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tennsinn

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tennsinn

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character: vivlos_(umamusume), copyright: umamusume 1girl, solo, vivlos \(umamusume\), maid outfit, maid headdress, white apron, black maid dress, puffy short sleeves, frilled apron, long hair, twintails, brown hair, streaked hair, white streaks, multicolored hair, hair between eyes, blue ribbon, hair ribbon, hair ornament, horse ears, from below, close-up, cowboy shot, looking at viewer, head tilt, holding silver tray, curtsy, one hand on chest, court curtsy, half-closed eyes, light smile, closed mouth, dutch angle, teacup on tray, steam The camera sits low and looks up at her, the frame a cowboy shot cut just below the apron's hem, tilted a few degrees so the table and the room lean with it. She is caught mid-curtsy at a slight dutch angle: her right foot drawn back behind the left heel, both knees dipped low, hips shifted over the back foot so the black skirt swings wide to her left and the apron's white frill flares outward and upward in the same direction. Her right hand lies flat and pressed over her collarbone, fine maize-brown fingers just touching the frilled yoke of the apron; her left forearm is horizontal, bearing a round polished silver tray whose rim catches a bright crescent, a white porcelain teacup and saucer set on it with a thin curl of steam rising and bending toward the camera. Her chin is tipped down but her eyes are lifted under half-lowered lids to look straight into the lens, the corners of her lips barely lifted in a closed-mouth light smile, one eyebrow a fraction higher than the other. Her long brown hair is split into two twintails bound close beside her head by blue ribbons and falling past her shoulders; the twintails nearest the light carry pale white streaks through them, and a fringe of hair parts between her eyes, one lock stranded over the bridge of her nose. The white maid headdress is pinned across the crown of her head, its frill arced and crisp, horse ears projecting above it and standing forward, ear-covers absent, the forward-leaning dip of the head tipping both ears and the white crown toward the camera so they loom slightly larger than her face for the low angle. Light comes from a single shaded lamp high and behind her left shoulder, raking down over the white headdress and apron frill, threading a hard silver edge along the tray rim, catching a warm rim on the chatter of the twintails and the tips of her ears, and dropping the underside of her jaw, the inside of her sleeves and the folds of the skirt into deep sepia shade. Behind her the room is a dim brown wall out of focus, dominated by a doorway's dark edge that crosses above her headdress, with the gloom of a service room pressing in on both sides of the frame. Palette entirely of black, white, sepia and the single cold silver of the tray and porcelain. The steam from the teacup curls and thins into a faint warm haze only where it crosses the lamp's beam, and the china's glaze at the lip is the brightest thing in the frame. Composed, quietly theatrical.
Pokaż parametry
Oryginalny prompt
vivlos (umamusume), maid,
Tryb
flash
Rozmiar
1104 x 1824
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Tsubaki.3 Flash - AI Model cover image

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Avatar image of tennsinn
character: vivlos_(umamusume), copyright: umamusume 1girl, solo, vivlos \(umamusume\), maid outfit, maid headdress, white apron, black maid dress, puffy short sleeves, frilled apron, long hair, twintails, brown hair, streaked hair, white streaks, multicolored hair, hair between eyes, blue ribbon, hair ribbon, hair ornament, horse ears, from below, close-up, cowboy shot, looking at viewer, head tilt, holding silver tray, curtsy, one hand on chest, court curtsy, half-closed eyes, light smile, closed mouth, dutch angle, teacup on tray, steam The camera sits low and looks up at her, the frame a cowboy shot cut just below the apron's hem, tilted a few degrees so the table and the room lean with it. She is caught mid-curtsy at a slight dutch angle: her right foot drawn back behind the left heel, both knees dipped low, hips shifted over the back foot so the black skirt swings wide to her left and the apron's white frill flares outward and upward in the same direction. Her right hand lies flat and pressed over her collarbone, fine maize-brown fingers just touching the frilled yoke of the apron; her left forearm is horizontal, bearing a round polished silver tray whose rim catches a bright crescent, a white porcelain teacup and saucer set on it with a thin curl of steam rising and bending toward the camera. Her chin is tipped down but her eyes are lifted under half-lowered lids to look straight into the lens, the corners of her lips barely lifted in a closed-mouth light smile, one eyebrow a fraction higher than the other. Her long brown hair is split into two twintails bound close beside her head by blue ribbons and falling past her shoulders; the twintails nearest the light carry pale white streaks through them, and a fringe of hair parts between her eyes, one lock stranded over the bridge of her nose. The white maid headdress is pinned across the crown of her head, its frill arced and crisp, horse ears projecting above it and standing forward, ear-covers absent, the forward-leaning dip of the head tipping both ears and the white crown toward the camera so they loom slightly larger than her face for the low angle. Light comes from a single shaded lamp high and behind her left shoulder, raking down over the white headdress and apron frill, threading a hard silver edge along the tray rim, catching a warm rim on the chatter of the twintails and the tips of her ears, and dropping the underside of her jaw, the inside of her sleeves and the folds of the skirt into deep sepia shade. Behind her the room is a dim brown wall out of focus, dominated by a doorway's dark edge that crosses above her headdress, with the gloom of a service room pressing in on both sides of the frame. Palette entirely of black, white, sepia and the single cold silver of the tray and porcelain. The steam from the teacup curls and thins into a faint warm haze only where it crosses the lamp's beam, and the china's glaze at the lip is the brightest thing in the frame. Composed, quietly theatrical.
tennsinn
AI artwork
Avatar image of tennsinn
character: vivlos_(umamusume), copyright: umamusume 1girl, solo, vivlos \(umamusume\), maid outfit, maid headdress, white apron, black maid dress, puffy short sleeves, frilled apron, long hair, twintails, brown hair, streaked hair, white streaks, multicolored hair, hair between eyes, blue ribbon, hair ribbon, hair ornament, horse ears, from below, close-up, cowboy shot, looking at viewer, head tilt, holding silver tray, curtsy, one hand on chest, court curtsy, half-closed eyes, light smile, closed mouth, dutch angle, teacup on tray, steam The camera sits low and looks up at her, the frame a cowboy shot cut just below the apron's hem, tilted a few degrees so the table and the room lean with it. She is caught mid-curtsy at a slight dutch angle: her right foot drawn back behind the left heel, both knees dipped low, hips shifted over the back foot so the black skirt swings wide to her left and the apron's white frill flares outward and upward in the same direction. Her right hand lies flat and pressed over her collarbone, fine maize-brown fingers just touching the frilled yoke of the apron; her left forearm is horizontal, bearing a round polished silver tray whose rim catches a bright crescent, a white porcelain teacup and saucer set on it with a thin curl of steam rising and bending toward the camera. Her chin is tipped down but her eyes are lifted under half-lowered lids to look straight into the lens, the corners of her lips barely lifted in a closed-mouth light smile, one eyebrow a fraction higher than the other. Her long brown hair is split into two twintails bound close beside her head by blue ribbons and falling past her shoulders; the twintails nearest the light carry pale white streaks through them, and a fringe of hair parts between her eyes, one lock stranded over the bridge of her nose. The white maid headdress is pinned across the crown of her head, its frill arced and crisp, horse ears projecting above it and standing forward, ear-covers absent, the forward-leaning dip of the head tipping both ears and the white crown toward the camera so they loom slightly larger than her face for the low angle. Light comes from a single shaded lamp high and behind her left shoulder, raking down over the white headdress and apron frill, threading a hard silver edge along the tray rim, catching a warm rim on the chatter of the twintails and the tips of her ears, and dropping the underside of her jaw, the inside of her sleeves and the folds of the skirt into deep sepia shade. Behind her the room is a dim brown wall out of focus, dominated by a doorway's dark edge that crosses above her headdress, with the gloom of a service room pressing in on both sides of the frame. Palette entirely of black, white, sepia and the single cold silver of the tray and porcelain. The steam from the teacup curls and thins into a faint warm haze only where it crosses the lamp's beam, and the china's glaze at the lip is the brightest thing in the frame. Composed, quietly theatrical.
tennsinn
AI artwork
Avatar image of tennsinn
character: vivlos_(umamusume), copyright: umamusume 1girl, solo, vivlos \(umamusume\), maid outfit, maid headdress, white apron, black maid dress, puffy short sleeves, frilled apron, long hair, twintails, brown hair, streaked hair, white streaks, multicolored hair, hair between eyes, blue ribbon, hair ribbon, hair ornament, horse ears, from below, close-up, cowboy shot, looking at viewer, head tilt, holding silver tray, curtsy, one hand on chest, court curtsy, half-closed eyes, light smile, closed mouth, dutch angle, teacup on tray, steam The camera sits low and looks up at her, the frame a cowboy shot cut just below the apron's hem, tilted a few degrees so the table and the room lean with it. She is caught mid-curtsy at a slight dutch angle: her right foot drawn back behind the left heel, both knees dipped low, hips shifted over the back foot so the black skirt swings wide to her left and the apron's white frill flares outward and upward in the same direction. Her right hand lies flat and pressed over her collarbone, fine maize-brown fingers just touching the frilled yoke of the apron; her left forearm is horizontal, bearing a round polished silver tray whose rim catches a bright crescent, a white porcelain teacup and saucer set on it with a thin curl of steam rising and bending toward the camera. Her chin is tipped down but her eyes are lifted under half-lowered lids to look straight into the lens, the corners of her lips barely lifted in a closed-mouth light smile, one eyebrow a fraction higher than the other. Her long brown hair is split into two twintails bound close beside her head by blue ribbons and falling past her shoulders; the twintails nearest the light carry pale white streaks through them, and a fringe of hair parts between her eyes, one lock stranded over the bridge of her nose. The white maid headdress is pinned across the crown of her head, its frill arced and crisp, horse ears projecting above it and standing forward, ear-covers absent, the forward-leaning dip of the head tipping both ears and the white crown toward the camera so they loom slightly larger than her face for the low angle. Light comes from a single shaded lamp high and behind her left shoulder, raking down over the white headdress and apron frill, threading a hard silver edge along the tray rim, catching a warm rim on the chatter of the twintails and the tips of her ears, and dropping the underside of her jaw, the inside of her sleeves and the folds of the skirt into deep sepia shade. Behind her the room is a dim brown wall out of focus, dominated by a doorway's dark edge that crosses above her headdress, with the gloom of a service room pressing in on both sides of the frame. Palette entirely of black, white, sepia and the single cold silver of the tray and porcelain. The steam from the teacup curls and thins into a faint warm haze only where it crosses the lamp's beam, and the china's glaze at the lip is the brightest thing in the frame. Composed, quietly theatrical.
tennsinn
AI artwork
k
copyright: umamusume, taimanin_(series) 1girl, solo, manhattan cafe \(umamusume\), horse ears, horse girl, animal ears, brown hair, long hair, black hair, heterochromia, mismatched eyes, yellow eyes, blue eyes, cafe uniform, waitress, black and white waitress dress, frilled apron, puffed short sleeves, white collar, holding tray, silver serving tray, coffee cup, coffee, steam, both hands on tray, standing, weight on one hip, torso turned three-quarter, looking down at tray, half-closed eyes, calm expression, closed mouth, from below, cowboy shot, low angle, high contrast, chiaroscuro, deep shadows, glossy skin, shiny skin, skin sheen, realistic hair, detailed hair strands, taimanin style, sharp highlights, The camera sits low, looking up: her hips and the tray come forward at the bottom of the frame while her shoulders and head recede upward, the low angle making her presence loom gently over the viewer. She stands at a three-quarter turn, torso angled toward the right edge of the frame but chin dipped, her weight sunk into her left hip so the apron pulls diagonally across the waist and the right knee bends slightly loose. Both hands grip the tray — the left fingers spread flat under the tray's underside at the near edge, the right thumb hooked over the far rim — and the tray stays level at chest height, carried out from the body. On the tray a white porcelain cup sits off-center toward the viewer, saucer beneath it, dark coffee filled to just below the rim; a thin curl of steam leans away from her, revealing the direction of the air. Her long dark brown hair falls heavy over both shoulders and down past the elbows, each strand separated and catching its own thin filament of highlight, live-action-fine near the crown; the horse ears turn forward. She looks down at the cup, lids lowered to half, mouth closed and calm; one brow lifts a fraction, the only movement in her face. The light comes entirely from one source, high and to her right: it strikes the right shoulder, the right cheekbone, the bridge of her nose and the near rim of the cup, leaving the left side of her face, the hollow of her throat and the underside of the tray in a flat deep darkness. Her skin catches that light in a wet-looking sheen along the collarbone and the back of the hands, tight and firm where the tendon stands out at the wrist. The right stretch of polished tray throws a hard white glint back up under her jaw. Behind her, the room is almost entirely swallowed: a dim dark banquette, one small warm lamp far out of focus, the black negative space closing around her silhouette. Palette is ruthlessly split — near-black shadow, a narrow band of warm amber light, white porcelain and white apron fabric, her dark hair and the coffee pooling the same brown-black — nothing in between. The apron's pleats stay crisp and uncreased, the collar stands flat, and the coffee's surface holds one steady highlight that trembles against the rim. Quiet, sharp-edged, sensual.
kカズヤ
#Umamusume: Pretty Derby#Manhattan Cafe

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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