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- A full-body, eye-level illustration of four adults in their 20s and 30s from the genderswapped crew of the transport Serenity in the mud-farm town of Canton: the mercenary Jayne, agape before a statue of herself, Captain Mal, the mechanic Kaylee and Doctor Simon. The vibe is Out in the Black, a frontier space western of battered transports, dusty border moons, Browncoat grit and silk-and-lantern Core elegance, and the whole image feels funny, muddy and warm, the strangest honour on the border. Jayne is lovely and gorgeous, with an inverted-triangle build: tall, with very broad shoulders, a toned upper back and arms, a straight, average waist, narrow hips and slim thighs, her shoulders clearly wider than her hips, a big, swaggering, cocky way of standing, and large, full breasts. She has light, sun-browned skin, a bold, pretty face with strong cheekbones, a smooth, clean jaw softly rounded at the chin, a slightly crooked nose and a wide, smirking mouth with full lips, and narrowed blue-grey eyes under heavy brows. Her expression is dumbfounded and secretly touched, her mouth hanging open. Her hair is a mullet: the hair short and textured at the front and sides, with choppy bangs, and left long at the back so it falls in a shaggy tail down her neck to her shoulders, and its colour is a chestnut brown: a rich, warm, medium-dark brown with a reddish undertone, like a polished horse chestnut, glowing faintly red-brown where the light catches it. She wears a grey henley, brown cargo trousers, her gun belt and scuffed combat boots. Her nails are short, square and unpolished. (genderswap_(mtf):1.5) Mal is lovely and gorgeous, with a broad-shouldered build: tall, with very broad, squared shoulders, a strong, toned upper back and arms, a tapering torso, a narrow waist, narrow hips and average, firm thighs, a soldier's easy, swaggering stride, and medium, shapely breasts. She has fair, lightly sun-kissed skin, a lovely, lean face with high cheekbones, a smooth, clean, softly tapering jaw, a straight nose and full lips curved in a wry, crooked smile, and bright ocean-blue eyes, sharp and amused, under straight dark brows. Her expression is delighted and wry, a crooked smirk. Her hair is a layered shag: shoulder-length hair cut into lots of choppy, feathered layers, with volume and texture at the crown, piecey wispy ends flicking out around her face and neck, and a light, shaggy fringe, and its colour is a dark espresso brown: a very deep, rich brown that reads almost black in shadow but shows warm coffee-brown where the light catches it. She wears her brown leather duster over a red henley, braces, snug trousers and her gunbelt. Her nails are short, square and unpolished, the nails of a woman who works with her hands. (genderswap_(mtf):1.5) Kaylee is handsome and striking, with a sturdy, compact build: average height, with broad, solid shoulders, thick, strong forearms and arms, a broad chest, a solid waist and strong legs, and a cheerful, bouncy energy in every move. He has light, fair skin with a fresh rosy flush across his cheeks and a faint dusting of freckles, a warm, boyishly handsome face with a strong, clean-shaven jaw, deep dimples, a straight nose and a wide, warm mouth, and large, warm brown eyes with a bright sparkle under thick brows. His expression is giddy and laughing, a tin cup aloft. His hair is a swept-back flow: chin-to-shoulder-length hair brushed back from his forehead, flowing back past his ears and curling out softly at the nape, and its colour is a chestnut brown: a rich, warm, medium-dark brown with a reddish undertone, like a polished horse chestnut, glowing faintly red-brown where the light catches it. He wears khaki coveralls over a rust-orange T-shirt, a little flower patch on the pocket. (no_beard:1.5) (genderswap_(ftm):1.5) Simon is lovely and gorgeous, with a lithe, willowy build: tall, with narrow, sloping shoulders, long, slender arms and very long, slender legs, a slim, lightly toned body, a small waist, narrow hips and slim thighs, the neat, upright poise of a surgeon trained in the Core, and small, high breasts. She has fair, smooth porcelain skin, a beautiful, finely boned face with high cheekbones, a straight, refined nose, soft, full lips and a smooth, delicate jaw, and dark blue-grey eyes, earnest and intelligent, under straight dark brows. Her expression is tipsy and giggling, her cheeks flushed. Her hair is a stacked A-line bob: layers stacked high and rounded at the back of her head, the line angling sharply longer toward the front so it ends below her chin, sleek and polished, and its colour is a dark espresso brown: a very deep, rich brown that reads almost black in shadow but shows warm coffee-brown where the light catches it. She wears a white blouse with its collar loosened and a midnight-blue brocade waistcoat, a tin cup of mudder's ale in her hand. Her nails are short, neat ovals with a clear, glossy coat. (genderswap_(mtf):1.5) The setting is the muddy central square of Canton, a grim mud-farming town on a grey moon, transformed by celebration. In the middle of the square stands a huge statue of Jayne sculpted from grey clay, twice life size, rifle in hand and chin heroic, its plinth hung with wildflowers and a crude painted sign reading "HERO OF CANTON". A crowd of mudders in clay-caked overalls and flat caps cheers around it, raising tin cups of ale, and a fiddler plays on a barrel. Ramshackle timber shacks, steaming clay vats and tall smokestacks surround the square, and on a hill above stands the Magistrate's grand white house. In the foreground, softly out of focus, a clay jug of mudder's ale on a barrel fills the lower left corner, and a muddy flat cap lying in the clay sits at the lower right. Jayne stands before the statue on the left, her body turned three-quarters toward the viewer, gaping up at her own clay likeness with her arms hanging. Mal stands at her shoulder in the middle, turned three-quarters toward the viewer, one hand on Jayne's arm and a crooked smirk on her face, enjoying every second. Behind them on the right, Kaylee and Simon stand arm in arm facing the viewer, both laughing, Kaylee raising his tin cup in a toast to the statue and Simon leaning her head tipsily on his shoulder. The soft, hazy gold of the afternoon sun through the smoke of the smokestacks is the dominant light: it falls across Jayne's forehead, cheekbones and nose, across Mal's, Kaylee's and Simon's in warm, even light, glows on their open mouths and smiles, puts clean catchlights in their eyes and pours over the henleys, the duster, the coveralls and the brocade, and over the big clay statue. The much weaker warm glow of a tavern doorway behind the crowd lays a faint amber edge along their backs. The sunlight glints on the tin cups and the brass of the gun belts. Every face takes a warm, clean sheen wherever the light reaches. The square glows in soft grey and gold. Franco-Belgian ligne claire style: clean-line Franco-Belgian comic art, crisp, even linework and flat, restrained colour throughout, every shape clearly outlined and every surface read at a glance, the hazy sun laid down in clean, even outlines and flat, restrained colour, every mudder and every clay smear read at a glance. Rendered in extreme detail, an intricate, hyper-detailed masterpiece: the huge clay statue of Jayne and its plinth, flowers and sign, Jayne's henley and gun belt, Mal's duster and braces, Kaylee's flower-patched coveralls and tin cup, Simon's loosened blouse and brocade waistcoat, the cheering mudders, the fiddler, the shacks, vats and smokestacks and the Magistrate's house drawn sharply and precisely. The palette is clay grey and mud brown, smoky gold, deep red and khaki, midnight blue and white, wildflower brights, with fair, sun-browned and porcelain skin.
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