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AI artwork
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user-1998836895748265345

user-1998836895748265345

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1boy, solo, male, close-up, face focus, face only, portrait, sitting, at desk, classroom, black eyes, handsome, masculine, gyaruo, jitome, narrow eyes, tsurime, sharp almond eyes, half-lidded eyes, sanpaku eyes, near-expressionless face, black hair, spiky hair, short hair, short bangs, black gakuran, early 2000s digital camera photo, low resolution, pixelation, digital grain, jpeg artifacts, muted washed-out colors, natural lighting, looking at viewer, slight head tilt, from above, candid snapshot A close-up shot framed tight on the face of one young man, cut off just below the jaw and at the top of the forehead, so the frame holds only his head and a sliver of his shoulders in the black gakuran's high collar; the camera sits slightly above his eye level and off-axis to his left, tilted a few degrees, as though a classmate held a compact digital camera at arm's length across the desk. His head is angled a touch down and turned a few degrees toward the lens, chin lowered, so the upper lids drop further and the whites show above the black irises in the three-white sanpaku pattern; the outer corners of his eyes rake upward in a sharp tsurime slant while the heavy half-lowered lids flatten them into a jitome stare that lands straight on the viewer, cool and unimpressed, one brow a fraction higher than the other. His mouth is closed and level, no smile, the lower lip relaxed, a faint shadow under it. Black hair is cut short and styled upward into stiff separated spikes with short jagged bangs broken over the forehead, a few strands falling between the brows; the gyaruo styling shows in the tidily plucked thin arch of his brows and the clean tan of his skin against the black collar, whose top edge crosses the bottom of the frame. Behind him the classroom is fully realized but thrown soft by the shallow focus: rows of wooden desks and chairs receding, a window at the left rear spilling flat daylight, a green chalkboard and pinned paper notices on the far wall, all slightly blurred at the edges. Daylight from that window is the only light, cool and even, striking the left side of his face and leaving gentle shadow along the right cheek and under the jaw; there is no other source and no harsh highlight. The palette is muted and washed out, dusty wood browns, chalk green and pale grey-blue window light against the solid black of his hair and uniform, with the skin kept a low-saturation tan. The image carries the texture of an early 2000s compact digital camera snapshot: coarse visible pixel blocks along the hair's spike edges, fine digital grain across the flat cheek, faint JPEG blocking in the shadow gradients, soft color transitions and a mild chromatic fuzz on the window frame. His shadow falls short and soft across the desk surface in front of him, and the grain is heaviest in the flat midtone of his cheek where the light is evenest. Nostalgic, quietly aloof.
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Oryginalny prompt
男性、1人、ソロ、顔のみ、教室、席に着く、黒目、イケメン、ハンサム、男らしい、ギャル男、ジト目、細目、黒の学ラン、黒髪、スパイクヘア、短髪、短い前髪、スパイキーヘア、つり目、切れ長の目、半目、無表情気味の顔、三白眼 early 2000s digital camera aesthetic, nostalgic digital photography, low resolution photograph, slightly pixelated image, subtle mosaic-like pixelation, visible coarse pixels, fine digital grain, gritty image texture, subtle film grain, soft image rendering, slightly blurred edges, gentle softness, mild JPEG compression artifacts, low bitrate video texture, delicate image noise, imperfect digital image quality, muted colors, slightly washed out colors, soft color transitions, subtle chromatic noise, natural lighting, realistic background details, detailed environmental scenery, amateur snapshot photography, candid photography, vintage compact digital camera look, balanced image degradation, soft yet grainy texture
Tryb
flash
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﹝Podpowiedzi﹞
Rozmiar
1056 x 1424
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Model i LoRA użyte

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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AI artwork
1boy, solo, male, close-up, face focus, face only, portrait, sitting, at desk, classroom, black eyes, handsome, masculine, gyaruo, jitome, narrow eyes, tsurime, sharp almond eyes, half-lidded eyes, sanpaku eyes, near-expressionless face, black hair, spiky hair, short hair, short bangs, black gakuran, early 2000s digital camera photo, low resolution, pixelation, digital grain, jpeg artifacts, muted washed-out colors, natural lighting, looking at viewer, slight head tilt, from above, candid snapshot A close-up shot framed tight on the face of one young man, cut off just below the jaw and at the top of the forehead, so the frame holds only his head and a sliver of his shoulders in the black gakuran's high collar; the camera sits slightly above his eye level and off-axis to his left, tilted a few degrees, as though a classmate held a compact digital camera at arm's length across the desk. His head is angled a touch down and turned a few degrees toward the lens, chin lowered, so the upper lids drop further and the whites show above the black irises in the three-white sanpaku pattern; the outer corners of his eyes rake upward in a sharp tsurime slant while the heavy half-lowered lids flatten them into a jitome stare that lands straight on the viewer, cool and unimpressed, one brow a fraction higher than the other. His mouth is closed and level, no smile, the lower lip relaxed, a faint shadow under it. Black hair is cut short and styled upward into stiff separated spikes with short jagged bangs broken over the forehead, a few strands falling between the brows; the gyaruo styling shows in the tidily plucked thin arch of his brows and the clean tan of his skin against the black collar, whose top edge crosses the bottom of the frame. Behind him the classroom is fully realized but thrown soft by the shallow focus: rows of wooden desks and chairs receding, a window at the left rear spilling flat daylight, a green chalkboard and pinned paper notices on the far wall, all slightly blurred at the edges. Daylight from that window is the only light, cool and even, striking the left side of his face and leaving gentle shadow along the right cheek and under the jaw; there is no other source and no harsh highlight. The palette is muted and washed out, dusty wood browns, chalk green and pale grey-blue window light against the solid black of his hair and uniform, with the skin kept a low-saturation tan. The image carries the texture of an early 2000s compact digital camera snapshot: coarse visible pixel blocks along the hair's spike edges, fine digital grain across the flat cheek, faint JPEG blocking in the shadow gradients, soft color transitions and a mild chromatic fuzz on the window frame. His shadow falls short and soft across the desk surface in front of him, and the grain is heaviest in the flat midtone of his cheek where the light is evenest. Nostalgic, quietly aloof.
user-1998836895748265345
AI artwork
1boy, solo, male, close-up, face focus, face only, portrait, sitting, at desk, classroom, black eyes, handsome, masculine, gyaruo, jitome, narrow eyes, tsurime, sharp almond eyes, half-lidded eyes, sanpaku eyes, near-expressionless face, black hair, spiky hair, short hair, short bangs, black gakuran, early 2000s digital camera photo, low resolution, pixelation, digital grain, jpeg artifacts, muted washed-out colors, natural lighting, looking at viewer, slight head tilt, from above, candid snapshot A close-up shot framed tight on the face of one young man, cut off just below the jaw and at the top of the forehead, so the frame holds only his head and a sliver of his shoulders in the black gakuran's high collar; the camera sits slightly above his eye level and off-axis to his left, tilted a few degrees, as though a classmate held a compact digital camera at arm's length across the desk. His head is angled a touch down and turned a few degrees toward the lens, chin lowered, so the upper lids drop further and the whites show above the black irises in the three-white sanpaku pattern; the outer corners of his eyes rake upward in a sharp tsurime slant while the heavy half-lowered lids flatten them into a jitome stare that lands straight on the viewer, cool and unimpressed, one brow a fraction higher than the other. His mouth is closed and level, no smile, the lower lip relaxed, a faint shadow under it. Black hair is cut short and styled upward into stiff separated spikes with short jagged bangs broken over the forehead, a few strands falling between the brows; the gyaruo styling shows in the tidily plucked thin arch of his brows and the clean tan of his skin against the black collar, whose top edge crosses the bottom of the frame. Behind him the classroom is fully realized but thrown soft by the shallow focus: rows of wooden desks and chairs receding, a window at the left rear spilling flat daylight, a green chalkboard and pinned paper notices on the far wall, all slightly blurred at the edges. Daylight from that window is the only light, cool and even, striking the left side of his face and leaving gentle shadow along the right cheek and under the jaw; there is no other source and no harsh highlight. The palette is muted and washed out, dusty wood browns, chalk green and pale grey-blue window light against the solid black of his hair and uniform, with the skin kept a low-saturation tan. The image carries the texture of an early 2000s compact digital camera snapshot: coarse visible pixel blocks along the hair's spike edges, fine digital grain across the flat cheek, faint JPEG blocking in the shadow gradients, soft color transitions and a mild chromatic fuzz on the window frame. His shadow falls short and soft across the desk surface in front of him, and the grain is heaviest in the flat midtone of his cheek where the light is evenest. Nostalgic, quietly aloof.
user-1998836895748265345
AI artwork
1boy, solo, male, close-up, face focus, face only, portrait, sitting, at desk, classroom, black eyes, handsome, masculine, gyaruo, jitome, narrow eyes, tsurime, sharp almond eyes, half-lidded eyes, sanpaku eyes, near-expressionless face, black hair, spiky hair, short hair, short bangs, black gakuran, early 2000s digital camera photo, low resolution, pixelation, digital grain, jpeg artifacts, muted washed-out colors, natural lighting, looking at viewer, slight head tilt, from above, candid snapshot A close-up shot framed tight on the face of one young man, cut off just below the jaw and at the top of the forehead, so the frame holds only his head and a sliver of his shoulders in the black gakuran's high collar; the camera sits slightly above his eye level and off-axis to his left, tilted a few degrees, as though a classmate held a compact digital camera at arm's length across the desk. His head is angled a touch down and turned a few degrees toward the lens, chin lowered, so the upper lids drop further and the whites show above the black irises in the three-white sanpaku pattern; the outer corners of his eyes rake upward in a sharp tsurime slant while the heavy half-lowered lids flatten them into a jitome stare that lands straight on the viewer, cool and unimpressed, one brow a fraction higher than the other. His mouth is closed and level, no smile, the lower lip relaxed, a faint shadow under it. Black hair is cut short and styled upward into stiff separated spikes with short jagged bangs broken over the forehead, a few strands falling between the brows; the gyaruo styling shows in the tidily plucked thin arch of his brows and the clean tan of his skin against the black collar, whose top edge crosses the bottom of the frame. Behind him the classroom is fully realized but thrown soft by the shallow focus: rows of wooden desks and chairs receding, a window at the left rear spilling flat daylight, a green chalkboard and pinned paper notices on the far wall, all slightly blurred at the edges. Daylight from that window is the only light, cool and even, striking the left side of his face and leaving gentle shadow along the right cheek and under the jaw; there is no other source and no harsh highlight. The palette is muted and washed out, dusty wood browns, chalk green and pale grey-blue window light against the solid black of his hair and uniform, with the skin kept a low-saturation tan. The image carries the texture of an early 2000s compact digital camera snapshot: coarse visible pixel blocks along the hair's spike edges, fine digital grain across the flat cheek, faint JPEG blocking in the shadow gradients, soft color transitions and a mild chromatic fuzz on the window frame. His shadow falls short and soft across the desk surface in front of him, and the grain is heaviest in the flat midtone of his cheek where the light is evenest. Nostalgic, quietly aloof.
user-1998836895748265345
AI artwork
1boy, solo, male focus, close-up, face only, portrait crop, from above, slight dutch angle, sitting at desk, classroom, black hair, bob cut, blunt bob framing the jawline, straight bangs across the brow, black eyes, narrow eyes, jitome, half-closed eyes, scornful stare, looking at viewer, handsome male, masculine, sharp jawline, straight nose, thick brows, black gakuran, closed high collar, gold buttons at the collar, school desk, chair back, wooden desk surface, folded hands, low resolution, pixelated, macroblocking, compression artifacts, blurry, soft focus, washed-out colors, muddy colors, low bitrate, digital noise, camcorder footage, nostalgic, early 2000s, Shot from slightly above and a touch off-axis, the camera looks down at a single high-school boy seated at his desk, filling the frame from the top of his head to the point of his chin — the frame edge cuts across the black collar of his gakuran, so the shot is face and throat only, with no shoulders or hands visible. His black bob hangs straight and heavy, the bangs lying flat across his forehead and the blunt side edges stopping at the corners of his jaw; the crown of his head is the nearest thing to the lens and is beginning to lose focus. He has tilted his chin down and rolled his black eyes up to meet the lens, and under the low, heavy upper lids they read as narrow, half-lidded, and openly unimpressed — a flat, level, scornful stare that never wavers, the corner of his mouth pulled down a fraction, one brow a little lower than the other, nothing else moving. Behind and around him the classroom falls out of focus: a grid of desk edges, the pale rectangle of a window at the upper left, a smear of blackboard green deeper in the room. The light comes from that window, cool and flat, laying a soft highlight down the left side of his hair and the bridge of his nose while the right side of his face sinks into dim shadow, and the desk below throws nothing back because it is cropped away. The palette stays in graphite and cold grey-green: black hair, black collar, the boy's skin the only warm note, everything else drained. The whole image is processed as though pulled from a first-generation camcorder tape — stacked macroblocking in the flat shadow areas, the black of the hair clotting into solid blocks, colour bleeding at the edge of his cheek and the collar, the window blooming into a soft white smear, faint horizontal tape noise across the lower third, the focus going soft at the crown of the head and at the frame edges. Quiet, unbothered insolence.
user-1998836895748265345

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
3#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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