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Gobbo

Sztuka AI „Gobbo” autorstwa GGFF na PixAI. Utworzono z Tsubaki.3.

#goblinka

Opublikowano Nov 13, 2026

GGFF

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1girl, solo, full body, from below, slight low-angle, sitting, sitting on crate, wooden crate, weathered wood, goblin girl, small stature, 5-head-tall proportions, child-sized body, smooth glossy green skin, long messy red hair, messy hair, ahoge, prominent big ahoge, large pointed elf ears, long pointed ears, red eyes, yellow pupils, relaxed cheerful smile, closed-mouth smile, happy, hourglass figure, extremely huge breasts, deep cleavage, wide hips, thick thighs, tight gray sports bra, long coat, red and black leather coat, coat draped over shoulders, coat off shoulders, bare shoulders, black and red camouflage cargo pants, camo pants, scrap metal knee pads, knee pads, black tool belt, tool belt, pouches, fingerless gloves, metal knuckles, calf-length black work boots, work boots, goggles on head, biker goggles, wrench, holding wrench, holding mechanical part, small mechanical part, examining, looking at object, industrial scrapyard, scrapyard, rusted metal, metal heaps, machinery, junk pile, daylight, soft natural lighting, cinematic lighting, sharp focus, shallow depth of field, depth of field, high-quality anime illustration, bold halftone dots, graffiti marks, neon accents, thick outlines, pop-graphic composition, The camera sits at a slight low angle, looking up at a single small goblin girl who fills the frame from her boot soles to the tip of her ahoge, her whole body only 90cm tall and drawn at five-head-tall proportions so the head reads large and the limbs read short and sturdy against the tall scrap around her. She sits casually on a weathered wooden crate in an industrial scrapyard, the crate's grey planks grooved and splintered under her, her wide hips settled flat on the top board with the thick thighs of her black-and-red camouflage cargo pants spread comfortably apart, both calf-length black work boots planted apart on the crate's front edge and hanging slightly over it, the scrap metal knee pads strapped over her knees catching a dull glint. Her spine is loose and slightly slumped forward over her work, the long red and black leather coat draped over her shoulders without arms in the sleeves so it bunches behind her and spills down the crate's back corner, its red panels hanging heavy and its black leather creased at the shoulder seams. Over her chest the tight gray sports bra holds an exaggerated hourglass figure with extremely huge breasts and deep cleavage, the fabric stretched taut and drawn into a shallow crease at the centre, and her smooth glossy green skin shows a soft specular highlight along the collarbone, the shoulder of each breast and the bridge of her nose. Her long messy red hair falls in loose tangles past her elbows, and one big ahoge springs up and curls forward from her crown as the tallest point in the silhouette; vintage biker goggles rest on her head just above her brow, their cracked strap pushed back into the red strands. Her large pointed elf ears push out sideways through the hair and their tips catch a thin rim of daylight. Her left hand, gloved in fingerless leather with metal knuckles glinting across the back of the fingers and green knuckles bare above the metal, grips a heavy metallic wrench low and loosely, its head resting down against her thigh so the tool reads as weight rather than gesture. Her right hand, identically gloved, pinches a small mechanical part up close to her face, thumb and forefinger holding the little gear and pin assembly at eye level; her red eyes with yellow pupils are fixed on it, slightly narrowed in concentration, while her relaxed cheerful smile lifts one corner a touch higher than the other. Her chin tips down toward the part, her ears angle forward, and the tip of the wrench dips with the shift of her shoulder. Behind and around her the scrapyard stacks up in rusted metal heaps and broken machinery: crushed drums, bent rebar, a gutted gearbox and a leaning crane arm, all rendered with bold halftone dots in the shadow planes and graffiti-bright tags of rust orange, acid green and magenta sprayed across the nearest panels while the far piles dissolve into soft grey-orange haze through a shallow depth of field, sharp focus held only on her face, her hands and the crate edge. Soft natural daytime light comes from high and behind her left shoulder, wrapping a warm rim along the ahoge, the ear tips, the coat's red leather and the top planes of the crate, while the shade under her chin and beneath the breasts stays cool and green-tinted and her compact shadow falls short and dark across the crate top and the boot toes. The palette is disciplined to rust orange, scrap grey, acid green and graffiti magenta, with her red hair and the red coat panels as the loudest note, and a single physical tell: the crate's splintered top board dips and its grain compresses directly under her seated weight while the boards at the far end stay level. Effortlessly stylish, sunlit junkheap calm.

Gobbo

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