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AI artwork
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faitan

Sztuka AI autorstwa faitan na PixAI. Utworzono z Tsubaki.3 Flash.

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faitan

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1girl, solo, adult woman, black hair, hime cut, long straight side locks framing the face, high ponytail, golden eyes, freckles, exhausted, tired, beaten up, bruise on cheekbone, split lip, sweat, heavy-lidded eyes, half-closed eyes, white and black sports bra, boxing gloves, boxing ring, old dirty boxing ring, leaning at turnbuckle, turnbuckle, standing, only upper body, upper body, cowboy shot, from below, looking down, crowd, cheering, throwing money, cash, bar, dim bar interior, warm haze, close-up, The camera sits low inside the ring apron, tilted up from below so the corner post rises past the left edge of frame; only the upper body is in shot, framed from the waist up with the crop cutting at the ribs, and the woman stands leaning into the near turnbuckle, her right forearm and the padded red turnbuckle cover taking her weight while her left glove hangs low and loose at her hip line, one hip cocked against the post so the ropes press a shallow line into her flank. Black hair is cut in a blunt hime style with two long straight side locks falling past her jaw, the rest pulled back into a high ponytail whose tail has come half loose and sticks to the sweat at her neck; a strand of it lies across her damp forehead. Her golden eyes are heavy, lids half-shut, gazing down and out past the ropes toward the shouting floor, not at the viewer, and her chin is lifted slightly by the exhaustion of holding her head up. Freckles scatter across her nose and cheekbones over skin that is flushed red at the cheeks and shoulders; a bruise darkens high on her right cheekbone and her lower lip is split and swollen, dried blood at the corner of the mouth, a smear of it tacked across one shoulder. The sports bra is white and black — black side panels and a black underband, white front panel darkened with sweat and a coin-sized red blot at the ribs — and her boxing gloves are worn, cracked and dusty, laces slack at the wrists. Below the crop, the ring canvas falls away out of frame. The ring is old and dirty: the canvas floor stained and scuffed, the turnbuckle pad split and taped, ropes frayed and slack with dust and old rosin, the ropes running in four parallel lines that converge toward the frame's right edge under perspective. Beyond and below the ropes, the bar crowds in out of focus — sweating bottles racked on backlit shelves, a hanging bulb, cigarette haze. A ring of spectators presses at the apron, mouths open mid-shout, and bills and coins arc through the air toward the canvas, banknotes curled and caught in the ring light, some bills caught in the lower ropes and fluttering against the mesh; one note is stuck flat to the sweat of the woman's shoulder. Light comes from the single ring bulb directly above, hard and warm, striping the top of her head, the bridge of her nose and the tops of her shoulders while the underside of her jaw, the hollows of her eyes and the inside of the ring ropes fall into deep shadow; her cast shadow drops straight down onto the canvas between her boots. Palette is limited to sweat-shined skin, black hair and black panel trim, the white of the bra and canvas, bruised red-violet, and the amber haze of the bar beyond the ropes. Exhausted, hollowed-out, stubborn.
Pokaż parametry
Oryginalny prompt
adult women,black hair, hime cut, ponytail, golden eyes,freckles,,,,,old and dirty boxing ring,at turnbuckle,white and black spoorts bra,only upper body,,exhausted, beaten up,looking tired,boxing gloves, in a bar,standing,crowd cheering and throwing cash
Tryb
flash
Rozmiar
1280 x 768
Pomocnik podpowiedzi

Model i LoRA użyte

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.17k

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AI artwork
f
1girl, solo, adult woman, black hair, hime cut, long straight side locks framing the face, high ponytail, golden eyes, freckles, exhausted, tired, beaten up, bruise on cheekbone, split lip, sweat, heavy-lidded eyes, half-closed eyes, white and black sports bra, boxing gloves, boxing ring, old dirty boxing ring, leaning at turnbuckle, turnbuckle, standing, only upper body, upper body, cowboy shot, from below, looking down, crowd, cheering, throwing money, cash, bar, dim bar interior, warm haze, close-up, The camera sits low inside the ring apron, tilted up from below so the corner post rises past the left edge of frame; only the upper body is in shot, framed from the waist up with the crop cutting at the ribs, and the woman stands leaning into the near turnbuckle, her right forearm and the padded red turnbuckle cover taking her weight while her left glove hangs low and loose at her hip line, one hip cocked against the post so the ropes press a shallow line into her flank. Black hair is cut in a blunt hime style with two long straight side locks falling past her jaw, the rest pulled back into a high ponytail whose tail has come half loose and sticks to the sweat at her neck; a strand of it lies across her damp forehead. Her golden eyes are heavy, lids half-shut, gazing down and out past the ropes toward the shouting floor, not at the viewer, and her chin is lifted slightly by the exhaustion of holding her head up. Freckles scatter across her nose and cheekbones over skin that is flushed red at the cheeks and shoulders; a bruise darkens high on her right cheekbone and her lower lip is split and swollen, dried blood at the corner of the mouth, a smear of it tacked across one shoulder. The sports bra is white and black — black side panels and a black underband, white front panel darkened with sweat and a coin-sized red blot at the ribs — and her boxing gloves are worn, cracked and dusty, laces slack at the wrists. Below the crop, the ring canvas falls away out of frame. The ring is old and dirty: the canvas floor stained and scuffed, the turnbuckle pad split and taped, ropes frayed and slack with dust and old rosin, the ropes running in four parallel lines that converge toward the frame's right edge under perspective. Beyond and below the ropes, the bar crowds in out of focus — sweating bottles racked on backlit shelves, a hanging bulb, cigarette haze. A ring of spectators presses at the apron, mouths open mid-shout, and bills and coins arc through the air toward the canvas, banknotes curled and caught in the ring light, some bills caught in the lower ropes and fluttering against the mesh; one note is stuck flat to the sweat of the woman's shoulder. Light comes from the single ring bulb directly above, hard and warm, striping the top of her head, the bridge of her nose and the tops of her shoulders while the underside of her jaw, the hollows of her eyes and the inside of the ring ropes fall into deep shadow; her cast shadow drops straight down onto the canvas between her boots. Palette is limited to sweat-shined skin, black hair and black panel trim, the white of the bra and canvas, bruised red-violet, and the amber haze of the bar beyond the ropes. Exhausted, hollowed-out, stubborn.
faitan
AI artwork
f
1girl, solo, adult woman, black hair, hime cut, long straight side locks framing the face, high ponytail, golden eyes, freckles, exhausted, tired, beaten up, bruise on cheekbone, split lip, sweat, heavy-lidded eyes, half-closed eyes, white and black sports bra, boxing gloves, boxing ring, old dirty boxing ring, leaning at turnbuckle, turnbuckle, standing, only upper body, upper body, cowboy shot, from below, looking down, crowd, cheering, throwing money, cash, bar, dim bar interior, warm haze, close-up, The camera sits low inside the ring apron, tilted up from below so the corner post rises past the left edge of frame; only the upper body is in shot, framed from the waist up with the crop cutting at the ribs, and the woman stands leaning into the near turnbuckle, her right forearm and the padded red turnbuckle cover taking her weight while her left glove hangs low and loose at her hip line, one hip cocked against the post so the ropes press a shallow line into her flank. Black hair is cut in a blunt hime style with two long straight side locks falling past her jaw, the rest pulled back into a high ponytail whose tail has come half loose and sticks to the sweat at her neck; a strand of it lies across her damp forehead. Her golden eyes are heavy, lids half-shut, gazing down and out past the ropes toward the shouting floor, not at the viewer, and her chin is lifted slightly by the exhaustion of holding her head up. Freckles scatter across her nose and cheekbones over skin that is flushed red at the cheeks and shoulders; a bruise darkens high on her right cheekbone and her lower lip is split and swollen, dried blood at the corner of the mouth, a smear of it tacked across one shoulder. The sports bra is white and black — black side panels and a black underband, white front panel darkened with sweat and a coin-sized red blot at the ribs — and her boxing gloves are worn, cracked and dusty, laces slack at the wrists. Below the crop, the ring canvas falls away out of frame. The ring is old and dirty: the canvas floor stained and scuffed, the turnbuckle pad split and taped, ropes frayed and slack with dust and old rosin, the ropes running in four parallel lines that converge toward the frame's right edge under perspective. Beyond and below the ropes, the bar crowds in out of focus — sweating bottles racked on backlit shelves, a hanging bulb, cigarette haze. A ring of spectators presses at the apron, mouths open mid-shout, and bills and coins arc through the air toward the canvas, banknotes curled and caught in the ring light, some bills caught in the lower ropes and fluttering against the mesh; one note is stuck flat to the sweat of the woman's shoulder. Light comes from the single ring bulb directly above, hard and warm, striping the top of her head, the bridge of her nose and the tops of her shoulders while the underside of her jaw, the hollows of her eyes and the inside of the ring ropes fall into deep shadow; her cast shadow drops straight down onto the canvas between her boots. Palette is limited to sweat-shined skin, black hair and black panel trim, the white of the bra and canvas, bruised red-violet, and the amber haze of the bar beyond the ropes. Exhausted, hollowed-out, stubborn.
faitan
AI artwork
f
1girl, solo, adult woman, black hair, hime cut, long straight side locks framing the face, high ponytail, golden eyes, freckles, exhausted, tired, beaten up, bruise on cheekbone, split lip, sweat, heavy-lidded eyes, half-closed eyes, white and black sports bra, boxing gloves, boxing ring, old dirty boxing ring, leaning at turnbuckle, turnbuckle, standing, only upper body, upper body, cowboy shot, from below, looking down, crowd, cheering, throwing money, cash, bar, dim bar interior, warm haze, close-up, The camera sits low inside the ring apron, tilted up from below so the corner post rises past the left edge of frame; only the upper body is in shot, framed from the waist up with the crop cutting at the ribs, and the woman stands leaning into the near turnbuckle, her right forearm and the padded red turnbuckle cover taking her weight while her left glove hangs low and loose at her hip line, one hip cocked against the post so the ropes press a shallow line into her flank. Black hair is cut in a blunt hime style with two long straight side locks falling past her jaw, the rest pulled back into a high ponytail whose tail has come half loose and sticks to the sweat at her neck; a strand of it lies across her damp forehead. Her golden eyes are heavy, lids half-shut, gazing down and out past the ropes toward the shouting floor, not at the viewer, and her chin is lifted slightly by the exhaustion of holding her head up. Freckles scatter across her nose and cheekbones over skin that is flushed red at the cheeks and shoulders; a bruise darkens high on her right cheekbone and her lower lip is split and swollen, dried blood at the corner of the mouth, a smear of it tacked across one shoulder. The sports bra is white and black — black side panels and a black underband, white front panel darkened with sweat and a coin-sized red blot at the ribs — and her boxing gloves are worn, cracked and dusty, laces slack at the wrists. Below the crop, the ring canvas falls away out of frame. The ring is old and dirty: the canvas floor stained and scuffed, the turnbuckle pad split and taped, ropes frayed and slack with dust and old rosin, the ropes running in four parallel lines that converge toward the frame's right edge under perspective. Beyond and below the ropes, the bar crowds in out of focus — sweating bottles racked on backlit shelves, a hanging bulb, cigarette haze. A ring of spectators presses at the apron, mouths open mid-shout, and bills and coins arc through the air toward the canvas, banknotes curled and caught in the ring light, some bills caught in the lower ropes and fluttering against the mesh; one note is stuck flat to the sweat of the woman's shoulder. Light comes from the single ring bulb directly above, hard and warm, striping the top of her head, the bridge of her nose and the tops of her shoulders while the underside of her jaw, the hollows of her eyes and the inside of the ring ropes fall into deep shadow; her cast shadow drops straight down onto the canvas between her boots. Palette is limited to sweat-shined skin, black hair and black panel trim, the white of the bra and canvas, bruised red-violet, and the amber haze of the bar beyond the ropes. Exhausted, hollowed-out, stubborn.
faitan
AI artwork
d
character: takarada_rikka sole female, 1girl, takarada rikka, black hair, long hair, blue eyes, hair bow, scrunchie, skinny, medium breasts, satin black and blue sports bra, two-tone sports bra, satin yoga shorts, boxing gloves, large boxing gloves held up, fists up, guard stance, ready, beaten up, exhausted, bruised, bruise on arm, swollen eye, black eye, swollen cheek, swollen face, serious, closed mouth, furrowed brow, sweat, from below, cowboy shot, upper body, boxing ring, turnbuckle, corner post, ring ropes, dark arena, very dark palette, unsaturated colors, low saturation, dim lighting, Camera sits low at ring level and looks up: a corner of the ring fills the frame from a steep upward angle, the padded turnbuckle post rising behind her right shoulder and three taut ropes running away in receding diagonals across the dark. She stands wedged into that corner — her back and left shoulder pressed into the padded post and the middle rope, right hip cocked out, weight on the back leg, both heels planted wide on the canvas. She is skinny and wiry, collarbones and rib edges showing above the bra; the satin black and blue sports bra is a deep two-tone with a blue panel crossing the chest, its sheen catching only a thin cold highlight along the upper curve, and the satin yoga shorts show at the very bottom edge of the crop, wrinkled where her hips turn. Both boxing gloves are up in front of her face in a tight guard: the lead glove at chin height with its wrist bent slightly inward, the rear glove tucked closer to her swollen cheek, the laces and scuffed knuckle leather of both facing the lens in hard foreshortening so they read larger than her head. Her elbows are in, shoulders hunched high with exhaustion. Her face is a mess of it: the left eye swollen nearly shut under a purple-black lid, the right eye open and fixed straight ahead past her own gloves with a flat, unblinking stare; the left cheek puffed and mottled violet, a split at the brow, dried blood dark at one nostril and the lower lip, a sheen of sweat across her forehead and throat. Her mouth is closed and set, jaw clamped, one brow dragged down. Long black hair is half out of its bow and scrunchie, wet strands pasted to her temple and the swollen cheek, the rest swinging loose behind her shoulders. One light source only: a single cold overhead arena lamp high above and behind her, so the top of the turnbuckle, the crown of her head and the upper rims of both gloves catch a thin pale edge, while her eye sockets, the underside of her chin and the space between the ropes fall into deep shadow; the arena beyond the ring is unlit and swallows everything. Palette is squeezed nearly to monochrome — charcoal, bruised plum, dull navy in the bra panel, the grey-white of the ropes — with the red of the split lip and nostril the only warmth admitted. Sweat beads run down the glove leather and gather at the lowest point of each wrist cuff before dripping onto the canvas; the canvas beneath her shows two dark damp footprints where she has been standing. Grim, cornered, unbroken.
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
4#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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