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いい投資の日（11月14日記念日）

Sztuka AI „いい投資の日（11月14日記念日）” autorstwa セキモリ na PixAI. Utworzono z Tsubaki.3 Flash.

「退屈な投資こそ良い投資」て言ったのは投資の神様の右腕の人だったっけ？ガチャガチャ小まめに取引すると、手数料の分だけマイナスするので、理論上、長期インデックス投信に勝てない。なので、買ったら寝とけば良いのです。

Opublikowano Nov 14, 2026

セキモリ

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1girl, solo, sleeping, eyes closed, peaceful, curled up, on futon, lying on side, knees drawn up, straight black bob cut, blunt bangs, short black hair, dot nose, soft childlike features, flat-chested, slim waist, long legs, loose cream-colored long-sleeve pajama top, bear embroidery on pajama top, barefoot, bare feet at futon edge, face half-buried in pale pink pillow, futon, traditional Japanese tatami room, tatami floor, shoji screen, early morning sunlight, striped light, warm light, wide-angle landscape framing, horizontal composition, eye-level gentle angle, open notebook, hand-drawn bar charts, pie graphs, pastel ink, smartphone, propped against notebook, stock market app, green numbers, glass coin jar, coins, ¥10 coin, ¥500 coin, coins spilling on floor, wall calendar, red circle, "November 14", bright airy morning, anime illustration, gentle cel-shading, pastel palette, soft green and gold light, calm breathing, relaxed face, stray strands on the pillow, duvet pushed down at the waist, faint breath on the pillow fabric, quiet tender morning The frame is a gentle eye-level wide-angle landscape view looking slightly down into a low tatami room, the futon running horizontally across the horizontal band of the image. The girl lies on her side, curled up compactly, knees drawn toward her chest so her long legs fold back and the bare feet emerge at the futon's near edge, heels together and toes softly apart, the soles pale against the tatami. Her front foot rests on the futon's edge, the other tucked behind it. Her narrow waist curves inward beneath the loose cream pajama top, the fabric creasing where her hips turn; one small embroidered bear sits low on the chest, stitched in soft brown thread. Her arms lie folded under the pale pink pillow, which she pulls in close, so her hands are hidden and only the pillow's soft dent and the spread of the cream sleeve show where her forearms press. Her face is half-buried in the pillow: the lower cheek and jaw sink into the fabric, her blunt bangs and straight black bob fan over the pillow's edge, one lock fallen across her brow, her eyes gently closed as thin dark curves, her small dot nose, her mouth just parted with a calm breathing expression, chest rising slowly. The walls of the room are plain paper and wood, the shoji screen on the left filtering the early sun, the light striking across the futon in warm stripes, bands of gold and soft green from the garden beyond the paper; each stripe crosses her black hair and the woven tatami in parallel diagonal bands, shading the sleep lines on her cheek and a single bright ribbon across her closed eyes. Near her pillow the open notebook lies flat on the tatami, pages showing hand-drawn bar charts and pie graphs in pastel ink; the smartphone leans against the notebook's spine, screen lit with a stock-market app of green numbers and small charts. Beside it the glass coin jar catches a green-tinted sunbeam through its rim, ¥10 and ¥500 coins stacked and sliding inside, several coins scattered and spilling onto the floor. In the upper right of the room, on the wall beyond the futon, hangs the small calendar: "November 14" printed in crisp black numerals, the date ringed with red marker. The composition is wide and airy, the futon and floor along the horizontal axis, the pillow and notebook toward the lower center-left, the calendar small in the upper right. Soft pastel tones dominate, cream and pale pink and warm tatami gold, with hints of green from the morning light. Gentle cel-shading, clean linework, soft morning atmosphere. Quiet, tender.

いい投資の日（11月14日 記念日）

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いい投資の日（11月14日記念日）