white — the single cue that the ground is a surface and not a void; the light source sits off-frame and nothing else is lit. The skin is smooth with a low waxy sheen at the shoulder cap, satin with fine woven grain at close range, the white seamless and unmarked, and the shadow behind the body is the only thing that breaks it. Quiet, sculptural.
크레딧1
1girl, solo, headless, head out of frame, cropped at neck, upper body only, profile, from side, side view, small breasts, flat chest, flesh-colored corset, beige corset, satin corset, boning, scalloped top edge, blank white background, plain white backdrop, arms at sides, one arm behind back, shoulder blades, collarbone, bare shoulders, bare arms, looking to the side, soft studio lighting,
A pure side view, the figure turned so that the left shoulder faces the camera and the body reads as one clean contour line from shoulder to hip; the frame cuts across the base of the neck, so nothing above the collarbone exists in the image and the empty white simply continues where the head would be. The torso fills the vertical center of a portrait frame, cropped again at the waist so only the chest and midriff are present, the small chest rendered as a shallow, understated curve that the satin lies flat across, its scalloped upper edge following the line of the collarbone with each rounded scallop lying one over the next, and eight narrow boning channels running vertically down the front, the fabric pulling taut between the stitching and creasing softly at the waist where the body turns. The near arm hangs down with a slight forward drift, the elbow just out of frame at the bottom, and the far arm is drawn behind the back so only the rounded suggestion of that shoulder shows past the near one; a faint diagonal line of the strap crosses the bare upper back. Flesh-toned beige satin, warm and close to the skin's own value but a shade cooler and more matte, so the corset separates from the shoulder above it by texture rather than by hue; the only other colors are the white ground and the pale warm shadow inside the fabric's folds. Soft, broad, diffused light from the upper left of frame rakes across the satin, laying a long highlight down each boning ridge, dropping the front contour into a gentle shadow that hugs the body's edge, and casting a faint soft shadow just behind the figure onto the white — the single cue that the ground is a surface and not a void; the light source sits off-frame and nothing else is lit. The skin is smooth with a low waxy sheen at the shoulder cap, satin with fine woven grain at close range, the white seamless and unmarked, and the shadow behind the body is the only thing that breaks it. Quiet, sculptural.
크레딧1
1woman, solo, adult, french, plus-size, full-figured, medium breasts, long hair, wavy brown hair, detailed brown eyes, sophisticated makeup, red lipstick, black mascara, fine subtle eyeliner on upper lashes, confident, elegant expression, slight smile, direct gaze, looking at viewer, imperial gown, extravagant gown, structured bodice, long flowing skirt, ivory silk, luxurious silk, intricate gold embroidery, ornate decorative details, royal aesthetic, regal pose, graceful, standing, contrapposto, hand on hip, full body, from below, seamless white background, white studio background, studio sweep, soft lighting, diffused light, professional fashion photography
Captured from a slight low angle in a full-length studio fashion editorial composition, an adult French woman with a full-figured, plus-size build and a medium bust stands with poised, regal presence. Her long, lustrous brown hair cascades in smooth, defined waves over her shoulders and down her back. Her face displays realistic, micro-textured skin with natural contours, framed by sophisticated feminine makeup: detailed, warm brown eyes emphasized by individually defined black mascara and a precise, subtle line of black eyeliner drawn strictly along the upper lash base, paired with rich, matte red lipstick gracing an assured, elegant smile. Her gaze meets the camera head-on with steady confidence and aristocratic grace.
She is dressed in an extravagant imperial gown of dense, heavy ivory silk satin. The garment features an impeccably structured, corseted bodice with clean architectural lines, lavishly embellished with intricate three-dimensional gold thread embroidery depicting ornate regal filigree and botanical scrollwork across the chest and waist. Below the waistline, the silk extends into an expansive, long flowing skirt that flares downward in deep, heavy gathered pleats, pooling in sculptural waves onto the floor. Her body rests in a classic contrapposto stance, her weight planted on one hip with an upright, elongated spine; her left hand rests with poised, relaxed fingers against the firm curve of her hip, while her right arm drapes gently downward, fingertips lightly grazing the flowing silk fabric.
The background is a completely seamless, immaculate white infinity studio cyclorama devoid of any clutter or architecture. Multi-point diffused softbox lighting wraps smoothly across her form, throwing gentle, soft-edged shadows that model her facial structure and the sculptural curves of the dress, causing the metallic gold threads to gleam softly without harsh specular glare. The heavy weighted hem of the silk skirt rests firmly against the white floor, grounding the figure with a soft, natural contact shadow. Effortlessly commanding and sophisticated.
Rose Blanche
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